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Protoculture Addicts #62

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Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF WHAT'S GOING ON? ANIME & MANGA NEWS .......................................................................................................... 5 Claude J. Pelletier [CJP] — Publisher / Manager VIDEO & MANGA RELEASES ................................................................................................... 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES .............................................................................................................. 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 10 Contributors Aaron Dawe, Asaka Dawe, Keith Dawe REVIEWS Kevin Lillard, James S. Taylor LIVE-ACTION ........................................................................................................................ 15 Layout BOOKS ......................................................................................................................... 19, 49 MODELS .............................................................................................................................. 36 The Safe House MANGA .............................................................................................................................. 52 Cover PA PICKS ............................................................................................................................. 53 Ghislain Barbe ANIME ................................................................................................................................. 54 Turn A Gundam ©1999 Sunrise / Fuji TV ANIME CAPSULES .................................................................................................................. 56 Detective Conan ©1996 Gôshô Aoyama / Shogakukan • Yomiuri TV • TMS Proofreading SPOTLIGHTS The Safe House, Dominique Durocher TURN A GUNDAM Overview ....................................................................................................................... 21 Color Separation & Linotronic Character & Mecha Files ................................................................................................... 22 Typo Express, Inc. Synopses (Eps. 1-26) ....................................................................................................... 26 Printing Color Designs .................................................................................................................. 30 Payette & Simms, Inc. DETECTIVE CONAN Overview ....................................................................................................................... 39 Special Thanks to Character & Mecha Files ................................................................................................... 40 Jerry Chu (BEI), Pierre Corbeil (Fantasia), Sylvain Durand, Synopses (Eps. 1-13) & Manga ......................................................................................... 42 Julien Fonfrède (Fantasia), Jean-François Fortier, Chad Kime (Pioneer), Mi-Jeong Lee (Fantasia), Michael Liu, Danielle Opyt (Manga), Mee-Lise Robinson (CPM), Nene ANIMESample WORLD file Tamaki, Ken Wiatrik (ADV), Vince Wilson, Patrick Wong Fantasia 2000 ..................................................................................................................... 16 (Bandai America), Nobu Yamamoto (BEI), Yui Yuasa Convention Reports: FanimeCon, Animazement, SakuraCon, Anime Central, Project A-Kon .... 44 SUBSCRIPTION The Modern Japanese Music Database (Part 6) ...................................................................... 50 One year (6 issues): $30 US/Can (in Canada: add GST), or $45 US overseas. Send check/money-order to: Protoculture, ANIME STORIES P.O. Box 1433, Station B, Montreal, Qc., Canada, H3B 3L2. THE BIG O ........................................................................................................................... 58 GENERATOR GAWL .............................................................................................................. 59 KACHO OJI (BLACK HEAVEN) ............................................................................................... 60 DISTRIBUTORS KUROGANE COMMUNICATION .............................................................................................. 61 In Canada: Anime Universe ((905) 212-9719), Snap! ((416) 588-4006). In U.S.A.: Anime Nation ((727) 796-7561), Berkley Dist. (North: (510) 845-9851 or South: (310) 632- LETTERS ................................................................................................................................... 62 8448), Complete Strategist ((212) 685-3880), Diamond ((410) 560-7100), FM International ((608) 271-7922), HKT PROTOCULTURE ADDICTS #62. August / September 2000. The Anime & Manga magazine. Published bimonthly ((914) 296-1236), Kinokuniya (NY: (212) 765-7766, SF: by PROTOCULTURE Enr., P.O. Box 1433, Station B, Montreal, Quebec, Canada, H3B 3L2. FAX: (514) 527-0347. (415) 567-7625, Seattle: (206) E-mail: [email protected]. Web: http://www.protoculture.qc.ca/PA. 587-2477), Mangamania ((800) 626-4277), Nikaku PROTOCULTURE ADDICTS is ©2000 by Protoculture Enr. The copyrights and trademarks mentioned herein are the property of their respective owners. PROTOCULTURE ADDICTS acknowledges the creators and copyrights holders of the materials mentioned or Animart ((408) 971-2822), pictured herein, and does not seek to infringe on their rights. All rights to articles/artwork revert to their respective writers/artists upon Planet Anime ((713) 523- publication. Contributors are responsible for their views which are not necessarily those of PROTOCULTURE ADDICTS. No part of this 7122), RPV ((714) 671- magazine can be reproduced without permission from the publisher — except for review purposes. Spoiler Warning: This magazine 1270). In England: Esdevium contains important plot details about several Japanese animation. Reader discretion is advised. (011 44 125226116). Legal deposit at the National Library of Quebec & National Library of Canada Printed in Canada ISSN 0835-9563 4 PRESENTATION ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Turn A Gundam and Open & General Entertainment. This issue we’re introducing you to Turn A Gundam, which will probably surprise you a great deal! At first, for hardcore science fiction and Gundam fans, Turn A Gundam CREDITS Amazing Nurse Nanako © 1999 GENCO/ Pioneer, LDC. Battle An- seems so different compared to the previous Gundam series: it might confuse you a bit! I think director Yoshiyuki gel © 1993 Yukito Kishiro/ Business Jump/ Shueisha/ KSS, Inc./ MOVIC. DVD © 1999 A.D. Vision, Inc. English Version © 1999 Tomino wanted to go back to the basic essence of movie making — “Open & General Entertainment” — to A.D. Vision, Inc. Blade Of The Immortal © 1999 Hiroaki Samura. English Version © 1999 Dark Horse Comics, Inc. Blood: The Last appeal to almost everyone. He’s created a new genre of “literature anime with robots”. Even if the viewer isn’t a Vampire © Production I.G./ I.G. Plus/ SPE Visual Works/ SONY Computer Entertainment/ IPA. Blue Submarine #6 © 1998 Satoru science fiction fan, Turn A Gundam can be enjoyed with its literature like atmosphere (imagine a BBC-TV’s Ozawa/ Bandai Visual/ Toshiba EMI/ Gonzo. English Version © 2000 AnimeVillage.com. Bubblegum Crisis 2040 © JVC/ AIC. Masterpiece Theatre costume play where Queen Diana could be played by young Helena Bonham Carter or English Version © 1999 A.D. Vision, Inc. City Hunter TV© Tsukasa Hojo/ Nippon TV Station Network. English Version © 2000 A.D. someone like that). With a solid story of human relationships and a hero with a sunny disposition, Roland Seack, Vision, Inc. Cowboy Bebop © 1998 Sunrise. English Version © 1999 AnimeVillage.com. Detective Conan © 1996 Gosho Aoyama/ Turn A should appeal to just about everyone! Even without knowledge of past Gundam series, a total newcomer Shogakukan/ Yomiuri TV/ TMS. Detective Conan manga (in French) © 1997 Dargaud. Eagle: The Making Of An Asian-Ameri- anime fan can enjoy this show which is almost like a soap opera (all the main female characters love Roland, etc.) can President © 2000 Kaiji Kawaguchi/ Shogakukan, Inc. English Version © Viz Communications, Inc. Fushigi Yügi © 1995 Yu with early 20th century costumes. Watase / Shogakukan • TV Tokyo • Studio Pierrot. All Rights Re- served. Licensed by Fuji Creative Corporation. English Version In an interview with Newtype Magazine, director Tomino says, “Films like Luc Besson’s Fifth Element are not packaging © Pioneer Entertainment (USA) L.P. Generator Gawl © Tatsunoko Production/ Nippon Victor. Gunsmith Cats manga easily understood by the general public because the film makers crossed the border of basic entertainment. It’s © 1999 Kenichi Sonoda. English Version © Dark Horse Comics, Inc. Irresponsible Captain Tylor TV © 1998 Hitoshi Yoshiyoka/ a bit selfish to ignore the general public’s need for basics”. So, what is the basic? To have fun, right? Viewing has Kadokawa Shoten. English Version © The Right Stuf International, Inc. Kacho Oji © AIC/ Pioneer/ LDC. Key: The Metal Idol © 1994 to be FUN! If viewers can’t say, “oh, it was good and lots of fun”, what is the point of entertainment?!? When Hiroaki Sato/ Pony Canyon/
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  • 1 the Cool Japan Project and the Globalization of Anime

    1 the Cool Japan Project and the Globalization of Anime

    THE COOL JAPAN PROJECT AND THE GLOBALIZATION OF ANIME AND MANGA IN THE UNITED STATES by Joshua Michael Draper Honors Thesis Appalachian State University Submitted to the Department of Cultural, Gender, and Global Studies and The Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts May, 2015 Approved by: Wei Xie, Ph.D., Thesis Director Alexandra Sterling-Hellenbrand, Ph.D., Second Reader Jeanne Dubino, Ph.D., Department Honors Director Leslie Sargent Jones, Ph.D., Director, The Honors College 1 The Cool Japan Project and the Globalization of Anime and Manga in the United States Abstract: This research paper will primarily discuss the impact that Japanese animation and manga have had on American popular culture and the subsequent cult following they developed. It will discuss what distinguishes Japanese animation from Western animation, how Japanese animation initially gained popularity among American audiences, and how it has subsequently impacted American popular culture. This paper will also focus on the subculture of otaku, a group of people known for their devoted following to Japanese animation and comic books. The purpose of this paper is to discuss the relative popularity of Japanese animation and manga amongst American audiences as an example of globalization impacting the United States from another country. Keywords: anime, manga, soft power, Cool Japan, globalization 2 Introduction During the 1980s and 1990s, Japanese animation and comic books began coming overseas to the United States, where it soon gained popularity amongst a sizeable number of young Americans. Recognizing the economic potential of Japanese popular culture, in 2002, Douglas McGray, writing for Foreign Policy, wrote an article titled “Japan’s Gross National Cool”, highlighting Japan’s potential to be a global “soft power”, or a country that promotes itself through its cultural influence rather than by economic and military force.