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Clasificación Temática Thema V 1.2.7 (Julio 2017) Versión Española V1.0 (09/2017)
Clasificación temática Thema v 1.2.7 (Julio 2017) Versión española v1.0 (09/2017) Thema_v1.2.7_es_1.0_work.docx 1/207 Todos los estándares y la documentación de EDItEUR, incluyendo este documento, son obras sujetas a copyright, disponibles de forma gratuita para su uso general. En la web de EDItEUR puede consultar el acuerdo de licencia completo que rige el uso de los mismos (http://dx.doi.org/10.4400/nwgj - en inglés). En particular, la utilización del Sistema de Clasificación de Materias Thema (el Sistema) supone la aceptación expresa de los siguientes términos y condiciones: 1. El usuario no añadirá, borrará, modificará o copiará, total o parcialmente, ninguna parte del Sistema para una utilización externa al mismo, excepto para un uso estrictamente interno de su organización. 2. Si el usuario desea añadir, borrar, modificar o copiar, total o parcialmente, el Sistema para cualquier uso no estrictamente interno de su organización, deberá comunicarlo previamente a EDItEUR, y permitir a EDItEUR la revisión de los cambios y el comentario previos respecto al uso propuesto, con el fin de asegurar una evolución controlada del Sistema, en interés del resto de usuarios. Si no acepta estas condiciones, no debe utilizar Thema. Copyright © EDItEUR 2013 - 2017 Copyright (de la versión española) © FGEE 2017 Si encuentra algún error o discrepancia, o si tiene alguna pregunta sobre el presente documento, póngase en contacto con la FGEE ([email protected]) si es referente a la versión española o directamente con EDItEUR ([email protected]) si es referente al original en inglés. Si desea traducir o adaptar Thema a otro idioma, así como modificarlo en cualquier forma, tenga en cuenta que se trata de material sujeto a copyright y que, si bien EDItEUR desea que se distribuya de forma lo más amplia posible, no se debe traducir, abreviar o modificar sin permiso previo. -
SIR PETER BLAKE Education 1946
SIR PETER BLAKE Education 1946 – 1951 Gravesend Technical College & School of Art 1953 – 1956 Royal College of Art, London Short Biography 1964 – 1967 Taught at Royal College of Art, London 1967 Cover design for Beatles’ Sgt. Pepper’s Lonely Hearts Club Band 1970 Lewis Carroll’s Through the Looking-Glass (watercolour illustration) 1975 Founder of the Brotherhood of Ruralists 1981 Elected Royal Academician 1983 Major retrospective at Tate Gallery 1983 Awarded CBE 1994 Third Associate of the National Gallery 1998 Honorary Doctor, Royal College of Art, London 2002 Received knighthood Selected Solo Exhibitions 2013 Pop Imagery , Waddington Custot Galleries, London 2013 When Britain Went Pop! British Pop Art: The Early Years , Christies Mayfair 2013 The House of Fairy Tales Cartographic Portfolio, TAG Fine Arts, London Original Print Fair, Royal Academy of Arts, London 2012 Peter Blake and Pop Music , Pallant House Gallery, Chichester 2012 Sir Peter Blake , CCA at the Mall Galleries, London 2012 Sir Peter Blake at 80 , CCA at the Royal Albert Hall, London 2012 Sir Peter Blake – new and vintage works , Railings Gallery, London 2007 Peter Blake: A Retrospective , Tate Liverpool 2006 Peter Blake: 1975 – 2005 , Wetterling Gallery, Stockholm 2006 Peter Blake Prints and Sculpture , The Harley Gallery, Welbeck 2001-6 Alphabet (touring exhibition) , York College of Further and Higher Education 2005 Peter Blake: 1 – 10 (Collages, Constructions, Drawings & Sculpture) & the Marcel Duchamp Paintings , Waddington Galleries, London 2005 New Prints by Peter -
Sir Peter Blake-Solo Exhibition 31St March - 14Th April 2012
Sir Peter Blake-Solo exhibition 31st March - 14th April 2012 Sir Peter Blake is often referred to as the Godfather of British Pop Art. His work crosses all generational divides, and inspires great respect from younger artists such as Damien Hirst, Gavin Turk, Pure Evil and Tracey Emin. Knighted in 2002, an honorary doctor of the Royal Col- lege of Art, and with his work represented in major collections throughout the world, Sir Peter Blake truly is a grandee of British Art. Sir Peter Blake's work reflects his fascination with all streams of popular culture, and the beauty to be found in everyday objects and surroundings. Many of his works feature found printed ma- terials such as photographs, comic strips or advertising texts, combined with bold geometric patterns and the use of primary colours. The works perfectly capture the effervescent and opti- mistic ethos of the sixties, but are also strikingly fresh and contemporary. Blake is renowned for his connection with the music industry, having produced iconic album covers for the Beatles, ‘Sgt Peppers’ Lonely Hearts Club Band’, Paul Weller, The Who, and Oasis, as well as designing this years Brit Award. Blake remains as busy as ever in his 80th year; currently working on a new painting of St Martin for St Paul’s Cathedral (the first new artwork to be commissioned for the Cathedral since Wil- liam Holman-Hunt’s ‘The Light of the World’), a series of book covers for penguin, amongst many other projects. Please note that a * by any print in this catalogue means that this is the only copy available Found Art ‘Found Art-England Forever’ £3,000.00 ‘Found Art-Buttons’ £3,000.00 Image & Paper Size: 101.6cm x 122cm digital print with silkscreen glazes. -
William Blake 1 William Blake
William Blake 1 William Blake William Blake William Blake in a portrait by Thomas Phillips (1807) Born 28 November 1757 London, England Died 12 August 1827 (aged 69) London, England Occupation Poet, painter, printmaker Genres Visionary, poetry Literary Romanticism movement Notable work(s) Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Four Zoas, Jerusalem, Milton a Poem, And did those feet in ancient time Spouse(s) Catherine Blake (1782–1827) Signature William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".[2] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[3] Although he lived in London his entire life except for three years spent in Felpham[4] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[5] or "Human existence itself".[6] Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings William Blake 2 and poetry have been characterised as part of the Romantic movement and "Pre-Romantic",[7] for its large appearance in the 18th century. -
U. S. Radio Stations As of June 30, 1922 the Following List of U. S. Radio
U. S. Radio Stations as of June 30, 1922 The following list of U. S. radio stations was taken from the official Department of Commerce publication of June, 1922. Stations generally operated on 360 meters (833 kHz) at this time. Thanks to Barry Mishkind for supplying the original document. Call City State Licensee KDKA East Pittsburgh PA Westinghouse Electric & Manufacturing Co. KDN San Francisco CA Leo J. Meyberg Co. KDPT San Diego CA Southern Electrical Co. KDYL Salt Lake City UT Telegram Publishing Co. KDYM San Diego CA Savoy Theater KDYN Redwood City CA Great Western Radio Corp. KDYO San Diego CA Carlson & Simpson KDYQ Portland OR Oregon Institute of Technology KDYR Pasadena CA Pasadena Star-News Publishing Co. KDYS Great Falls MT The Tribune KDYU Klamath Falls OR Herald Publishing Co. KDYV Salt Lake City UT Cope & Cornwell Co. KDYW Phoenix AZ Smith Hughes & Co. KDYX Honolulu HI Star Bulletin KDYY Denver CO Rocky Mountain Radio Corp. KDZA Tucson AZ Arizona Daily Star KDZB Bakersfield CA Frank E. Siefert KDZD Los Angeles CA W. R. Mitchell KDZE Seattle WA The Rhodes Co. KDZF Los Angeles CA Automobile Club of Southern California KDZG San Francisco CA Cyrus Peirce & Co. KDZH Fresno CA Fresno Evening Herald KDZI Wenatchee WA Electric Supply Co. KDZJ Eugene OR Excelsior Radio Co. KDZK Reno NV Nevada Machinery & Electric Co. KDZL Ogden UT Rocky Mountain Radio Corp. KDZM Centralia WA E. A. Hollingworth KDZP Los Angeles CA Newbery Electric Corp. KDZQ Denver CO Motor Generator Co. KDZR Bellingham WA Bellingham Publishing Co. KDZW San Francisco CA Claude W. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Federal Communications Commission FCC 01-329 I. INTRODUCTION 1
Federal Communications Commission FCC 01-329 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Rules and Policies Concerning ) MM Docket No. 01-317 Multiple Ownership of Radio Broadcast ) Stations in Local Markets ) ) ) Definition of Radio Markets ) MM Docket No. 00-244 NOTICE OF PROPOSED RULE MAKING AND FURTHER NOTICE OF PROPOSED RULE MAKING Adopted: November 8, 2001 Released: November 9, 2001 By the Commission: Commissioners Copps and Martin issuing separate statements. Comment Date: 60 Days After Publication in Federal Register Reply Comment Date: 90 Days After Publication in Federal Register I. INTRODUCTION 1. In accordance with Sections 309(a) and 310(d) of the Communications Act of 1934 (the 1934 Act), the Commission issues new radio broadcast licenses and approves the assignment and transfer of those licenses only when those actions are consistent with the public interest, 1 convenience, and necessity. Pursuant to its public interest authority, the Commission historically has sought to promote diversity and competition in broadcasting by limiting by rule the number of 2 radio stations a single party could own or acquire in a local market. In Section 202(b) of the Telecommunications Act of 1996 (the 1996 Act), Congress directed the Commission to revise its 3 local radio ownership rule to relax the numerical station limits in the ownership rules. In the almost six years since the Commission implemented this congressional directive, the local radio market has been significantly transformed as many communities throughout the country have experienced increased consolidation of radio station ownership. In this proceeding, we seek to examine the effect that this consolidation has had on the public and to consider possible changes to our local radio ownership rules and policies to reflect the current radio marketplace. -
Art 150: Introduction to the Visual Arts David Mccarthy Rhodes College, Spring 2003 414 Clough, Ext
Art 150: Introduction to the Visual Arts David McCarthy Rhodes College, Spring 2003 414 Clough, Ext. 3663 417 Clough, MWF 11:30-12:30 Office Hours: MWF 2:00- 4:00, and by appointment. COURSE OBJECTIVES AND DESCRIPTION The objectives of the course are as follows: (1) to provide students with a comprehensive, theoretical introduction to the visual arts; (2) to develop skills of visual analysis; (3) to examine various media used by artists; (4) to introduce students to methods of interpretation; and (5) to develop skills in writing about art. Throughout the course we will keep in mind the following two statements: Pierre Auguste Renoir’s reminder that, “to practice an art, you must begin with the ABCs of that art;” and E.H. Gombrich’s insight that, “the form of representation cannot be divorced from its purpose and the requirements of the society in which the given language gains currency.” Among the themes and issues we will examine are the following: balance, shape and form, space, color, conventions, signs and symbols, representation, reception, and interpretation. To do this we will look at many different types of art produced in several historical epochs and conceived in a variety of media. Whenever possible we will examine original art objects. Art 150 is a foundation course that serves as an introduction for further work in studio art and art history. A three-hour course, Art 150 satisfies the fine arts requirement. Enrollment is limited to first- and second-year students who are not expected to have had any previous experience with either studio or art history. -
PUBLIC NOTICE Federal Communications Commission Th News Media Information 202 / 418-0500 445 12 St., S.W
PUBLIC NOTICE Federal Communications Commission th News Media Information 202 / 418-0500 445 12 St., S.W. Internet: http://www.fcc.gov Washington, D.C. 20554 TTY: 1-888-835-5322 DA 13-1468 Released: June 28, 2013 FCC CONTINUES 2013 EEO AUDITS On June 26, 2013, the Federal Communications Commission mailed the second of its Equal Employment Opportunity (EEO) audit letters for 2013 to randomly selected radio stations. In accordance with the provisions of Section 73.2080(f)(4) of the Commission’s EEO rules, the FCC annually audits the EEO programs of randomly selected broadcast licensees. Each year, approximately five percent of all radio and television stations are selected for EEO audits. Attached are a list of the radio stations to which the audit letters were sent, as well as the text of the June 26, 2013 audit letter. The list and the letter can also be viewed by accessing the Media Bureau’s current EEO headline page on the FCC website at http://www.fcc.gov/encyclopedia/equal-employment-opportunity-2013-headlines . For stations that have a website and five or more full-time employees: We remind you that you must post your most recent EEO public file report on your website by the deadline by which it must be placed in the public file, in accordance with 47 C.F.R. § 73.2080(c)(6). This will be examined as part of the audit. Failure to post the required report on a station website is a violation of the EEO Rule and subject to sanctions, including a forfeiture. -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
Architectural Forum: the Magazine of Building, October 1951
BER 1951 ARCHITECTURAL FORUM THE MAGAZINE OF BUILDING m HOUSES ISSUE Arch/fecf & C//en' E/even oufsfanan juses, /nc/uding.- -Farnsworth house by Mies von der Rohe fp. 156; Second-sfory house by Miifon Ryan fp. J62; Portfolio of work by Harwell Harris (p. 166) Architect & Builder Five outstandirig houses, /"nc/uding.- Coogon's $6,850 design by Parker (p. 209) Eichler's $13,000 house by AnzhenS. Allen (p. 212) LevUfs' new $9,990 design fp. 217) Low-cost ways to improve low-cost houses (p. if6) Small house floor plans (p- 198) New ideas for better kitcher)s (p- 202) Builder round-up—plans for '52 (p- 206) Two new magazines for the industry (p. 153) ARCHITECTURAL FORUM THE MAGAZINE OF BUILDING OCTOBER 1951 NEWS 35 Published by TIME Incorporated LETTERS 83 EDITOH-IK-CBIEF Henry R. Luce PHEaiMjiT Roy E. Urten BEHIND THE BLUEPRINTS EDITORIAI. OniECTOR John Shaw Billings 130 REVIEWS Architectural Forum 140 THE MAGAZINE OF BUILDING EDITOR AND PUBLISHER EDITORIAL—Two new magazines for the industry 153 P. I. Prentice EXECUTIVE EDITOR HOUSES—Architect and Individual Client Joseph C Haiea. Jr. 155 ARCHITECTURAL EDITOR • Ludwig Mies van der Rohe. Farnsworth house in Fox River, III. Douglaa HaakelJ. AIA 156 ART DIRECTOR Milton Ryan, second story house in San Antonio. Tex. Paul Crotx 162 ASSOCIATES: Peter Blake, Cumey Breckenfeld, Louise Harwell Harris, three houses in Southern California Cooper, Mary Jane Lighlbown, Walter McQuade, Carl 166 Norcroaa, Boyce P. Price, Amnon Rubinstein, Richard Saunders (Washington). Madelaine Thatcher. (In mili• tary service: Wilson Dizard; Harry J. Middlelon.) Nemeny & Geller, three houses in Suburban New York ASSISTANTS: RoMlind KJein BerUn, Linn Ericaon, 175 Marilyn Grayboff, Henry T. -
The Ephemeral Aesthetic of Spontaneous Design on the Streets of São Paulo, Brazil
The ephemeral aesthetic of spontaneous design on the streets of São Paulo, Brazil HARLAND, Robert and LOSCHIAVO SANTOS, Maria Cecilia Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/542/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version HARLAND, Robert and LOSCHIAVO SANTOS, Maria Cecilia (2009). The ephemeral aesthetic of spontaneous design on the streets of São Paulo, Brazil. In: Undisciplined! Design Research Society Conference 2008, Sheffield Hallam University, Sheffield, UK, 16-19 July 2008. Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk Undisciplined! Proceedings of the Design Research Society Conference 2008. Sheffield, UK. July 2008 The ephemeral aesthetic of spontaneous design on the streets of São Paulo, Brazil. Robert Harland , Programme Leader for undergraduate studies in Graphic Design at Nottingham Trent University, United Kingdom. Maria Cecilia Loschiavo dos Santos , Associate Professor at the School of Architecture and Urbanism, Design Department at the University of São Paulo, Brazil. CNPq - Scholar. Abstract There are few opportunities when the poor and prosperous can be spoken about with respect to the same, shared cultural experience.