UGLYDOLLS Production Notes

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Unconventionality rules in UGLYDOLLS, STXfilms’ new animated musical adventure starring the acting and singing talents of Kelly Clarkson, Nick Jonas, Janelle Monáe, Blake Shelton and Pitbull. The film is inspired by the unique and beloved global plush toy phenomenon launched in 2001. Mixing fun, music, and adventure, with characters and worlds unlike any audiences have experienced, UGLYDOLLS extols acceptance, diversity, empowerment, joy and friendship – and being the best version of yourself you can be. In the adorably different town of Uglyville, weird is celebrated, strange is special and beauty is embraced as more than simply meets the eye. Here, the free-spirited Moxy and her UglyDoll friends live every day in a whirlwind of bliss, letting their freak flags fly in a celebration of life and its endless possibilities. The unique residents of Uglyville occasionally look to the sky above the town, where a new UglyDoll will appear and be embraced by the community. Moxy (Kelly Clarkson) loves her square-peg life in this round-hole town, but her curiosity about all things leads her to wonder if there’s something – anything – on the other side of the mountain that nestles Uglyville. Moxy gathers a group of her closest friends and sets off on a journey where they discover another town – Perfection – where more conventional dolls are trained in protocols before they graduate and are sent to the “real” world to find the love of a child. In Perfection, Moxy and her crew are subject to the manipulations of Lou (Nick Jonas), the perfect doll in charge of training recruits. Here, the UglyDolls will confront what it means to be different, struggle with their desire to be loved, and ultimately discover that you don’t have to be perfect to be amazing because who you truly are is what matters most. Created as a plush toy line by David Horvath and Sun-Min Kim, the UglyDoll brand quickly gained a cult following around the globe and was named Toy of the Year by the Toy Industry Association in 2006. Beloved by children, teenagers and adults alike, UglyDoll characters are distinct for their endearing “Uglyness,” in a wonderful “Uglyverse” where differences are cheered and embraced. Also starring in the voice cast of UGLYDOLLS are Wanda Sykes, Emma Roberts, Gabriel Iglesias, Wang Leehom, Bebe Rexha, Charli XCX and Lizzo.

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STXfilms releases UGLYDOLLS in theaters on May 3, 2019 as the launch vehicle for STX Entertainment’s UglyDolls franchise. The original motion picture soundtrack is released by Atlantic Records.

STXfilms and Alibaba Pictures Co., present UGLYDOLLS. The film stars Kelly Clarkson, Nick Jonas, Janelle Monáe, Blake Shelton, Wanda Sykes, Gabriel Iglesias Wang Leehom, Emma Roberts and Pitbull. Plus Bebe Rexha, Charli XCX and Lizzo. Also making an appearance are Ice-T, Jane Lynch and Rob Riggle. It is directed by Kelly Asbury; produced by Jane Hartwell, p.g.a., Robert Rodriguez, and Oren Aviv, p.g.a.; with a screenplay by Alison Peck and a story by Robert Rodriguez, based on the UglyDoll characters created by David Horvath & Sun-Min Kim. The executive producers are, Drew Matilsky, Wei Zhang, Shujin Lan-Shuster, Gabriel Bloch, Pitbull, Robert Simonds and Adam Fogelson. The film is edited by Julie Rogers, ACE and Noland Sutherland. The original songs are by Christopher Lennertz and Glenn Slater, with music by Christopher Lennertz. The music supervisor is Jason Markey, and the head of story is Paul McEvoy. The film’s production designers are Andrew Woodhouse and Shannon Jeffries, the head of animation is Sébastien Bruneau, the VFX supervisor is David Esneault, and the CG supervisor is Scott Peterson. The layout supervisor is Joseph P. Johnston, the associate producer is Andrea McCarthy Paul, and the production manager is Steven Schweickart.

MEET THE UGLYDOLLS AND THEIR “PERFECT” COUNTERPARTS

There are countless UglyDoll residents in Uglyville, but the film focuses on six friends who embark on a colorful and transformative adventure where they – and everyone else across two disparate worlds – will learn how to embrace what’s special and different about each of us.

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We meet Moxy, a vibrant, energetic and determined force of nature with a goofy but wonderful three-toothed smile and an odd flower-like thing on her head. She’s not going to let anything deter her from pursuing her dreams. Her best pal is UglyDog, a blue canine with one yellow eye and a tough, streetwise niceness. Ox is the town’s unofficial “mayor,” as well as its founder / father figure / protector; he always wants the UglyDolls to feel nurtured and safe. Lucky Bat is the wisest doll in town but his advice doesn’t always work out as he planned, and Wage is a cynic and voice of reason who likes to play it safe. Babo is the “muscle” of the group, whose infectious positivity makes him the guy you want on any road trip. Together, they’re on the journey of a lifetime, which lands them in Perfection. There, they have unforgettable encounters with Lou, the town’s suave, cool, and “perfect” leader; Mandy, a pretty but lonely doll with a secret she fears will compromise her quest for perfection; and a trio of Lou’s acolytes / henchwomen known as The Spy Girls. To inhabit these motley and lovable characters, the filmmakers envisioned what producer Oren Aviv calls an “Ocean’s 11 with music stars,” adding that all the film’s headliners immediately connected to the story’s themes of inclusivity and the importance of being true to oneself. Moxy is voiced by singing sensation and songwriter Kelly Clarkson, whom director Kelly Asbury says, “is unstoppable, just like Moxy. Kelly brought a lot of herself to the role and really embraced the idea of Moxy being an unconventional heroine unlike any we’ve seen in an animated feature film.” The pairing of Clarkson with the role seemed to be destined. While Clarkson admits that she once dreamed of playing Disney princesses, a determined doll with an offbeat smile had other plans for her. Clarkson fell in love with Moxy, her first lead animated role, which she says “Moxy’s personality is almost identical to my own. She is 100 percent all the time. Moxy is very optimistic, and hopeful. I really leaned into our similarities during the recording sessions. I loved playing a character that is a positive role model and reminds us that we all come in different shapes, sizes and personalities, and that uniqueness is to cherished.”

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“Also, Moxy is pink, which my daughter was very excited about because it is her favorite color.” Moxy’s firecracker personality is heightened by her fearless determination and boundless hope. “Moxy is super-optimistic and like so many of us, she’s looking to serve a purpose, which she knows is to be the beloved doll of a human child.” Aviv, a veteran studio production and marketing chief who has handled Disney Animation, Pixar and Blue Sky animation titles, confirms that Clarkson is such a remarkable match for the character that when the pop star read the script, she asked the filmmakers, ‘Are you sure you didn’t actually write this for me? This sounds like me!’ Like Moxy, she’s confident and proud of her confidence.” Producer Jane Hartwell agrees that “Kelly is indeed Moxy – always bubbly and optimistic. And the first day she came into the studio to record a song, it felt like some otherworldly creature had entered the room; her voice was awe-inspiring.” It’s no coincidence that Moxy’s closest pal, UglyDog, looks like the musician Pitbull, who voices the role. Says Aviv: “We thought it was a fun idea to get Pitbull to play a character known as UglyDog. He loved the idea and signed on early.” The musician-producer-entrepreneur was drawn to the film’s theme of acceptance, an especially timely message given the culture surrounding social media. “The movie is perfect for what’s going on in the world right now, especially for kids,” he explains. “We live in a society that’s all about instant gratification and perfection; both don’t exist. Kids are worried about followers and likes. This movie is not about being a follower or being liked. It’s about being a leader. It’s about being unique. It’s about being different.” Pitbull also identified with his canine alter-ego. “UglyDog is basically me – someone who likes to get loose and enjoy life. He doesn’t care what anyone else thinks of him. UglyDog wants to help others and always sees solutions to any problem.” Asbury notes that Pitbull brings an essential niceness to the character – a “tough, streetwise likability and eagerness to prove himself because of his small-dog syndrome. UglyDog will overstep his bounds and get himself in and out of trouble, but he’s always confident and always by Moxy’s side.”

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It was Clarkson who suggested that her friend and fellow music icon Blake Shelton voice the role of Ox, Uglyville’s leader, who joins her on the quest despite his doubts about anything existing outside of Uglyville. Unlike his onscreen persona, Shelton didn’t need much convincing. “It was a fun experience bringing Ox to life in his colorful, misfit world,” notes Shelton. “I can’t wait to see y’all in Uglyville.” Ox wants to make sure everyone under his watch as the town’s mayor and protector is safe. But, as Asbury notes, “That’s not always possible. Everyone has to learn their own truth.” Wanda Sykes brings her unique comedic voice to the character of Wage, whose insistence on playing it safe leads her to think that Moxy’s dream of a land outside of Uglyville is just that – a dream. Still, she finds it impossible to resist Moxy’s enthusiasm and spirit. “She might criticize Moxy for not acting in the safest way, but a part of Wage is all in with that,” says Asbury. Lucky Bat is voiced by singer, songwriter, music producer, actor and film director Wang Leehom, who is known as the “King of Chinese Pop” and is the best-selling Mandarin-language musician of his generation. “Lucky Bat is Chinese, profound, sensitive and sings! Doesn’t that just scream ‘Wang Leehom?’” the multi-hyphenate talent says, with a laugh, while adding that the film’s message is moving and important: “In an environment of perfect photoshopped lives displayed on social media, it’s important to remember what’s real. That we, as humans, are flawed, vulnerable, and emotional, and it’s precisely these ‘ugly’ parts of us that make for the best music.” And ultimately, the best in ourselves. Babo’s lovable, bigger-than-life personality is captured by actor-comedian Gabriel Iglesias, who connected to the film’s ideas about what it means to be different. “It speaks very much to my own life and career and how I understood that I just had to be myself to make my mark on the world,” he says. “I accepted my differences early on and created a successful career out of celebrating all the things in my life that make me different. So, I totally agree with the film’s idea that letting our freak flags fly is the way to live our best life.” In addition to that sextet of friends, audiences will also meet a new Uglyville arrival, Wedgehead (voiced by Emma Roberts), so named because her dramatic

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introduction to the community sees her plummeting from the sky above – and landing safely on her noggin. Every great journey needs a great villain, and our six UglyDolls find the ultimate bad guy in Lou, the charming but menacing leader of Perfection. Handsome on the outside but not so much on the inside, Lou will do anything to sabotage Moxy’s chances of succeeding in the world outside of Uglyville. He’s equally determined to make sure his illusion of perfection holds to his flock of believers, and that they follow his edict that they won’t make it into the arms of a loving child without his guidance. “Lou thinks he has created a power base that no one will get in the way of – especially an UglyDoll,” says Asbury. Nick Jonas, a multi-platinum, Grammy and Golden Globe nominated recording artist, actor, and award-winning songwriter, takes on the role. “Lou obviously has a lot to learn, about pretty much everything,” Jonas explains, “but I did enjoy the way he loses his cool out of frustration with the lack of perfection around him. It was a lot of fun to go to those extreme places with Lou.” Lou may be a frustrated villain but it’s not that difficult to identify with him. As Jonas points out, we all have a “Lou” inside of us. “With me it comes out before I have my morning coffee,” he jokes. “But deep down, Lou really wants to be loved and accepted for who he is, beyond his flawless hair and clothes.” The film’s themes of friendship, community and loving what’s special about yourself also resonated with Jonas. “I’ve lived my whole life understanding that strange is special and being weird is great,” he explains. “We should always dare to imagine and dream. As a youngster I had a love of musical theater and performed in our family’s basement, putting on shows. It was kind of weird, but it was totally accepted by them.” Jonas’ commitment to the character impressed the filmmakers. “Lou is charming but also conniving and insidious, and Nick jumped right into the role,” says Aviv. “He makes Lou a really juicy bad guy.” One of Lou’s many followers in Perfection is Mandy, a pretty doll who’s hiding a secret – and it’s a big one – that maybe she’s not so perfect. At first, Mandy is always trying to impress Lou but eventually sees through him. When Mandy meets Moxy and friends, she learns a valuable lesson and becomes a close ally to the team.

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Actress and musical artist Janelle Monáe brings her signature talents in both realms to Mandy, and clearly appreciates the character and what she represents. “Mandy is a hero and empath,” Monáe explains. “She empathizes with the UglyDolls and sees something special in them, even when they don’t initially see it in themselves. She is also a strong and confident nurturer, but at the same time reveals a side of her that’s insecure. During her time with the UglyDolls, she becomes even stronger.” There’s an immediate connection between Mandy and the UglyDolls. “Mandy sees herself in the UglyDolls because she never really fit into Perfection, because she’s, in fact, not perfect,” Monáe points out. “The UglyDolls awaken something in Mandy; she sees them as her tribe that she can be herself with. Mandy doesn’t have to be perfect and can let her wall down.” Like her co-stars, Monáe immediately connected to the film’s themes. “Its message that weird is beautiful is one of the reasons I wanted to be a part of UGLYDOLLS,” she explains. “‘Different’ should be celebrated and we should always champion that which makes us unique, even if it makes others uncomfortable. I always choose to take on projects like this that recognize marginalized voices.” While Mandy begins to distance herself from Lou’s absolute beliefs of perfection, three young woman, Tuesday, Kitty and Lydia, collectively known as The Spy Girls, remains loyal to their leader and always do his bidding – including, as their name suggests, spying on (and when necessary, kidnapping) unsuspecting UglyDolls. They are voiced by, respectively, Grammy-nominated singer-songwriter Bebe Rexha; musical artist-producer-entrepreneur Charli XCX; and singer, Lizzo. Taking on absolutely “perfect” cameo roles as Announcer Robots are Emmy- winner Jane Lynch (Glee) and actor-comedian Rob Riggle (The Hangover). Rapper, author and Law and Order: SVU star, Ice T, voices a lovable, diminutive unicorn named Peggy, who visits Moxy at her home in Uglyville.

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THE BIRTH AND MUSICAL JOURNEY OF UGLYDOLLS

The UglyDolls’ road to movie stardom began about 17 years ago, when David Horvath, an illustrator, comics artist and toy designer, then based in Los Angeles, sent some letters to his girlfriend (now, wife) Sun-Min Kim, who was living in South Korea at the time. The letters also included some endearing character drawings, which inspired Kim to hand-sew a gift for Horvath: an interpretation of one of his drawings, as a plush doll. Delighted with Kim’s creation, Horvath shared it with the curator of a well-known Los Angeles-based specialty store, Giant Robot, who mistook Horvath’s enthusiasm for a pitch – and then promptly sold the doll and ordered 20 more. “Sun-Min hand-sewed another 20, named it ‘UglyDoll,’ and those also sold out immediately,” remembers Horvath. Even Kim’s purchase of a sewing machine was not enough to keep up with the increasing demand, which had now spread to other specialty stores across the U.S., so she found a factory that could ramp up production. “I think people were surprised by the softness – what we called ‘ugly fur’ – of the characters, were drawn to the name UglyDolls, and enjoyed reading the tags that were attached to each UglyDoll, which offered a little personal info about the character,” Horvath explains. Cut to: Hollywood comes calling, and UglyDolls co-creators Horvath and Kim watch the film’s progress with eager anticipation, after providing some early designs for the film. “It was our baby for 17 years and it felt good to know it was in such good hands,” says Horvath, of Aviv, Asbury, STXfilms and the rest of the filmmakers who brought their one-of-a-kind creations to life. Aviv explains how UGLYDOLLS came together as a motion picture event. “STXfilms knew that this was an opportunity to bring a very special and beloved brand into the world, first as a theatrical animated feature and then as a television series, to which Hulu has committed, with strategic partnerships with McDonald’s, Carl’s Jr., Hasbro and Walmart, among other global brands. Most importantly, it was STX’s first animated feature and we were committed to doing right by the UglyDolls and preserving its themes of inclusivity and authenticity.”

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During this development stage, Aviv was also overseeing the work being created by Head of Story Paul McEvoy, who had previously worked on the blockbuster animated films Kung Fu Panda, How to Train Your Dragon and The Croods. Jane Hartwell (The Croods), who had come aboard as a producer, says this material set the table for the magic to come. “My daughter had some of the UglyDolls, so I was already familiar with their look, but I was very impressed with and drawn to the designs and story concepts, which were really strong. The characters are sympathetic and adorable, without being ‘cliché-cute.’” The songs by Christopher Lennertz and Glenn Slater are a key part of UGLYDOLLS – propelling the narrative, offering big laughs and powerful emotional beats, defining the characters and their adventure, and providing a look into their unique environments. Lennertz composed the score, which provides the emotional stitching that ushers us through the film. It was Asbury who had come up with the idea of making the film a big musical adventure. The Shrek 2 and Gnomeo & Juliet director explains what that element brings to UGLYDOLLS: “The songs anchor the story. I wanted to avoid long sequences of dialogue and instead have the characters sing about their feelings. Music gives you the opportunity to have a character express its inner dialogue in a way that’s both entertaining and believable.” As screenwriter Alison Peck and McEvoy continued to fine-tune the story, the filmmakers worked closely with songwriters Lennertz and Slater, whose upbeat, catchy and contemporary work contributes to the narrative without interrupting it. “Every song has meaning and pushes the story forward,” Asbury points out. Adds Hartwell: “So many times we presented Glenn and Chris with challenges, and they always came up with elegant solutions. The best songwriters are also storytellers, and Glenn and Chris have great instincts.” Even before Asbury joined the team and turned the film into a musical, Slater and Lennertz had written an opening number, “Couldn’t Be Better,” performed by Clarkson, joined by the other cast members, which introduces us to Uglyville and its colorful and unique denizens. Aviv and McEvoy had begun mapping out the scene in storyboards, and Asbury went to work bringing the magical sequence to life. “That song and scene is

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about spending a day in Moxy’s town, as seen largely through her eyes, and experiencing how wonderful it is,” he points out. As Moxy is joined by her friends, the action and exuberance careen through Uglyville, where “ugly” rules and everything is about having a good time. “Couldn’t Be Better” is framed by Moxy’s inner voice, concurrently expressed in the song “Today’s the Day,” which conveys that while she still loves Uglyville, her friends, and their life of endless fun, she knows there’s something more for her in the Big World beyond their town. She’s destined to serve a doll’s true purpose – to bring comfort and happiness to a loving child. There’s a doll for every child, and a child for every doll. “Moxy is holding on to a dream she knows has meaning,” says Asbury, “which she expresses through ‘Today’s the Day.’” Perfection provides a stark contrast to Uglyville. The latter is defined by its unconventionality; everything is asymmetrical with no parallel lines, and is soft, cushy and plush. It’s a handcrafted world with fabric builds, button-based currency and felt food. Conversely, Perfection is defined by straight lines, geometric shapes, right-angles, and absolute neatness and order. “We wanted the UglyDolls to find themselves in a land that’s strange to them, where they must figure out new rules to live by and learn that the word ‘ugly’ does not mean the same to others as it does to them,” says Asbury. “Perfection is not a mean place – though its leader, Lou, definitely has a mean heart – but it’s a different kind of experience for Moxy and her friends. “In the end, they learn that words like ‘ugly,’ ‘pretty,’ and ‘beautiful’ don’t have to have the same meaning to everyone because beauty, of course, is in the eye of the beholder.” But Lou does not subscribe to that kind of thinking. Instead, he preaches the gospel of perfectionism. Lou rejects any doll that’s too long, too small, too thin, too big…well, you get the idea. His Institute of Perfection is an academy where dolls are trained to be perfect. They must pass its rigorous standards and tests – and the ultimate challenge, The Gauntlet – to proceed to the real world and experience a child’s love. Lou is a carefully-coiffed, sartorially-splendid rock star dripping with charisma, whom everyone in Perfection seems to idolize. To ensure his views land with maximum impact, he conveys them through a glitzy, glittery, glamourous musical number featuring

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the song “The Ugly Truth,” performed by Jonas. It’s a powerful though untruthful message that the residents totally buy, at least at first. But the UglyDolls know it’s not right, and recognize Lou’s self-serving and hidden agenda, which is woven into the song. As Moxy makes her way through this unfamiliar world, she faces challenges and, like every heroine, has a few moments of weakness. She agrees to a makeover for her and her friends to facilitate an easier transition to the ways of Perfection. With Mandy’s help, the UglyDolls are plucked, tweezed, sculpted, molded and dollscaped. In short, they’re “All Dolled Up,” in a number performed by Monáe, with Clarkson, that amps up the scene’s buoyancy and energy but whose lyrics, says Asbury, “tell us that Moxy really doesn’t need to do this.” Monáe confirms, “It’s a fun moment of watching the UglyDolls try and change their look, but they ultimately realize the makeover is a bad idea – that this is not them.” After Moxy learns about a troubling secret that Ox has long been hiding, she and Mandy, who’s dealing with her own challenges, face an emotionally-charged moment of truth that’s conveyed through the song “Unbreakable.” Asbury explains: “Moxy and Mandy give each other a kind of pep talk, each looking to build up the confidence of the other. The song sums up a key theme – that we all have unique strengths that can make each of us unbreakable.” The scene’s visual motif of a mirrored staircase underlines that idea. “It’s all about one’s reflection and view of one’s self, and that what you see in the mirror is not what everybody else sees,” Asbury continues. “You should be proud of what you see in the mirror.” According to Aviv, the writing of the song was a story unto itself. “There had been some earlier versions of ‘Unbreakable’ that were not quite as soaring, emotional or powerful as the scene warranted – how the characters are helping each other to never give up,” he remembers. “On a Friday evening I was bringing my daughter to school in Boston, and then on Sunday there was a new demo of the song, and it was spectacular. The final version was locked in over a single weekend.” The film’s end credits song, discovered by music supervisor Jason Markey and Atlantic Records, is “Broken & Beautiful,” an uplifting pop track performed by Clarkson,

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co-written by Pink, Johnny McDaid, Marshmello and Steve Mac, and produced by Mac and Marshmello. The powerful tune caps Moxy’s journey of discovery – and her realization that she doesn’t need fixing or changing because she’s both broken…and beautiful. Says Clarkson: “Broken & Beautiful is one of my favorite songs I’ve recorded because Pink co-wrote it and I’m a huge Pink fan. And, honestly, there couldn’t be a more perfect song for the movie’s themes. We all have challenges and things we’re working on. Everybody’s under construction, right? “It’s the perfect wrap-up for the film because it speaks to how Moxy feels when we leave her,” confirms Asbury. “And nobody does it better than Kelly Clarkson!”

JOURNEY’S END

The song’s energy and themes reflect what drew the cast and filmmakers to UGLYDOLLS. “Audiences will leave the cinemas tapping their toes but also, I hope, feeling empowered,” says Asbury. Aviv adds that he’s anticipating moviegoers will be as “moved and satisfied as we were making the picture” and credits the cast’s singing and acting in providing key elements of intimacy and emotional purpose. Hartwell notes that the film’s universal ideas about individuality and acceptance will resonate with audiences, and that “they’ll also love the film for its sheer joy.” The cast’s hopes for the film mirror that of the filmmakers. “UGLYDOLLS is all about loving yourself, loving life and realizing that we’re all different, yet all the same,” notes Clarkson. Adds Jonas, “It’s exciting to bring something joyful into the world with a positive message of hope and acceptance,” and Monáe says: “I think everyone – young and older – will have a great time and be inspired by the movie. It’s so relatable because we’re all trying to grow and decide what kind of person we want to be. Most of all, UGLYDOLLS takes us on a fun journey of what it means to celebrate what makes you, you.” And Pitbull sums up the film’s strong and relatable ideas with the spot-on acronym “U.G.L.Y.” – U. Gotta. Love. Yourself.” UGLYDOLLS opens in theatres everywhere May 3, 2019.

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ABOUT THE CAST

KELLY CLARKSON (Moxy), who recently released her critically acclaimed eighth studio album, “Meaning of Life,” is among the most popular artists of this era with total worldwide sales of more than 25 million albums and 36 million singles. The Texas-born, Nashville-based singer-songwriter first came to fame in 2002 as the winner of the inaugural season of “American Idol.” Clarkson’s debut single, “A Moment Like This,” followed and quickly went to #1 on Billboard’s Hot 100, ultimately ranking as the year’s best-selling single in the U.S. Further, Clarkson is, without doubt, one of pop’s top singles artists, with 17 singles boasting multi-platinum, platinum and gold certifications around the world, including such global favorites as “Miss Independent” and “Because of You.” Clarkson has released eight studio albums (“Thankful, Breakaway,” “My December,” “All I Ever Wanted,” “Stronger,” “Wrapped In Red,” “Piece By Piece,” “Meaning of Life”), one greatest hits album, and two children’s books (The New York Times Top 10 best seller River Rose and the Magical Lullaby and the recent follow up, River Rose and the Magical Christmas). She is the recipient of an array of awards, including three Grammys, four American Music Awards, three MTV Video Music Awards, two Academy of Country Music Awards, two American Country Awards, and one Country Music Association Award. Clarkson is also the first artist to top each of Billboard’s pop, adult contemporary, country and dance charts. Clarkson hosted the 2018 Billboard Music Awards, in addition to appearing and winning as coach on the 14th and 15th seasons of “The Voice.” Clarkson reclaimed her red chair for the series’ current 16th season. She is also slated to make her daytime debut with her very own talk show, “The Kelly Clarkson Show” airing fall 2019 on NBC.

Multi-platinum, Grammy and Golden Globe nominated recording artist, actor, and award-winning songwriter, NICK JONAS (Lou) released his self-titled debut album in November 2014. The critically-acclaimed album included the triple-platinum and #1 U.S. radio hit, “Jealous” and his sultry chart-climbing radio single, “Chains.” A recipient of the Songwriters Hall of Fame's prestigious Hal David Starlight Award, Jonas released his sophomore solo album, “Last Year Was Complicated,” in

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June 2016. The album, which included the platinum hit "Close" featuring Tove Lo, debuted as the #1 selling album of the week. In 2017, Jonas co-wrote an original song titled “Home” for the animated feature Ferdinand, released by 20th Century Fox. The song was nominated for 2018 Golden Globe in the category of Best Original Song. Most recently, Jonas released “Right Now” with producer Robin Schulz off his upcoming album. As an actor, Jonas garnered unanimous critical praise for his lead role in the 2016 Sundance Film Festival favorite Goat. He also appeared in a guest-starring role in Fox's horror-comedy series, "Scream Queens.” Jonas starred in the gritty television show "Kingdom," a mixed martial arts drama that premiered in the fall of 2014. He was seen alongside Dwayne Johnson, Kevin Hart, and Jack Black in Jumanji: Welcome to the Jungle, Sony’s reimagining of 1995’s Jumanji. The film has passed Spider-Man to become Sony’s highest-grossing film ever at the U.S. box office. Jonas recently completed production on Lionsgate's post-apocalyptic thriller, Chaos Walking, which also stars Daisy Ridley and Tom Holland, and is scheduled for release in 2019.

JANELLE MONÁE (Mandy) is a Grammy-nominated singer-songwriter, performer, producer, activist and actress. In 2017, Monáe made her acting debut on the silver screen, starring in the Academy-Award nominated film, Hidden Figures and the Academy-Award Best Picture, Moonlight. Both films received critical acclaim and numerous accolades, cementing Monáe’s position in the film industry as a creative actress. Monáe was seen in the upcoming Robert Zemeckis film, Welcome to Marwen, which was released on December 21, 2018. She recently released her critically-acclaimed third solo album, “Dirty Computer” and the accompanying “Dirty Computer: An Emotion Picture by Janelle Monáe. Immersed in the performing arts at a young age, Monáe founded her record label the Wondaland Arts Society, releasing the EP “Metropolis: Suite I (The Chase).” Monáe previously released critically acclaimed albums “ArchAndroid” and “The Electric Lady.” In 2016 Monáe launched Fem the Future, an initiative to create more opportunities to advance the awareness, inclusion and opportunities for women and those who identify as women through music, arts, mentorship and education.

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Country Music Association’s 2012 Entertainer of the Year, five-time Male Vocalist of the Year winner and Grammy nominee BLAKE SHELTON (Ox) continues to add to his superstar status. His most recent album, “Texoma Shore,” became his sixth record to debut at No. 1 on the Billboard Top Country Albums chart and marked his 11th all- genre Top 10. “Texoma Shore” features tracks including the Grammy-nominated “I Lived It” plus “I’ll Name The Dogs,” a romantic tune that boasts more than 130 million streams and marked his 25th No. 1 song. In the week following album launch, Shelton became the first artist in Country Aircheck / Mediabase history to have six songs chart simultaneously. “Texoma Shore” follows 2016’s Gold-certified “If I’m Honest,” the best- selling country album release of the year, which spawned three chart-topping songs and earned him a No. 1 on both the Billboard Top Country Albums and the all-genre Top Album Sales charts. A member of the Grand Ole Opry, Shelton has earned a host of honors throughout his career including 20 ACM nominations and both the male and overall Video of the Year trophies at the 2018 CMT Awards. As a coach for the Emmy Award- winning NBC television show “The Voice,” Shelton is a six-time champion, most recently with his contestant Chloe Kohanski. He is currently on Season 16 of “The Voice” alongside Kelly Clarkson, Adam Levine and John Legend. Off stage, Shelton has teamed up with Ryman Hospitality to open a string of Ole Red entertainment restaurant venues, a nod to his 2001 hit of the same name. The first location in his hometown of Tishomingo, Oklahoma opened in September 2017, while the space on Nashville’s lower Broadway hosted a week-long grand opening in June of 2018. Locations in Gatlinburg, Tennessee and Orlando, Florida are soon to follow. Shelton recently finished his “Friends & Heroes” tour at the end of March 2019, where he headlined with Lauren Alaina with special appearances by country icons the Bellamy Brothers, John Anderson and Trace Adkins.

From Mr. 305 to Mr. Worldwide, ARMANDO CHRISTIAN PEREZ aka PITBULL (UGLYDOG), rose from the streets of Miami to exemplify the American Dream and

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achieve international success. His relentless work ethic transformed him into a Grammy-winning global superstar, business entrepreneur and motivational speaker. Pitbull has landed #1 hits in over 15 countries, sold over 80 million singles, has 88 million Twitter/Facebook/ Instagram followers and over 13 billion views on YouTube. In addition to the United States, his sold-out world concert tours have taken him to North and South America, Europe and the Far East. He has also completed headlining tours in China and Japan. Along the way in his journey, he has co-headlined with Enrique Iglesias, toured with Britney Spears in the U.K. and Europe, and spoken to thousands as part of Tony Robbins’ motivational seminars. Pitbull ushered in 2019 with his fifth annual New Year’s Eve event at Bayfront Park in Miami and capped off another stellar year in 2018 that included scoring the film Gotti, starring John Travolta; having a featured song, “Ocean to Ocean,” on the Aquaman soundtrack; and opening his first iLov305 themed nightlife destination in Biloxi, Mississippi. In 2018, he released his tenth full-length album, “Climate Change”; completed a second co-headlining U.S. tour with Enrique Iglesias; and released his first- ever “Greatest Hits,” plus a new Spanish single. Whether it’s Pitbull’s Voli 305 Vodka, which has its own signature cocktails at multiple Sugar Factory American Brasserie locations, or the fragrance line “Pitbull,” his influence has catapulted. His first Las Vegas residency, “Time of Our Lives” at Planet Hollywood Resort & Casino, has now accomplished multiple consecutive runs that include new dates to be announced for spring 2019 at Zappos Theater. In January 2019, iLov305, his restaurant and nightlife concept, opened on Miami's famed Ocean Drive. Norwegian Cruise Line handpicked him as Godfather to Norwegian Escape, one of the most innovative cruise ships ever built. Globalization, his 24/7 commercial-free channel on Sirius XM (Ch.13), has become one of the platform’s fastest-growing channels following its 2015 launch. Pitbull also serves as ambassador to the Sports Leadership Arts and Management (SLAM!) charter schools he has helped to establish. Launched in the Little Havana section of Miami where he spent some of his youth, the SLAM! model has now expanded to Las Vegas and West Palm Beach, Florida. Always striving to implement its mission to bring relevant experiences to its students, the SLAM! Foundation recently

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announced a new initiative: The first student-run national radio broadcast is planning to launch on SiriusXM.

WANDA SYKES (Wage) has been called one of the funniest stand-up comics by her peers and has ranked among Entertainment Weekly's “25 Funniest People in America.” In 2012, Sykes joined forces with veteran producer Page Hurwitz to form Push It Productions, a production company dedicated to creating quality, comedy-based programming for network and cable television outlets. The company's diverse slate of projects includes sketch comedy, concerts, reality talk/variety, and competition formats. In just its first year, Push It has made a first look production deal with NBC, had a new series on OWN (“Herlarious,” which was the recipient of a 2014 Gracie Award), and has shows currently in development with NickMom (“Comedy Camp”) and Comcast. Push It Productions produced the eighth and ninth seasons of NBC’s “Last Comic Standing.” The second season of their show “Talk Show The Game Show” premiere on TruTV in February 2018, and the second season of “Face Value,” hosted by Deon Cole, returned to BET in spring 2018. Sykes’ fourth comedy special, What Happened…. Ms. Sykes, premiered in fall 2016 on Epix. Shot in Los Angeles, the special focused on her life, family, race and politics as she questioned, “How Did I Get Here?” Sykes’ first HBO comedy special, “Wanda Sykes; Sick and Tired,” debuted in October 2006 and was nominated for a 2007 Primetime Emmy for Outstanding Variety, Music or Comedy Special. It was filmed in Seattle and covered everything from racial profiling to gay marriage. She returned to HBO for her second stand up special, I’ma Be Me ,where Sykes tackled topics like the first black president, gay cruises, being a new mom and aging. The special was nominated for two 2010 Primetime Emmy awards. Her first special, “Wanda Sykes: Tongue Untied,” premiered on Comedy Central in 2003. Sykes was seen in the 20th Century Fox comedy Snatched, with Amy Schumer and Goldie Hawn, in 2017. Sykes was also seen in the feature films Evan Almighty, the sequel to Bruce Almighty, in which she co-starred with Steve Carell; the New Line feature Monster-In-Law starring opposite Jane Fonda; My Super Ex-Girlfriend; Pootie

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Tang; Nutty Professor 2; The Klumps; and Down to Earth. Sykes’ role on ABC’s “Blackish” earned her a 2017 and 2018 Primetime Emmy Award nomination for Outstanding Guest Actress in a Comedy Series. Other shows include “Broad City,” Showtime’s “House of Lies,” Amazon Prime’s “Alpha House,” HBO’s “Curb Your Enthusiasm,” and she also spent five years on CBS's “New Adventures of Old Christine.” In 2010, Sykes starred on her own late-night talk show on Fox, “The Wanda Sykes Show.” Other TV credits include Fox's “Wanda at Large,” which she wrote, produced and starred in, “Wanda Does It” on Comedy Central, and “Crank Yankers,” where she voiced the role of Gladys Murphy. Sykes can be heard in many animated feature films and on TV, such as Fox’s Ice Ace, Collision Course (reprising her voice as Granny from Ice Age: Continental Drift) Dreamworks’ Over the Hedge and Paramount’s The Barnyard. On TV, she can be heard on the children shows “Vampira and Doc McStuffins.” Sykes’ first book, Yeah, I Said It, published by Simon and Schuster, hit bookstores in September 2004. Yeah, I Said It is a hilarious collection of essays touching on life, family and current events. Sykes spent five years as part of HBO's critically acclaimed “Chris Rock Show.” As a performer and writer on the series, she was nominated for three Primetime Emmys and, in 1999, won the Emmy for Outstanding Writing for a Variety, Music or Comedy Special. In 2001, Sykes won the American Comedy Award for Outstanding Female Stand Up Comic. She won three more Emmys, in 2002, 2004 and 2005, for her work on “Inside the NFL” for “Outstanding Studio Show – Weekly.” Sykes was born in Portsmouth, Virginia and raised in Maryland. She graduated with a Bachelor of Science degree from Hampton University. Sykes’ stand up career began at a Coors Light Super talent Showcase in Washington, D.C., where she performed for the first time in front of a live audience.

GABRIEL IGLESIAS (Babo) is the youngest of six children, raised by a single mother in Long Beach, California. It was during his childhood that he developed a strong sense of humor to deal with the obstacles he faced. In 1997, Iglesias set out to hone his comedic skills, and performed stand-up anywhere he could find an audience,

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including biker bars and hole-in-the-wall joints. Gabriel’s stand-up comedy is a mixture of storytelling, parodies, characters and sound effects that bring his personal experiences to life. His unique and animated comedy style has made him popular among fans of all ages. Iglesias is one of America's most successful stand-up comedians performing to sold-out concerts around the world. He is also one of the most watched comedians on YouTube with over 380,000,000 views and has over 14 million fans across social media. Gabe was recently featured in The Hollywood Reporter’s “Top 40 Comedy Players of 2018” issue alongside comedy giants Jerry Seinfeld, Chris Rock and Lorne Michaels. The comedian has also had the distinct honor of being one of the few to headline and sell-out Madison Square Garden in New York, Staples Center in Los Angeles and Sydney Opera House in Australia. Celebrating over 20 years in stand-up comedy, Iglesias is currently on his world tour, “One Show Fits All.” Iglesias is currently in production as star and Executive Producer of the multi- cam comedy series for Netflix, “Mr. Iglesias.” He plays a good-natured public high school teacher who works at his alma mater. The character takes on teaching gifted but misfit kids to not only save them from being “counseled out” by a bully bureaucrat assistant principal, but also to help them unlock their full potential. The series will have ten half-hour episodes and will premiere in 2019. In addition to the Netflix comedy series, Iglesias stars in two stand-up comedy specials for the network. The first, titled One Show Fits All, was recently filmed in front of a sold-out audience at the Toyota Center in Houston and aired at the end of January this year. His second special for the network will tape sometime in the next year, both of these specials are follow-ups to his highly successful 2016 special I’m Sorry For What I Said When I Was Hungry. In 2018, Iglesias voiced Sprinkles the dog in Show Dogs and guest-starred in an episode of ABC’s hit comedy “Modern Family.” In 2017 Iglesias voiced the role of Head Clerk in Pixar’s Academy Award nominated animated film Coco. He also voiced Rufus the Dog in Sony’s Golden Globe nominated animated holiday film The Star, and Cuatro in 20th Century Fox’s Academy Award nominated animated film Ferdinand. Iglesias also reprised his role of Jimmy in

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the animated film The Nut Job 2 along with Will Arnett, Maya Rudolph and Katherine Heigl. “Fluffy’s Food Adventures,” a non-scripted comedic docu-follow series, co- starring Gabriel's eccentric tour mates and fellow comedians Martin Moreno, Rick Gutierrez, G Reilly and Alfred Robles, completed a three-season run on FUSE TV in 2017. The show followed Iglesias and his crew on a coast-to-coast culinary trip in search of the country’s most mouthwatering dishes, as they discover local gems, unique activities and a few celebrities along the way. In 2015, he co-starred with Channing Tatum in Warner Bros’ Magic Mike XXL, reprising his role as Tobias from Magic Mike. Other feature film credits include co- starring roles in A Haunted House 2, and his voice can be heard in the animated films Smurfs: The Lost Village, Norm of the North, The Book of Life, The Nut Job and Disney’s Planes. Iglesias also starred in the theatrical stand-up concert comedy film, The Fluffy Movie. On the small screen, Iglesias was a recurring guest star on the ABC sitcom “Cristela.” Comedy Central aired Iglesias’ hit series “Stand-Up Revolution” for three seasons. The cable network also premiered “Gabriel Iglesias: Aloha Fluffy” in an unprecedented two-night comedy special to over 15 million viewers. The special was a follow-up to his previous DVD specials, Hot & Fluffy and I’m Not Fat...I’m Fluffy, which have sold a combined total of over two million copies. In late 2016, Iglesias released his sixth one-hour comedy special, “I’m Sorry For What I Said When I Was Hungry,” on Netflix worldwide. He filmed the special at the Allstate Arena in Chicago to two sold-out shows with a total of 20,000 fans in attendance.

WANG LEEHOM (Ugly Bat) is a Chinese-American singer-songwriter, producer, actor, and film director. Known as the King of Chinese Pop, he revolutionized the music scene with an evolving blend of pop, hip-hop, R&B, and traditional Chinese music ranging from aboriginal folk music to Beijing opera. He holds two honorary doctoral degrees from Williams College and Berklee College of Music. Wang Leehom is one of the most followed people in China, with over 70 million followers on social media. His sold-out concert at the 90,000 seat Beijing

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Bird's Nest in 2012 was the first solo pop concert to be held at the iconic venue. He has collaborated with many talented Western artists, including Avicii, Usher, and Tony Bennett. In addition to his music career, Wang Leehom has also appeared/starred in over 20 films, including Love in Disguise, which he also wrote and directed, include Ang Lee's Lust, Caution, Jackie Chan's Little Big Soldier, Michael Mann's Blackhat, and Fangfang Li's Forever Young, which earned Wang Leehom the Best Actor award at the 2018 Golden Lotus Awards in Macau. He is an environmental activist, and his album “Change Me” was dedicated to raising eco-awareness among Chinese youth. Wang Leehom was one of the first torchbearers for the Beijing 2008 Summer Olympics and performed in the Olympics' closing ceremony in Beijing. He was again a torchbearer for the 2012 Summer Olympics in London, making him the only person in the Mandarin pop circle to have taken part in the event twice. Wang Leehom is a longtime ambassador for World Vision Taiwan and was appointed World Vision Malaysia's 15th anniversary ambassador. Wang Leehom was listed as one of Goldsea's "The 100 Most Inspiring Asian Americans of All Time". At home in both the East and the West, Wang Leehom strives to connect both worlds by bringing Chinese music and movies to international audiences around the world.

EMMA ROBERTS (Wedgehead) is an undeniable talent who has amassed an impressive film and television career over the course of over a decade. Roberts recently completed production on Paradise Hills, the directorial debut of Spanish helmer Alice Waddington. Also starring Eiza Gonzalez and Danielle Macdonald, the sci-fi thriller follows Roberts’ character as she wakes up in a high-class treatment facility on an isolated tropical island, where well-off families send their daughters to become perfect versions of their selves. The film premiered at the 2019 Sundance Film Festival. Roberts recently starred in the eighth season of Ryan Murphy’s “American Horror Story: Apocalypse” on FX. The season is a highly-anticipated crossover between the

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previous “Murder House” and “Coven” installments, the latter of which featured Roberts as Madison, a party-girl teen witch who attends a special institution devoted to training and educating the few remaining witches to keep their coven from extinction. She also appeared in the fourth installment, “Freak Show,” playing fortune-teller, Maggie Esmeralda, in a circus of misfits and deformities. Both “American Horror Story: Coven” and “American Horror Story: Freak Show” received Emmy nominations for Outstanding Limited Series. In May 2018, Roberts starred in Who We Are Now for writer/director Matthew Newton. The film had its world premiere at the 2017 Toronto International Film Festival and was also a selection of the 2018 South by Southwest Festival. In April 2018, Roberts starred in director and writer Sam Boyd’s In a Relationship, opposite Michael Angarano. Based on Boyd’s short film of the same name, it is about the things that come between young people, what they fight about, and what they are afraid of. The film premiered at the 2018 Tribeca Film Festival. In March 2017, Roberts starred in the horror-thriller The Blackcoat’s Daughter from writer-director Osgood Perkins, which centers around two young women, played by Roberts and Kiernan Shipka, in an all-girls boarding school, who are haunted by an evil force. The film premiered at the 2015 Toronto International Film Festival and was released by A24 Films. In July 2016, Roberts starred opposite Dave Franco in the Lionsgate cyber-thriller Nerve, from directors Henry Joost and Ariel Schulman and adapted from the 2012 novel by Jeanne Ryan. From 2015-2016, Roberts starred as Chanel Oberlin in the Fox comedy-horror series “Scream Queens” for two seasons. From the minds of “Glee” creators Ryan Murphy, Brad Flachuk and Ian Brennan, the series also starred Jamie Lee Curtis, Lea Michele and Abigail Breslin. In September 2015, Roberts starred alongside Mickey Rourke and Nat Wolff in the indie feature Ashby, written and directed by Tony McNamara. The film premiered at the 2015 Tribeca Film Festival. She also starred opposite James Franco and Zachary Quinto in I Am Michael, based-off The New York Times Magazine article entitled “My Ex-Gay Friend,” which initially premiered at the 2015 Sundance Film Festival. In May 2014, Roberts starred in Gia Coppola’s directorial debut Palo Alto. In the

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coming-of-age story, Roberts played a high school student who begins a questionable relationship with her soccer coach, played by James Franco. The film premiered at the 2013 Venice International Film Festival and Toronto International Film Festival and was released in theaters by Tribeca Film. In February 2014, Roberts starred in the IFC indie film Adult World, directed by Scott Coffey, as an aspiring young poet who is forced to take a job at an adult bookstore due to the bad economy. The film premiered at the Tribeca Film Festival in 2013, and John Cusack, Evan Peters and Cloris Leachman costar. In August 2013, Roberts starred in Warner Bros.’ summer hit comedy We’re The Millers with Jennifer Aniston and Jason Sudeikis, from director Rawson Marshall Thurber. In the comedy, Sudeikis’ character assembles a fake family to smuggle a large shipment of pot across the Mexican border. Roberts played a tough street girl who is transformed into his daughter by masquerading as an all-American, preppy young woman. The following month, Roberts played the love interest of Liam Hemsworth in Lionsgate’s Empire State, a crime drama directed by Dito Montiel. Roberts starred in Dimension Films’ fourth installment revival of the Scream franchise for director Wes Craven, joining original cast members Neve Campbell, Courteney Cox, and David Arquette. Roberts portrayed Jill, the cousin of Campbell, who is the new girl in a small town. Audiences were shocked to discover Roberts’ sweet girl- next-door character turned out to be the killer. In October 2010, Roberts starred in the critically-acclaimed Focus Features production It’s Kind of a Funny Story opposite Zach Galifianakis and Viola Davis, for directors Ryan Fleck and Anna Boden. Roberts also starred in the indie film Virginia opposite Ed Harris and Jennifer Connelly, which premiered at the Toronto Film Festival. The film is directed by Dustin Lance Black (Oscar winning screenwriter for Milk) and executive produced by Gus Van Sant. In February 2010, Roberts co-starred alongside Jessica Biel, Bradley Cooper, Patrick Dempsey, Jennifer Garner, Ashton Kutcher, Carter Jenkins, and Julia Roberts in the romantic comedy Valentine’s Day. Jenkins and Roberts re-teamed, after sharing the screen in Unfabulous, to play a young couple who are contemplating whether to take a crucial step in their relationship. The film was directed by Gary Marshall and released by

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Warner Bros. In 2009, Roberts headlined the DreamWorks hit film Hotel for Dogs, as one of two orphaned street kids who convert an old-abandoned hotel into an elaborate fantastical place for stray dogs. Lisa Kudrow and Don Cheadle co-star and the film grossed over $113 million dollars worldwide. In Summer 2007, Roberts starred as the titular character in Nancy Drew, a big- screen adaptation of the classic teenage detective novels for Warner Bros. The film was directed by Andrew Fleming and produced by Jerry Weintraub. That same year, Roberts was honored as the ShoWest Female Star of Tomorrow. Roberts starred in the Fox 2000 film Aquamarine in 2006, based on the Alice Hoffman novel that tells the story of two teen girls who discover a mermaid after their coastal town is ravaged by a hurricane. The film was directed by Elizabeth Allan and produced by Susan Cartsonis. From 2004-2007, Roberts starred as Addie Singer in the Nickelodeon hit comedy series “Unfabulous,” created by Sue Rose. It was one of the highest rated “tween” series on television at the time, telling the story of a teenage girl dealing with the trials of growing up, fitting in, and being popular. Upon landing her very first audition, Roberts booked the role of Johnny Depp and Penelope Cruz’s daughter in Blow, which was directed by the late Ted Demme for New Line Cinema. Soon after, she starred in the Sundance short film Big Love directed by Leif Tilden and starring Sam Rockwell. Roberts went on to play one of the lead roles in the independent feature film Grand Champion, opposite Joey Lauren Adams, for director Barry Tubb. Additional film credits include Little Italy opposite Hayden Christensen, Gavin Wiesen’s The Art of Getting By with Freddie Highmore and Michael Angarano, Celeste and Jesse Forever opposite Rashida Jones, Noel Clark’s thriller 4.3.2.1., Joel Schumacher’s Twelve, Lymelife, produced by Martin Scorcese, and The Winning Season opposite Sam Rockwell. Originally from New York, Roberts currently resides in Los Angeles.

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Grammy nominated singer/songwriter BEBE REXHA (Tuesday) has accumulated more than 12 million overall single sales, six billion total global streams and a radio audience of more than 10 billion. Her highly anticipated debut album, “Expectations,” was released last June on Warner Bros. Records, and features her massive single, “I’m a Mess,” as well as Rexha’s global #1 smash “Meant To Be” with Florida Georgia Line, which remained on Billboard’s Hot Country Songs list for a record- breaking 50 straight weeks. Rexha was nominated in two categories for the 61st annual Grammy Awards for Best New Artist and Best Country Duo/Group Performance for “Meant To Be.” Rexha, whom Billboard calls “one of the most daring artists of 2017,” burst onto the scene in 2013 when she penned the song “Monster,” which became a worldwide hit for Eminem and Rihanna, and went RIAA 6x platinum, stateside. Since then, Rexha co-wrote and carried the instantly recognizable hook for the 3x platinum “Hey Mama,” by David Guetta, Nicki Minaj and Afrojack, which was nominated for a Billboard Music Award for Top Dance/Electronic Song. She also hit #1, both on the Billboard Pop and Rap charts, with her platinum-selling smash single, “Me, Myself & I” with G-Eazy. Rexha’s single, “I Got You” has more than 268 million views; “No Broken Hearts,” featuring Nicki Minaj, has more than 255 million views; and Rexha is featured on Martin Garrix’s single, “In The Name of Love,” which has amassed more than 424 million views. Rexha released her second EP, “All Your Fault: Part 1,” and the follow-up, “All Your Fault: Part 2,” in 2017 to rave reviews.

Over the course of her trailblazing career, CHARLI XCX (Kitty) has earned critical acclaim across the globe for not only her forward-thinking musical output, but her refreshing entrepreneurial spirit that has seen her carve her own lane on the global pop circuit. Video director; singer; songwriter; documentary maker; radio host; record label boss – there’s nothing the British 26-year-old can’t turn her hand to. Charlotte Aitchison, aka Charli XCX, has become one of the hottest creators of her generation and is the award-winning talent behind the multi-platinum and global No.1’s “Fancy” and “I Love It” and UK Top 10 “Boom Clap”. In 2017, she bookended the

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year with her ground-breaking, critically-acclaimed mixtapes “Number 1 Angel” and “Pop 2,” featured on David Guetta and Afrojack’s global smash “Dirty Sexy Money,” and released her standout summer crush anthem “Boys.” A true visionary, Charli took full creative control across casting, directing and producing the accompanying video, which saw her flip the traditional male gaze on its head, as it featured an all-star male cast including Stormzy, Mark Ronson, Diplo, Joe Jonas, Brendon Urie, will.i.am, Riz Ahmed, and more. Charli was hailed as a paragon of progressiveness off the back of its release. Last year also proved to be stellar. Following a series of tracks drops – “5 In The Morning,” “No Angel,” “Focus” and “Girls Night Out” – as well as heralded mixtape shows, which she brought to the UK and Europe from America, and a global support tour with Taylor Swift, Charli returned with her throwback, UK Top 15 smash “1999” feat, with Troye Sivan. The accompanying video, which sits at 26 million views, was co- produced by Charli and payed homage to standout, cultural references from the year 1999. Charli has won multiple awards including two Billboard Awards, two SESAC Songwriter of the Year Awards and one YouTube Music Award, alongside nominations at the Grammys, BRIT Awards and MTV EMAs. Not to mention the studio time she’s commanded with the likes of Blondie, Selena Gomez (Charli co-wrote her U.S. No.1“Same Old Love”), Gwen Stefani, Benny Blanco, David Guetta, Zara Larsson, Khalid and Diplo, as well as her recently taking the reigns as co-executive producer on the forthcoming debut album from Finnish rising star, Alma. With two albums under her belt – “True Romance” (2013) and “Sucker” (2015) – Charli is currently in the studio working on her third studio album

When you love yourself, anything becomes possible. Channeling boundless self- confidence through a downright earth-quaking voice, colorful persona, and undeniable star power, LIZZO (Lydia) struts into the spotlight and steps up with a whole lot of sass, spirit, and soul. Embracing her vocal range like never before and celebrating herself to the fullest, Lizzo speaks her mind, censors nothing, and delivers an enviable level of honesty, pure passion, and fresh fire. In doing so, she reaches the precipice of a

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personal and creative breakthrough in 2019 as evidenced by a string of new releases for Nice Life Recording Company and Atlantic Records. Lizzo quietly worked towards these realizations since the release of her 2016 EP, “Coconut Oil,” which delivered such hits as “Good As Hell,” “Phone,” “Water Me,” and “Truth Hurts.” Building on enthusiastic critical acclaim and a rapidly growing fan base, last year represented a high watermark for the Detroit-born and Houston-raised songstress. A string of singles hit maximum velocity as “Boys” took the culture by storm. A definitive and inescapable anthem for 2018, it closed out the year on Time’s 10 Best Songs of 2018, Pitchfork’s 100 Best Songs of 2018, and Paste’s 50 Best Songs of 2018. She covered both Teen Vogue’s “Pass The Mic Music Issue” and Galore, in addition to being profiled in Rolling Stone, The New York Times, V, and Glamour. Allure also proclaimed Lizzo among its “Beauty Disruptors: 12 People Changing the Beauty Industry for the Better.” Additionally, she brought down the house with rapturous performances at Lollapalooza and the MoMa PS1 Warm Up in New York City as well as maintaining an undeniable presence at New York Fashion Week. However, Lizzo recognized a turning point the summer before everything popped off… Paying homage to some of music’s most influential women, she took the stage at NPR Music’s “Turning the Tables Live” at Lincoln Center’s Damrosch Park Bandshell. During the proceedings, she covered Aretha Franklin’s “Respect” and Lauryn Hill’s “Ex Factor.” With those heels on, Lizzo hit the studio in late 2018 to record her third full- length, “Cause I Love You.” For the first time, she enlisted the production talents of X Ambassadors’ Sam Harris. Recording in a “haunted ass studio,” the producer encouraged her to break out of her comfort zone. Galvanized by those sessions, she also reteamed with an old friend Oak Felder (who’s worked with Rihanna, Alessia Cara, Kehlani), as well as longtime collaborator Ricky Reed (Meghan Trainor, Halsey). Lizzo introduced this chapter with “Juice.” Eighties-style synths slink hand-in-hand with a steady beat before climaxing on funky guitar and boisterous horns. She drops eyebrow-raising lines like, “No, I’m not a snack at all. Look, baby, I’m the whole damn meal” before the breakdown, “Somebody come

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get this man. I think he got lost in my DMs.” Touting the hummable hook, “Blame it on my juice,” Lizzo turns up with an empowering call-to-arms. Whether it’s the emotionally charged “Jerome” or dynamically delicate “Crybaby,” Lizzo clings to an overarching message on “Cause I Love You,” intimated by the title. In the end, Lizzo’s message of empowerment and love rings true because it comes straight from the heart.

ICE-T (Peggy) not only invented gangster rap, he has lived it. Ice-T is the original embodiment of LA Hip-Hop and a cultural icon. Through his music, books, and lecture tours of America’s prisons, high schools, libraries, and colleges (including Harvard, Princeton, and Stanford), Ice-T has become an influential spokesman for America’s youth, regardless of color. Born in New Jersey, Ice-T learned the art of survival pretty fast. An only child whose parents died when he was very young, Ice-T became involved in Los Angeles gangs before spending four years in the army. His first break came when the producers of the film Breakin’ asked him to rap in the movie. He went on to become rap music’s original gangster, writing songs like “Six in the Mornin” and “New Jack Hustler.” Ice-T formed Rhyme Syndicate Records in 1989 and released a string of groundbreaking West Coast rap records. He subsequently formed the thrash metal band Body Count with high school friend and guitarist Ernie C. Body Count’s 1991 self- titled debut contained the controversial single “Cop Killer.” Body Count was the most critically acclaimed act on the highly successful 1991 Lollapalooza tour and continues to tour worldwide. As his politics were grabbing headlines, Ice-T’s film and television career was taking off. The controversial personality secured roles in New Jack City, Ricochet, Trespass and Johnny Mnemonic, while building a flourishing television career. He has numerous independent and documentary film roles to his credit, as well. Ice-T currently stars in NBC’s Law & Order: Special Victims Unit, as Detective Odafin Tutuola, now it its 20th season. In 2012 and 2013, Ice and his wife, Coco starred in the E! reality show “Ice Loves Coco.”

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As an artist, his reach has crossed into interactive media. Ice-T is the voice of Griffin in the billion-dollar grossing Gears of War 3 & 4 games, as well as other popular games like Grand Theft Auto and Scarface. As an author, he has released three books: The Ice Opinion (1994), Ice: A Memoir of Gangster Life and Redemption-from South Central to Hollywood (2011) and a fictional tale, entitled Kings of Vice (2013). In January 2012, Ice’s directorial debut, Something from Nothing: The Art of Rap, played at the Sundance Film Festival. In 2012 he produced the documentary, Iceberg Slim: Portrait of a Pimp, which premiered at the Toronto International Film Festival and was released theatrically in 2013. In 2017, Ice produced and starred in Who Shot Biggie & Tupac, for Fox. He also released a new “BodyCount” album, which garnered a 2018 Grammy nomination, and produced and hosted “In Ice Cold Murder” for Oxygen, for which a second season began airing in February 2019.

JANE LYNCH (Announcer Robot) is the two-time Emmy Award-winning host of “Hollywood Game Night.” She currently co-stars on the award-winning comedy series “The Marvelous Mrs. Maisel” and is well known for her Emmy and Golden Globe-winning portrayal of Sue Sylvester on “Glee.” Additional television credits include portraying Janet Reno in “Manifesto,” “Criminal Minds,” “The Good Fight,” “Portlandia,” “Angel From Hell,” “Party Down,” “Lovespring International,” “Two and a Half Men” and The “L Word.” Lynch’s film credits include Wreck It Ralph I and II, The Three Stooges, The 40- Year-Old Virgin, Talladega Nights, Role Models, Julie & Julia, A Mighty Wind, Best In Show and For Your Consideration. She made her Broadway debut in the 2013 production of “Annie.” Her additional theater work includes “Oh Sister, My Sister” at the Tamarine Theatre and “Love, Loss and What I Wore” at the Off-Broadway Westside Theatre. Lynch embarked on her own 2015 live concert tour, “See Jane Sing,” with Kate Flannery, Tim Davis and the Tony Guerrero Quintet. Their Billboard top 10 holiday

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album, “A Swingin' Little Christmas,” is available from iTunes, Amazon and other outlets. Lynch was raised near Chicago and cut her theatrical teeth at the Second City and Steppenwolf Theatre. Her memoir, Happy Accidents, topped several national bestsellers lists, including The New York Times and Los Angeles Times.

Actor/comedian/writer/producer/director ROB RIGGLE (Announcer Robot) has been a staple in comedic films and television for more than 15 years. Riggle is known for his memorable characters in comedy hits like The Hangover and Step Brothers, as well as his stints on “Saturday Night Live” and as a correspondent on “The Daily Show with Jon Stewart.” Additional credits include The Other Guys, 21 Jump Street, 22 Jump Street, Dumb and Dumber To and, most recently Universal’s Night School with Kevin Hart. He also recently appeared in Warner Bros.’ war drama 12 Strong and Open Road Films’ Midnight Sun. On the small screen, Riggle created and stars in Sony Crackle’s “Rob Riggle’s Ski Master Academy.” For his voice-over talents, he earned a 2012 Emmy nomination for Outstanding Voice-Over Performance for Disney’s “Prep & Landing: Naughty vs. Nice.” As he broke into comedy, Riggle was still on active duty with the United States Marine Corps, which he joined at the age of 19. Rising through the ranks, Riggle served in various countries including Albania, Kosovo, Liberia, and Afghanistan. Lieutenant Colonel Riggle retired from the Marine Corps Reserve, having served 23 years total (nine years active duty, 14 years in the reserves) and earned more than 22 medals and ribbons. Born in Louisville, Kentucky, and raised in Overland Park, Kansas, Riggle attended Shawnee Mission South High School and graduated from the University of Kansas with a B.A. in Theater & Film. He later received a Master’s in Public Administration from Webster University. Riggle currently resides in Los Angeles with his wife and two children.

ABOUT THE FILMMAKERS

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KELLY ASBURY (Director) is an American animated film director, screenwriter, voice actor, published children's book author/illustrator, and non-fiction writer. He is best known for directing animated films, including Shrek 2 (2004) and Gnomeo & Juliet (2011). A native of Beaumont, Texas, Asbury attended Lamar University for two years before transferring to the renowned California Institute of the Arts in 1980, in Valencia, where he studied animation and filmmaking. From 1983 until 1995, Asbury worked at Walt Disney Feature Animation, contributing designs and storyboards for several popular animated films, including The Little Mermaid (1989) and Beauty and the Beast (1991). He was an assistant art director on Tim Burton's The Nightmare Before Christmas (1993) and provided storyboards for Toy Story (1995). In August 1995, Asbury began working for DreamWorks, where he began as Head of Story on The Prince of Egypt (1998), then went on to direct two Academy Award-nominated feature films, Spirit: Stallion of the Cimarron (2002) and Shrek 2. In addition to directing, Asbury provided some of the extra character voices in Shrek 2 and Shrek the Third (2007). Also in 2007, Asbury relocated to London, England, where he directed and co- wrote Gnomeo & Juliet, on which he also provided the voices of the tiny Red Goon Gnomes. He was nominated for two Annie Awards for directing and co-writing that film. Outside of the animation realm, Asbury has written a non-fiction book titled Dummy Day – America’s Favorite Ventriloquists from Radio and Early TV (2002). He is also the author and illustrator of twelve published children's books, including 1997’s Rusty’s Red Vacation, Bonnie’s Blue House, and Yolanda’s Yellow School. From 2011 to 2012, Asbury contributed storyboards to Disney's Wreck-It- Ralph (2012) and Frozen (2013). Some of the other animated films to which Asbury has contributed include James and the Giant Peach (1996), Chicken Run (2000), Madagascar: Escape 2 Africa (2008), Shrek (2011), Smurfs: The Lost Village (2017) and the new animated film version of The Addams Family (2018).

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Asbury resides in Southern California and, when he’s not busy directing animated movies, spends most of his time developing new film and television projects, both animated and live action, as well as exploring ideas for new books on a variety of subjects.

JANE HARTWELL (Producer) was a producer at DreamWorks Animation for nine years, most notably for The Croods, which grossed $587 million worldwide and was nominated for an Academy Award for Best Animated Feature. Prior to producing, Hartwell served as Head of Global Production and Strategy, where she oversaw the production aspects and needs of all of the animated projects in progress at DreamWorks Animation. Hartwell joined the studio in 1996 as a production manager on DreamWorks' first computer-animated feature film, Antz. During this time, she was instrumental in transitioning PDI from a commercial production house to a feature film studio. Hartwell then served as the associate producer on the Academy Award-winning blockbuster Shrek. Hartwell is a graduate of Columbia University.

ROBERT RODRIGUEZ (Producer/Story By) is a film director, screenwriter, producer, cinematographer, editor and musician. He is also the Founder and Chairman of El Rey Network, a 24-hour, English-language lifestyle network. While a student at the University of Texas at Austin in 1991, Rodriguez wrote the script to his first feature film while sequestered at a drug research facility as a paid subject in a clinical experiment. That paycheck covered the cost of shooting his film. He planned to make the money back by selling the film to the Mexican home video market. The film, El Mariachi, went on to win the coveted Audience Award at the 1993 Sundance Film Festival, and became the lowest budget movie ever released by a major studio. Rodriguez wrote about these experiences in Rebel Without a Crew, a perennial guide for the independent filmmaker. Rodriguez went on to write, produce, direct and edit a series of successful films including Desperado, From Dusk Till Dawn, The Faculty, the Spy Kids franchise, Once Upon a Time in Mexico, Frank Miller’s Sin City, The Adventures of Sharkboy and

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Lavagirl in 3D, Grindhouse, Machete and Sin City 2: A Dame To Kill For. In 2000, Rodriguez founded Troublemaker Studios, an Austin, Texas based production facility of which he is co-owner and president. The studio includes a world- renowned visual effects house, music and publishing arms, and has played a primary role in making Austin a vibrant filmmaking hub. In 2012, Rodriguez created El Rey Network, a 24-hour English language television network. Curated by Rodriguez and his artistic collective, the network launched in 2014 and is now in 45 million homes. El Rey's action-packed slate includes the lucha libre wrestling series “Lucha Underground” and the one-on-one interview program hosted by Rodriguez, "El Rey Network Presents: The Director's Chair,” as well as the unscripted series “Man at Arms.” El Rey Network's lineup also showcases a wide range of iconic feature films and TV series, including genre, cult classics, action and horror/sci-fi. In 2016 Rodriguez embarked on a collaboration with iconic film director James Cameron on the film adaptation of Alita: Battle Angel, which Cameron produced, with Rodriguez directing. The film premiered theatrically February 14, 2019. In 2017 Rodriguez, alongside his sons Racer and Rebel, formed Double R Productions, a development and production company with capabilities to produce media projects across film, television, gaming and interactive platforms. In addition to Red 11, Double R produced a state-of-the-art VR live-action short called the The Limit, starring Michelle Rodriguez. To commemorate the 25th anniversary of El Mariachi, Rodriguez challenged himself to make a new feature film for only $,7000 dollars in 14 days titled Red 11. Red 11’s production was also documented for a six-part docu-series featuring Rodriguez and his son Racer making the film, called Rebel without a Crew: The Robert Rodriguez Film School. Red 11 and a sneak preview of the docu-series had its world premiere at SXSW in March. He resides in Austin, Texas.

OREN AVIV (Producer) has enjoyed a formidable 25-year career in the entertainment industry, with expertise in motion picture marketing, film production,

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creative content, brand creation, and management leadership. Aviv currently serves as President and Chief Content Officer at STXfilms, where for the last two years, he has been solely focused on producing the UglyDolls feature animated film, the “UglyDolls” TV series for Hulu, and securing the property’s global brand partnerships across all its platforms. Prior to his partnership at STX, Aviv was President of Domestic Theatrical Marketing and Chief Marketing Officer for Twentieth Century Fox (2011-2013), responsible for overseeing all marketing efforts for 20th Century Fox, Fox 2000 and Fox Animation films, including all media, digital, advertising, publicity and promotions. Films marketed under Aviv’s leadership include launching Rise of the Planet of the Apes and X-Men: First Class; the animated hits Rio, The Croods and Ice Age: Continental Drift; Ridley Scott’s sci-fi epic Prometheus; A Good Day to Die Hard with Bruce Willis; The Wolverine starring Hugh Jackman; the Sandra Bullock/Melissa McCarthy comedy hit The Heat; and Ang Lee’s Oscar-winning Life of Pi. Prior to Fox, Aviv served as President of Walt Disney Studios Motion Pictures Production (2006- 2010), where he was responsible for overseeing all aspects of live- action development and film production for the motion picture division of The Walt Disney Studios. Under Aviv’s direction, Disney’s major box office successes included Tim Burton’s billion dollar-grossing Alice in Wonderland; Pirates of the Caribbean: At World’s End, which earned over $960 million dollars worldwide; National Treasure and its sequel National Treasure: Book of Secrets; the comedy smash Wild Hogs; the live- action musical comedy Enchanted; the Sandra Bullock/Ryan Reynolds hit The Proposal; plus launching The Hannah Montana and High School Musical feature films. Before heading production, Aviv was Disney’s President of Marketing (2000- 2006) and was also named Chief Creative Officer for The Walt Disney Studios (in 2004). Aviv’s creative and strategic marketing campaigns launched the Pirates of the Caribbean, Narnia, National Treasure and Step Up franchises, along with blockbusters such as The Sixth Sense; Finding Nemo; Pearl Harbor; The Incredibles; Ransom; The Rock; Signs; Monsters, Inc.; Armageddon; Sister Act; Unbreakable; 101 Dalmatians; as well as hundreds of other films under the Disney, Touchstone and Hollywood Pictures banners. Aviv was also Executive Producer on Walt Disney Pictures’ National Treasure

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franchise, which was based on his idea and for which he received Story By credit. He also received the same Executive Producer and Story By credits on Disney’s 1994 film RocketMan. He worked at The Walt Disney Company for 20 years. Aviv was three times named Marketer of the Year by Advertising Age Magazine, first for Pirates of the Caribbean, followed by The Incredibles, and then The Chronicles Of Narnia: The Lion, The Witch and The Wardrobe. He has also been awarded many prestigious advertising and marketing awards, including Clios, Beldings, and numerous Key Art Awards. Prior to his positions at Disney and Fox, Aviv spent three years at the ABC Television Network, and two years at Grey Advertising, as Creative Director. In 2005, Aviv created, and is listed as an inventor, on a patented technology device called the Disney D-Coder, a precursor to QR Codes, which has revolutionized on-line sales and marketing for many industries. Aviv has been honored at the Dinner of Champions event benefiting the Southern California Chapter of the National Multiple Sclerosis Society, along with being honored for his contributions to Chrysalis, a nonprofit organization dedicated to creating a pathway to self-sufficiency for homeless and low-income individuals. He is a frequent lecturer at both USC and UCLA film schools, and is a graduate of Columbia University.

ALISON PECK (Screenwriter) earned a BFA with honors from the University of Southern California’s John Wells Division of Writing for Screen and Television. UGLYDOLLS is Peck’s first produced feature film. It is inspired by the unique and beloved global plush toy phenomenon launched in 2001 and stars an amazing group of voice talent including Kelly Clarkson, Nick Jonas, Janelle Monáe, Blake Shelton, Wanda Sykes, Gabriel Iglesias, Wang Leehom, Emma Roberts and Pitbull. Additional development credits for Peck include the upcoming teen dance movie Work It for STX Entertainment and Alloy Entertainment to be produced by Alicia Keys, which is currently casting, and her R-rated female comedy film You Can’t Keep a Good Girl Down. Born in New York and raised in Houston, TX, Peck lives in Los Angeles with her husband and son.

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CHRISTOPHER LENNERTZ (Composer, Songs) saw his life changed forever after a chance a chance meeting with famed movie composer Henry Mancini, in college. In awe of Mancini’s ability to compose for any genre, Lennertz has modeled his career to be just as diverse, and has written music for some of the world’s greatest storytellers. Whether its soaring heroics for Seth Rogen as a hot dog saving the world in Sausage Party or the lush orchestral melodies of Steven Spielberg’s “Medal of Honor” series…a stark, out of tune gospel piano for Mark Ruffalo’s battle with addiction in Thanks for Sharing, or futuristic dystopian Americana for J.J. Abrams’ Revolution, Lennertz’s classic eclectic ability has now become his signature. Lennertz has worked in almost every genre imaginable and spent weeks on Billboard charts. He has an Emmy nomination for the cult hit “Supernatural,” a Grammy for his arrangements on Ozomatli’s album “Street Signs,” and an amazing eleven BMI awards for his work on blockbusters like Bad Moms, Horrible Bosses, Ride Along, and more. To embrace the collaborative spirit of musical storytelling, Lennertz has teamed up with legendary artists like Grammy winners Arturo Sandoval and Dave Grusin, The RZA, and Sheila E., as well as with members of Pearl Jam, No Doubt, The Beastie Boys, Dave Matthews Band, Jurassic 5, and Jane’s Addiction. Collaborations with directors Tim Story, Seth Gordon, John Favreau, and Ben Stiller, as well as producers Chris Meledandri, JJ Abrams, Seth Rogen, Doug Liman, Edward Norton, McG, Joel Silver, and so many others have led to a stream of box office successes. Equally comfortable on the small screen, on stage, and at festivals, Lennertz has written eclectic scores for “Marvel’s Agent Carter” and the Sundance award-winner Adam, for Fox Searchlight Pictures. He has written with Broadway legends David Zippel, Glenn Slater, and Oscar and Tony winner Alan Menken on Sausage Party, as well as the musical adventure “Galavant.” Lennertz is also one of the most in demand composers in video games, with hits like “Medal of Honor,” “James Bond,” “The Godfather,” and the “Mass Effect” series. His passion for education and philanthropy plays a major part in his life, and Lennertz serves on the board of Education Through Music Los Angeles and The Mr. Holland's Opus Foundation, as well as Hands Together in Haiti. He personally launched the

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Symphony of Hope project after the 2010 earthquake in Haiti to rally the film music community around the cause. Ultimately mixing his love of storytelling, his eclectic background, and his relentless passion for all styles of music, Lennertz has become one of the most valued and sought after composers in Hollywood today.

GLENN SLATER (Songs) is a three-time Tony nominee for the international hit musicals The Little Mermaid, Sister Act, and School of Rock, and a co-creator of Disney’s worldwide smash Tangled (Grammy winner, Oscar and Golden Globe nominations). With frequent collaborator Alan Menken, Slater wrote the songs for ABC-TV’s cult series “Galavant” (Emmy nominee) and the Disney Channel’s “Tangled: The Series;” as well as the animated comedy Sausage Party, Disney’s Home On The Range, and the Broadway musicals Leap of Faith and A Bronx Tale. Slater provided the book and lyrics for Andrew Lloyd Webber’s Love Never Dies, the sequel to Phantom of the Opera, which is currently touring the globe after its West End premiere. Most recently, he penned the book for Beatsville (with composer/lyricist/wife Wendy Wilf), which debuted at Sarasota’s Asolo Rep. Other work includes an Emmy-nominated song for ABC’s “The Neighbors,” and the critically- acclaimed revue Newyorkers at off-Broadway’s Manhattan Theatre Club. Slater lives in New York City, and is a member of ASCAP and the Dramatists Guild.

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