DOCSLIB.ORG

Sexiest Wayne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sexiest Wayne OZONE MAGAZINE NEVER MIND WHAT HATERS SAY, IGNORE ‘EM TIL THEY FADE AWAY THEY FADE TIL ‘EM IGNORE SAY, HATERS WHAT NEVER MIND MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE 5th ANNUAL ISSUESEX 10 WAYS RUINEDPORN MY LIFE TOP 10 FEMALESEXIEST DJs a LOVE LETTER for LIL WAYNE T.I. LIL KEKE PIMPS, LIL WIL PORN STARS, JUICE BIZZLE & A DOMINATRIX & MORE can you turn a HOE INTO A HOUSEWIFE? OZONE MAG // 1 YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE 5th ANNUAL LIL SEX KEKE ISSUE 10 WAYS T.I. PORN RUINED MY LIFE TOP 10 SEXIESTFEMALE DJs a LOVE LETTER for LIL WAYNE LIL WIL JUICE PIMPS, BIZZLE PORN STARS, & MORE & A DOMINATRIX can you turn a HOE INTO A HOUSEWIFE? 28 // OZONE WEST 2 // OZONE MAG OZONE MAG // 3 4 // OZONE MAG OZONE MAG // 5 6 // OZONE MAG OZONE MAG // 7 8 // OZONE MAG OZONE MAG // 9 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric N. Perrin cover stories monthly sections ASSOCIATE EDITOR // Maurice G. Garland 40-47 LIL KEKE 13 10 THINGS I’M HATIN’ ON GRAPHIC DESIGNER // David KA 50-53 T.I. 65 CAffEINE SUBS ADVERTISING SALES // Che Johnson, Richard Spoon 62-63 CD REVIEWS PROMOTIONS DIRECTOR // Malik Abdul features 20 DOLLAR MENU SPECIAL EDITION EDITOR // Jen McKinnon 66 End ZONE LEGAL CONSULTANT // Kyle P. King, P.A. 22 31 FLAVORS 26 FLAVOR Of LOVE 12 FEEdbACK SUBSCRIPTIONS MANAGER // Adero Dawson 13 JB’S 2 CENTS ADMINISTRATIVE // Kisha Smith 40 HOE TO A HOUSEWIFE 32 KHIA’S LOVE LETTER TO LIL WAYNE 21-37 PHOTO GALLERIES INTERNS // Jee’Van Brown, Kari Bradley, Torrey 28-30 PRISON DIARY Holmes 41 THINGS I LEARNED ABOUT SEX 14-16 RAPQUEST CONTRIBUTORS // Anthony Roberts, Bogan, Char- FROM SOUTHERN HIP HOP lamagne the God, Chuck T, Cierra Middlebrooks, 61 THROWBACK REVIEW Edward Hall, Jacquie Holmes, J Lash, Jason Cordes, 42 10 WAYS PORN RUINED MY LIFE Johnny Louis, Keadron Smith, Keith Kennedy, K.G. 34-36 10 SEXIEST FEMALE DJS Mosley, King Yella, Luis Santana, Luxury Mindz, 18 SIDEKICK HACKIN Marcus DeWayne, Matt Sonzala, Maurice G. Gar- interviews land, Mercedes (Strictly Streets), Natalia Gomez, Ray 24 STD E-CARDS Tamarra, Rico Da Crook, Rohit Loomba, Shannon 38 ACE HOOD McCollum, Spiff, Stan Johnson, Swift, Thaddaeus 48 STD MYTHS McAdams, Wally Sparks, Wendy Day 63 THE X FILES 58 BIzzLE 60 JUNEy BOOmdATA STREET REPS // 3rd Leg Greg, Adam Murphy, Alex Marin, Al-My-T, Benz, Big Brd, B-Lord, Big Ed, Big 39 KILLER MIKE Teach (Big Mouth), Bigg V, Black, Bogan, Bo Money, 59 LIL WILL Brandi Garcia, Brandon “Silkk” Frazier, Brian Eady, Buggah D. Govanah (On Point), Bull, C Rola, Cartel, 56-57 PINKY Cedric Walker, Cece Collier, Chad Joseph, Charles 49 RISKAY Brown, Chill, Chuck T, Christian Flores, Clifton Sims, 54-55 TOM G DJ Commando, Danielle Scott, DJ Dap, Delight, Derrick the Franchise, DJ Dimepiece, DJ D’Lyte, Dolla Bill, Dorian Welch, Dwayne Barnum, Dr. Doom, Dynasty, Ed the World Famous, DJ E-Feezy, DJ EFN, Episode, Eric “Crunkatlanta” Hayes, Erik Tee, F4 Entertainment, Fiya, G Dash, G-Mack, George Lopez, Gorilla Promo, Haziq Ali, Hezeleo, H-Vidal, Hotgirl Maximum, Hotshot, Jacquie “Jax” Holmes, Jae Slimm, Jammin’ Jay, Janiro Hawkins, Jarvon Lee, Jay Noii, Jeron Alexander, J Pragmatic, JLN Photography, Joe Anthony, Johnny Dang, Judah, Judy Jones, Kenneth Clark, Klarc Shepard, Kool Laid, Kurtis Graham, Kydd Joe, Lex, Lucky, Lump, Lutoyua Thompson, Marco Mall, Mario Grier, Marlei Mar, DJ M.O.E., Music & More, Natalia Gomez, Nikki Kancey, Oscar Garcia, P Love, Pat Pat, Phattlipp, Pimp G, Quest, Quinton Hatfield, DJ Rage, Rapid Ric, DJ Ricky Ruckus, Robert Lopez, Rob-Lo, Robski, Scor- pio, Seneca, Shauntae Hill, Silva Reeves, Sir Thurl, Southpaw, Spade Spot, Stax, Sweetback, Teddy T, TJ’s DJ’s, Tim Brown, Tony Rudd, Tre Dubb, Tril Wil, Trina Edwards, Troy Kyles, Vicious, Victor Walker, DJ Vlad, Voodoo, White Boi Pizal, Wild Billo, Will Hustle, Wu Chang, Young Harlem, Yung DVS SUBSCRIPTIONS // To subscribe, send check or money order for $20 to: Ozone Magazine, Inc. Attn: Subscriptions Dept 644 Antone St. Suite 6 Atlanta, GA 30318 Phone: 404-350-3887 Fax: 404-350-2497 Website: www.ozonemag.com COVER CREDITS // T.I. photos (cover and this page) by Ray Tamarra. Lil Keke photos by SLFEMP, Lil Wil photo by King Yella. DISCLAIMER // OZONE Magazine is published 11 times per year by OZONE Magazine, Inc. OZONE does not take responsibility for unsolicited materials, misinformation, typographical errors, or misprints. The views contained herein do not nec- essarily reflect those of the publisher or its advertis- ers. Ads appearing in this magazine are not an endorsement or validation by OZONE Magazine for products or services offered. All photos and illustra- tions are copyrighted by their respective artists. All other content is copyright 2009 OZONE Magazine, all rights reserved. No portion of this magazine may be reproduced in any way without the written consent of the publisher. Printed in the USA. 10 // OZONE MAG OZONE MAG // 11 Send your comments to [email protected] or hit us up at www.myspace.com/ozonemagazine I love this mag! I moved to Houston last year and got clowned for OZONE is the most awesome mag ever! You’re showin’ ‘em what reading XXL. I’ve been on OZONE ever since. Now that I’m back in we women have with brain and style! It’s hard to get OZONE in Detroit, I’ve still got my OZONE on deck. I do have a bone to pick Australia. I got it ordered at 3 newsstands just to make sure I can get with y’all though. How y’all gonna do my mans Bushwick like you did a copy or two to pass ‘em around. Thank you for your mag, it keeps in the photo gallery of the issue with Lloyd on the cover on page 37. us entertained from start to finish! Y’all got my mans looking like Danny Glover’s mini-me. And who is – Belinda Tugby, via Facebook (Australia) that standing behind him? Charli Baltimore? Come on OZONE. Other than that, y’all are the shit! Keep on keepin’ it real! – Eric Green, via email (Detroit, MI) I am a rap artist and I’ve been rapping since 1989. My love for music is always going to be in my heart but the prostitution of the industry has me at a “fuck this shit” level. I really liked the outlook and the I’m a new OZONE fan. Today started as just another trip to Off The information Wendy Day wrote in her Mathematics article. I also re- Hook Barbershop. I was trying to make sure my hair is tight for ally liked the write-up D-Ray did in her editorial about dope fiends. my inauguration trip. I didn’t see one of my favorite magazines Me and my girl both come from drug abusive families, and it’s good so I picked up OZONE. Because of my media background, love for to know that someone is educating the youth to let them know that music, and photography career, I was up for a new experience. I’ve it’s a dead end road. I myself experimented with drugs, and that’s got to tell you, Julia, I liked it. Let’s forget the visual energy of the probably something everyone will do at some point in their lives, mag, because that is a given. But the articles, the features, and your but I never understood why people who see their parents love dope commentary were excellent. And that was even before I learned you more than their own children think that the same fate can’t hap- look great naked. I enjoyed the pacing of the magazine, its edginess, pen to them. It happens to the strongest of us. I just wanted to say and it made me believe you are all connected. My experience with thanks and keep up the good work! covering rap goes back to my days on staff at USA Today when rap - Hooli Automatic, via email (Bay Area, CA) concerts would feature 12-15 acts, rappers were managed by their uncles or brothers, and Chuck D was the man. With great enthusiasm I’ve watched rap mature and change over the years – some good and Are you guys serious? I got the Patiently Waiting issue of OZONE a lot bad. I still think it is an American phenomenon and crank up the and it fucked up my stomach. I’ve got the biggest unsigned artist tunes in the car when my wife is not around. I just wanted to say that in Miami now (Eady) with the biggest street buzz for the past year. you’re doing a great job. I love the feel of the publication. I swiped I’m getting nationwide BDS, something BallGreezy and Bizzle never the magazine when I left the barbershop and I’ll finish it on my flight got. I’ve turned down two deals with offers from Poe Boy and the to D.C. to help usher in our 44th president. Dunk Ryders still standing now. How do you guys cover artists like D – John Glenn, via email (Atlanta, GA) League and countless others who the public doesn’t care about? Go to the strip clubs in Miami and see who they’re playing: Eady or Bi- zzle. Then watch Eady go in public and watch the fans and groupies Much love to OZONE Mag for all the love and support they’ve shown flock to him, while they look over at BallGreezy and whisper rumors me, my city, my state, and the whole South over the years.
Load more

Recommended publications
  • Black Boi, Boss Bitch
    Black Boi, Boss Bitch Lauryn Hill 18 Jan 1995 - 26 Sep 1998 BLACK QUEER LOOKS Y todo comenzo bailando.... 27 Oct 1998 “Y todo comenzo bailando”...The earliest memories I can recall of my existence are festive. 20 Pound Pots of pernil & pigfeet. Pasteles, Gandulez, Guinea, Pollo Guisado. Habichuelas. 5 different types of beans & 5 different dishes on one plate. Even if only 4 niggas pulled up to the crib, abuela was always cooking for 40. The image of her red lipstick stain on hefty glasses of Budweiser that once contained Goya olives is forever etched in my mind. This was that poor boricua family that stored rice & beans in “I Can’t Believe it’s Not Butter” containers.The kind of family that blasted Jerry Rivera’s & Frankie Ruiz voices over dollar-store speakers. The kind that prized Marc Anthony, Hector LaVoe, El Gran Combo, La India, Tito Rojas. Victor Manuelle. Salsa Legends that put abuela's feet to work. My cousin Nina & her wife Iris who sparked their Ls in the bathroom, waving around floor length box braids, and bomb ass butch-queen aesthetics. “Pero nino, you hoppin on the cyph?. Uncle Negro or “Black”as we called him for his rich dark-skin, stay trying to wife my mom’s friends. 7:11 pm. 7 pounds 8 oz. October 27th. Maybe it was the lucky 7. Maybe it was fated for them to welcome another, intensely-loving Scorpio into their home. Or maybe it was just another blissful evening in the barrio. Where Bottles of Henny would be popped, and cousins & aunts & uncles you didn’t even know you had would reappear.
    [Show full text]
  • Ja Rule Always on Time Mp3, Flac, Wma
    Ja Rule Always On Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Always On Time Country: South Africa Released: 2002 Style: Pop Rap, RnB/Swing MP3 version RAR size: 1238 mb FLAC version RAR size: 1511 mb WMA version RAR size: 1249 mb Rating: 4.2 Votes: 366 Other Formats: DMF ASF MP4 AA AU FLAC AAC Tracklist Hide Credits Always On Time (Radio Edit) 1 4:05 Featuring – Ashanti Always On Time (Explicit Album Version) 2 4:06 Featuring – Ashanti 3 Always On Time (Instrumental) 4:05 Always On Time Video 4:11 Featuring – AshantiFilm Director – Dave Myers Companies, etc. Copyright (c) – Universal Music Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Credits Producer – Irv Gotti Notes ℗ 2002 South Africa © Universal Music ℗ 2001 The Island Def Jam Music Group © 2001 The Island Def Jam Music Group Barcode and Other Identifiers Barcode: 6001210343837 Other versions Category Artist Title (Format) Label Category Country Year Ja Rule Ja Rule Feat. Ashanti - Def Jam 588 946-2 Feat. Always On Time (CD, 588 946-2 UK 2002 Recordings Ashanti Single, Enh) Ja Rule Ja Rule Feat. Ashanti - Def Jam 588 946-4 Feat. Always On Time (Cass, 588 946-4 UK 2002 Recordings Ashanti Single) Ja Rule Ja Rule Feat. Ashanti - Def Jam 588 946-1 Feat. 588 946-1 UK 2002 Always On Time (12") Recordings Ashanti Ja Rule Ja Rule Feat. Ashanti - Def Jam AGENTDJ1 Feat. Always On Time (12", AGENTDJ1 Europe 2002 Recordings Ashanti Promo) Def Jam Ja Rule Ja Rule Feat.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
    “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics
    [Show full text]
  • Tha Carter V Free Download Tha Carter V Free Download
    tha carter v free download Tha carter v free download. DOWNLOAD ALBUM: Lil Wayne. Weezy not long ago shared the news of him being the sole owner of Young Money after reaching an agreement with Birdman and Cash Money who was partial owner of the label he founded, and we hope the deal lasts. Rap Artist Lil Wayne has actually finally exposed the release date for his long-awaited album The Cater V. The project has for many years witnessed so much undesirable delays coming from legal disputes between Lil Wayne and his former label boss, Birdman of Cash Money Records. Album: Lil Wayne — Tha Carter V 2018 Free Album Zip Download: The new album, Tha Carter V from American singer and song writer Lil Wayne is his newest and twelfth studio album the the one time best rapper. Album: Lil Wayne — Tha Carter V 2018 Free Album Zip Download: The new album, Tha Carter V from American singer and song writer Lil Wayne is his newest and twelfth studio album the the one time best rapper. There is no description regarding how this reduction in payment associates to Wayne's original claim that Cash Money chose not to release his album. Then, Cash Money became the issue as Birdman was consistently stopping the release of the much-anticipated album. Download Tha Carter V (2018) album zip, rar, by Lil Wayne Mp3 Download. Birdman had to sense disloyalty in the air and Tha Carter V is a small casualty of this blatant disrespect. Now with Lil Wayne jumping on twitter yet again to declare his intentions to quit the game, Birdman again gets the blame.
    [Show full text]
  • COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
    [ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION
    [Show full text]
  • Scripting and Consuming Black Bodies in Hip Hop Music and Pimp Movies
    SCRIPTING AND CONSUMING BLACK BODIES IN HIP HOP MUSIC AND PIMP MOVIES Ronald L Jackson II and Sakile K. Camara ... Much of the assault on the soulfulness of African American people has come from a White patriarchal, capitalist-dominated music industry, which essentially uses, with their consent and collusion, Black bodies and voices to be messengers of doom and death. Gangsta rap lets us know Black life is worth nothing, that love does not exist among us, that no education for critical consciousness can save us if we are marked for death, that women's bodies are objects, to be used and discard­ ed. The tragedy is not that this music exists, that it makes a lot of money, but that there is no countercultural message that is equally powerful, that can capture the hearts and imaginations of young Black folks who want to live, and live soulfully) Feminist film critics maintain that the dominant look in cinema is, historically, a gendered gaze. More precisely, this viewpoint argues that the dominant visual and narrative conventions of filmmaking generally fix "women as image" and "men as bearer of the image." I would like to suggest that Hollywood cinema also frames a highly particularized racial gaze-that is, a representational system that posi­ tions Blacks as image and Whites as bearer of the image.2 Black bodies have become commodities in the mass media marketplace, particu­ larly within Hip Hop music and Black film. Within the epigraph above, both hooks and Watkins explain the debilitating effects that accompany pathologized fixations on race and gender in Black popular culture.
    [Show full text]
  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
    [Show full text]
  • Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
    New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga:
    [Show full text]
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]
  • STEP Production Notes
    Presents HOW SHE MOVE A film by Ian Iqbal Rashid (92 mins, Canada, 2007) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html HOW SHE MOVE Synopsis HOW SHE MOVE is an energetic, gritty and ultimately inspiring coming of age tale about a gifted young woman who defies all the rules as she step dances her heart out to achieve her dreams. Featuring a fresh cast of new discoveries, this Sundance Film Festival hit marks the feature film debut of the electric Rutina Wesley, with street-style step sequences by top choreographer Hi-Hat and special appearances by R&B singer-songwriter Keyshia Cole and comedian DeRay Davis. Bursting with raw talent and intelligence, Raya Green (Wesley), the daughter of Jamaican immigrants, has always been the family’s one great hope. She won the rare chance to break out of their drug and crime-infested neighborhood when she was accepted into the exclusive Seaton Academy. But when her sister dies of an overdose, the family is shattered and Raya is forced to return to the place she tried so hard to escape. It’s not easy to go back, especially when one-time friends, including the tough minded Michelle (Tré Armstrong), see Raya as a stuck-up traitor who left the community behind.
    [Show full text]
  • Amici Curiae Brief of Erik Nielson, Charis E
    No. 15-666 __________________________________________ In the Supreme Court of the United States _____ ____ TAYLOR BELL, Petitioner, V. ITAWAMBA COUNTY SCHOOL BOARD, Respondent. _____ ____ On Petition for a Writ of Certiorari to the United States Court Of Appeals for the Fifth Circuit ______ ___ AMICI CURIAE BRIEF OF ERIK NIELSON, CHARIS E. KUBRIN, TRAVIS L. GOSA, MICHAEL RENDER (AKA “KILLER MIKE”) AND OTHER SCHOLARS AND ARTISTS IN SUPPORT OF PETITIONER _____ ____ CHARLES “CHAD” BARUCH Counsel of Record COYT RANDAL JOHNSTON JR. JOHNSTON TOBEY BARUCH 3308 Oak Grove Avenue Dallas, Texas 75204 (214) 741-6260 [email protected] Counsel for Amici Curiae __________________________________________ LEGAL PRINTERS LLC, Washington DC ! 202-747-2400 ! legalprinters.com i TABLE OF CONTENTS Table of Contents ........................................................ i Table of Authorities ................................................... ii Interests of Amici Curiae ........................................... 1 Summary of Argument .............................................. 3 Argument .................................................................... 6 A. “Fight the power”: The politics of hip hop .......... 6 B. “Put my Glock away, I got a stronger weapon that never runs out of ammunition”: The non- literal rhetoric of hip hop .................................. 12 C. “They ain’t scared of rap music—they scared of us”: Rap’s bad rap .............................................. 19 Conclusion ...............................................................
    [Show full text]