Big Sur, 1961 a Mythmakers Paradise
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George Howard Papers
http://oac.cdlib.org/findaid/ark:/13030/kt929024kw No online items Finding Aid of the George Howard Papers Processed by Manuscripts Division staff © 2004 The Regents of the University of California. All rights reserved. Finding Aid of the George Howard 1321 1 Papers Finding Aid of the George Howard Papers UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Processed by: Manuscripts Division staff Encoded by: ByteManagers using OAC finding aid conversion service specifications Encoding supervision and revision by: Caroline Cubé Edited by: Josh Fiala, August 2004 © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: George Howard Papers, Date (inclusive): 1941-1980 Collection number: 1321 Creator: Howard, George Extent: 2 boxes (1 linear ft.) Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Language: English. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], George Howard Papers (Collection 1321). -
Inventing Anais Nin: Celebrity Authorship and the Creation of an Icon
INVENTING ANAIS NIN: CELEBRITY AUTHORSHIP AND THE CREATION OF AN ICON Thesis presented by Anita Jarczok Under the supervision of Dr. Sinead McDermott and Dr. Patricia Moran For the degree of Doctor of Philosophy Submitted to the University of Limerick, September 2011 ABSTRACT This thesis examines the process of the construction of Anaїs Nin’s public persona (or rather personae) by herself and by the popular media in the United States from 1966 onwards, with a special focus on socio-cultural processes that contributed to the production and sedimentation of Nin’s public image. This involves, on the one hand, the analysis of Nin’s involvement in the process of self-construction and self- promotion; on the other, the study of how various media contributed to the invention of Anaїs Nin. I also analyse how Nin’s name and persona have been used and what she has come to signify. I investigate what Nin has stood for, what sort of statements she has been brought to support, what products she has advertised, and what debates she has triggered. In order to accomplish these aims, I rely on the archival research, textual analysis, an examination and application of critical theories to position my study. As far as a critical framework is concerned, I situate my study between autobiography studies and cultural studies. In particular, I combine celebrity culture studies with those that focus on the author’s (self) representation in the literary marketplace, and I foreground gender as a vital factor in constructing a public personality. i DECLARATION I, Anita Jarczok, declare that the content of this thesis is my own original work except where otherwise indicated with reference to secondary sources. -
CSJ Center Hidden Heroes Award Ceremony and Dramatzed
SPECIAL The CSJ Center of Reconciliat on and Just ce, the College of Thanks Communicat on and Fine Arts, Theatre and Dance Department, and the Bellarmine Forum present a Dramat c Performance of: CSJ Center for Reconciliaton and Justce Awards Committee Linda Bannister Doris Baizley Kathleen Kim Marie Anne Mayeski CSJ Center Hidden Heroes Abbie Robinson-Armstrong Jeffrey Wilson Award Ceremony and Special thanks to our LMU awardees for sharing their lives and work with us, and the wonderful artists, writers and actors who are telling them. SPECIAL THANKS ALSO TO: Dramatzed Narratves Dean Bryant Keith Alexander Dean Shane P. Martin Dean Richard Plumb Interim Dean Michael J. O’Sullivan Presentaton Eugene (Gino) Brancolini Linda Buck, CSJ Barbara Busse Sheryle Bush Robert Caro, SJ Jeanine Connor So that all may be one... Joanna Carroll, CSJ Judy Delavigne Patrick Furlong Gabriel Gonzalvez One performance only Rob Hillig Christine Jungwiwattanaporn MaryAnne Huepper, CSJ Mary Beth Ingham, CSJ Geraldine O’Connor Nestor Periera Saturday, October 26, 2013 Pam Rector Jonathan Rothchild 2:30 PM Murphy Hall, Burns Building, LMU Kevin J. Wetmore Jeffrey Wilson Followed by Recept on - Dunning Courtyard LMU Department of Theatre and Dance Stage/Production Managers Visuals/Sound Design Aisling Galvin Rob Hillig Aili Jiaravanont Lisa Brehove Crew Linsay Fritts Bellarmine Forum 2013: Restoring Justice Dylan Fox Alex Perroots University Hall 2000 • 1 LMU Drive, Los Angeles, CA 90045 310.568.6696 • [email protected] • www.lmu.edu/csjcenter CSJ CENTER HIDDEN heroes COMPANY Award Ceremony and Dramatized Narrative Presentation Bios DESEAN KEVIN TERRY has worked with Shakespeare Center Los Angeles, Chalk Repertory Theatre, the Black Dahlia Theatre and Center Theatre Group; where he 1. -
„As Always the Lunch Is Naked‟ Jack Kerouac‟S
Universiteit Gent Academiejaar 2006-2007 „AS ALWAYS THE LUNCH IS NAKED‟ FORMAL EXPERIMENTS OF THE BEAT GENERATION FOCUSSING ON JACK KEROUAC‟S SPONTANEOUS PROSE AND WILLIAM BURROUGHS‟S CUT-UPS Promotor: Gert Buelens Verhandeling voorgelegd aan de faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad licenciaat in de taal- en letterkunde: Germaanse Talen door Lien De Coster 2 ACKNOWLEDGEMENTS I‟d like to thank Gert Buelens, my promoter, Ishrat Lindblad, Olga Putilina, and Rickey Mantley for their revisions, useful comments, enthusiasm and interest. 3 DEDICATION Last year, when I lived in Sweden, I caught a lung inflammation after I went swimming in the ice. One day during my long recovery, a friend of mine brought me a book. It was The Dharma Bums by Jack Kerouac. When I finally got better we talked about it, and for the first time I heard about the Beats. Back then my friend had a hard time defining who they were and my understanding did not come that evening – it came gradually through frequenting Wirströms, the wonderful jazz bar where the musicians made „IT‟ happen every week during the Tuesday jam session, through a lot of walking and talking in the everchanging everlasting woods, through travelling by myself, with my backpack as my only companion. Gradually it came - till the day the friend who had given me the book sent me a letter. When I read it, I knew I understood; 4 Monday, March 6, 2006, 4:53 AM last night i meet a old man(60 i think) spanish man in that party where i invite you... -
THE BIG SUR COAST SIXTY MILES of MUSIC to the EYE Fr
New Camaldoli Hermitage SPRING 2016 THE BIG SUR COAST SIXTY MILES OF MUSIC TO THE EYE Fr. Bruno Barnhart’s reflection on Big Sur as “the growing edge of the world, the tip of history as it moves West.” page 3 IN THIS ISSUE 2 “New Heaven, New Earth, New Creation” 3 Lectio Divina 5 Fr. Bruno’s Reflection 6 “Follow the Light” 7 Vita Monastica 8 Development 9 Employee Spotlight 10 First-time Retreatant 11 Oblate Column 12 Activities and Visitors 62475 Highway 1, Big Sur, CA 93920 • 831 667 2456 • www.contemplation.com NEW HEAVENS, NEW EARTH, NEW CREATION Prior Cyprian Consiglio, OSB Cam We hear these scintillating words in the prophecy of Isaiah (Is 65:17-31), right near the end of the book: I am about to create new heavens and a new earth. It is no accident that the prophet uses the Hebrew word bara’ here for ‘create.’ This is the same word that is used in the first line MESSAGE FROM THE PRIOR of the book of Genesis: In the beginning when God created the heavens and the earth… The same power that was operative in the original As you can see, we have a new look for our quarterly newsletter. For creation is again at work in a new creation. But it’s important to note the last several editions, besides that one of the characteristics of Old Testament prophecy is that when the help of a few brother monks it points to a new age, it is not something other-worldly. It sees this and the ever patient Susan Garrison world transformed or, maybe better to say, it sees this world restored who does our layout, I have had to its original purpose, the purpose that God intended in creating it. -
The Impact of Allen Ginsberg's Howl on American Counterculture
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl. -
Merton and the Beats Angus Stuart
5 Merton and the Beats Angus Stuart "I am a monk, therefore by definition, as I understand it, the chief friend of beats ... " 1 Thomas Merton said he was a friend of the beats because he was a monk, and as a monk, he of all people should be a friend of the beats, indeed "the chief friend of beats." Yet not all monks by any means necessarily fi t the description "beatnik, peacenik, Trappist Buddhist monk" as his friend Edward Rice dubbed him;2 not all monks could be referred to as "Jack Kerouac's monastic elder brother;"3 not all monks were "beat" in the way Merton was- he clearly had an affinity with the beats even though he had little or no direct contact with them-and his "beatness" is evident at many places in the originality of his writing, showing himself atypical as both a monk and a Catholic. The phrase "beat generation" originated with Jack Kerouac in conversation with friend and aspiring author John Clellon Holmes in 1948.4 They were discussing their own generation of writers in comparison to the previous literary generation of Fitzgerald, Hemingway and others in the 1920s who had become known as the "lost generation." Kerouac picked up on the word "beat" as used by the hipsters, hustlers and street people of Times Square and elsewhere in New York in the 1940s. The word meant not simply tired or worn out but conveyed a sense of being defeated by life; being on the underside of society; no longer belonging or fitting in; living from hand-to-mouth, from day-to-day; a sense of urban subsistence, having to live by one's wits; of being poor. -
Henry Miller. Tropic of Cancer
Henry Miller. Tropic of Cancer Edited for educational purposes by Karen Nicolas Henry Miller and June (aka 'Mona' 1930s) I am living at the Villa Borghese. There is not a crumb of dirt anywhere, nor a chair misplaced. We are all alone here and we are dead. Last night Boris discovered that he was lousy. I had to shave his armpits and even then the itching did not stop. How can one get lousy in a beautiful place like this? But no matter. We might never have known each other so intimately, Boris and I, had it not been for the lice. Boris has just given me a summary of his views. He is a weather prophet. The weather will continue bad, he says. There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere. The cancer of time is eating us away. Our heroes have killed themselves, or are killing themselves. The hero, then, is not Time, but Timelessness. We must get in step, a lock step, toward the prison of death. There is no escape. The weather will not change. It is now the fall of my second year in Paris. I was sent here for a reason I have not yet been able to fathom. I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, I thought that I was an artist. I no longer think about it, I am. Everything that was literature has fallen from me. There are no more books to be written, thank God. -
A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 8-1994 "The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J. Eustis Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Eustis, Jeffrey J., ""The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac" (1994). Honors Theses. Paper 203. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. -' . "The Triumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey Eustis August 1994 Senior Thesis 2 TABLE OF CONTENTS I. Introduction 3 II . Theories of Writing 7 III. Miller and Kerouac: Misogynists? Sex Fiends? 18 IV. Conclusion 30 V. Bibliography 33 3 I. Introduction Henry Miller and Jack Kerouac had much in common with one another. One of their most unfortunate common traits was their lack of acceptance by the literary establishment. Both of them had unfair one-dimensional reputations which largely have remained intact, years after their deaths. For example, Miller was always seen as a writer of "dirty books," his early master pieces such as Tropic of Cancer being regarded by many as little more than the literary equivalent of a raunchy stag film. Kerouac was viewed by many critics, and much of the pUblic, as nothing more than a hard-drinking, hell-raising hoodlum transcribing the "hep" aphorisms of his "beatnik" friends. -
The Fame and Legacy of Jack Kerouac
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 "He Who is Conscious of the Bright but Keeps to the Dark": The Fame and Legacy of Jack Kerouac Regina Crotser The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3212 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “HE WHO IS CONSCIOUS OF THE BRIGHT BUT KEEPS TO THE DARK”: THE FAME AND LEGACY OF JACK KEROUAC by REGINA CROTSER A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 REGINA CROTSER All Rights Reserved ii “He who is conscious of the bright but keeps to the dark”: The Fame and Legacy of Jack Kerouac by Regina Crotser This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date George Fragopoulos Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “He who is conscious of the bright but keeps to the dark”: The Fame and Legacy of Jack Kerouac by Regina Crotser Advisor: George Fragopoulos This thesis traces the legacy and fame of Jack Kerouac from his lifetime up until current day. -
Carmel Pine Cone, July 11, 2014 (Main News)
SPECIAL 2014 SECTION ACH INSIDE VolumeThe 100 No. 28 Carmel On the Internet: www.carmelpinecone.com Pine Cone July 11-17, 2014 TRUSTED BY LOCALS AND LOVED BY VISITORS SINCE 1915 What’s the protocol when an otter jumps in? City moves By KELLY NIX McInchak case to IT’S COMMON to see kayakers in Monterey Bay trying to get a close look at its wildlife. But a group of kayakers got more than they could have federal court hoped for when a pair of audacious and frisky California sea otters joined them Tuesday evening — By MARY SCHLEY in their boats. Five people in four rental kayaks were paddling THE CITY and its top officials — including city admin- around Monterey harbor around 6 p.m. when the two istrator Jason Stilwell and administrative services director cheeky otters playfully bobbed up and down in the Sue Paul — will be fighting the lawsuit from former IT man- water before happily plopping themselves aboard the ager Steve McInchak in federal court, not Monterey County’s boats and rolling around the way puppies wrestle. courts. The people in the boats were stunned, and so were Citing McInchak’s claims that his federal rights were vio- onlookers. lated, among numerous state law violations also alleged, the “It was very entertaining, at least for us in the Santa Barbara law firm representing the city filed papers in restaurant,” said Jackie Edwards, a Pine Cone U.S. District Court in San Jose Tuesday “removing” it to fed- employee who was dining at Rappa’s restaurant at the eral court. -
Lending Library
Lending Library KQED is pleased to present the Lending Library. Created expressly for KQED’s major donors, members of the Legacy Society, Producer’s Circle and Signal Society, the library offers many popular television programs and specials for home viewing. You may choose from any of the titles listed. Legacy Society, Producer’s Circle and Signal Society members may borrow VHS tapes or DVDs simply by calling 415.553.2300 or emailing [email protected]. For around-the-clock convenience, you may submit a request to borrow VHS tapes or DVDs through KQED’s Web site (www.KQED.org/lendinglibrary) or by email ([email protected]) or phone (415.553.2300). Your selection will be mailed to you for your home viewing enjoyment. When finished, just mail it back, using the enclosed return label. If you are especially interested in a program that is not included in KQED’s collection, let us know. However, because video distribution is highly regulated, not all broadcast shows are available for home viewing. We will do our best to add frequently requested tapes to our lending library. Sorry, library tapes are not for duplication or resale. If you want to purchase videotapes for your permanent collection, please visit shop.pbs.org or call 877-PBS-SHOP. Current listings were last updated in February 2009. TABLE OF CONTENTS ARTS 2 DRAMA 13 NEWS/PUBLIC AFFAIRS 21 BAY WINDOW 30 FRONTLINE 32 FRONTLINE WORLD 36 P.O.V. 36 TRULY CA 38 SCIENCE/NATURE 42 HISTORY 47 AMERICAN HISTORY 54 WORLD HISTORY 60 THE “HOUSE” SERIES 64 TRAVEL 64 COOKING/HOW TO/SELF HELP 66 FAQ 69 CHILDREN 70 COMEDY 72 1 ARTS Art and Architecture AGAINST THE ODDS: THE ARTISTS OF THE HARLEM RENAISSANCE (VHS) The period of the 1920s and ‘30s known as the Harlem Renaissance encompassed an extraordinary outburst of creativity by African American visual artists.