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The African National Congress Centenary: a Long and Difficult Journey
The African National Congress centenary: a long and difficult journey RAYMOND SUTTNER* The current political pre-eminence of the African National Congress in South Africa was not inevitable. The ANC was often overshadowed by other organiza- tions and there were moments in its history when it nearly collapsed. Sometimes it was ‘more of an onlooker than an active participant in events’.$ It came into being, as the South African Native National Congress (SANNC)," in $&$", at a time of realignment within both the white and the conquered black communities. In the aftermath of their victory over the Boers in the South African War ($(&&-$&#"), the British were anxious to set about reconciling their former enemies to British rule. This included allowing former Boer territories to continue denying franchise and other rights to Africans, thus disappointing the hopes raised by British under- takings to the black population during the war years. For Africans, this ‘betrayal’ signified that extension of the Cape franchise, which at that time did not discrimi- nate on racial grounds, to the rest of South Africa was unlikely. Indeed, when the Act of Union of $&$# transferred sovereignty to the white population even the Cape franchise was open to elimination through constitutional change—and in course of time it was indeed abolished. The rise of the ANC in context From the onset of white settlement of Africa in $*/", but with particular intensity in the nineteenth century, land was seized and African chiefdoms crushed one by one as they sought to retain their autonomy. The conquests helped address the demand for African labour both by white farmers and, after the discovery of diamonds and gold in $(*% and $((* respectively, by the mining industry.' * I am indebted to Christopher Saunders and Peter Limb for valuable comments, and to Albert Grundlingh and Sandra Swart for insightful discussions. -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
The Legacy of Inkosi Albert John Luthuli's Christian-Centred Political
Faith and politics in the context of struggle: the legacy of Inkosi Albert John Luthuli’s Christian-centred political leadership Simangaliso Kumalo Ministry, Education & Governance Programme, School of Religion and Theology, University of KwaZulu-Natal, Pietermaritzburg, South Africa Abstract Albert John Mvumbi Luthuli, a Zulu Inkosi and former President-General of the African National Congress (ANC) and a lay-preacher in the United Congregational Church of Southern Africa (UCCSA) is a significant figure as he represents the last generation of ANC presidents who were opposed to violence in their execution of the struggle against apartheid in South Africa. He attributed his opposition to violence to his Christian faith and theology. As a result he is remembered as a peace-maker, a reputation that earned him the honour of being the first African to win the Nobel Peace Prize. Also central to Luthuli’s leadership of the ANC and his people at Groutville was democratic values of leadership where the voices of people mattered including those of the youth and women and his teaching on non-violence, much of which is shaped by his Christian faith and theology. This article seeks to examine Luthuli’s legacy as a leader who used peaceful means not only to resist apartheid but also to execute his duties both in the party and the community. The study is a contribution to the struggle of maintaining peace in the political sphere in South Africa which is marked by inter and intra party violence. The aim is to examine Luthuli’s legacy for lessons that can be used in a democratic South Africa. -
Mary Benson's at the Still Point and the South African Political Trial
Safundi The Journal of South African and American Studies ISSN: 1753-3171 (Print) 1543-1304 (Online) Journal homepage: https://www.tandfonline.com/loi/rsaf20 Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial Louise Bethlehem To cite this article: Louise Bethlehem (2019) Stenographic fictions: Mary Benson’s AttheStillPoint and the South African political trial, Safundi, 20:2, 193-212, DOI: 10.1080/17533171.2019.1576963 To link to this article: https://doi.org/10.1080/17533171.2019.1576963 © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 08 May 2019. Submit your article to this journal Article views: 38 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rsaf20 SAFUNDI: THE JOURNAL OF SOUTH AFRICAN AND AMERICAN STUDIES 2019, VOL. 20, NO. 2, 193–212 https://doi.org/10.1080/17533171.2019.1576963 Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial Louise Bethlehem Principal Investigator, European Research Council Project APARTHEID-STOPS, The Hebrew University of Jerusalem, Jerusalem, Israel ABSTRACT KEYWORDS From the mid-1960s onward, compilations of the speeches and trial South African political trials; addresses of South African opponents of apartheid focused atten- Mary Benson; the Holocaust; tion on the apartheid regime despite intensified repression in the Eichmann trial; wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, multidirectional memory transposes the political trial into fiction. Its “stenographic” codes of representation open Benson’s text to what Paul Gready, following Foucault, has analyzed as the state’s “power of writing”: one that entangles the political trialist in a coercive intertextual negotiation with the legal apparatus of the apartheid regime. -
The Power in Lilian Ngoyi and Fannie Lou Hamer
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History 8-10-2009 Relays in Rebellion: The Power in Lilian Ngoyi and Fannie Lou Hamer Cathy LaVerne Freeman Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Part of the History Commons Recommended Citation Freeman, Cathy LaVerne, "Relays in Rebellion: The Power in Lilian Ngoyi and Fannie Lou Hamer." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/history_theses/39 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RELAYS IN REBELLION: THE POWER IN LILIAN NGOYI AND FANNIE LOU HAMER by CATHY L. FREEMAN Under the Direction of Michelle Brattain ABSTRACT This thesis compares how Lilian Ngoyi of South Africa and Fannie Lou Hamer of the United States crafted political identities and assumed powerful leadership, respectively, in struggles against racial oppression via the African National Congress and the Student Non-Violent Coordinating Committee. The study asserts that Ngoyi and Hamer used alternative sources of personal power which arose from their location in the intersecting social categories of culture, gender and class. These categories challenge traditional disciplinary boundaries and complicate any analysis of political economy, state power relations and black liberation studies which minimize the contributions of women. Also, by analyzing resistance leadership squarely within both African and North American contexts, this thesis answers the call of scholar Patrick Manning for a “homeland and diaspora” model which positions Africa itself within the historiography of transnational academic debates. -
Announces 2013 Winter/Spring Season—Featuring 12 Theater, Dance, Music, and Opera Engagements—From Jan 17 to Jun 9
Brooklyn Academy of Music (BAM) announces 2013 Winter/Spring Season—featuring 12 theater, dance, music, and opera engagements—from Jan 17 to Jun 9 BAM 2013 Winter/Spring Season is sponsored by Bloomberg Theater productions: The Suit in its US premiere. Direction, adaptation, and music by Peter Brook, Marie-Hélène Estienne, and Franck Krawczyk—based on The Suit, by Can Themba, Mothobi Mutloatse, and Barney Simon. Jan 17—Feb 2……………………………………………………..page 3 The Laramie Cycle, a repertory engagement from Tectonic Theater Project including The Laramie Project and The Laramie Project: Ten Years Later, directed by Moisés Kaufman and Leigh Fondakowski. Feb 12—24…………………page 6 The Royal Shakespeare Company production of Shakespeare’s Julius Caesar, directed by Gregory Doran in its US premiere. Apr 10—28………………………………………………………….page 10 The Master Builder by Henrik Ibsen, directed by Andrei Belgrader and featuring John Turturro. World premiere, produced by BAM. May 12—Jun 9…………………………………..………………….page 15 Dance engagements: Trisha Brown Dance Company in a repertory program featuring two NY premieres: Les Yeux et l’âme and I’m going to toss my arms–if you catch them they’re yours. Jan 30—Feb 2…………………………………………….……….page 5 1 The Royal Ballet of Cambodia with The Legend of Apsara Mera. Choreography by Her Royal Highness Princess Norodom Buppha Devi in collaboration with Proeung Chhieng and Soth Somaly. Presented as part of citywide Season of Cambodia festival. May 2—4…………………….…..…………….page 14 DanceAfrica 2013 returns for its 36th year under the artistic direction of Chuck Davis. Performers include Umkhathi Theatre Works (Zimbabwe), BAM/Restoration DanceAfrica Ensemble, and others. -
1. What Were the Significant Events in Nelson Mandela's Life?
When Mandela danced in the square – Lessons for young citizens from the Scottish anti-apartheid movement Section 2: Life of Nelson Mandela 1. What were the significant events in Nelson Mandela’s life? GC aspects Read introduction to Mandela’s life. Give • Human Rights different reading extracts to groups of learners • Social Justice and Equity with a focus on a different aspect of Mandela’s life. Ask learners to use highlighters to identify SDGs and UNCRC links key information. In same groups learners then • Goal 10, 16 carry out online research on their aspect of • Article 2, 7 Mandela’s life. Es and Os Support groups to creatively present their LIT 2-16a learning about the aspect of Mandela’s life LIT 3-16a they focussed on, in chronological order. This can be in any form chosen by learners but Suggested LIs should not take longer than 2 minutes. ▶ Toidentifykeyinformationinboth Support peers to ask questions and give oral print and online material. feedback to each other. ▶ Tocollaborativelycreateapresentation Ask learners to order the timeline cards, either of learning. in groups or as a whole class display. Connect these with the images from the first lesson in What you need Section 1. Mandela’s speech (YouTube) IntroductiontoMandela’slife Say, make, write, do and reading extracts 1-6(pages 31-33) Can learners: Timeline cards(pages 34-35) • distinguish between most relevant info and less important detail within source material? Activities • cooperatetocreateashortpresentation Show learners the short clip of Mandela’s of findings? speech when sentenced to life imprisonment as an initial stimulus. Take it further Ask learners how listening to Mandela’s speech ▶ Use detail from Mandela’s life made them feel.What questions come into their to explore fact and fiction in minds? Discuss what pupils know of him and this activity fromStride magazine what he did. -
1. UK Films for Sale Cannes 2021
UK Films For Sale CANNES 2021 10 Lives GFM Animation Director: Chris Jenkins Email Company Genre: Animation Status: Production 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramović Email Company Director: Adina Istrate Genre: Documentary Status: Post-Production Absolute Denial SC Films International Cast: Nick Eriksen, Jeremy J. Smith-Sebasto, Harry Dyer, Heather Email Company Gonzalez, Jef Leeson Director: Ryan Braund Genre: Animation Status: Post-Production Airline Wars Phoenix Worldwide Cast: Freddy Laker, Freddy Laker Jr, Richard Branson, Robert Entertainment McFarlene, Stelios Haji-iannou, Bjorn Kjos, Norman Tebbit Email Company Genre: Documentary Status: Post-Production Alfred ITN Distribution Cast: Jean-Paul Gates Email Company Director: Steven Smith Genre: Thriller Status: Completed Ali & Ava Altitude Film Entertainment Cast: Claire Rushbrook, Adeel Akhtar Email Company Director: Clio Barnard Genre: Drama Status: Post-Production Alien: Battlefield Earth Vision Films Cast: Derek Nelson, Scot Scurlock, Peter Cosgrove, Cameron Bass Email Company Director: Andrew Jones Genre: Science-fiction Status: Completed Cannes 2021: UK Films for Sale 1 Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu -
Guide to The
GUIDE TO THE NADINE GORDIMER PAPERS IN THE LILLY LIBRARY Indiana University Bloomington, Indiana 1994 rev. 2001, 2003 TABLE OF CONTENTS page I. Correspondence. 7 II. Writings . 7 III. Diaries and Notebooks . 40 IV. Miscellaneous. 41 V. Additions . 42 Index to Titles. 44 Nadine Gordimer was born in Springs, South Africa in 1923. At age 11 she began her writing career and was first published in the children's section of the Johannesburg Sunday Express in 1947. Since then she has written a number of novels. Excerpts of these, in addition to her countless short stories and articles, have appeared in magazines and newspapers worldwide. Many of her works reflect the political and social dilemmas of living under apartheid in South Africa and consequently, several of her books were banned in that country. Among her numerous awards are the Booker Prize for Fiction (1974), Modern Language Association of America award (1982), and the Premio Malaparte prize (1987). In 1991 Gordimer's entire body of work was honored with the Nobel Prize in Literature. She was a four-time winner of the CNA Award sponsored by the Central News Agency, a book/stationery company in South Africa. She has been decorated Commandeur de l'Ordre des Arts et des Lettres (France) and has received honorary degrees from such institutions as Harvard and Yale universities. Apart from her many achievements in writing, Gordimer has been visiting professor and lecturer at several American universities. She is a founder and executive member of the Congress of South African Writers and has encouraged and supported new writers, especially young African authors and poets. -
A Renoster, a Foundation and a Market: the Cultural Import of Three
A Renoster, a Foundation and a Market: the cultural import of three Johannesburg figures between 1960 - 1990 Johannesburg, that city which purportedly rose from the veld, was about one hundred years old when it was fortunate, in the midst of the intensities of major capital development at the height of apartheid’s imposition and the fierce revolt against that, to have in its midst numbers of extraordinarily creative people in the fields of photography, music, the plastic arts, literature and the theatre. Of these, particular attention is given here to three: Lionel Abrahams, Bill Ainslie and Barney Simon. These figures are not offered here as emblematic or representative of the wide surge among cultural practitioners whose stance at that time was at profound odds with Michael Gardiner the disintegrative forces of apartheid and capitalism. But despite being male, white has retired from a varied and middle-class, the three asserted, for those who wished to participate in the career in education to arts, alternatives to the dominant bourgeois and nationalistic cultural values that explore his interest in the characterised the formal activities in the city of Johannesburg. arts by writing a book about the contributions Because major political and other movements that were opposed to state policies of Lionel Abrahams, Bill had been prohibited, the churches and cultural formations carried the burden of Ainslie and Barney Simon articulating the dreams, hopes and fears of the broad mass of South Africans from to the cultural life of early 1960s onwards. The fusion, therefore, between the arts in general and the Johannesburg between political was inevitable and should be understood in that light. -
Acclaimed Director Peter Brook Talks About the Suit, Playing This Week at OZ
May 22, 2014 By Martin Brady Acclaimed director Peter Brook talks about The Suit, playing this week at OZ Billed as "a destination for innovative contemporary art experiences," OZ Nashville has not disappointed in its inaugural season. The alternative venue — a renovated cigar warehouse — offers high-style ambience and hosts performances and installations across all artistic disciplines. OZ's first presentation for the garden-variety theatergoer, The Suit, debuts this week, though there's very little that's ordinary about the piece, which is concluding an ambitious two-year international tour in Music City. The Suit has been acclaimed across the globe, and has received raves from critics in New York, San Francisco and Los Angeles. Based on the late South African writer Can Themba's powerful novella, the play centers on Philomen, a middle-class black lawyer in apartheid-era South Africa who catches his wife, Matilda, having an affair. In haste, her lover leaves behind his clothes, and as her punishment, Philemon makes Matilda treat her lover's suit as an honored houseguest, even to the point of including it at the dinner table or taking it out for walks. Making this singular event even more noteworthy, it's under the direction of Peter Brook, a world giant of theatrical innovation. "First of all, in the thousands of plays and novels about marital betrayal, you'll find something amazing, but The Suit presents a new situation that happens with a different combination of ingredients," says Brook, speaking by phone from Paris, where he creates for the stage under the aegis of his company, Thèâtre des Bouffes du Nord.