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December 5, 2012 Via Electronic Submission Maria Pallante Register of Copyrights United States Copyright Office Library of Cong
December 5, 2012 Via Electronic Submission Maria Pallante Register of Copyrights United States Copyright Office Library of Congress 101 Independence Avenue, S.E. Washington, D.C. 20559-6003 Re: Comments of Sotheby’s, Inc. and Christie’s Inc. in Response to Copyright Office’s Notice of Inquiry re Resale Royalty Right, Docket No. 2012-10, 77 Fed. Reg. 58175 (Sept. 19, 2012) Dear Ms. Pallante: I am writing on behalf of Sotheby’s, Inc. and Christie’s Inc. (together, the “Auction Houses”) in response to the Copyright Office’s Notice of Inquiry dated September 13, 2012, published in the Federal Register on September 19, 2012, 77 Fed. Reg. 58175 (“Notice of Inquiry”). The Notice of Inquiry sought comment on “the means by which visual artists exploit their works under existing law as well as the issues and obstacles that may be encountered when considering a federal resale royalty right in the United States.” Id. at 58175. The Auction Houses welcome the opportunity to respond to the questions raised in the Notice of Inquiry. I. Introduction and Summary Sotheby’s, headquartered in New York, and Christie’s, headquartered in London, are the world’s two largest auction houses. Together, the Auction Houses employ more than 1,300 people in the United States and account for nearly $4 billion in sales in this country. In keeping with the international nature of the art market, the businesses of the Auction Houses are highly globalized, with a large percentage of transactions involving sellers and buyers from around the world, and each of the Auction Houses conducts auctions in many locations outside of the U.S., including Europe, China, and the Middle East. -
Sanatçıların Sosyal Haklara Ulaşımındaki Güçlükler
Sanatçıların Sosyal Haklara Ulaşımındaki Güçlükler Sanatçıların Sosyal Haklara Ulaşımındaki Güçlükler Selcan PEKSAN* Fatma TOSUN** Özet: Bu çalışma, sanatçıların sosyo-ekonomik durumlarını, sosyal haklar açısından incelemeyi amaçlamaktadır. Sanatçıların çalışma hayatlarına ilişkin genel özellikler incelendiğinde, aralıklı ve düzensiz çalıştıkları ve bu sebeple ücretleri ile eserlerinin satışlarından veya telif haklarından elde ettikleri gelirlerinin genellikle yetersiz ve öngörülemez olduğu görülmektedir. Ayrıca sanatçılık uzun bir eğitim sürecini gerektirdiği gibi, kariyerlerinin gelişmesi de uzun yıllar içinde mümkün olur. Üstelik sanatçıların başarıları, toplum tarafından beğenilmelerine bağlıdır. Bu beğeninin sürekli yenilenmesi gerektiğinden sanatçıların kendilerini yenilemeleri gerekir. Buna karşın sanatsal faaliyetlerinin karşılığında yeterli gelir elde edemedikleri; çoğu sanatçının ikinci işte çalıştıkları bilinmektedir. Dahası, aynı düzeyde eğitim alan diğer mesleklere göre gelirlerinin daha düşük olduğu; sanatçıların kendileri arasındaki gelir eşitsizliğinin de diğer mesleklere oranla daha yüksek olduğu belirtilmektedir. Diğer taraftan, sanatçıların, işlerinin işçi tanımına uygun bir bağımlılık unsurunu taşımamakla birlikte, aslında birçok yönden menajerlere, yayımcılara, yapımcılara, galeri sahiplerine ve diğer aracılara bağlılıklarının olması; tanımsal farklılık sebebiyle yüksek oranda serbest meslek sahibi olarak çalışmaları ve dolayısıyla sosyal politikanın temel aracı olan iş hukuku korumasından faydalanamamaları; işçi -
Review of the EU Copyright Framework
Review of the EU copyright framework European Implementation Assessment Review of the EU copyright framework: The implementation, application and effects of the "InfoSoc" Directive (2001/29/EC) and of its related instruments European Implementation Assessment Study In October 2014, the Committee on Legal Affairs (JURI) requested from the European Parliament Research Service (EPRS) an Ex Post Impact Assessment on Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society (InfoSoc). This EPRS publication was originally commissioned in the context of JURI's own- initiative implementation report, which was adopted in Plenary in July 2015, Rapporteur Julia Reda MEP. However, it is also relevant to the work of JURI Committees' Working Group on Intellectual Property Rights and Copyright (CWG), chaired by Jean Marie Cavada MEP. Furthermore, this request was made in the wider context of the Commission's review of the EU legislative framework on copyright, and the ensuing legislative proposals, which have been a long time in the planning and which are now expected for the 4th quarter of 2015. The objective of these proposals is to modernise the EU copyright framework, and in particular the InfoSoc Directive, in light of the digital transformation. Accordingly, in response to the JURI request, the Ex-Post Impact Assessment Unit of the European Parliament Research Service decided to produce a "European Implementation Assessment on the review of the EU copyright framework". Implementation reports of EP committees are now routinely accompanied by European Implementation Assessments, drawn up by the Ex-Post Impact Assessment Unit of the Directorate for Impact Assessment and European Added Value, within the European Parliament's Directorate-General for Parliamentary Research Services. -
Economic Theory of Copyright Contracts
2010 (04) The Relationship Between Copyright and Contract Law Research commissioned by SABIP Providing Government with strategic, independent and evidence-based advice on intellectual property policy Research commissioned by the Strategic Advisory Board for Intellectual Property Policy, and carried out by Martin Kretschmer Professor of Information Jurisprudence, Director, Centre for Intellectual Property Policy & Management (www.cippm.org.uk), Bournemouth University, [email protected] Estelle Derclaye Associate Professor & Reader in Intellectual Property Law, School of Law, University of Nottingham, [email protected] Marcella Favale Postdoctoral researcher, University of Nottingham, [email protected] Richard Watt Associate Professor, Department of Economics, Canterbury University (NZ), [email protected] CONTENTS SUMMARY CHAPTER ............................................................................................................ 1-15 THE DIGITAL SHIFT ........................................................................................................................... 1 STRUCTURE AND METHODOLOGY OF THE REPORT .................................................................. 2 FINDINGS ............................................................................................................................................ 3 CREATOR CONTRACTS ............................................................................................................ 3 Creator contracts ....................................................................................................................... -
An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P
Kentucky Law Journal Volume 104 | Issue 1 Article 5 2016 An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P. Harris Temple University Beasley School of Law Follow this and additional works at: https://uknowledge.uky.edu/klj Part of the Constitutional Law Commons, and the Intellectual Property Law Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Harris, Donald P. (2016) "An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright," Kentucky Law Journal: Vol. 104 : Iss. 1 , Article 5. Available at: https://uknowledge.uky.edu/klj/vol104/iss1/5 This Article is brought to you for free and open access by the Law Journals at UKnowledge. It has been accepted for inclusion in Kentucky Law Journal by an authorized editor of UKnowledge. For more information, please contact [email protected]. An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P. Harris' "[B]y virtually ignoring the central purpose of the Copyright/Patent Clause ... the Court has quitclaimed to Congress its principal responsibility in this area of the law. Fairly read, the Court has stated that Congress' actions under the Copyright/Patent Clause are, for all intents and purposes, 2 judicially unreviewable." INTRODUCTION On July 15, 2014, the House Judiciary Committee, Subcommittee on Courts, Intellectual Property, and the Internet, held one of a number of hearings reviewing the Copyright Act.3 This particular hearing focused, among other things, on the copyright term (the length over which copyrights are protected).4 While it is not surprising that Congress is again considering the appropriate term for copyrights- Congress has reviewed and increased the copyright term many times since the first Copyright Act of 1791 5-it is troubling because Congress has unfettered discretion in doing so. -
Chloe Geller
Copyright and Related Rights: A Guide for Performance Librarians By: Chloe Geller © Chloe Geller, 2020 This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence (h ttps://creativecommons.org/licenses/by-nc-sa/4.0/) . For uses beyond the conditions of this licence, contact: [email protected] Cover art by GDJ on Pixabay: https://pixabay.com/vectors/head-music-silhouette-avatar-5405115/, under a Pixabay licence ( https://pixabay.com/service/license/) Disclaimer This handbook does not constitute legal advice. For legal advice, please consult a lawyer. Most of the information presented in this document is centred on Canadian law and does not apply to other countries. This work is a revised version of the final project submitted in MUS 4924 - Research Project I at the School of Music at the University of Ottawa, August 2020. The project was supervised by Mélanie Brunet, Ph.D., Copyright Services Librarian, University of Ottawa. 2 Table of Contents Introduction 4 A Brief History 5 The Canadian C opyright Act and International Agreements 7 Canadian Copyright Act 7 The Berne Convention 9 The Rome Convention 10 Moral Rights and ‘Derivative Works’ 11 Performance Rights in Canada 14 Other Considerations 16 Conclusion 17 Resources for Further Investigation 18 Bibliography 19 3 Copyright and Related Rights: A Guide for Performance Librarians In Canada, we are subject to the Canadian Copyright Act as well as several international agreements which protect both the economic and moral rights of composers, and therefore affect the performance of their works. These laws and agreements regulate the activities performance organisations every day, especially in the library. -
EU Harmonisation of the Copyright Originality Criterion (Pdf)
NEWS June 2012 EU harmonisation of the copyright originality criterion As a consequence of a number of copyright rulings from the CJEU, the Swedish threshold of originality requirement is being superseded by an EU originality criterion. In this article, Henrik Bengtsson, IP expert at Delphi in Stockholm, reports on the development and the possible impact on the harmonisation of Swedish copyright law. Less than two years ago, the Swedish Supreme Court rendered its judgment in the Mini Maglite case (NJA 2009 s 159) and ruled that the Mini Maglite flashlight was copyright protected. The Mini Maglite case concerned the pre-requisites under which a work of applied art meets the threshold of originality. The Supreme Court’s view on the threshold of originality concept vis-à-vis “the author’s own intellectual creation” One of the legal issues in the Mini Maglite case was whether the judgment should be based on a Swedish originality requirement or on the EU originality criterion enshrined in the EU copyright directives. The Supreme Court found that the EU harmonisation of copyright law was limited to computer programs, photography and database directives, and was not applicable to industrial designs; “Under two EC directives, computer programs and photographs could be covered by copyright protection, inter alia, on the condition that the work is original in the sense that it is the author’s own intellectual creation; it is added that no other tests shall be applied as regards the right to protection (Directive 91/250/EEC and Directive 93/98/ EEC). A directive regarding legal protection for databases has been drafted in a similar way in this respect (96/9/EC). -
In-Depth Analysis
TITLE V (INTELLECTUAL PROPERTY) OF THE TRADE AND COOPERATION AGREEMENT BETWEEN THE EUROPEAN UNION AND THE UNITED KINGDOM INTA BREXIT The INTA Brexit position is set out in the following: POSITION • INTA Brexit position paper • INTA letter on exhaustion of rights • INTA comments on international registration • INTA’s input to the UK public consultation on the new proposed UK GI Scheme • INTA paper on enforcement • INTA paper on .eu domain names • INTA’s position on the UK’s Draft Trademarks (Amendment etc.) (EU Exit) Regulation 2018 Article Provision Consistency with UK and EU legislation Consistency with INTA Brexit position Chapter 1: General provisions Article IP.1: The objectives of this Title are to: N/A N/A Objectives (a) facilitate the production, provision and commercialization of innovative and creative products and services between the Parties by reducing distortions and impediments to such trade, thereby contributing to a more sustainable and inclusive economy; and (b) ensure an adequate and effective level of protection and enforcement of intellectual property rights. Article IP.2: 1. This Title shall complement and further N/A N/A Scope specify the rights and obligations of each Party under the TRIPS Agreement and other international treaties in the field of intellectual property to which they are parties. 2. This Title does not preclude either Party from introducing more extensive protection and enforcement of intellectual property rights than required under this Title, provided that such protection and enforcement does not -
Book Review. European Copyright Law: a Commentary
Maurer School of Law: Indiana University Digital Repository @ Maurer Law Articles by Maurer Faculty Faculty Scholarship 2011 Book Review. European Copyright Law: A Commentary. Marshall A. Leaffer Indiana University Maurer School of Law, [email protected] Follow this and additional works at: https://www.repository.law.indiana.edu/facpub Part of the European Law Commons, and the Intellectual Property Law Commons Recommended Citation Leaffer, Marshall A., "Book Review. European Copyright Law: A Commentary." (2011). Articles by Maurer Faculty. 1305. https://www.repository.law.indiana.edu/facpub/1305 This Book Review is brought to you for free and open access by the Faculty Scholarship at Digital Repository @ Maurer Law. It has been accepted for inclusion in Articles by Maurer Faculty by an authorized administrator of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Book Review 737 BOOK REVIEW EUROPEAN COPYRIGHT LAw: A COMMENTARY. Michel M. Walter, Silke von Lewinski eds. Oxford: Oxford University Press, 2010. $580.50. Reviewed by MARSHALL LEAFFER* Ever since the passage of the Berne Convention of 1886, harmoniza- tion of copyright law has been a European dream. Until recently, how- ever, copyright law had varied significantly, particularly between civil law "author's rights" countries and the common law "copyright" world. This variance changed rapidly and comprehensively during the last twenty years in which copyright law in Europe has undergone realization of pan- European harmonization. Although the dream of a universal European copyright has yet to become a reality, no aspect of copyright has been left untouched by European law. In one decade, 1991-2001, the countries of Europe saw the inclusion of seven major copyright directives, covering fundamental issues such as computer programs, rental rights, satellite and cable communications, the copyright term, database rights, resale rights, and digital copyright (Information Society Directive). -
Silis Georgs.Pdf (524.9Kb)
Illegal Latvia. Methods of intellectual property right enforcement in times of peer-to-peer file sharing. BACHELOR THESIS Author: Georgs Sīlis LL.B. 2017/2018 Year student Supervisor: Ēriks K. Selga LL.M. DECLARATION OF HONOR: I declare that this thesis is my own work, and that all references to, or quotations from, the work of others are fully and correctly cited. RIGA (2018) Abstract This paper is intended to provide an analytical understanding as to why Latvia is the top country in the world for the percentage of the internet population that are considered pirates, i.e., internet users who acquire copyright protected works (music, audiovisual, and software) from unlawful sources, such as peer-to-peer (P2P) networks (torrents), streaming and direct downloads, and what in turn can be done to combat this in lieu of Court of Justice of the European Union of June 2017 judgment in Stichting Brein v Ziggo BV and XS4All Internet BV, which finally gave a European-Union-wide (EU) ruling on whether torrent websites violate copyright law in the sense of “communication to the public” - an exclusive right of copyright holders as defined by the Information Society Directive of 2001. The court ruled that torrent websites do indeed violate copyright law and as such an injunction against internet service providers (ISPs) is proportionate to the goals of high copyright protection goals that the EU set in the InfoSoc Directive. The work is divided into four parts: (1) copyright in the digital age and how torrents infringe copyright; (2) relevant laws governing copyright in the digital sphere; (3) resulting case law and further legislative attempts to combat illegal file sharing; (4) future of torrenting in Latvia and ways of circumventing any efforts to stem the torrent popularity. -
The Impact of German Copyright Law on Copyright Law in the Nordic Countries Yesterday, Today and Tomorrow
The impact of German copyright law on copyright law in the Nordic countries yesterday, today and tomorrow DR. (LL.D.) JOHAN AXHAMN, SENIOR LECTURER The impact of German copyright law on copyright law in the Nordic countries – yesterday, today and tomorrow • Historical and international context • Establishment and early development of copyright law in the Nordic countries: 1880 – 1950 • Era of close Nordic cooperation: 1960 – 1990 • Era of EU harmonisation: 1990 – present • The future? Historical and international context • No explicit recognition of “copyright” in Roman Law • Royal privileges developed in the 16th and 17th centuries • 18th century: Introduction of copyright law in Great Britain (1710) and later in France (1791) • 1837: Introduction of copyright law in Prussia • Major copyright systems: continental (droit d'auteur), anglo saxon ”copyright” Main differences between continental and anglo saxon traditions of copyright • Justification of copyright protection and the notion of the work: - The work is an expression of the spirt of the author - The protection of the work represents a protection for the labor (investment) underlying the creation of the work • Initial author/rightholder • Contractual relationship between author and producer (exploiter) • Scope and possibility to waive moral rights • Protection of neighbouring/related rights International Copyright Treaties • Berne Convention for the Protection of Literary and Artistic Works (1886) • (Universal Copyright Convention) (1952)) • Rome Convention for the Protection of -
BAAC Conference 2016, 2-11-2016 Vilnius
Copyright reform for Heritage: where are we now BAAC conference 2016, 2-11-2016 Vilnius LISETTE KALSHOVEN (@LNKalshoven / [email protected]) Why we need to talk about copyright • Through the rise of the digital information society copyright has come to plays a more central role in our societies • Copyright law has great influence on subjects like access to knowledge and culture, education, research and innovation • To function properly Copyright law needs to balance the interests of makers (exclusive rights) and the society at large (exceptions and limitations to exclusive rights). International Berne convention (1896) Rome convention (1961) TRIPS (1994) WIPO copyright treaty (1996) European Union Orphan works directive (2011) Copyright term directive (2006) Copyright/InfoSoc directive (2001) Database directive (1996) SatCab, Rental, Computer programs, etc… The Netherlands Auteurswet (1912) Wet Naburige rechten (1993) Databankenwet (1999) Wet auteurscontractenrecht (2015) Wet Toezicht collectief beheer (2013) Giving online access to heritage is hard (and this is ‘only’ about copyright) • CHI can’t always make digital copies of their collections for preservation • Even if they can digitise, they can only make available through dedicated terminals on the premises of the institution • Getting permission from rightsholders for online publication is time confusing and expensive: • Orphan Works are time consuming and expensive • No solution of out-of-commerce works • ECL does not work (well) cross border European Union Orphan works directive (2011) Copyright term directive (2006) Copyright/InfoSoc directive (2001) Database directive (1996) SatCab, Rental, Computer programs, etc… What the Commission proposes (broad strokes) • A mandatory preservation exception (to make internal copies). • An EU law that would require Member States to implement (extended) collective licensing mechanisms for the making available of Out Of Commerce works.