Owner's Manual

Total Page:16

File Type:pdf, Size:1020Kb

Owner's Manual Owner’s Manual BL00004940-206 EN Introduction Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents be- fore using the camera. Keep the manual where it will be read by all who use the product. For the Latest Information The latest versions of the manuals are available from: http://fujifilm-dsc.com/en/manual/ The site can be accessed not only from your computer but also from smartphones and tablets. For information on fi rmware updates, visit: http://www.fujifilm.com/support/digital_cameras/software/ ii P Chapter Index Menu List iv 1 Before You Begin 1 2 First Steps 25 3 Basic Photography and Playback 43 4 Movie Recording and Playback 49 5 Taking Photographs 55 6 The Shooting Menus 97 7 Playback and the Playback Menu 151 8 The Setup Menus 177 9 Shortcuts 211 10 Peripherals and Optional Accessories 223 11 Connections 241 12 Technical Notes 255 iii Menu List Camera menu options are listed below. Shooting Menus Menu List Adjust settings when shooting photos or movies. N See page 97 for details. H IMAGE QUALITY SETTING P G AF/MF SETTING P IMAGE SIZE 98 FACE/EYE DETECTION SETTING 117 IMAGE QUALITY 99 AF+MF 118 RAW RECORDING 99 MF ASSIST 119 FILM SIMULATION 100 FOCUS CHECK 119 1⁄3 GRAIN EFFECT 101 2⁄3 INTERLOCK SPOT AE & FOCUS AREA 120 DYNAMIC RANGE 101 INSTANT AF SETTING 120 D RANGE PRIORITY 102 DEPTH-OF-FIELD SCALE 120 WHITE BALANCE 102 RELEASE/FOCUS PRIORITY 120 HIGHLIGHT TONE 106 3⁄3 TOUCH SCREEN MODE 121 SHADOW TONE 106 A SHOOTING SETTING P COLOR 106 DRIVE SETTING 123 2⁄3 SHARPNESS 106 SELF-TIMER 125 NOISE REDUCTION 107 INTERVAL TIMER SHOOTING 126 LONG EXPOSURE NR 107 SHUTTER TYPE 127 LENS MODULATION OPTIMIZER 107 1⁄2 FLICKER REDUCTION 128 COLOR SPACE 107 ISO AUTO SETTING 128 PIXEL MAPPING 108 IS MODE 129 3⁄3 SELECT CUSTOM SETTING 108 MOUNT ADAPTER SETTING 129 EDIT/SAVE CUSTOM SETTING 109 2⁄2 MULTI EXPOSURE 132 G AF/MF SETTING P WIRELESS COMMUNICATION 133 FOCUS AREA 110 F FLASH SETTING P AF MODE 111 FLASH FUNCTION SETTING 134 AF-C CUSTOM SETTINGS 112 RED EYE REMOVAL 134 1⁄3 STORE AF MODE BY ORIENTATION 115 TTL-LOCK MODE 135 AF POINT DISPLAYyz 115 LED LIGHT SETTING 135 NUMBER OF FOCUS POINTS 116 MASTER SETTING 136 PRE-AF 116 CH SETTING 136 AF ILLUMINATOR 116 iv Menu List B MOVIE SETTING P B MOVIE SETTING P MOVIE MODE 137 FACE/EYE DETECTION SETTING FULL HD HIGH SPEED REC 138 (MOVIE) 144 FILM SIMULATION (MOVIE) 139 MF ASSIST (MOVIE) 144 1⁄4 DYNAMIC RANGE (MOVIE) 139 FOCUS CHECK (MOVIE) 144 WHITE BALANCE (MOVIE) 140 3⁄4 HDMI OUTPUT INFO DISPLAY 145 HIGHLIGHT TONE (MOVIE) 140 4K MOVIE OUTPUT 145 Menu List SHADOW TONE (MOVIE) 140 FULL HD MOVIE OUTPUT 145 COLOR (MOVIE) 141 4K HDMI STANDBY QUALITY 146 SHARPNESS (MOVIE) 141 HDMI REC CONTROL 146 NOISE REDUCTION (MOVIE) 141 AUDIO SETTING 146 F-Log RECORDING 141 TIME CODE SETTING 148 PERIPHERAL LIGHT CORRECTION 4⁄4 142 TALLY LIGHT 150 2⁄4 (MOVIE) MOVIE SILENT CONTROL 150 FOCUS AREA (MOVIE) 142 MOVIE AF MODE 142 AF-C CUSTOM SETTING (MOVIE) 143 PRE-AF (MOVIE) 143 The Playback Menu Adjust playback settings. N See page 157 for details. C PLAY BACK MENU P C PLAY BACK MENU P SWITCH SLOT 157 RED EYE REMOVAL 166 RAW CONVERSION 158 VOICE MEMO SETTING 167 ERASE 160 COPY 168 SIMULTANEOUS DELETE(RAW 2⁄3 IMAGE TRANSFER ORDER 169 1⁄3 SLOT1/JPG SLOT2) 162 WIRELESS COMMUNICATION 170 CROP 162 SLIDE SHOW 170 RESIZE 163 PHOTOBOOK ASSIST 171 PROTECT 164 PC AUTO SAVE 172 IMAGE ROTATE 165 PRINT ORDER (DPOF) 173 3⁄3 instax PRINTER PRINT 174 DISP ASPECT 175 v Setup Menus Adjust basic camera settings. N See page 177 for details. D USER SETTING P D SCREEN SETTING P Menu List FORMAT 178 EVF BRIGHTNESS 184 DATE/TIME 179 EVF COLOR 184 TIME DIFFERENCE 179 EVF COLOR ADJUSTMENT 184 a 180 LCD BRIGHTNESS 185 MY MENU SETTING 180 1⁄3 LCD COLOR 185 SENSOR CLEANING 181 LCD COLOR ADJUSTMENT 185 RESET 181 IMAGE DISP. 186 D SOUND SETTING P AUTOROTATE DISPLAYS 186 AF BEEP VOL. 182 PREVIEW EXP./WB IN MANUAL MODE 187 SELF-TIMER BEEP VOL. 182 NATURAL LIVE VIEW 187 OPERATION VOL. 182 FRAMING GUIDELINE 188 SHUTTER VOLUME 183 2⁄3 AUTOROTATE PB 188 SHUTTER SOUND 183 FOCUS SCALE UNITS 189 PLAYBACK VOLUME 183 APERTURE UNIT FOR CINEMA LENS 189 DUAL DISPLAY SETTING 189 DISP. CUSTOM SETTING 190 SUB MONITOR SETTING 191 3⁄3 SUB MONITOR BACKGROUND COLOR 191 vi Menu List D BUTTON/DIAL SETTING P D SAVE DATA SETTING P FOCUS LEVER SETTING 192 FRAME NO. 203 EDIT/SAVE QUICK MENU 193 SAVE ORG IMAGE 204 FUNCTION (Fn) SETTING 194 EDIT FILE NAME 204 SELECTOR BUTTON SETTING 196 CARD SLOT SETTING (STILL IMAGE) 204 1⁄3 COMMAND DIAL SETTING 196 SELECT SLOT(xSEQUENTIAL) 204 ISO DIAL SETTING (H) 197 SELECT SLOT(FSEQUENTIAL) 205 Menu List ISO DIAL SETTING (L) 197 SELECT FOLDER 205 ISO DIAL SETTING (A) 197 COPYRIGHT INFO 205 SHUTTER AF 198 D CONNECTION SETTING P SHUTTER AE 198 Bluetooth SETTINGS 206 SHOOT WITHOUT LENS 198 NETWORK SETTING 207 2⁄3 SHOOT WITHOUT CARD 199 PC AUTO SAVE 207 FOCUS RING 199 instax PRINTER CONNECTION FOCUS RING OPERATION 199 SETTING 208 AE/AF-LOCK MODE 199 PC CONNECTION MODE 209 EXPO. COMP. BUTTON SETTING 200 GENERAL SETTINGS 210 APERTURE RING SETTING (A) 200 INFORMATION 210 APERTURE SETTING 200 RESET WIRELESS SETTING 210 3⁄3 TOUCH SCREEN SETTING 201 LOCK 201 D POWER MANAGEMENT P AUTO POWER OFF 202 PERFORMANCE 202 vii P Table of Contents Introduction ...................................................................................................................ii For the Latest Information .....................................................................................................ii Menu List ........................................................................................................................iv Shooting Menus .........................................................................................................................iv The Playback Menu....................................................................................................................v Setup Menus .................................................................................................................................vi 1 Supplied Accessories ..............................................................................................xvii About This Manual .................................................................................................xviii Introduction Symbols and Conventions ..............................................................................................xviii Terminology .............................................................................................................................xviii 1 Before You Begin 1 Parts of the Camera .....................................................................................................2 The Serial Number Plate .........................................................................................................4 The Selector ....................................................................................................................................4 The Focus Stick .............................................................................................................................4 The Shutter Speed and Sensitivity Dials .......................................................................5 The Metering Dial .......................................................................................................................5 The Drive Dial ................................................................................................................................6 The Command Dials..................................................................................................................7 The Indicator Lamp ...................................................................................................................8 Focusing the Viewfi nder .........................................................................................................8 The LCD Monitor .........................................................................................................................9 Camera Displays .........................................................................................................10 The Electronic Viewfi nder ...................................................................................................10 The LCD Monitor ......................................................................................................................12 Display Rotation ........................................................................................................................13 Choosing a Display Mode...................................................................................................14 Adjusting Display Brightness ............................................................................................14 The Eye Cup.................................................................................................................................15 The DISP/BACK Button .........................................................................................................15 The Dual Display .......................................................................................................................16 Customizing the Standard Display................................................................................17 The Secondary LCD Monitor .............................................................................................19 Using the Menus ........................................................................................................20
Recommended publications
  • FUJIFILM X-E3 LCD Monitor 3.0-Inch, Aspect Ratio 3:2, Approx
    Specification Model name FUJIFILM X-E3 LCD monitor 3.0-inch, aspect ratio 3:2, approx. 1040K-dot touchscreen color LCD monitor (approx. 100% coverage) Number of effective pixels 24.3 million pixels Movie recording 4K (3840 × 2160) 29.97p / 25p / 24p / 23.98P, 100Mbps Image sensor 23.5mm × 15.6mm (APS-C) X-Trans CMOS III with primary color filter. Continuous recording: up to approx. 10min. Full HD (1920 × 1080) 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 36Mbps Sensor cleaning system Ultra sonic vibration Continuous recording: up to approx. 15min. HD (1280 × 720) 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 18Mbps Storage media SD Card ( - 2GB) / SDHC Card ( - 32GB) / SDXC Card ( - 256GB) UHS-I*1 Continuous recording: up to approx. 30min. File format Still image JPEG: Exif Ver 2.3*2 *For 4K movie recording, use a card with UHS Speed Class 3 or higher. *Although movie recording will continue without interruption when the file size reaches 4GB, subsequent footage RAW: 14bit RAW (RAF original format) will be recorded to a separate file which must be viewed separately. RAW+JPEG Photography functions Advanced SR AUTO, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Movie MOV (MPEG-4 AVC / H.264) Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Audio: Linear PCM / Stereo sound 48KHz sampling Select custom setting, Edit/Save custom setting, Min. shutter speed, AF-C custom settings, Store AF mode by orientation, Pre-AF, Face/Eye detection AF, AF+MF, Focus check, Number of recorded pixels L [3 :2] 6000 × 4000
    [Show full text]
  • User Manual 3.7 MB
    FF200003 Basic Manual Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents before using the camera. Keep the manual handy for future reference once you have fi nished. The latest versions of the product manuals are available at the site below. http://fujifilm-dsc.com/en/manual/ The site above, which provides detailed instruc- tions and material not covered in this guide, can be accessed from a computer, smartphone, or tablet. It also contains information on the software license. BL00005120-201 EN MEMO ii P Chapter Index 1 Before You Begin 1 2 First Steps 33 3 Taking and Viewing Photos 49 4 Movie Recording and Playback 79 5 Menu List 85 6 Connections 103 7 Notices 121 iii P Table of Contents Supplied Accessories ............................................................................... viii About This Manual .......................................................................................ix Symbols and Conventions ..................................................................................ix Terminology .................................................................................................................ix 1 Before You Begin 1 Parts of the Camera ......................................................................................2 The Serial Number Plate ........................................................................................5 The Memory Card Slot Cover (Detachable) ..............................................5 The Focus Stick (Focus
    [Show full text]
  • Owner's Manual
    Owner’s Manual BL00005063-201 EN Introduction Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents be- fore using the camera. Keep the manual where it will be read by all who use the product. For the Latest Information The latest versions of the manuals are available from: http://fujifilm-dsc.com/en/manual/ The site can be accessed not only from your computer but also from smartphones and tablets. It also contains information on the software license. For information on fi rmware updates, visit: https://fujifilm-x.com/support/download/firmware/ ii P Chapter Index Menu List iv 1 Before You Begin 1 2 First Steps 29 3 Basic Photography and Playback 45 4 Movie Recording and Playback 51 5 Taking Photographs 59 6 The Shooting Menus 101 7 Playback and the Playback Menu 179 8 The Setup Menus 205 9 Shortcuts 245 10 Peripherals and Optional Accessories 259 11 Connections 283 12 Technical Notes 301 iii Menu List Camera menu options are listed below. Shooting Menus Menu List Adjust settings when shooting photos or movies. N See page 101 for details. Photo Menus Items marked with an asterisk (“*”) are also found in the movie menus. Changes to these items in the photo menus are refl ected in the movie menus and vice versa. H IMAGE QUALITY SETTING P G AF/MF SETTING P IMAGE SIZE 102 FOCUS AREA 120 IMAGE QUALITY 103 AF MODE 121 RAW RECORDING 104 AF-C CUSTOM SETTINGS 122 FILM SIMULATION 104 STORE AF MODE BY ORIENTATION 126 1⁄3 1⁄3 MONOCHROMATIC COLOR 106 AF POINT DISPLAYyz 126 GRAIN EFFECT 106 NUMBER
    [Show full text]
  • 3Rd Annual Lucie Technical Awards 2017 Finalists & Winners
    3RD ANNUAL LUCIE TECHNICAL AWARDS 2017 FINALISTS & WINNERS CAMERA BEST CAMERA BAG LIGHTING BEST INSTANT CAMERA *WINNER: Think Tank Photo Airport Advantage BEST CONTINUOUS LIGHT SOURCE - Gitzo Century Traveler Messenger Bag *WINNER: Fujifilm instax SQUARE SQ10 - Lowepro Flipside 300 AW II *WINNER: ARRI SkyPanel S120-C - Leica Sofort - Fluotec AURALUX 100 LED Fresnel - Manfrotto Pro Light 3N1-36 - Lomo Instant Automat Glass Magellan - Fotodiox PopSpot J-500 - Manfrotto Pro Light Bumblebee-230 - MiNT SLR670-S Noir - Hive Lighting Wasp 100-C™ - MindShift Gear PhotoCross™ 13 - Polaroid SNAP Touch Instant Digital Camera - Polaroid Flexible LED Lighting Panel with - ThinkTank Photo Spectral™ 10 4-Channel Remote Control - Think Tank Photo StreetWalker Rolling Backpack V2.0 - Rotolight AEOS BEST FIXED-LENS COMPACT CAMERA - Vanguard Alta Sky 51D *WINNER: Fujifilm X100F BEST SPEEDLIGHT - Canon PowerShot G9 X Mark II BEST TRIPOD - LUMIX DC-ZS70 *WINNER: Metz Mecablitz M400 *WINNER: 3 Legged Thing Equinox Leo - Sony RX 100V - Canon MT-26EX-RT Macro Twin Lite Carbon Fibre Tripod - Godox Witstro AD200 Pocket Flash - System & AirHed Switch - Hähnel MODUS 600RT BEST ACTION CAMERA - BENRO Slim Carbon Fiber TSL08CN00 Tripod - Yongnuo YN686EX-RT TTL *WINNER: Olympus TOUGH TG-5 - Gitzo GT3543XLS Series 3 Systematic Tripod XL - FUJIFILM FinePix XP120 - Vanguard Alta Pro 2+ 263AB100 SOFWARE - GoPro Hero5 Black - Vanguard VEO 2 265CB Carbon Fiber - KODAK PIXPRO ORBIT360 4K BEST PHOTO EDITING SOFTWARE - Nikon KeyMission 170 *WINNER: Capture One Pro 10.1 - Ricoh
    [Show full text]
  • Photography 4X6” [40]
    Photography Printing Paper Epson SHEET PAPER Scrapbook Semigloss Photo Quality Adhesive BORDERLESS PAPER All-Purpose Glossy 8.5x11” [20].....................14.95 8.3x11.7” [10]..................10.95 Photo Paper Glossy 8.5x11” [20].......................6.95 Scrapbook Premier Matte Photo Quality Glossy 4x6” [50]............................6.95 Inkjet Transparency 8.5x11” [20].....................14.95 8.5x11” [20].......................9.95 Photo Paper 8.5x11” [30].....................41.50 8.3x11.7” [20]..................10.95 Heavy Weight Matte 11.7x16.5” [20]................59.95 12x12” [10]......................14.95 Durabrite Glossy High Quality 13x19” [20]......................32.50 8x10” [50]..........................9.95 4x6” [50]............................8.49 8.5x11” [100].....................8.95 Dupont Proofing Glossy 11x14” [50]......................22.95 8.3x11.7” [20]....................9.95 8.3x11.7” [100]..................9.50 13x19” [100]..................249.95 Premium Glossy Premium Semigloss Photo Paper Glossy 4x6” [40]............................8.95 Premium Luster 8.3x11.7” [20]..................12.95 8.5x11” [20].......................8.50 4x6” [100]........................13.95 8.5x11” [50].....................29.95 11.7x16.5” [20]................41.95 8.5x11” [50].....................18.95 5x7” [20]............................6.95 Enhanced Matte 11.7x16.5” [50]................77.95 8.5x11” [100]...................25.95 8x10” [20]........................11.95 8.5x11” [50].....................13.95 13x19” [50]......................96.50
    [Show full text]
  • Fujinon30x SPECIFICATIONS
    ACCESSORIES INCLUDED OPTIONAL ACCESSORIES Li-ion battery NP-W126 Remote release Shoe Mount Flash Protector Filter Battery charger BC-W126 Shoulder strap USB cable A/V cable Lens cap and Lens cap cord CD-ROM EF-42 Owner's manual Lens hood RR-80 EF-20 PRF-58 (Φ58mm) FUJINON30x SPECIFICATIONS 1 Number of eective pixels* 16.0 million pixels Manual Zoom × EXR Technology Image sensor 1/2-inch EXR CMOS with primary color lter Storage media Internal memory (approx. 25MB), SD/SDHC/SDXC (UHS-I) memory card*2 Lens Fujinon 30× optical zoom lens Responsive intuitive performance focal length f=4.2 - 126.0 mm, equivalent to 24 - 720 mm on a 35 mm camera full-aperture F2.8 (Wide) - F5.6 (Telephoto) constitution 11 groups 15 lenses Digital zoom Intelligent digital zoom approx. 2.0× (up to approx. 60×, with 30× optical zoom) Aperture F2.8 - F11 (Wide), F5.6 - F11 (Telephoto) 1/3 EV step Focus distance Normal: (Wide) Approx. 45 cm to innity / 1.4 ft. to innity, (Telephoto) Approx. 3.0 m to innity / 9.8 ft. to innity (from lens surface) Macro: (Wide) Approx. 7 cm - 3.0 m / 2.7 in. - 9.8 ft., (Telephoto) Approx. 2.0 m - 5.0 m / 6.5 ft. - 16.4 ft. Super Macro: Approx. 1 cm - 1.0 m / 0.4 in. - 3.2 ft. Sensitivity Auto, Equivalent to ISO 100/200/400/800/1600/3200/6400*/12800* (Standard Output Sensitivity) *ISO6400: Image size M or lower, ISO12800: Image size S Image stabilizer CMOS shift type Electronic viewnder 0.26-inch, Approx.
    [Show full text]
  • Fujifilm Commercial Price List
    FUJIFILM COMMERCIAL PRICE LIST # Fujifilm Product Single Net Unit Order Quantity Art.Nr./No./Réf Price € ex.VAT B&W FILMS FN1011 Neopan ACROS 100 135-36 8,06 * FN1001G Neopan ACROS 100 120 / 5er Pack 36,86 FN104 Neopan ACROS 100 10,2x12,7cm (4x5")/20 74,00 FN4011 Neopan 400 135-36** 8,12 * INSTANT B&W FILMS FPB303 FP-3000B Prof. 8,5x10,2cm (3x4")/10 (Typ 667)** 20,25 INSTANT COLOR FILMS FPC103F FP-100C Prof. 8,5x10,2cm (3x4")/10 Glossy 14,39 FPC103S FP-100C Prof. 8,5x10,2cm (3x4")/10 SILK 14,39 FTAXDP INSTAX FILM 100 DP 2x 10 21,63 FTAXMP INSTAX MINI 100 DP 2x 10 17,98 COLOR NEGATIVE FILMS FSR4011 Superia X-TRA 400 135-36 6,60 * FSR411D Superia X-TRA 400 135-36 / 3er Pack 15,00 FSR401P Superia X-TRA 400 120 / 5er Pack 34,50 FSR8011 Superia X-TRA 800 135-36 7,50 * FSR1611 Superia X-TRA 1600 135-36 13,60 * PS1601P PRO 160NS 120 / 5er Pack 40,14 PS104P PRO 160NS 4x5"/20 96,72 FH4011 PRO 400H 135-36 9,50 * FH4001P PRO 400H 120 / 5er Pack 39,84 CS2011P Fujicolor C200 135-36 / 2er Pack 4,56 * * Minimum Order Quantity 10 units **NOTE: Discontinued by Fujifilm, sales as long as stocks last! [ORGX065W] MACO PHOTO PRODUCTS - Commercial price list; valid from April 8th, 2014. All datas illustrated in this cataloque are subject to change without prior notice. Erros ecempted. MACO PHOTO PRODUCTS - HANS O Mahn GmbH & Co KG - Brookstieg 4, D-22145 Hamburg-Stapelfeld, Germany www.mahn.net - [email protected] FUJIFILM COMMERCIAL PRICE LIST # Fujifilm Product Single Net Unit Order Quantity Art.Nr./No./Réf Price € ex.VAT COLOR POSITIVE FILMS FV5011 Velvia 50
    [Show full text]
  • Nature Photographers Online Magazine
    First Impressions - Fuji Velvia 100 Text and photography Copyright Guy Tal All rights reserved. Most film photographers will tell you there are ups and downs to every emulsion on the market. With so many uses and characteristics, there is almost an art to matching the right film to the right situation. Most of us narrow our selection to one or two that, once we are familiar with, provide consistent and predictable results within their limitations. My own two films of choice these past years have been FujiFilm's Velvia 50, and Provia 100F. I will use one or the other depending on the contrast range of a given scene, whether or not long exposure is needed, the quality of light, and other considerations. Yet, in some situations, I struggle with tough choices – Velvia's palette vs. Provia's latitude, Velvia's exaggerated contrast vs. Provia's tendency to produce color casts, etc. The recent introduction of FujiFilm's Velvia 100F was preceded by a lot of exciting rumors – fine grain, rich palette, and extra color correction layers. Once I was able to get a hold of Fuji's technical data sheet for the new film things got even more exciting – claims of improved reciprocity characteristics allowing for exposure times up to a full minute with no need for either color correction or exposure compensation, extremely fine grain to match Provia 100F and excellent resolving power to match the older Velvia. Issues of color, contrast, grain, speed, color casts, reciprocity, and resolving power are just a few of the things a film photographer may consider when deciding on the "right" emulsion for a given scene.
    [Show full text]
  • Ultra-Short Throw Projector “FUJIFILM PROJECTOR Z8000” Wins The
    Ultra-short throw projector “FUJIFILM PROJECTOR Z8000” wins the highest-ranked “Best of the Best Award” -Fujifilm sets its highest record with 29 products winning the internationally prestigious Red Dot Design Award -In recognition of beautiful appearance and design to achieve outstanding functionality and performance in products of various business fields TOKYO, April 13, 2021 – FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce that 29 of its products in various business fields including the “instax” series of instant cameras and the “X” and “GFX” series of digital cameras, have been awarded the “Red Dot Design Award: Product Design 2021,” a product design award program organized by Design Zentrum Nordrhein Westfalen based in Essen, Germany. Of the products that have received the honor, the ultra-short throw projector “FUJIFILM PROJECTOR Z8000” has received the program's highest-ranked “Best of the Best Award.” Fujifilm sets its highest record with 29 products winning the prestigious program in recognition of not only the products’ beautiful appearance but also their design that achieves outstanding functionality and performance. The Red Dot Design Award is an international design award program launched in 1955. The award is extended to products with excellence in design innovation, functionality, ergonomics, ecological compatibility and durability. It is one of the world's three most prestigious design awards, alongside Germany's “iF design award” and the United States' “the International Design Excellence Awards (IDEA)”. This time, there were around 7,800 entries from around the world to be judged by internationally-renowned design experts. In developing all of its products and services, Fujifilm not only pursues product functionality and performance, but also engages in design development that leverages superior functionality and performance.
    [Show full text]
  • BROCHURE Number of Effective Pixels 51.4 Million Pixels Touch Screen Color LCD Monitor (Approx
    Specication Model name FUJIFILM GFX 50S LCD monitor 3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type, Medium Format Mirrorless Digital Camera SYSTEM BROCHURE Number of effective pixels 51.4 million pixels Touch Screen Color LCD Monitor (Approx. 100% Coverage) Image sensor 43.8mm×32.9mm Bayer array with primary color filter Sub LCD monitor 1.28 inch, Aspect Ratio 1:1, 128×128-dot Monochrome LCD Monitor Sensor Cleaning System Ultra Sonic Vibration Movie recording [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30min. Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II*1 [HD (1280×720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min. File format Still Image JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW (RAF original format), Photography functions Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, RAW+JPEG, 8-bit TIFF (In-camera Raw Conversion Only) Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Movie MOV (MPEG-4 AVC / H.264 Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, Audio : Linear PCM / Stereo sound 48KHz sampling) Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area, Number of [L] <4:3> 8256×6192 <3:2> 8256×5504 <16:9> 8256×4640 <1:1> 6192×6192 Instant AF setting (AF-S/AF-C), Depth-of-field scale, Rlease/Focus priority, Touch screen mode, recorded pixels <65:24> 8256×3048 <5:4> 7744×6192 <7:6> 7232×6192 Mount adapter setting,
    [Show full text]
  • L E N S E S & a C C E S S O R I
    P. 4 P. 5 P. 6 P. 7 Scott Grant / Hai Tre / Jeff Carter / Gathot Subroto / Canada Vietnam UK Indonesia P. 8 P. 9 P.10 Matt Hart / Bert Stephani / Max De Martino / UK Belgium Italy P.11 P.12 P.13 P.14 Omar Z Robles / Simone Sbarglia / Pål Laukli / LS Trung / U.S.A. Italy Norway Vietnam P.15 P.16 P.17 Yonghui Wang / Supalerk Fabian De Backer / China Narubetkrausee / Belgium Thailand P.18 P.19 P.20 Taeyoung An / Joe Ng / Chalit Padoongcheep / Korea Canada Thailand P.21 P.21 Torwong Salwala / Giulia Torra / Thailand Italy Cover_P.2-3 Jonas Dyhr Rask / Denmark Specifications are subject to change without notice. LENSES & ACCESSORIES For more information, please visit our website: http://www.http://fujifilm-x.com/en/accessories/ c 2016 FUJIFILM Corporation P2-3/P36 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. X Mount Lenses _ P.4-21 Accessories _ P.23-29 Technology _ P.30-33 Specifications _ P.34-35 2 3 P4-5/P36 XF14mmF2.8 R XF16mmF1.4 R WR X-T2 : F11 1/4 sec. ISO200 Scott Grant / Canada High resolving power across the frame from the centre to the edges. This ultra-wide-angle lens, which has a diagonal angle of view greater than 90°, produces extraordinary images. Distortion has been kept to a measured value of zero, with sharpness right across the frame, even when the subject is near the edges.
    [Show full text]
  • FUJIFILM X-Pro2 Graphite
    Premium feel and functional beauty A color of refined elegance like never before A sleek fusion between silver and black, This color changes tone depending on surrounding angles of light. Integrated functions optimize creativity with intuitive designs for ease of use. Subtle and beautiful, this deep color can only be described as graphite. Luxury and elegance fuse with excellence in design; With a unique shimmer achieved through complex and intricate processes, Marrying design philosophies that cater purely to photo enthusiasts, graphite illuminates, enlightens and inspires. This represents the apex of our 80-year history as leaders in photographic film. Invoking sheer photographic pleasure... An impeccable lens with the same stunning finish pairs perfectly with the X-Pro2. Photographers have a fundamental desire to look directly at their subjects. The Hybrid Viewfinder is the world's only viewfinder system that caters to all their desires. With a diagonal angle of view of 63.4 degrees, the XF23mmF2 R WR offers This viewfinder is featured only in select FUJIFILM X Series models, a viewing angle closest to that of the human eye. and is a constant reminder of the origins of photography. Staying true to form, it does not provide too strong of a perspective nor excessive bokeh. Because of those qualities, the artistry of creativity is placed directly in the hands of the photographer. When combined with the X-Pro2 and its optical viewfinder, this lens showcases true depth and appeal. Multi Views Parts of the X-Pro2 Graphite Edition Specification X-Pro2 Graphite Edition Model name FUJIFILM X-Pro2 Number of effective pixels 24.3 millions pixels Metering button AE-L (exposure lock) button Front command dial Function button (Fn3) Image sensor 23.6mm×15.6mm (APS-C) X-Trans CMOS III with primary color filter.
    [Show full text]