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Jessie J.Pdf
Jessie J Jessica Ellen Cornish was born on 27th of March 1988 in Redbridge, London in UK. Her stage name is Jessie J. Jessie began singing with 11 years in showbusiness. She appeared in a West End production of Whistle Down the Wind by Andrew Lloyd Webber. She attended Colin’s Performing Arts School. At the age of 16 she began studying musical theater at the BRIT School, and joined a girl group called Soul Deep at the age of 17. She sang there for 2 years and then she left the group and became an independent singer. Young Jessie J When she was 17 she wrote her first song, Big white room, which has become a signature song for her. She wrote it after she was hospitalized while sharing a room with a younger boy who later sadly lost his life. Her life is very ordinary. She is the youngest of three children and she is a singer and songwriter. She sings R&B, soul, pop and hip – hop. Her father is a social worker and her mother is kindergarten teacher. Her sister Hanna is a fotographer and her second sister Rachel is a childminder. 2006–2009: Career beginnings She had signed on with now-defunct Gut Records, having fallen to bankruptcy. She now has a publishing arrangement with SONY ATV and shows great promise as a writer. Her song, Sexy Silk, was picked by Nivea for a campaign. She has also written for Chris Brown and Lisa Lois. Jessie J was responsible for making Miley Cyrus’ song’s, one of them is Party In The USA which is one of her greatests hits. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Par Richard Baillargeon
par Richard Baillargeon Pour la 3 e fois à Québec, la 2 e fois dans mon cas, et pour la première fois dans une prestation à l'intérieur, Paul McCartney nous offrait un généreux périple à travers son imposan- te production d'un demi-siècle en musique-chanson populaire. L'événement lançait sa nouvelle tournée Freshen Up , le lundi soir 17 septembre 2018, dix jours seulement après le lancement, dûment célébré par les fans de Beatles Québec, de son album Egypt Station . Pour ceux qui avaient opté pour la version VIP de l'événement, la fête avait commencé en milieu d'après-midi. Mais c'est plutôt en tant que fan 'simple citoyen' que je m'approchai du Centre Vidéotron vers 18h 30, billet de la section 209 en main. Déjà, des files de spectateurs se formaient et déambulaient lentement en direction de l'angle sud-est de l'amphithéâtre, là où se trouve l'accès principal. Sur la Place Jean-Béliveau, il était impossible de ne pas remarquer le bus à impériale (double-decker bus) aux couleurs de l'exposition Ici Londres du Musée de la civilisation. Au second étage du véhicule, le groupe Les Respectables créait l'ambiance avec leur mélange de mélodies beatlesques, de standards pop et de quelques-uns de leurs propres succès. Je décidai cependant de ne pas trop m'attarder, ayant déjà perçu des mouvements de foule du côté des portes. L'entrée se fit aisément, la quantité des postes de contrôle facilitant l'exercice. Ce fut une excellente idée d'entrer sur-le-champ car le flot des spectateurs allait dès lors se faire constant jusqu'au début du spectacle qui eut lieu vers 20h 10. -
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
The Jays Jay Brown NATION BUILDER
The Jays Jay Brown NATION BUILDER oc Nation co-founder of the arts, having joined the and CEO Jay Brown Hammer Museum’s board of R has succeeded beyond directors in 2018, as well as his wildest dreams. He’s part of a champion of philanthropic Jay-Z’s inner circle, along with causes. In short, this avid fish- longtime righthand man Tyran erman keeps reeling in the big “Tata” Smith, Roc Nation ones. Brown is making his COO Desiree Perez and her mark, indelibly and with a deep- husband, Roc Nation Sports seated sense of purpose. President “OG” Juan Perez. “I think the legacy you He’s a dedicated supporter create…is built on the people RAINMAKERS TWO 71 you help,” Brown told CEO.com in “Pon de Replay,” L.A. told Jay-Z not to Tevin Campbell, The Winans, Patti 2018. “It’s not in how much money you let Rihanna leave the building until the Austin, Tamia, Tata Vega and Quincy make or what you buy or anything like contract was signed. Jay-Z and his team himself—when he was 19. “He mentored that. It’s about how many people you closed a seven-album deal, and since then, me and taught me the business,” Brown touch. It’s in how many jobs you help she’s sold nearly 25 million albums in the says of Quincy. “He made sure if I was people get and how many dreams you U.S. alone, while the biggest of her seven going to be in the business, I was going to help them achieve.” tours, 2013’s Diamonds World Tour, learn every part of the business.” By this definition, Brown’s legacy is grossed nearly $142 million on 90 dates. -
Jessie Girl Sheet Music
Jessie Girl Sheet Music Download jessie girl sheet music pdf now available in our library. We give you 6 pages partial preview of jessie girl sheet music that you can try for free. This music notes has been read 35965 times and last read at 2021-09-23 21:37:29. In order to continue read the entire sheet music of jessie girl you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Vocal Guitar, Voice, Alto Saxophone, Bass Guitar Tablature Ensemble: Musical Ensemble Level: Intermediate [ Read Sheet Music ] Other Sheet Music Training Jessie Training Jessie sheet music has been read 7660 times. Training jessie arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-22 23:36:51. [ Read More ] Flashlight Lead Sheet Performed By Jessie J Flashlight Lead Sheet Performed By Jessie J sheet music has been read 10256 times. Flashlight lead sheet performed by jessie j arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-22 05:54:06. [ Read More ] Domino Lead Sheet Performed By Jessie J Domino Lead Sheet Performed By Jessie J sheet music has been read 12609 times. Domino lead sheet performed by jessie j arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-22 05:53:51. [ Read More ] Jessie Song Jessie Song sheet music has been read 7352 times. Jessie song arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-23 07:06:29. -
Southern Plains 4-H Fairbook
2020 Southern Plains 4-H Fairbook Nuckolls County Fair July 11-15 Thayer County Fair August 6-8 All Classes with * Not Eligible for State Fair Page | 1 4-H PLEDGE I pledge my HEAD to clearer thinking, My HEART to greater loyalty, My HANDS to larger service, My HEALTH to better living, for my club, my community, my country and my world. Extension is a Division of the Institute of Agriculture and Natural Resources at the University of Nebraska–Lincoln cooperating with the Counties and the United States Department of Agriculture. The 4-H Youth Development program abides with the Non-discrimination policies of the University of Nebraska– Lincoln and the United States Department of Agriculture. Copyright 2020 INDEX 4-H General Rules ..................................................................... 13 Donors, Sponsors, Trophies & Awards ................................... 194 Premium Codes ............................................... Inside Back Cover Pre-Fair Schedule ........................................................................ 8 Nuckolls Fair Superintendents & Schedule ............................ 9-10 Thayer Fair Superintendents & Schedule ............................ 11-12 4-H PROJECT DIVISIONS AGRONOMY Field Crops ................................................................. 132 Range Management ................................................... 135 Weed Science……………………………………………134 ANIMAL SCIENCE Animal Rules ............................................................... 100 Animal Science Educational Poster .......................... -
A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Friday Morning, Nov. 6
FRIDAY MORNING, NOV. 6 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 VER COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) 78631 AM Northwest Be a Millionaire The View (N) (cc) (TV14) 64438 Live With Regis and Kelly (N) (cc) 2/KATU 2 2 (cc) (Cont’d) 297235 (cc) 55693 86051 77902 KOIN Local 6 Early News 81631 The Early Show (N) (cc) (TVG) 65411 Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 at 6 58490 74438 99148 (TV14) 15952 Newschannel 8 at Sunrise at 6:00 Today “Sesame Street” anniversary; Jeff Corwin; Fran Drescher; makeovers. (N) (cc) (TVG) 894186 Rachael Ray (cc) (TVG) 97780 8/KGW 8 8 AM (N) (cc) 28761 Power Yoga Between the Lions Curious George Sid the Science Super Why! Dinosaur Train Sesame Street Big Bird & Snuffy Clifford the Big Dragon Tales WordWorld (TVY) Martha Speaks 10/KOPB 10 10 18896 (TVY) 18709 (TVY) 34235 Kid (TVY) 46070 (TVY) 59070 (TVY) 58341 Talent Show. (TVY) 27544 Red Dog 92761 (TVY) 45877 86525 (TVY) 87254 Good Day Oregon-6 (N) 79419 Good Day Oregon (N) 58815 The 700 Club (cc) (TVPG) 12612 Paid 27457 Paid 63273 The Martha Stewart Show (N) (cc) 12/KPTV 12 12 (TVG) 57186 Key of David Paid 17235 Paid 33761 Paid 52896 Through the Bible Life-Robison Paid 56525 Paid 87983 Paid 31815 Paid 52709 Paid 93457 Paid 94186 22/KPXG 5 5 (TVG) 62380 66902 65273 Praise-A-Thon (Left in Progress) Fundraising event. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Reformation Celebration Tour
Reformation Tours, LLC presents the Reformation Celebration Tour October 24 - November 2, 2017 Includes Reformation Day in Wittenberg Reformation Celebration Tour: October 24 - November 2, 2017 You are invited to join the celebra- Worms), now a park, with a plaque commemorating tions on Reformation Day in Witten- the Diet of Worms and the Reformation Monument. We berg on the 500 year anniversary of hear the stories of Luther as he responded “Here I the Reformation on this unique cele- stand; I can do no other. God help me.” Before return- bratory tour led by Reformation Tours ing to Mainz we enjoy dinner at an area winery. (B, D) president Frank Drinkhouse. This re- laxed-paced tour includes Refor- Day 4: Friday, October 27, 2017: Marburg mation highlights, as we visit the key Our destination today is the university city of Marburg places from Luther’s life and ministry. for a tour of the Old City with the St. Elizabeth Church Join with other believers, as we cele- and the Castle. Through its 800 year history, Marburg brate this historic anniversary on a has had many famous residents and visitors, among tour full of fellowship, food and fun! whom are Elizabeth of Thuringia, Martin Luther, and the Grimm Brothers. Dinner is on our own tonight. (B) Key: IF = In Flight Meals, B= Breakfast, D = Dinner Day 1: Tuesday, October 24, 2017: Overnight Flight to Frankfurt, Germany Our journey begins with an overnight flight to Frankfurt. (IF) Day 2: Wednesday, October 25, 2017: Arrival in Mainz Welcome to Germany! On arrival in Frankfurt we transfer to nearby Mainz.