Ceremony Pays Tribute to Veterans
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Sunday Morning Grid 11/11/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/11/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Arizona Cardinals at Kansas City Chiefs. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Figure Skating NASCAR NASCAR NASCAR Racing 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News Eyewitness News 10:00AM (N) Dr. Scott Dr. Scott 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 1 1 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Planet Weird DIY Sci They Fight (2018) (Premiere) 1 3 MyNet Paid Program Fred Jordan Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Cook Mexican Martha Belton Baking How To 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Forever Painless With Rick Steves’ Europe: Great German Cities (TVG) 3 0 ION Jeremiah Youseff In Touch Ankerberg NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva 4 0 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It is Written Jeffress K. -
Dvds - Now on DVD, Glenda Farrell As Torchy Blane - Nytimes.Com 5/10/10 3:08 PM
DVDs - Now on DVD, Glenda Farrell as Torchy Blane - NYTimes.com 5/10/10 3:08 PM Welcome to TimesPeople TimesPeople recommended: Sex & Drugs & the Spill 3:08Recommend PM Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Get Home Delivery Log In Register Now Search All NYTimes.com DVD WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies, People and Showtimes by ZIP Code More in Movies » In Theaters The Critics' On DVD Tickets & Trailers Carpetbagger Picks Showtimes DVDS B-Movie Newshound: Hello, Big Boy, Get Me Rewrite! Warner Home Video Glenda Farrell with Tom Kennedy, left, and Barton MacLane in “Torchy Blane in Chinatown” (1939). By DAVE KEHR Published: May 7, 2010 SIGN IN TO RECOMMEND The Torchy Blane Collection TWITTER Enlarge This Image “B movie” is now SIGN IN TO E- a term routinely MAIL applied to PRINT essentially any SHARE low-budget, vaguely disreputable genre film. But it used to mean something quite specific. During the Great Depression MOST POPULAR exhibitors began offering double E-MAILED BLOGGED SEARCHED VIEWED MOVIES features in the hope of luring back their diminished audience. The 1. 10 Days in a Carry-On program would consist of an A picture, 2. Tell-All Generation Learns to Keep Things Offline with stars, conspicuous production 3. The Moral Life of Babies Shout! Factory and New Horizons Pictures 4. Paul Krugman: Sex & Drugs & the Spill Youth in revolt: P. J. Soles, center, values and a running time of 80 5. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Bamcinématek Announces Special Events, Shorts, and Full Schedule for Fifth Annual Bamcinemafest, Jun 19—28
BAMcinématek announces special events, shorts, and full schedule for fifth annual BAMcinemaFest, Jun 19—28 New York premiere of Peaches Does Herself, a documentary about the cult synth-punk performer presented on the Steinberg Screen at the BAM Harvey Theater, followed by a live performance by the artist at BAMcafé New York premiere of Ben Nabors’ SXSW Documentary Grand Jury Prize winner William and the Windmill added to BAMcinemaFest main slate Live performance by acclaimed country-soul artist Kim Taylor following the screening of Matthew Porterfield’s I Used to be Darker The Wall Street Journal is the title sponsor of BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 24, 2013—BAMcinématek announces the full schedule for the fifth annual BAMcinemaFest (Jun 19—28) including special events, an added film to the main slate, guests, and shorts programs. On Tuesday, June 25, BAMcinemaFest presents the New York premiere of Peaches Does Herself, starring the cult synth-punk musician and performance artist, on the Steinberg Screen at the BAM Harvey Theater. Known for her audaciously foul-mouthed lyrics and gender-bending persona (as well as high-profile collaborations with everyone from Iggy Pop to Christina Aguilera), the Canadian electroclash star directs herself in this no-holds-barred rock opera, which tells the loosely autobiographical tale of her rise to stardom and romance that ends in heartbreak. This filmed version of her epic stage performance in Berlin bursts with nudity, pink underwear, and shocking cameos by stripper Sandy Kane and transsexual porn star Dannii Daniels, bringing Peaches’ unique brand of post-feminist, shock-rock cabaret to shameless cinematic life. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
National Box Office Digest Annual (1940)
Ho# Ujjfice JbiaeAt Haui: «m JL HE MOST IMPORTANT NEWS of many moons to this industry is the matter-of-fact announcement by Technicolor that it will put into effect a flat reduction of one cent a foot on release prints processed after August 1st. "There is a great industrial story of days and nights and months and years behind the manner in which Dr. Kalmus and his associates have boosted the quality and service of color to the industry, beaten down the price step by step, and maintained a great spirit of cooperation with production and exhibition. TECHNICOLOR MOTION PICTURE CORPORATION HERBERT T. KALMUS, President , 617 North La Brea Avenue, Los Angeles, Subscription Rate, $10.00 Per ■Ml ^Ite. DIGEST ANNUAL *7lie. 1/ea>i WcM. D OMESTIC box office standings take on values in this year of vanished foreign markets that are tremendous in importance. They are the only ratings that mean anything to the producer, director, player, and exhibitor. Gone—at least for years to come—are the days when known box office failures in the American market could be pushed to fabulous income heights and foisted on the suffering American exhibitor because of a shadowy "for¬ eign value.” Gone are the days—and we hope forever—when producers could know¬ ingly, and with "malice aforethought,” set out on the production of top budgetted pictures that would admittedly have no appeal to American mass audiences, earn no dimes for American exhibitors. All because of that same shadowy foreign market. ^ ^ So THE DIGEST ANNUAL comes to you at an opportune time. -
Local Boy Makes Good
TUESDAY, JANUARY 8, 2019 Union contracts may gure in closing budget gap By Gayla Cawley everyone because we can’t put The city has approximately before the city’s budget can be million loan given through state ITEM STAFF a budget down until we know a dozen contracts to negotiate, approved — the scal year ends legislation last year to balance what the contracts are going to including those with teachers, on June 30. its scal year 2018 and FY19 LYNN — All of the city’s union be,” said City Council President police, re, library, and City Hall McGee told The Item last week budgets. Even with borrowing contracts are expired and city of cials think negotiations will Darren Cyr. groups, such as the Department that while it wasn’t appropriate $9.5 million to balance the FY18 have a major impact on efforts Collective bargaining is be- of Public Works and the Inspec- to get into speci cs in terms of budget and $4.5 million for to close Lynn’s projected $5 mil- tween Mayor Thomas M. Mc- tional Services Department. union contract negotiations, it FY19, the city is still projected lion budget gap. Gee, the city’s law department Collective bargaining agree- was important to come to a deal to have a $5 million budget gap “As a citizen and councilor, my and the unions, except for teach- ments could account for a major that was fair for both sides, as for FY20. opinion is that I believe both ers’ contract negotiations, which increase in expenses this year, far as keeping the city’s nan- The largest union in the city is sides have to sit in a room and also involve the school depart- according to city of cials. -
LOTTERY NUMBERS Meet Those Schools’ Math, Read- Ing Or Writing Criteria in 2014
T H U R S D A Y 161st YEAR • NO. 233 JANUARY 28, 2016 CLEVELAND, TN 26 PAGES • 50¢ Council wants update on future of Whirlpool site By JOYANNA LOVE growth discussions, as the boundaries of Banks said it would be nice if plan for this area,” Casteel said. Community Center would be good for the Banner Senior Staff Writer the city will not be expanding as much Whirlpool would give the city the main She said the company had been in dis- city to acquire. as before the state law changed to elimi- building to be used as a convention cen- cussion with Doug Berry, vice president Councilman Bill Estes was in favor of The redevelopment of the former nate annexation by ordinance. ter for MainStreet Cleveland to hold large for Economic Development at the letting Whirlpool complete its plan with- Whirlpool plant near downtown is a focal Councilman Richard Banks said eco- events. Cleveland/Bradley Chamber of out interference. point for the Cleveland City Council as it nomic development efforts need to “It would be nice if we could meet Commerce. “I have been able to see what looks to future development. include the southern portion of the city downtown, rather than going out on “He might be able to give us an update Whirlpool did in Michigan … if we could During a recent meeting, councilmen redevelopment, particularly at the for- Urbane Road,” said City Manager Janice as to what facilities they might make have even half of what they had, I think stated they wanted a plan to move for- mer Whirlpool site. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
I Am a Fugitive from a Chain Gang
SEPTEMBER 13, 2005:XI.3 MERVYN LE ROY (15 October 1900, San Francisco—13 September 1987, Beverly Hills, Alzheimer's disease) quit school at 13 to become a newsboy. “I saw life in the raw on the streets of San Francisco,” he said. “I met the cops and the whores and the reporters and the bartenders and the Chinese and the fishermen and the shopkeepers. When it came time for me to make motion pictures, I made movies that were real, because I knew first hand how real people behaved.” I Am a Fugitive from a Chain Gang (1932) 93 minutes What does that imply about his opinion of the other filmmakers he knew? His first film was No Place to Paul Muni...James Allen/Allen James Go in 1927; his last was as uncredited director of Glenda Farrell...Marie Woods John Wayne’s hyperbolic The Green Berets 1968. Le Helen Vinson...Helen Roy’s career in show business began in vaudeville, Noel Francis...Linda then his movie-mogul cousin Jesse Lasky hired him Preston Foster...Pete at Famous Player-Lasky, where he worked in Allen Jenkins...Barney Sykes wardrobe, then as a film tinter, and then as an actor Berton Churchill...Judge in minor roles. He wrangled a directing job at Edward Ellis...Bomber Wells another studio and made profitable simple David Landau...Warden Hale Hamilton...Rev. Robert Clinton Allen entertainments until Little Caesar 1930, which Sally Blane...Alice invented the ’30s gangster genre and made him a Louise Carter...Mother major director . His Gold Diggers of 1933 is generally regarded as one of the Willard Robertson...Prison Commisioner classic film musicals of the 30's. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.