Sufficient to Make Heaven Weep: the American Army in the Mexican War Brian M
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FOR IMMEDIATE RELEASE the Guess Who
FOR IMMEDIATE RELEASE The Guess Who will rock Tulalip Resort Casino in May 2019 TULALIP, WA – (January 25, 2019) – The Canadian rock band, The Guess Who, will be performing live in Tulalip Resort Casino’s Orca Ballroom on Friday, May 10. Formed in Winnipeg, The Guess Who initially gained recognition throughout Canada before becoming an international success in the late 1960s and 1970s. The Guess Who has enjoyed 14 Top 40 hits, including "These Eyes," "Clap For the Wolfman," "Hand Me Down World," "No Time," "Star Baby" and "Share the Land.” Additional classics include their number one rock anthem, "American Woman" and "No Sugar Tonight," plus "Laughing" and "Undun." The Guess Who are amongst music's most enduring bands and are eternally etched within the very fabric of pop culture history. Get up-close seating in the Orca Ballroom, an intimate 1,200-seat entertainment venue at Tulalip Resort Casino. Tickets go on sale Friday, March 15, at 10AM PST and start at $50. Tickets will be available for purchase on Ticketmaster.com or service charge free at the Tulalip Box Office. Must be 21+ to attend. About Tulalip Resort Casino Award-winning Tulalip Resort Casino is the most distinctive gaming, dining, meeting, entertainment and shopping destination in Washington State. The AAA Four-Diamond resort’s world-class amenities have ensured its place on the Condé Nast Traveler Gold and Traveler Top 100 Resorts lists. The property includes 192,000 square feet of gaming excitement; a luxury hotel featuring 370 guest rooms and suites; 30,000 square feet of premier meeting, convention and wedding space; the full-service T Spa; and eight dining venues. -
Army Regulars on the Western Frontier, 1848-1861 / Dunvood Ball
Amy Regulars on the WestmFrontieq r 848-1 861 This page intentionally left blank Army Regulars on the Western Frontier DURWOOD BALL University of Oklahoma Press :Norman Library of Congress Cataloging-in-Publication Data Ball, Dunvood, 1960- Army regulars on the western frontier, 1848-1861 / Dunvood Ball. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-8061-3312-0 I. West (U.S.)-History, Military-I 9th century. 2. United States. Army-History- 19th century. 3. United States-Military policy-19th century. 4. Frontier and pioneer life-West (U.S.) 5. West (US.)-Race relations. 6. Indians of North Arnerica- Government relations-1789-1869. 7. Indians of North America-West (U.S.)- History-19th century. 8. Civil-military relations-West (U.S.)-History-19th century. 9. Violence-West (U.S.)-History-I 9th century. I. Title. F593 .B18 2001 3 5~'.00978'09034-dcz I 00-047669 CIP The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources, Inc. m Copyright O 2001 by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A. 12345678910 For Mom, Dad, and Kristina This page intentionally left blank CONTENTS List of Illustrations and Maps IX Preface XI Acknowledgments xv INT R o D U C T I o N : Organize, Deploy, and Multiply XIX Prologue 3 PART I. DEFENSE, WAR, AND POLITICS I Ambivalent Duty: Soldiers, Indians, and Frontiersmen I 3 2 All Front, No Rear: Soldiers, Desert, and War 24 3 Chastise Them: Campaigns, Combat, and Killing 3 8 4 Internal Fissures: Soldiers, Politics, and Sectionalism 56 PART 11. -
THE GUESS WHO BIOGRAPHY As the House Lights Fade Down and The
THE GUESS WHO BIOGRAPHY As the house lights fade down and the stage spots flair up, the sounds of rock and roll with classic sensibilities and progressive nuances permeate the crowd. At first a familiar chord strikes everyone's attention, then comes a catchy chorus followed by a memorable solo or remarkable moment of improvisation. Such an ear-pleasing arsenal carries into a non-stop evening of precise performance taking fans on a roller coaster ride of electric instrumentation, timeless balladry, unpredictable Jamming and the ultimate sing-a-long experience. It's a position held by a troupe of true musical luminaries who through over five decades in show business have been loaded with more hits than members can count, record sales well into the multi- millions and more drama than a VH1 "Behind the Music" episode and an E! "True Hollywood Story" documentary combined. The name is none other than The Guess Who, a group that's connected with the masses throughout a exultant hit parade spanning fourteen Top 40 hits, including "These Eyes," "Clap For the Wolfman," "Hand Me Down World," "No Time," "Star Baby" and "Share the Land." Add in fellow classics and double sided singles like their #1 rock anthem "American Woman" and "No Sugar Tonight," plus "Laughing" and "Undun," and the Canadian bred stateside conquerors are amongst music's most indelible treasures who are eternally etched within the very fabric of pop culture history. "You're going to see an excellent version of the songs and hear exactly how they should sound or be played," verifies founding member and original drummer/songwriter Garry Peterson. -
JOAN CRAWFORD Early Life and Inspiration Joan Crawford Was Born Lucille Fay Lesueur on March 23, 1908, in San Antonio, Texas
JOAN CRAWFORD Early Life and Inspiration Joan Crawford was born Lucille Fay LeSueur on March 23, 1908, in San Antonio, Texas. Her biological father, Thomas E. LeSueur, left the family shortly after Lucille’s birth, leaving Anna Bell Johnson, her mother, behind to take care of the family. page 1 Lucille’s mother later married Henry J. Cassin, an opera house owner from Lawton, Oklahoma, which is where the family settled. Throughout her childhood there, Lucille frequently watched performances in her stepfather’s theater. Lucille, having grown up watching the many vaudeville acts perform at the theater, grew up wanting to pursue a dancing career. page 2 In 1917, Lucille’s family moved to Kansas City after her stepfather was accused of embezzlement. Cassin, a Catholic, sent Lucille to a Catholic girls’ school by the name of St. Agnes Academy. When her mother and stepfather divorced, she remained at the academy as a work student. It was there that she began dating and met a man named Ray Sterling, who inspired her to start working hard in school. page 3 In 1922, Lucille registered at Stephens College in Columbia, Missouri. However, she only attended the college for a few months before dropping out when she realized that she was not prepared enough for college. page 4 Early Career After her stint at Stephens, Lucille began dancing in various traveling choruses under the name Lucille LeSueur. While performing in Detroit, her talent was noticed by a producer named Jacob Shubert. Shubert gave her a spot in his 1924 Broadway show Innocent Eyes, in which she performed in the chorus line. -
Burton Cummings Mccallum Theatre Monday – February 24 – 7:00Pm
FOR IMMEDIATE RELEASE January 29, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Burton Cummings McCallum Theatre Monday – February 24 – 7:00pm Palm Desert, CA – Burton Cummings, one of the most successful music artists in Canadian history, will head down south to the McCallum Theatre for a special performance at 7:00pm, Monday, Feb. 24. Cummings is best known as the former lead singer of and songwriter for The Guess Who. He is a member of the Canadian Music Hall of Fame, Canadian Songwriters Hall of Fame, Canadian Music Industry Hall of Fame, Canadian Walk of Fame, Canadian Music Industry Hall of Fame and the Prairie Music Hall of Fame. He’s won multiple Juno Awards, and is a recipient of the Order of Canada, the Order of Manitoba, the Governor- General’s Performance Arts Award, and several BMI (Broadcast Music Industry) awards for more than 1 million airplays of his songs. With Canada’s original rock ’n’ roll superstars The Guess Who, Burton scored an unprecedented string of international hit singles, including “These Eyes,” “Laughing,” “No Time,” “American Woman,” “Share the Land,” “Hang on to Your Life,” “Albert Flasher,” “Sour Suite,” “Glamour Boy,” “Star Baby,” “Clap for the Wolfman” and “Dancin’ Fool”—all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined to that point, and the band’s achievements remain unparalleled. The group notched up a long list of firsts, including being the first Canadian group to reach No. -
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent fun title that everyone’s talking about. Designed for both 9781936975044 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $12.99/$14.99 Can. cofounders Gene Simmons and Paul Stanley, Archie 112 pages expects this title to be a breakout success. Paperback / softback / Trade paperback (US) Comics & Graphic Novels / Fantasy From the the company that’s sold over 1 billion comic books Ctn Qty: 0 and the band that’s sold over 100 million albums and DVDs 0.8lb Wt comes this monumental crossover hit! Immortal rock icons 363g Wt KISS join forces ... Author Bio: Alex Segura is a comic book writer, novelist and musician. Alex has worked in comics for over a decade. Before coming to Archie, Alex served as Publicity Manager at DC Comics. Alex has also worked at Wizard Magazine, The Miami Herald, Newsarama.com and various other outlets and websites. Author Residence: New York, NY Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS: Collector's Edition Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent, Gene Simmons fun title that everyone’s talking about. Designed for both 9781936975143 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $29.99/$34.00 Can. -
Guide, Kane Family Papers (UPT 50 K916)
A Guide to the Kane Family Papers 1802-1965 (bulk 1850-1871) 0.5 Cubic feet UPT 50 K916 Prepared by Joseph-James Ahern November 2006 The University Archives and Records Center 3401 Market Street, Suite 210 Philadelphia, PA 19104-3358 215.898.7024 Fax: 215.573.2036 www.archives.upenn.edu Mark Frazier Lloyd, Director Kane Family Papers UPT 50 K916 TABLE OF CONTENTS PROVENANCE...............................................................................................................................1 ARRANGEMENT...........................................................................................................................1 BIOGRAPHICAL NOTE................................................................................................................1 SCOPE AND CONTENT...............................................................................................................3 CONTROLLED ACCESS HEADINGS.........................................................................................3 INVENTORY.................................................................................................................................. 4 CORRESPONDENCE...............................................................................................................4 GENERAL.................................................................................................................................4 Kane Family Papers UPT 50 K916 Guide to the Kane Family Papers 1802-1965 (bulk 1850-1871) UPT 50 K916 0.5 Cubic feet Prepared by Joseph-James -
Patterson Family Papers
MS-236, Patterson Family Papers Collection Number: MS-236 Title: Patterson Family Papers Dates: 1780-1970 Creator: Patterson family Summary/Abstract: A collection of correspondence, family histories, photographs, business records, and scrapbooks from two local pioneer families who played an important part in the early development of the Miami Valley: the Pattersons of Dayton and the Johnstons of Piqua. The business records cover the period 1785-1879 and relate to the operation of the Patterson Family farm and lumber mill. Some of Col. Robert Patterson's land surveys and quartermaster records are also included. The correspondence consists of letters between family members and friends, the bulk of which falls within the years 1820-1900. These letters are a good representation of 19th century life and discuss business, family affairs, daily activities, and politics. Of particular interest are the letters to Julia Johnston Patterson from her sons in the Union Army during the Civil War. The scrapbooks are an eclectic collection of newspaper clippings, programs, and memorabilia concerning John H. Patterson, the National Cash Register Company, and local and family history. Quantity/Physical Description: 9 linear feet Language(s): English Repository: Special Collections and Archives, Paul Laurence Dunbar Library, Wright State University, Dayton, OH 45435-0001, (937) 775-2092 Restrictions on Access: There are no restrictions on accessing material in this collection. Restrictions on Use: Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder. Preferred Citation: MS-236, Patterson Family Papers, Special Collections and Archives, University Libraries, Wright State University, Dayton, Ohio. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Catalogue 423 1
CATALOGUE 423 1 1. ADAMS, John R[ipley]. Memorial and Letters of Rev. John R. Adams, D.D., Chaplain of the Fifth Maine and the One Hundred and Twenty-First New York Regiments during the War of the Rebellion, Serving from the Beginning to Its Close. [Cambridge: University Press] Privately Printed: 1890. 1st ed. 242 pp. Mounted photograph portrait frontis. Orig. cloth, T.e.g. Spine expertly repaired; corners bumped, else a very good copy. $650.00 "Chaplain Adams' many printed letters treat for the most part of military rather than spiritual matters in the Army of the Potomac." Nevins I, p. 49. Flyleaf reads: "This volume is printed for private distribution among our father's friends and acquaintances." 2. ADDEY, Markinfield. "Stonewall Jackson." The Life and Military Career of Thomas Jonathan Jackson, Lieutenant-General in the Confederate Army. New-York: Charles T. Evans, 1863. 1st ed. 290pp. Portrait frontis., Orig. cloth. Wear to spine ends and corners, some edgewear, light scattered foxing, else very good. $400.00 Dornbusch II 2815. "This laudatory account of Jackson's military achievements was published a few months after the General's death" Nevins II, p.35. 3. (ALABAMA REGIMENTAL). McMORRIES, Edward Young. History of the First Regiment Alabama Volunteer Infantry C.S.A. Montgomery, AL: The Brown Printing Co., 1904. 1st ed. 142 pp. Later cloth, orig. printed wrappers bound in. A near fine copy. $300.00 HOWES M-172. An extensive, detailed history of the First Alabama Regiment's campaigns throughout the Southeast, accounts of imprisonment at Johnston's Island, Ohio, and camps in Illinois and Wisconsin, and personal anecdotes. -
5^^Ife Porticoed and Clapboarded, the Benjamin Church House Observed the Rugged Life of Early Milwaukee from Its Fourth Street Site
VOLUME 38 NUMBER 2 PUBLISHED BY THE STAT WINTER, 1954-55 ;5^^ife Porticoed and clapboarded, the Benjamin Church house observed the rugged life of early Milwaukee from its Fourth Street site. Restored, and wearing the cloak of a little shrine, it began a new and a somewhat sheltered life in the city's pleasant Estabrook Park through the efforts of the Milwaukee County Historical Society. There., on Septem ber 14, 1939, it was named '^Kilhourntotvn House." ON THE COVER: Its fluted columns frosted with snow, its eaves fringed with glittering icicles, how proud it would he to hear the crunching footsteps of a winter wayfarer and the excla mation: ^'How lovely, how snug . how wise!'' This picture was taken by Don Mereen, Milwaukee; it was entered in the Historical Society's Photographic Competition, Autumn, 1954. The WISCONSIN MAGAZINE OF HISTORY is imhlislicfl by the State Historical Society of Wisconsin, 816 State Street, Madison 6, Wisconsin. Distrilmted to members as part of their dues (Annual Membership, $4.00; Contributinf;, SIO: Business and Professional, S25; Life, 1100; Sustaining, 5100 or more annually). ^ early subscription. 54.00; single numbers. 11.00. As of July 1, 1954, introductory offer for M;VV members only. Annual dues $1.00. Magazine subscription $3.00. Communications should be addressed lo the editor. The Society does not assume responsibility for statements made by contributors. Kntered as second-class matter at the post office at Madison, Wisconsin, under the act of August 24, 1912. ("opyright 1954 by the State Historical Society of Wisconsin. Paid for in part by tlu- Alaria L. -
The Rewriting Ethos of the Vertigo Imprint: Critical Perspectives on Memory-Making and Canon Formation in the American Comics Field
Comicalités La bande dessinée : un « art sans mémoire » ? ................................................................................................................................................................................................................................................................................................ Christophe Dony The rewriting ethos of the Vertigo imprint: critical perspectives on memory-making and canon formation in the American comics field ................................................................................................................................................................................................................................................................................................ Avertissement Le contenu de ce site relève de la législation française sur la propriété intellectuelle et est la propriété exclusive de l'éditeur. Les œuvres figurant sur ce site peuvent être consultées et reproduites sur un support papier ou numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale. La reproduction devra obligatoirement mentionner l'éditeur, le nom de la revue, l'auteur et la référence du document. Toute autre reproduction est interdite sauf accord préalable de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Revues.org est un portail de revues en sciences humaines et sociales développé par le Cléo, Centre pour l'édition