The Displaced Person" Katy L
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Flannery O'connor
ANALYSIS “The Artificial Nigger” (1955) Flannery O’Connor (1925-1964) “I suppose ‘The Artificial Nigger’ is my favorite…. And there is nothing that screams out the tragedy of the South like what my uncle calls ‘nigger statuary.’ And then there’s Peter’s denial. They all got together in that one. You are right about this negativity being in large degree personal. My disposition is a combination of Nelson’s and Hulga’s. Or perhaps I only flatter myself.” O’Connor, Letter (6 September 1955) “Well, I never had heard the phrase before, but my mother was out trying to buy a cow, and she rode up the country a-piece. She had the address of a man who was supposed to have a cow for sale, but she couldn’t find it, so she stopped in a small town and asked the countryman on the side of the road where the house was, and he said, ‘Well, you go into this town and you can’t miss it ‘cause it’s the only house in town with a artificial nigger in front of it.’ So I decided I would have to find a story to fit that.” O’Connor, Symposium, Vanderbilt U (1957) “’The Artificial Nigger’ is my favorite and probably the best thing I’ll ever write.” O’Connor, Letter (10 March 1957) “We begin here with nothing more uncommon than a rustic old man taking his rustic grandson for his first trip to the city. While their backwoodness is a bit grotesque and the old man’s vanity provides touching humor, metaphysical drama doesn’t overturn secular seeming until the man publicly denies his relationship to the boy to escape retribution and to give the humor a new dimension. -
The Displaced Person
BOOKS BY Flannery O'Connor Flannery O'Connor THE NOV E L S Wise Blood COMPLETE The Violent Bear It Away STORIES STORIES A Good Man Is Hard to Find Everything That Rises Must Converge with an introduction by Robert Fitzgerald NON-FICTION Mystery and Manners edited and with an introduction by Robert and SaUy Fitzgerald The Habit of Being edited and with an introduction by Sally Fitzgerald Straus and Giroux New York ~ I Farrar, Straus and Giroux 19 Union Square West, New York 10003 Copyright © 1946, 194il, 195(l, 1957, 1958, 1960, [()61, Hi)2, 1963, 1964,l()65, 1970, 1971 by [he Estate of Mary Flannery O'Connor. © 1949, 1952, [955,1960,1\162 by Contents O'Connor. Introduction copyright © 1971 by Robert Giroux All rights reserved Distributed in Canada by Douglas & McImyre Ltd. Printed in the United States of America First published in J(171 by Farrar, Straus and (;iroux INTRODUCTION by Robert Giroux Vll Quotations from Inters are used by permission of Robert Fitzgerald and of the Estate and are copyright © 197 r by the Estate of Mary Flannery O'Connor. The ten stories The Geranium 3 from A Good ManIs Hard to Find, copyright © [953,1954,1955 by Flannery O'Connor, The Barber 15 arc used by special arrangement with Harcourt Hrace Jovanovich, Inc Wildcat 20 The Crop 33 of Congress catalog card number; 72'171492 The Turkey 42 Paperback ISBN: 0-374-51536-0 The Train 54 The Peeler 63 Designed by Herb Johnson The Heart of the Park ~h A Stroke of Good Fortune 95 Enoch and the Gorilla lOS A Good Man Is Hard to Find II7 55 57 59 61 62 60 58 56 A Late Encounter with the Enemy 134 The Life You Save May Be Your Own 14'5 The River 157 A Circle in the Fire 175 The Displaced Person 194 A Temple of the Holy Ghost The Artificial Nigger 249 Good Country People 27 1 You Can't Be Any Poorer Than Dead 292 Greenleaf 311 A View of the Woods 335 v The Displaced Person / I95 them. -
The Displaced Person” (1955)
ANALYSIS “The Displaced Person” (1955) Flannery O’Connor (1925-1964) “The peacock, which is indisputably the most sumptuous of the domestic birds in our clime, offered a ‘ready-made’ symbol. Its incorruptible flesh, its plumage reappearing in the spring, permitted making it an image of the Savior, who had escaped the corruption of the tomb and who was reborn each year in the spring in a dazzling burst of splendor.” Henry LeClerq “Peacock” Dictionnaire D’Archeologie Chretienne et de Liturgie (1937) “’The displaced person did accomplish a kind of redemption in that he destroyed the place, which was evil, and set Mrs. McIntyre on the road to a new kind of suffering, not Purgatory as St. Catherine would conceive it (realization) but Purgatory at least as a beginning of suffering. None of this was adequately shown and to make the story complete it would have had to be—so I did fail myself. Understatement was not enough. However, there is certainly no reason why the effects of redemption must be plain to us and I think they usually are not. This is where we share Christ’s agony when he was about to die and cried out, ‘My God, why have You forsaken Me?’ I needed some instrument to get this across that I didn’t have. As to the peacock, he was there because peacocks might be found properly on such a place but you can’t have a peacock anywhere without having a map of the universe. The priest sees the peacock as standing for the Transfiguration, for which it is certainly a most beautiful symbol. -
The Thin Blue Line of Theodicy: Flannery O'connor, Teilhard De
Stephen F. Austin State University SFA ScholarWorks Faculty Publications English 2018 The Thin Blue Line of Theodicy: Flannery O’Connor, Teilhard de Chardin, and Competitions between Good/Good and Evil/Evil Sue Whatley Stephen F Austin State University, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/english_facultypubs Part of the Christianity Commons, English Language and Literature Commons, and the Fiction Commons Tell us how this article helped you. Repository Citation Whatley, Sue, "The Thin Blue Line of Theodicy: Flannery O’Connor, Teilhard de Chardin, and Competitions between Good/Good and Evil/Evil" (2018). Faculty Publications. 2. https://scholarworks.sfasu.edu/english_facultypubs/2 This Professional Document is brought to you for free and open access by the English at SFA ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. religions Essay The Thin Blue Line of Theodicy: Flannery O’Connor, Teilhard de Chardin, and Competitions between Good/Good and Evil/Evil Sue Whatley English, Stephen F. Austin University, Nacogdoches, TX 75962-3007, USA; [email protected]; Tel.: +1-936-468-2031 Received: 17 January 2018; Accepted: 23 March 2018; Published: 24 April 2018 Abstract: This essay explores the concept of theodicy in Flannery O’Connor’s works of fiction. O’Connor’s fiction complicates the subjects of good and evil, moving the reader through what seem to be competitions not only between good and evil, but also between actions of good and actions of evil. Characters align themselves with one force, then another, in a constantly fluctuating system, and there is no traditional pattern of Christian warfare that we would expect orthodox Catholic writing to produce. -
HON 3010.002 Revelations of Grace: the Fiction of Flannery O'connor
HON 3010.002 Revelations of Grace: The Fiction of Flannery O’Connor Spring 2015, Wednesday 2:00-4:40, Honors C309 – (C-L in EN and GS) I. Course Description This is a single author course on the fiction of Mary Flannery O’Connor (1925-64). We will examine over half of O’Connor’s short stories (about two per week) and her two novellas, Wise Blood and The Violent Bear it Away. Class discussions will involve, at least, O’Connor’s treatment of such topics as private divine revelations of God’s grace, the problem of faith, the social structures of the mid-twentieth century rural American South, Catholicism in the American South, and the effective use of southern dialect in her fiction. I am particularly interested in how O’Connor uses animated nature as a possible vehicle for delivery of grace in stories such as The River, A View of the Woods, Greenleaf, and Revelation. Students’ interests may guide class discussion as the course develops. IIa. Required Texts O’Connor, Mary Flannery. The Complete Stories. 1971. New York: Noonday Press. ISBN 0374515360 ---. Wise Blood. 1949. (1990). New York: Noonday Press. ISBN 0374505845 ---. The Violent Bear It Away. 1955. (1988). New York: Noonday Press. ISBN 0374505241 ---. The Habit of Being. 1988. New York: Farrar, Strauss and Giroux. ISBN 0374521042 ---. A Prayer Journal. 2013. New York: Farrar, Strauss and Giroux. ISBN 0374236917 Kimmel, Haven. 2002. The Solace of Leaving Early. Various publishers. ISBN 1400033349 IIb. Optional Texts O’Connor, Flannery. Mystery and Manners. 1969. New York: Farrar, Strauss and Giroux. -
Flannery O' Connors's Demonds. Intentionality and Literary Meaning
FLANNERY O'CONNOR'S "DEMONS": INTENTIONALITY AND LITERARY MEANING IN THE ARTICIAL NIGGER" JOSÉ LISTE NOYA Departamento de Filoloxía Inglesa Universidade de Santiago de Compostela (Resumen) El presente trabajo busca demostrar cómo la presencia de tres "demonios" a los que se enfrenta la autora funcionan para ampliar la significación literaria en el cuento "The Artificial Nigger" de Flannery O'Connor. El primer "demonio" que se comenta es el de su público literario, los intelectuales liberales del norte de los Estados Unidos. El público se convierte en "demonio" literario por su incomprensión y/o hostilidad hacia la visión teológica autora. El segundo "demonio" se puede ver en el lado demoníaco de la naturaleza humana, en el cual se percibe la presencia de Satanás. El tercer "demonio" al cual se enfrenta la autora es el del significado literario per se. La ficción utiliza para la representación convenciones discursivas, convenciones que, oblicuamente, comentan la naturaleza de la propia representación. O'Connor, consciente de la compleja relación entre lector, autor y narrador, se da cuenta que no es práctico ni deseable quitarle la ambigüedad al discurso, con el resultado que este último "demonio" se quedara libre en 'The Artifical Nigger." Flannery O'Connor has by now been critically acclaimed as one of the foremost American short story writers of this century. Such acclaim may appear surprising given that early responses to her work were marked by perplexity, incomprehension and even distaste as the unsuspecting reader came up against the disturbing repercussions of her tense fictional constructs. Then again, perhaps an initial void of incomprehension is a sure sign of later critical appreciation. -
Truncated Families, Dysfunctional Relationships, Defective Communication an Intersubjective Approach to Flannery O’Connor’S Fiction
Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar Doktori Disszertáció Tézisek Szokonya István Péter Truncated Families, Dysfunctional Relationships, Defective Communication An Intersubjective Approach to Flannery O’Connor’s Fiction Irodalomtudományi Doktori Iskola Dr. Lukács István DSc, egyetemi tanár Amerikanisztika Doktori Program Dr. Frank Tibor CMHAS, egyetemi tanár A bizottság elnöke: Dr. Frank Tibor CMHAS, egyetemi tanár Opponensek: Dr. Hegyi Pál PhD, egyetemi adjunktus Dr. Kállay G. Katalin PhD, egyetemi docens A bizottság titkára: Dr. Szabó Éva Eszter PhD, egyetemi adjunktus A bizottság tagjai: Dr. Vöő Gabriella PhD, habilitált egyetemi docens Dr. Benczik Vera PhD, egyetemi adjunktus Dr. Dragon Zoltán PhD, egyetemi adjunktus Témavezető: Dr. Bollobás Enikő DSc, egyetemi tanár, az MTA tagja Budapest, 2017 Szokonya 2 1. Research Goals Flannery O’Connor’s fiction features abundant depiction of complex family relationships, unresolved family conflicts, and personal life crises. Truncated families and their ineffective functioning often bring about important turns in the plots, and in many cases the dysfunctionalities are related to defective communication between the family members. This dissertation focuses on how unsuccessful communication and conflict resolution affects family relationships in O’Connor’s short stories. In the research I investigate whether the conflicts are caused entirely by the lack of effective communication or whether there are other interpersonal issues that need to be taken into account in analyzing the role of communication in O’Connor’s representations of family dynamics. In the research I focus on three different types of family relationships: mother and daughter, mother and son, male parental figure and child or grandchild. In the dissertation I analyze short stories that are widely presented in the American literary canon and I also work on pieces of writing that are not very well-known even in academic circles. -
Publication Article
PREJUDICE, RACISM, AND VIOLENCE REFLECTED IN MARY FLANNERY O’CONNOR’S SHORT STORIES COLLECTIONS PUBLICATION ARTICLE WRITTEN BY: NAME : SRI NURHASANTI NIM : S 200 110 060 MAGISTER OF ENGLISH TEACHING POST GRADUATE PROGRAM MUHAMMADIYAH UNIVERSITY OF SURAKARTA SURAKARTA 2013 1 APPROVAL PREJUDICE, RACISM, AND VIOLENCE REFLECTED IN MARY FLANNERY O’CONNOR’S SHORT STORIES COLLECTIONS By: SRI NURHASANTI S 200 110 060 This article has been approved by the advisors in the 5th of February 2014 Surakarta, March 15 th , 2014 The First advisor, The Second Advisor Prof. Bakdi Sumanto Dr.Phil. Dewi Candraningrum, M.Ed GRADUATE PROGRAM MAGISTER OF LANGUAGE STUDY MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2 PREJUDICE, RACISM, AND VIOLENCE REFLECTED IN MARY FLANNERY O’CONNOR’S SHORT STORIES COLLECTIONS Sri Nurhasanti Surakarta. Magister of English Teaching Post Graduate Program. Muhammadiyah University Of Surakarta. Abstract This study investigates how Prejudice, Racism and Violence Reflected in Mary O’Connor’s Short Story collections. This study also unveils the human right abuse happened within the stories. The data the writer got were from the short stories themselves and from other resources on O’Connor’s short stories analysis. Besides that, the researcher also used several theories on Prejudice, Racism and Violence as the major themes to be analyzed. The result showed that from the eighteen short stories of O’Connor, mostly illustrated racism as the effect of prejudice feeling toward others, especially the black people. She also portrayed violence toward other characters, especially those who were disabled as the result of disrespect or under estimation feeling. Violence here acted as the development of prejudice and Racism within the characters behaviors. -
SHORT FICTION FLANNERY O'connor Richard John Charnigo Green August 1975
A STRUCTURAL ANALYSIS OF THE SHORT FICTION OF FLANNERY O'CONNOR Richard John Charnigo A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1975 610275 WW 1a. xvo.lM ABSTRACT O’Connor’s best stories ("Parker’s Back” and "The Arti ficial Nigger" can be used as touchstones to judge the others) are highly wrought artifacts consciously produced to achieve a single effect; and that single effect is her con cern with man and his quest to understand, often fitfully, the mystery of his purpose in life and his frequent inabil ity to cope with the revelation of failure that accompanies this search. If one analyzes the architectonics of her stories, one is able to see that O'Connor uses the components of struc ture to aid her in the production of this effect. The expositions, compact but informative, introduce the haunted characters, each flawed in some way, who will seek their fortunes in an equally flawed world. That world is almost always the South--its "isolated rural areas and its people as yet uncaught in the maelstrom of conformity. Their single-minded rusticity enables O’Connor to view life in its elemental, unsophisticated form: from Mrs. Pritch ard's four abscessed teeth to Parker's back, O'Connor is able to portray life stripped of its cosmetic varnish. The complication of an O'Connor story serves to disturb the calm, and with it the complacency, of the character's world, which has hitherto been in an unstable equilibrium. -
Cosmic Convergence in Everything That Rises Must Converge: Pierre Teilhard De Chardin As Theological Muse
Cosmic Convergence in Everything that Rises Must Converge: Pierre Teilhard de Chardin as Theological Muse Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2008 By Carly Crawford Thesis Director Deborah James Thesis Advisor Blake Hobby Crawford i "I'm no theologian, but all this is vital to me, and I feel it's vital to you." —Flannery O'Connor, The Habit of Being Cosmic Convergence in Flannery O'Connor's Everything that Rises Must Converge: Pierre Teilhard de Chardin as Theological Muse Flannery O'Connor's short stories are notoriously riddled with religious subtexts and symbolism. Her final collection of stories, published posthumously, Everything That Rises Must Converge, is no different. In fact, Everything That Rises Must Converge can be seen as her most religious work. In "The Lame Shall Enter First" and "Parker's Back," O'Connor uses religious names, creates self-righteous characters such as Ruby Turpin, Sheppard, Julian and his mother, crafts allusive language, hints at the stories' religious subtext in clever titles, and arranges the stories with religious aims in mind. To explore this late O'Connor work from a religious perspective means to discover a fully formed theology, one influenced by paleontologist and theologian Pierre Teilhard de Chardin. Flannery O'Connor's letters and book reviews reveal O'Connor's obsession with Pierre Teilhard de Chardin, especially his description of the "Omega point," which figures prominently into the strange epiphanies we encounter in O'Connor's stories. -
Flannery O'connor and the Peacock
Flannery O’Connor and The Peacock By D a v id R . M a y e r Nanzan University, Nagoya Among the many fascinating tales and lore of the peacock which P. Thankappan Nair includes in his article “The Peacock Cult in Asia” is the following quotation: It is an unfortunate tendency of the English mind to seize what seems to it grotesque or ungainly in an unfamiliar object; thus the elephant and the peacock have become almost impossible in English poetry because the one is associated with lumbering heaviness and the other with absurd strutting. The tendency of the Hindu mind on the other hand is to seize on what is pleasing and beautiful in all things and turn to see charm where the English mind sees a deformity and to extract poetry and grace from the ugly.1 Such a decisive description of two ways of looking at things, of the com bination of grotesqueness and humor, of the potentiality of beauty in ugliness, aptly applies to the subject matter and the technique of Flannery O ’Connor’s fiction. Through her assortment of unpalatable characters and violent ac tions, O ’Connor tries to show grace at work in the world. According to her beliefs Christ, the Incarnate Son of God, has shown that God so loved the world that He became man Himself. Yet this God is not ac cepted by men,so they have to be shocked into a recognition of their need for Him and the salvation He offers. Though these themes run throughout her essays and stories,in “The Displaced Person” she beauti 1 . -
The Matriarchal Society in Flannery O'connor's Fiction: Its Characteristics, Treatment, and Purpose
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1981 The matriarchal society in Flannery O'Connor's fiction: its characteristics, treatment, and purpose Ann L. Barfield College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Barfield, Ann L., "The matriarchal society in Flannery O'Connor's fiction: its characteristics, treatment, and purpose" (1981). Dissertations, Theses, and Masters Projects. Paper 1539625131. https://dx.doi.org/doi:10.21220/s2-ekev-9k54 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE MATRIARCHAL SOCIETY IN FLANNERY O'CONNOR'S FICTION ITS CHARACTERISTICS, TREATMENT, AND PURPOSE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Ann L. Barfield APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, April 1981 Lynn Z. Bloom V .vid H. Porush 1A- Q O Q c u H e r H. Cam Walker TABLE OF CONTENTS Page ACKNOWLEDGMENTS............... iv ABSTRACT ................................................... v INTRODUCTION . ............ ........................ 2 CHAPTER I. THE CHARACTERISTICS OF FLANNERY O'CONNOR'S MATRIARCHAL SOCIETY .................................. 7 CHAPTER II. FLANNERY O'CONNOR'S TREATMENT OF THE MATRIARCHAL SOCIETY ...............................................