La Vacanza 1971 Movie
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Tinto Brass.” the Hollywood Reel Independent Film Festival (HRIFF) Returns to the New Beverly Cinema in Dec
PRESS RELEASE LOS ANGELES - The 2012 Hollywood Reel Independent Film Festival is proud to screen the newly restored “1960s and 1970s Films of Tinto Brass.” The Hollywood Reel Independent Film Festival (HRIFF) returns to the New Beverly Cinema in Dec. 2012, to screen their most ambitious program to date, featuring the “1960s and 1970s Films of Tinto Brass” retrospective. HRIFF’s 2012 “1960s and 1970’s Films of Tinto Brass” retrospective includes world premieres of restored and extended versions of the rarest Tinto Brass films of the 1960s and 1970s, inc: La Vacanza, which stars Vanessa Redgrave and Franco Nero, and not screened in the U.S. for four decades. La Vacanza is a cinematic gem, which was named “Best Italian Film” at the Venice Film Festival in 1971, and is described by Tinto Brass as being his “second-favorite” of his own films. The screening at HRIFF 2012 will be the first time this film has had a theatrical screening in the USA since 1971. Tinto Brass was well known in the 1960s and 1970s for films distinguished by their extremely experimental editing and camera work, as well as for their political and satirical content. These qualities helped Tinto Brass get the first offer to direct A Clockwork Orange, a film whose eventual director used many production and style cues reminiscent of Tinto’s earlier work from that era. HRIFF 2012 presents La Vacanza in an extended, restored version with never- seen-before footage taken from the Tinto Brass archives. The film screenings will be accompanied by a new, short documentary about the making of the film, and a Q&A featuring director Tinto Brass, and film scholar, Alexander Tuschinski. -
Pimping and Pornography As Sexual Harassment: Amicus Brief in Support of Plaintiff-Respondent in Thoreson V
Michigan Journal of Gender & Law Volume 1 Issue 1 1993 Pimping and Pornography as Sexual Harassment: Amicus Brief in Support of Plaintiff-Respondent in Thoreson v. Penthouse Int'l LTD. Dorchen A. Leidholdt New York City Legal Aid Society Follow this and additional works at: https://repository.law.umich.edu/mjgl Part of the Civil Rights and Discrimination Commons, Law and Gender Commons, Law and Society Commons, and the Litigation Commons Recommended Citation Dorchen A. Leidholdt, Pimping and Pornography as Sexual Harassment: Amicus Brief in Support of Plaintiff-Respondent in Thoreson v. Penthouse Int'l LTD., 1 MICH. J. GENDER & L. 107 (1993). Available at: https://repository.law.umich.edu/mjgl/vol1/iss1/9 This Brief is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Gender & Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. PIMPING AND PORNOGRAPHY AS SEXUAL HARASSMENT: AMICUS BRIEF IN SUPPORT OF PLAINTIFF-RESPONDENT IN THORESON v. PENTHOUSE INTT LTD.t 'DorchenA. kidholdt* INTRODUCTION In March 1989, the New York City tabloids announced a forthcoming trial, with headlines like "Pet Peeve" and "Petulant Pet's Cry." The case was Thoreson v. Penthouse InternationalLtd.I The media's characteriza- tion of Plaintiff Marjorie Lee Thoreson, AKA Anneka DiLorenzo, a former "Penthouse Pet," as a "girlie mag featurette" demonstrated that they clearly viewed the lawsuit as a form of sexual entertainment. Women Against Pornography, the New York City feminist organization I helped found, had a different perspective. -
Specimen Book by Fantasiaa Type S
BR BRASS THE TYPEFACE A specimen book by FantasiaA Type S BRASS THE FILM DIRECTOR A concise filmography by Fantasia Type S 1958 → P. 02 1971 → P. 22 1992 → P. 42 1963 → P. 04 1971 → P. 24 1994 → P. 44 1964 → P. 06 1976 → P. 26 1995 → P. 46 1964 → P. 08 1979 → P. 28 1998 → P. 48 1964 → P. 10 1980 → P.30 2000 → P. 50 1966 → P. 12 1983 → P. 32 2002 → P. 52 BRASS Light 768 pt 1967 → P. 14 1985 → P. 34 2003 → P. 14 1968 → P. 16 1987 → P. 36 2006 → P. 56 BRASS (1966). He was approached in 1976 to direct a only credited for “Principal Photography”. Despite THE FILM DIRECTOR sexploitation quickie, “Salon Kitty” (1976), but he this, the film remains his most widely viewed work wisely chose to have the script rewritten, turning it (and the highest-grossing Italian film released in Giovanni Brass was born on 26 March 1933 into the into a dark, political satire. the United States). family of a famous artist, Italico Brass, who was his 1968 → P. 18 1988 → P. 38 2008 → P. 58 grandfather. Italico gave his grandson a nickname The success of “Salon Kitty” lead Penthouse mag- Other notable works of Brass’s later period in- “Tintoretto” which Giovanni later adapted into his azine publisher Bob Guccione to choose Brass to clude “The Key” (1983), “Miranda” (1985), “Pa- cinematic name, Tinto Brass. helm “Caligola” (1979), the big-budget adaption prika” (1991), “Così fan tutte” (released under the Tinto inherited his grandfather’s artistic skills, but of Gore Vidal’s novel “Caligula”.“Caligola” was English title “All Ladies Do It”) (1992), “Monella” he applied them to film instead of canvas. -
1967-11-09 Leuropeo.Pdf
.( I ' ' ( -) ( ,- 1 _. -.,..•.•.•••-•.•.---.,,:..•:Jl.•.•;_w_._,._._._,;,;_w_._._._._._._.,;_w.-;,;,, I.'E1JBOPEO FINARTE SETTIMANALE POLITICO DI ATTUALITA - Direttore: TOMMASO GIGLIO Condtrettcire: RENZO TRIONFERA ·---·--·- .. - - ···- - - - - - - - - - .... Anno XXIII - N. 45 · (1148) - 9 novembre 1967· • • • • • • •*• •••.• ,• • ,. ... ,,• •••• -~ • - . ·Rtzzoli Editore, Milano-Roma Stampa Rizzoli, Milano - · Printed· in Italy Asta dlDlpinti Direzlone~ Redazione, Ammi~stra• -Moderni,e dell'800 SOMMA RIO zionei 20132 Milano, via C!vi~vec- , cbia 102, tel. 25.63.151/141 - · U_fficio romano: vi1!. V. Veneto 74, 00187. Ro• .3 Lettere al .gtornate ma, tel. 476.941; 482.841 - Ufficio . di '·* New· York: 712 Fifth Avenue - New 9 Ultimo giorno · York - ·N. Y. 10019, ·U.S.A.,; telefono De Chirico Carlo B*o 14 Giovanni Boine dtmenticato nel" 24.50.400 - Ufficio di Parigi: 100, ·Rue Reaumur·, Paris (2), telefono Central .Morandi cinquantenario della · morte _ . La 2000 (interno 463) - Gutenberg 2727 . ctvilta Ietteraria e anche mernoria -· Pubblicita.: « Rizzoll Pubblicita •: Wlaminck 20132 Milano, via Civitavecchia ·102; · Guido Gerosa 17 L'E uropeo economico-finanziar-io - tel. 2l!.88; 001.87 Roma,' via. Vittorio Veneto 74, tel. 476.941; 482.841; 479. Dtrillo A colloquto ' con Gianni Agnelli e 632; 10121 . Torino, corso Matteotti , con i dirigenti della Fiat 3 bis, tel. 530.221; 534.971; 40122 ao-; Leger· logna, via Azzogardino 2, tel. 272.613; Luigi Barzini 2lc E ancona lunga la. strada perche . 35100 Padova,· via degli Scrovegnl 29, · Giacometti ,ecc. 'diventiamo . uno State>' moderno ~ tel. 663.111;_ New York, .112 Fifth. Avenue, N.Y. 10019; Gran Bretagna: Delleani - Merzagora non merita l'accusa di Albert Milhado,_ 525 Fulham Road, qualunquismo London S.W. -
Gore Vidal's Caligula (1979): Denying the Author Daniel O'brien Gore
Journal of American Studies of Turkey 35-36 (2012): 97-109 Gore Vidal’s Caligula (1979): Denying the Author Daniel O’Brien Gore Vidal’s involvement with and subsequent disownment of the film Caligula (1979) is well known. Produced in Italy and financed by Penthouse publisher Bob Guccione; it started as an ostensibly serious biopic of the infamous Roman emperor, scripted by Vidal, but ended up as a lurid blend of graphic violence and explicit sex. The focus of this article is not on Caligula itself, but an accompanying documentary, made at the time of the film’s production with Vidal’s participation. The prosaic title A Documentary on the Making of Gore Vidal’s Caligula (1981) is notable for apparently granting Vidal authorial ownership of the film. However, the content of the documentary, supervised by Guccione, subverts and questions this authorship, ultimately denying both Vidal’s entitlement to this position and the validity of the concept itself. My methodology includes debates on authorship in relation to the cinema, which have usually centered on the director and ideas of personal expression. As noted below, Vidal scorned the notion of directors as cinematic authors, or auteurs, regarding them as mere technicians who neither required nor displayed creative ability. However, A Documentary on the Making of Gore Vidal’s Caligula highlights opposing ideas of film authorship that befit further analysis. As Peter Wollen states, the concept of the auteur is linked to the French film journal Cahiers du Cinéma, which promoted the politique des auteurs during the 1950s, albeit in haphazard fashion (74, 77). -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
(Ìž'í'ˆìœ¼ë¡Œ) ˪…˶€ : ̦ʲ¨ Ì°¾Ê¸°Ì—͈¬Í'œ
Osiride Pevarello ì˜í ™” 명부 (작품으로) Up the MacGregors! https://ko.listvote.com/lists/film/movies/up-the-macgregors%21-3958312/actors Django Shoots First https://ko.listvote.com/lists/film/movies/django-shoots-first-1232069/actors Man Called Amen https://ko.listvote.com/lists/film/movies/man-called-amen-15804939/actors Shango https://ko.listvote.com/lists/film/movies/shango-3959152/actors Adiós gringo https://ko.listvote.com/lists/film/movies/adi%C3%B3s-gringo-357398/actors Wanted https://ko.listvote.com/lists/film/movies/wanted-2548540/actors Panhandle 38 https://ko.listvote.com/lists/film/movies/panhandle-38-868455/actors The Hills Run Red https://ko.listvote.com/lists/film/movies/the-hills-run-red-1306323/actors The Big Racket https://ko.listvote.com/lists/film/movies/the-big-racket-1347303/actors Twilight Avengers https://ko.listvote.com/lists/film/movies/twilight-avengers-3791391/actors Django the Bastard https://ko.listvote.com/lists/film/movies/django-the-bastard-1133248/actors Hate Thy Neighbor https://ko.listvote.com/lists/film/movies/hate-thy-neighbor-1588604/actors Loaded Guns https://ko.listvote.com/lists/film/movies/loaded-guns-3683744/actors Pecos Cleans Up https://ko.listvote.com/lists/film/movies/pecos-cleans-up-1703459/actors Per 100.000 dollari ti https://ko.listvote.com/lists/film/movies/per-100.000-dollari-ti-ammazzo-3899456/actors ammazzo Senso '45 https://ko.listvote.com/lists/film/movies/senso-%2745-3955375/actors Roy Colt and Winchester https://ko.listvote.com/lists/film/movies/roy-colt-and-winchester-jack-1123007/actors -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
Queer Lion Award Venice Gays
65. Mostra Internazionale d’Arte Cinematografica Queer Lion Award Lido di Venezia 30 agosto / 6 settembre 2008 4. Giornate di Cinema Omosessuale Venice Gays Mestre 17 × 18 × 19 ottobre 2008 CinemArte presenta Organizzazione - Organization Indice 03 Staff / Ringraziamenti Queer Lion Award 04 La giuria 05 Festa di apertura: 30 agosto Coordinamento Generale Cerimonia di premiazione: 6 settembre General Management Daniel N. Casagrande Venice Market 06 Ciao: proiezione 31 agosto Traduzioni - Translations 07 The Lost Coast: proiezione 1 settembre Marco Busato 08 Antarctica: proiezione 2 settembre 09 Esprit es-tu là?: proiezione 3 settembre Grafica - Graphic design Marika Vettori Giornate di Cinema Omosessuale 10 Venice Gays: proiezioni 17 ottobre Sito - Website CinemArte.net 11 Venice Gays: proiezioni 18 ottobre Durica Nikolic 13 Venice Gays: proiezioni 19 ottobre Proiezioni - Projectionist David N. Casagrande Sigla - Opening short Fabio Fiandrini Foto di copertina - Cover photo “Ciao” di Yen Tan Contributo - Contribution Index Sostegno - Support 03 Staff / Acknowledgments Queer Lion Award 04 The jury 05 Opening party: August 30th Patrocinio - Patronage Award Ceremony: September 6th Venice Market 06 Ciao: screening August 31st 07 The Lost Coast: screening September 1st 08 Antarctica: screening September 2nd Media partner 09 Esprit es-tu là?: screening September 3rd Giornate di Cinema Omosessuale 10 Venice Gays: screenings October 17th 11 Venice Gays: screenings October 18th 13 Venice Gays: screenings October 19th Collaborazione - Collaboration Centro Sperimentale Cinematografia Silverscreen Cinemare Venezia Spiagge Aurora Street 3. LA GIURIA Queer Lion Award THE JURY TINTO BRASS MASSIMO BENVEGNÙ BOYD VAN HOEIJ DANIEL N. CASAGRANDE Tinto Brass Presidente di giuria / President of jury Nato a Milano, assistente di Rossellini, esordì alla re- Born in Milan, assistant for Roberto Rossellini, debu- gia nel ’63 con Chi lavora è perduto, opera influenza- ted as a director in ’63 with Who Works Is Lost, a movie ta dalla Nouvelle Vague. -
Newsletter 16/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 16/09 DIGITAL EDITION Nr. 258 - September 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 16/09 (Nr. 258) September 2009 editorial Hallo Laserdisc- und DVD-Fans, wird Sie auch wieder auf den Seiten 4 spricht Annas Vater!” Schließlich war liebe Filmfreunde! bis 6 begrüßen und Ihnen erzählen, es Jochen Rudschies, der seiner Toch- welche Filme Sie demnächst anschauen ter Anna die Filmleidenschaft sozusa- Es sieht ganz danach aus, dass wir es und welche Werke Sie tunlichst meiden gen in die Wiege gelegt hat. Bravo Jo- wieder einmal mühelos geschafft ha- sollten. Als weiteren besonderen Ser- chen – gut gemacht! Und wenn Ihnen ben, den für unseren Newsletter vorge- vice für unsere Leser finden Sie ab Sei- das gefällt, was Annas Daddy für uns gebenen Rahmen von 60 Seiten zu te 7 das ausführliche Programm zum “5. schreibt, dann schreiben Sie ihm doch sprengen. Gut für unsere Leser – Todd-AO 70mm Filmfestival” in der einfach. Denn nicht nur Anna freut schlecht für uns. Denn je mehr wir Ih- Karlsruher Schauburg. Wie jedes Jahr sich über Feedback! Übrigens: sollten nen an Lesestoff verabreichen, desto so werden wir auch dieses Mal wieder Sie sich jetzt durch den Einsatz von größer die Gefahr, dass wir beim Heften ganztägig vor Ort sein und das Festival Annas Vater dazu motiviert fühlen, sich der Print-Version selbst Hand anlegen tatkräftig unterstützen. -
Aufgabe 07 2008.Pdf
Aufgabe Number 7 “dream house #3” by Ruby Palmer poetry editors | E. Tracy Grinnell, Paul Foster Johnson, Julian T. Brolaski essays, notes & reviews editor | Mark Tardi art editor | Rachel Bers editorial assistant | Ashley Lamb typesetting | E. Tracy Grinnell design | HvA Design & E. Tracy Grinnell cover art | Ruby Palmer © 2008 Aufgabe. All rights revert to authors upon publication. Aufgabe is published annually by Litmus Press. Single issues are $12, a subscription for two issues is $20. For institutional subscriptions rates and for information about individual subscriptions, contact the publisher directly. Litmus Press is the publishing program of Ether Sea Projects, Inc., a 501(c)(3) nonprofit literature and arts organization dedicated to supporting innovative, cross-genre writing with an emphasis on poetry and international works in translation. Litmus Press/Aufgabe P.O. Box 25526 Brooklyn, NY 11202-5526 www.litmuspress.org All Litmus Press publications are distributed by Small Press Distribution 1341 Seventh St. Berkeley, CA 94710 www.spdbooks.org ISSN: 1532-5539 ISBN: 978-1-933959-05-4 Aufgabe is made possible, in part, by public funds from the New York State Council on the Arts, a state agency. Litmus Press is also supported by grants from the Council of Literary Magazines and Presses and individual donors. All contributions are tax- deductible to the extent allowed by law. Contents Editors’ Note | Paul Foster Johnson, Julian T. Brolaski & E. Tracy Grinnell 5 Feature | guest edited by Jennifer Scappettone 15 Translations from the -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.