Totalcode Studio Professional Desktop Encoding for Digital Distribution and OTT

Total Page:16

File Type:pdf, Size:1020Kb

Totalcode Studio Professional Desktop Encoding for Digital Distribution and OTT DATASHEET | Page 1 TotalCode Studio Professional desktop encoding for digital distribution and OTT TotalCode Studio is an efficient, cost-effective transcoding tool designed KEY FEATURES to meet the needs of content producers, broadcasters, streamers, CE • Support for popular delivery formats manufacturers, and more. With ready-to-use presets and advanced encoder settings, TotalCode Studio enables conversion into a variety of formats, • Hardware encoding powered by Intel and NVIDIA including HEVC/H.265, AVC/H.264, and Ultra HD up to 8K, plus distribution via Apple HLS and MPEG-DASH. Many Panasonic and Sony camera presets are • Built-in video and audio processing also supported. • Native ingest for a wide range of codecs & formats No matter the device or delivery platform, TotalCode Studio has a solution. • HDR / SDR Conversion It includes powerful features such as watch folder automation, batch list encoding, audio/video filters, and an integrated player, making TotalCode Studio the ideal production tool targeting professional quality and performance. WHAT’S NEW • GPU-accelerated HEVC/H.265 PACKAGE COMPARISON encoding modes CODEC TOTALCODE STUDIO BROADCAST PACK (1) AUDIO PACK (1) • 2-pass HEVC/H.265 encoding HEVC/H.265 ü • PQ / HDR-10 to/from HLG HDR AVC/H.264 ü conversion MPEG-1/2 ü MPEG-4 Part 2 ü • PQ / HDR-10 and HLG to SDR VC-1 ü conversion for non-HDR compliant PCM ü devices MPEG-Audio ü • Apple HLS Master Playlist generation WMA ü tool AAC ü AVC 10-bit / 4:2.2 ü • MPEG-DASH Manifest file generation JPEG 2000 ü tool DVCPRO HD ü XAVC ü P2 AVC Ultra ü DTS® ü (1) Requires TotalCode Studio Dolby Digital ü Dolby Digital Plus ü SYSTEM REQUIREMENTS • Operating Systems: Windows® 7 Ultimate and Professional SP1, Windows 8.1, Windows 10 x64 • Minimum System Memory: 8 GB © 2020 MainConcept GmbH or its affiliates. All rights reserved. All trademarks, trade names and logos referenced herein belong to their respective companies. DATASHEET | Page 2 SPECIFICATIONS Available Input Formats Available Output Muxer Formats • DirectShow import • Elementary Streams • QuickTime import • MPEG-2 Transport / Program Streams • MPEG-1/2, MPEG-4 Part 2, VC-1, AVC/H.264 & • MP4, 3GP HEVC/H.265 • ASF • DVCPRO • DV, DIF • JPEG 2000 • MJ2 • Apple ProRes • MXF • DNxHD / DNxHR • RAW Available Output Video Formats Format, Container & Standard Support: • HEVC/H.265 • ATSC , DVB • HEVC/H.265 Intel Quick Sync Video (3) • AVC Intra Class 200, 100, and 50 (1) • HEVC/H.265 NVIDIA NVENC (3) • AVCHD • AVC/H.264 • MPEG-DASH (H.264 & H.265) • AVC/H.264 Intel Quick Sync Video (3) • Apple HLS AVC, HEVC • MPEG-1/2 • Apple iPhone / iPad • DV / DVCPRO 25/50/100 (HD) • D10 • VC-1 • DV, DVCPRO 25, 50 and HD (100) (1) • JPEG 2000 • HDV • MPEG-4 Part 2 • HTML5 (H.264) • RAW/YUV • JPEG 2000 DCI 2k and 4k (1) (1) Available Output Audio Formats • MXF (OP1a, Op1b, and OP-Atom) (1) • PCM • Panasonic P2 AVC Ultra & AVC-Intra & DVCPRO • MPEG-1 Audio • QuickTime • AAC • Silverlight H.264 and VC-1 (1) • WMA • Sony XAVC and XAVC-S • Raw • Sony XDCAM, EX, HD, IMX & DV (DVCAM) • DV • WAV • DTS-HD, DTS Express (2) • WMV (VC-1 compliant) • Dolby Digital (2), Dolby Digital Plus (2) (1) Requires TotalCode Studio Broadcast Pack | (2) Requires TotalCode Studio Audio Pack | (3) Requires CPU or GPU support MAINCONCEPT GMBH CONTACT: MORE INFORMATION Elisabethstr. 1 [email protected] www.mainconcept.com/tcs 52062 Aachen, Germany [email protected] © 2020 MainConcept GmbH or its affiliates. All rights reserved. All trademarks, trade names and logos referenced herein belong to their respective companies..
Recommended publications
  • Virtualization of Audio-Visual Services
    Software Defined Media: Virtualization of Audio-Visual Services Manabu Tsukada∗, Keiko, Ogaway, Masahiro Ikedaz, Takuro Sonez, Kenta Niwax, Shoichiro Saitox, Takashi Kasuya{, Hideki Sunaharay, and Hiroshi Esaki∗ ∗ Graduate School of Information Science and Technology, The University of Tokyo Email: [email protected], [email protected] yGraduate School of Media Design, Keio University / Email: [email protected], [email protected] zYamaha Corporation / Email: fmasahiro.ikeda, [email protected] xNTT Media Intelligence Laboratories / Email: fniwa.kenta, [email protected] {Takenaka Corporation / Email: [email protected] Abstract—Internet-native audio-visual services are witnessing We believe that innovative applications will emerge from rapid development. Among these services, object-based audio- the fusion of object-based audio and video systems, including visual services are gaining importance. In 2014, we established new interactive education systems and public viewing systems. the Software Defined Media (SDM) consortium to target new research areas and markets involving object-based digital media In 2014, we established the Software Defined Media (SDM) 1 and Internet-by-design audio-visual environments. In this paper, consortium to target new research areas and markets involving we introduce the SDM architecture that virtualizes networked object-based digital media and Internet-by-design audio-visual audio-visual services along with the development of smart build- environments. We design SDM along with the development ings and smart cities using Internet of Things (IoT) devices of smart buildings and smart cities using Internet of Things and smart building facilities. Moreover, we design the SDM architecture as a layered architecture to promote the development (IoT) devices and smart building facilities.
    [Show full text]
  • DVD850 DVD Video Player with Jog/Shuttle Remote
    DVD Video Player DVD850 DVD Video Player with Jog/Shuttle Remote • DVD-Video,Video CD, and Audio CD Compatible • Advanced DVD-Video technology, including 10-bit video DAC and 24-bit audio DAC • Dual-lens optical pickup for optimum signal readout from both CD and DVD • Built-in Dolby Digital™ audio decoder with delay and balance controls • Digital output for Dolby Digital™ (AC-3), DTS, and PCM • 6-channel analog output for Dolby Digital™, Dolby Pro Logic™, and stereo • Choice of up to 8 audio languages • Choice of up to 32 subtitle languages • 3-dimensional virtual surround sound • Multiangle • Digital zoom (play & still) DVD850RC Remote Control • Graphic bit rate display • Remote Locator™ DVD Video Player Feature Highlights: DVD850 Component Video Out In addition to supporting traditional TV formats, Philips Magnavox DVD Technical Specifications: supports the latest high resolution TVs. Component video output offers superb color purity, crisp color detail, and reduced color noise– Playback System surpassing even that of S-Video! Today’s DVD is already prepared to DVD Video work with tomorrow’s technology. Video CD CD Gold-Plated Digital Coaxial Cables DVD-R These gold-plated cables provide the clearest connection possible with TV Standard high data capacity delivering maximum transmission efficiency. Number of Lines : 525 Playback : NTSC/60Hz Digital Optical Video Format For optimum flexibility, DVD offers digital optical connection which deliv- Signal : Digital er better, more dynamic sound reproduction. Signal Handling : Components Digital Compression : MPEG2 for DVD Analog 6-Channel Built-in AC3 Decoder : MPEG1 for VCD Dolby® Digital Sound (AC3) gives you dynamic theater-quality sound DVD while sharply filtering coding noise and reducing data consumption.
    [Show full text]
  • An Introduction to MPEG Transport Streams
    An introduction to MPEG-TS all you should know before using TSDuck Version 8 Topics 2 • MPEG transport streams • packets, sections, tables, PES, demux • DVB SimulCrypt • architecture, synchronization, ECM, EMM, scrambling • Standards • MPEG, DVB, others Transport streams packets and packetization Standard key terms 4 • Service / Program • DVB term : service • MPEG term : program • TV channel (video and / or audio) • data service (software download, application data) • Transport stream • aka. « TS », « multiplex », « transponder » • continuous bitstream • modulated and transmitted using one given frequency • aggregate several services • Signalization • set of data structures in a transport stream • describes the structure of transport streams and services MPEG-2 transport stream 5 • Structure of MPEG-2 TS defined in ISO/IEC 13818-1 • One operator uses several TS • TS = synchronous stream of 188-byte TS packets • 4-byte header • optional « adaptation field », a kind of extended header • payload, up to 184 bytes • Multiplex of up to 8192 independent elementary streams (ES) • each ES is identified by a Packet Identifier (PID) • each TS packet belongs to a PID, 13-bit PID in packet header • smooth muxing is complex, demuxing is trivial • Two types of ES content • PES, Packetized Elementary Stream : audio, video, subtitles, teletext • sections : data structures Multiplex of elementary streams 6 • A transport stream is a multiplex of elementary streams • elementary stream = sequence of TS packets with same PID value in header • one set of elementary
    [Show full text]
  • Implementing Object-Based Audio in Radio Broadcasting
    Object-based Audio in Radio Broadcast Implementing Object-based audio in radio broadcasting Diplomarbeit Ausgeführt zum Zweck der Erlangung des akademischen Grades Dipl.-Ing. für technisch-wissenschaftliche Berufe am Masterstudiengang Digitale Medientechnologien and der Fachhochschule St. Pölten, Masterkalsse Audio Design von: Baran Vlad DM161567 Betreuer/in und Erstbegutachter/in: FH-Prof. Dipl.-Ing Franz Zotlöterer Zweitbegutacher/in:FH Lektor. Dipl.-Ing Stefan Lainer [Wien, 09.09.2019] I Ehrenwörtliche Erklärung Ich versichere, dass - ich diese Arbeit selbständig verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt und mich auch sonst keiner unerlaubten Hilfe bedient habe. - ich dieses Thema bisher weder im Inland noch im Ausland einem Begutachter/einer Begutachterin zur Beurteilung oder in irgendeiner Form als Prüfungsarbeit vorgelegt habe. Diese Arbeit stimmt mit der vom Begutachter bzw. der Begutachterin beurteilten Arbeit überein. .................................................. ................................................ Ort, Datum Unterschrift II Kurzfassung Die Wissenschaft der objektbasierten Tonherstellung befasst sich mit einer neuen Art der Übermittlung von räumlichen Informationen, die sich von kanalbasierten Systemen wegbewegen, hin zu einem Ansatz, der Ton unabhängig von dem Gerät verarbeitet, auf dem es gerendert wird. Diese objektbasierten Systeme behandeln Tonelemente als Objekte, die mit Metadaten verknüpft sind, welche ihr Verhalten beschreiben. Bisher wurde diese Forschungen vorwiegend
    [Show full text]
  • Mainconcept 2GO Sony PS4 Converter
    MainConcept 2GO Sony PS4 Converter User Guide MainConcept 2GO Sony PS4 Converter User Guide Contents 1. Introduction ....................................................................................................................................... 2 2. Installation.......................................................................................................................................... 2 2.1 Installing Docker ..................................................................................................................................... 2 2.2 Resources for Docker ............................................................................................................................ 3 2.3 Installing MainConcept 2GO ................................................................................................................ 3 3. Settings ............................................................................................................................................... 4 3.1 Supported Input Codecs & Formats .................................................................................................. 4 3.2 Supported Output Formats ................................................................................................................. 4 3.3 Included Presets ..................................................................................................................................... 4 4. Configuration ....................................................................................................................................
    [Show full text]
  • BDP9100/05 Philips Blu-Ray Disc Player
    Philips Blu-ray Disc player BDP9100 True cinema experience in 21:9 ultra-widescreen The perfect companion for the Cinema 21:9 TV. Unlike normal Blu-ray players, the BDP9100 is the only Blu-ray player allowing you to shift subtitles in the 21:9 screen aspect ratio, to retain the subtitles without the black bars. See more • 21:9 movie aspect ratio, no black bars bottom and top • Blu-ray Disc playback for sharp images in full HD 1080p • 1080p at 24 fps for cinema-like images • DVD video upscaling to 1080p via HDMI for near-HD images • DivX® Ultra for enhanced playback of DivX® media files • x.v.Colour brings more natural colours to HD camcorder videos Hear more • Dolby TrueHD and DTS-HD MA for HD 7.1 surround sound Engage more • BD-Live (Profile 2.0) to enjoy online Blu-ray bonus content • AVC HD to enjoy high definition camcorder recordings on DVD • Hi-Speed USB 2.0 Link plays video/music from USB flash drives • Enjoy all your movies and music from CDs and DVDs • EasyLink controls all EasyLink products with a single remote Blu-ray Disc player BDP9100/05 Highlights 21:9 movie aspect ratio BD-Live (Profile 2.0) resolution - ensuring more details and more true-to-life pictures. Progressive Scan (represented by "p" in "1080p') eliminates the line structure prevalent on TV screens, again ensuring relentlessly sharp images. To top it off, HDMI makes a direct digital connection that can carry uncompressed digital HD video as well as digital multi-channel audio, without conversions to analogue - delivering perfect picture and sound quality, completely free Be blown away by movies the way they are BD-Live opens up your world of high definition from noise.
    [Show full text]
  • Shop Fullcompass.Com Today! for Expert Advice - Call: 800-356-5844 M-F: 9:00-5:30 Central 412 VIDEO PLAYERS / RECORDERS
    DVD / BLU-RAY PLAYERS AND RECORDERS DVD / BLU-RAYVIDEO PLAY PLAYERSE RASND / RECORDERS 411 NEW! ATOMOS ATOMOS NINJA STAR POCKET- SIZE APPLE PRORES RECORDER AND TASCAM DV-D01U RACKMOUNTABLE SINGLE DISC DVD PLAYER DECK Designed for action cameras, drones The DV-D01U is a rackmountable single-disc player with a powered loading tray. and mirrorless DSLR’s, this pocket-size Apple The player reads DVD video, DVD audio (2-channel only), video CD, CD-DA, MP3, ProRes recorder delivers better quality (no MPEG compression) and huge WMA, .WAV, JPEG, ASF, MPEG-2/MPEG-1, and DivX. It is capable of playing back workflow timesavings. Ultra-long battery life with tiny size and weight make this properly finalized DVD +R/+RW discs. Outputs consist of HDMI audio/video unit ideal for situations requiring portability, reliability and long power draws. out and composite, S-Video, and component video outputs. Rear panel stereo Captures video in select HD/SD recording formats via HDMI, with 2-channel audio outputs are unbalanced (RCA) and digital outputs are optical. Digital outputs can from camera and/or analog input. Edit-ready media files are recorded directly to pass Dolby Digital and DTS surround streams for later decoding. The DV-D01U CFast 1.0 memory card. Standard mounting plate included. provides extensive bi-directional RS232 serial control and an I/R remote control ITEM DESCRIPTION PRICE is included. ATO-NINJA-STAR........ Pocket-Size ProRes Recorder & Deck ........................................... 295.00 ITEM DESCRIPTION PRICE ATO-MCFT064 ........... 64GB CFast Memory Card ........................................................... 159.00 DVD01U ..................... Rackmountable DVD player, 1RU ................................................ 369.99 ATO-MCFT128 ..........
    [Show full text]
  • Prices 06-2021
    Prices (exc. VAT) -June 2021 1 - Contents 2 - 4K HDR color grading 3 - 5.1 mixing 4 - Subtitling 5 - 2K/4K/3D DCPs 6 - Broadcast-ready files / IMF Package / Dolby E 7 - DVD & 2D/3D/4K Blu-ray authoring 8 - DVD duplication 9 - Blu-ray duplication 10 - Dailies management / 3D & HDR encoding 11 - LTO archiving and restore Have a question or want a quote? Write to us: [email protected] Registration: 492432703 - VAT ID: FR52492432703 4K HDR color grading Color grading station Half-day (4h) Full day (8h) Week (5d) Rental of 4K HDR DaVinci Resolve station with senior colorist's services € 550 € 990 € 4 900 Rental of 4K HDR DaVinci Resolve station without senior colorist's services € 270 € 500 € 2 450 Delivery of DaVinci Resolve source project to customer Included Video export Apple ProRes or DNxHR Included Color grading peripherals Week (5d) Rental of HDR Eizo CG3145 Prominence monitor € 900 Rental of DaVinci Resolve Mini Panel € 300 Transport costs (both ways, mandatory, only available in Paris, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne) € 100 Roundtrip workflow Final Cut Pro Media Composer Premiere Pro Organisation of the timeline and export to Final Cut Pro 7/X, Avid Media Composer or Adobe Premiere Pro Offline reference clip with burned-in timecode after export € 90 / hour Project import and check on DaVinci Resolve The powerful color grading station: Blackmagic Design's DaVinci Resolve Studio 17 on Linux (+Neat plugin) AMD Ryzen Threadripper 64 cores / nVidia RTX 3090 24 GB Best 4K DCI 10-bit HDR mastering display monitor on an Eizo CG3145 Prominence (meeting Dolby Vision and Netflix standards) Display calibration by a VTCAM expert to Rec.
    [Show full text]
  • Capabilities of the Horchow Auditorium and the Orientation
    Performance Capabilities of Horchow Auditorium and Atrium at the Dallas Museum of Art Horchow Auditorium Capacity and Stage: The auditorium seats 333 people (with a 12 removable chair option in the back), maxing out the capacity at 345). The stage is 45’ X 18’and the screen is 27’ X 14’. A height adjustable podium, microphone, podium clock and light are standard equipment available. Installed/Available Equipment Sound: Lighting: 24 channel sound board 24 fixed lights 4 stage monitors (with up to 4 Mixes) 5 movers (these give a wide array of lighting looks) 6 hardwired microphones 4 wireless lavaliere microphones 2 handheld wireless microphones (with headphone option) 9-foot Steinway Concert Grand Piano 3 Bose towers (these have been requested by Acoustic performers before and work very well) Music stands Projection Panasonic PTRQ32 4K 20,000 Lumen Laser Projector Preferred Video Formats in Horchow Blu Ray DVD Apple ProRes 4:2:2 Standard in a .mov wrapper H.264 in a .mov wrapper Formats we can use, but are not optimal MPEG-1/2 Dirac / VC-2 DivX® (1/2/3/4/5/6) MJPEG (A/B) MPEG-4 ASP WMV 1/2 XviD WMV 3 / WMV-9 / VC-1 3ivX D4 Sorenson 1/3 H.261/H.263 / H.263i DV H.264 / MPEG-4 AVC On2 VP3/VP5/VP6 Cinepak Indeo Video v3 (IV32) Theora Real Video (1/2/3/4) Atrium Capacity and Stage: The Atrium seats up to 500 people (chair rental required). The stage available to be installed in the Atrium is 16’ x 12’ x 1’.
    [Show full text]
  • (A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
    What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
    [Show full text]
  • Transcoding SDK Combine Your Encoding Presets Into a Single Tool
    DATASHEET | Page 1 Transcoding SDK Combine your encoding presets into a single tool MainConcept Transcoding SDK is an all-in-one production tool offering HOW DOES IT WORK? developers the ability to manage multiple codecs and parameters in one • Transcoding SDK works as an place. This streamlined SDK supports the latest encoders and decoders additional layer above MainConcept from MainConcept, including HEVC/H.265, AVC/H.264, DVCPRO, and codecs. MPEG-2. The transcoder generates compliant streams across different • The easy-to-use API replaces the devices, media types, and camcorder formats, and includes support for need to set conversion parameters MPEG-DASH and Apple HLS adaptive bitstream formats. Compliance manually by allowing you to configure ensures content is delivered that meets each unique specification. the encoders with predefined profiles, letting the transcoding engine take Transcoding SDK was created to simplify the workflow for developers care of the rest. who frequently move between codecs and output to a multitude of • If needed, manual control of the configurations. conversion process is supported, including source/target destinations, export presets, transcoding, and filter AVAILABLE PACKAGES parameters. HEVC/H.265 HEVC/H.265 encoder for creating HLS, DASH-265, and other ENCODER PACKAGE generic 8-bit/10-bit 4:2:0 and 4:2:2 streams in ES, MP4 and TS file formats. Includes hardware encoding support using Intel Quick KEY FEATURES Sync Video (IQSV) and NVIDIA NVENC (including Hybrid GPU) for Windows and Linux. • Integrated SDKs for fast deployment HEVC/H.265 SABET HEVC/H.265 encoder package plus Smart Adaptive Bitrate Encod- of transcoding tools ENCODER PACKAGE ing Technology (SABET).
    [Show full text]
  • Codec Plugin for Davinci Resolve Studio Datasheet
    DATASHEET | Page 1 Codec Plugin for DaVinci Resolve Studio AS-11 UK DPP rendering and native HEVC, all in one place Now, you can render project timelines from DaVinci Resolve Studio BENEFITS into the same professional camera format video content was recorded in, including Sony, Panasonic and others, using the first codec plugin Fast Encode in HEVC up to 20% faster than approved by Blackmagic Design. With the MainConcept Codec Plugin open source(1). for DaVinci Resolve Studio, the complete production chain—from filming, capturing and editing to playout—can remain in the same Efficient broadcast format. Experience a seamless workflow in DaVinci Resolve Studio. The MainConcept Codec Plugin for DaVinci Resolve Studio enables AS- 11 UK DPP SD (MPEG-2) and HD (AVC/H.264) project rendering direct Reliable from the DaVinci Resolve Studio timeline—eliminating the need for First plugin for DaVinci Resolve Studio redundant applications. The included XML metadata template file can approved by Blackmagic Design. be modified to set all descriptive metadata required to create AS-11 UK DPP compliant content. KEY FEATURES The plugin also allows native access to HEVC Main and Main 10 profiles, making use of MainConcept’s industry-leading HEVC/H.265 • Use generic HEVC/H.265 Main and Main 10 presets in up to 8K software video encoder. This feature provides encoding up to 8K resolution and 10-bit 4:2:2 to satisfy the needs of most broadcast and • Create compliant AS-11 UK DPP content using ready-to-use SD and OTT use cases. HD presets, including metadata processing and XML sidecar file Gone are the days of moving between different applications to generation finalize and deliver content.
    [Show full text]