Notes

Red Herring Morris Version of July 22, 2006 Border

Mr. Dolly Tune: George Green’s College Hornpipe Dancers: 4 Sticks: long Stepping: skipping (single steps) Source: Andy Anderson Chorus: clash G–G–PPP [low], R–L–PPP [high], repeat Sequence: “Addams Family” intro, chorus, cross & , chorus, chorus, J-loops, chorus, mini-brook, chorus, dragon’s bane, chorus, rounds (with sounds) & off

Morning Glory Tune: Morning Glory by Andy Anderson Dancers: 4 or 6 Sticks: short Stepping: skipping (single steps) Source: Andy Anderson Chorus: ”four” (1–2–123 four times); ”1-move-2” (1–2–123, move, 1–2–123, 1–2–123) Sequence: once to yourself, “four”, hey, “1-move-2”, cross & swing, “1-move-2”, hey, “1-move-2”, j-loops, “1-move-2”, hey, “four” & out with a “Hoy!”

Over the Top Tune: Over the Top by Jeff Bigler Dancers: 4 Sticks: long Stepping: skipping (single steps) Source: Jeff Bigler Chorus: (1) high-low while (2) dib & toss; then clash while dancing through to corner’s space. Repeat with (2) high-low while (1) dib & toss. Sequence: dance on & rounds, chorus, staggered back-to-back, chorus, J-loops, chorus, out-to-the-left (“choo-choo”), chorus, bombast, final chorus (keep going after clash-through)

Woodhouse Bog Tune: The Keel Row Dancers: 8 Sticks: long Stepping: skipping (single steps) Source: Kearn Morris Chorus: H–L–H–L–H–L–FBF (all but last FBF while stepping) Sequence: once-to-yourself, chorus for 0–2, forearm swings, chorus for 2–4, star, chorus for 4–6, casting (mirror) hey, chorus for 6–8, motorcycle hey, chorus for 8–6, casting hey, chorus for 6–4, star, chorus for 4–2, forearm swings, chorus for 2–0, speeding up and ending with one dancer chasing the other off

Border Crossing Tune: I Fought the Law by Bobby Fuller Dancers: 5 Sticks: long Stepping: skipping (single steps) Source: Jeff Bigler, Rickland Powell & Jeff Keller Chorus: motorcycle hey for 5, then center clashes with #1, #2 (“I fought the law”), #1–4 clash with center (“and the law won”), center clashes with #3, #4 (“I fought the law”), #1–4 clash with center (“and the law won”) Sequence: chorus, rounds with “barricades”, chorus, “choo-choo”, chorus, mini-brook, chorus, star- burst, chorus, tosses Four Lane End Tune: Four Lane End by John Kirkpatrick (?) Dancers: 4 Sticks: long Stepping: bedlam (step-hop-step-hop run-run-run-hop) Source: via Debbie Lewis Chorus: sticking sequence by dancer #1, then #2, #3, #4: left-middle-right-middle-left-middle- right then forehand-back for next dancer to start sequence. End with repeated forehand-backhand, alternating between neighbor & partner. Sequence: dance on & rounds, chorus, high-low, chorus, multiples, chorus, turn & toss, chorus, tosses, final chorus (repeat next-to-last bar 3×, getting faster)

Weobley Hankie Tune: Flowers of Edinbugrh Dancers: 4 Hankies Stepping: skipping (single steps) Source: via Debbie Lewis Chorus: dancers #1–#4 each wave & bow, then “small rounds” Sequence: large rounds, chorus, star, chorus, crossover (“dog bones”), chorus, bombast, chorus, large rounds & out with a “Hoy!”

Circle Dance Tune: The Big Ship Dancers: 4 Sticks: short Stepping: skipping (single steps) Source: (Connecticut) Not For Joes Chorus: stick neighbor-partner-high/low, partner-neighbor low/high; repeat. Sequence: once-to-yourself, chorus, rounds, chorus, staggered back-to-back, chorus, hey, chorus, star- burst, chorus, bombast, chorus, rounds & off

The Drunken Idiot Tune: The Idiot, by Stan Rogers (John Barleycorn lyrics by Jon Berger) Dancers: 4 Sticks: short Stepping: skipping (single steps) Source: Karin Howe & Mike Miller (Bassett Street Hounds) Chorus: B(H)-F(L) in pairs, B(H), F(L) in square; 4x Sequence: once to yourself/rounds, chorus, linear hey/square hey, chorus, linear bombast/square bombast, chorus

Dawley Tune: Return from the Waterside by Andy Anderson Dancers: 8 Sticks: short Stepping: skipping (single steps) Source: Andy Anderson & John Kirkpatrick Chorus: clash with partner 1–2–123–, 1–2–123–, 123–123–, 1234567– while stepping in place Sequence: chorus, single hey, chorus, hey in pairs, chorus, circular hey, chorus, Lichfield hey, chorus & out with a “Hoy!”

Bromsboro Heath Tune: Bromsboro Heath Dancers: long line, in pairs Sticks: short Stepping: skipping (single steps) Source: Mystic Garland Chorus: stick F–B for 16 bars (32 beats) Sequence: hey for 8 bars (32 beats), chorus ; repeat getting gradually faster ad defessum. Duns Tew Dances

Seaside Shuffle Tune: Constant Billy Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: 4 sidesteps, distinctive figure cross & back to center, hockle back, FTJ. D.F. are: #1: 2 double steps; #2: 4 plain capers; #3: 4 double capers; #4: 2 upright capers (pass right shoulders on first; spin to face on second) Sequence: once to yourself, foot up, chorus/sidesteps, face-to-face, chorus/plain capers, top-to- bottom, chorus/double capers, bottom-to-top, chorus/uprights, rounds & all-in The Wheat Sheaf Tune: The Wheat Sheaf by Chris Ricciotti Type: corner/bagged hankies Dancers: 6 Stepping: Duns Tew stepping Source: Rob Berra Chorus: 4 sidesteps into center, around, and back out to new position. Repeat with 1st triangle, 2nd triangle, then everybody. At end of full chorus, dancers have traded places with their corners. Sequence: once to yourself, foot up, chorus, face-to-face, chorus, top-to-bottom, chorus, bottom-to- top, chorus, rounds & all-in The Ugly Duckling Tune: Lumps of Plum Pudding Type: set/bagged hankies Dancers: 6 Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: 4 sidesteps & half hey Sequence: once to yourself, foot up, chorus, face-to-face, chorus, top-to-bottom, chorus, bottom-to- top, chorus, rounds & all-in Old No. 5 Tune: The Rose Tree Type: set/handclapping (no hankies) Dancers: 6 Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: 2 sidesteps to face partner, clap self-self-right, self-self-left, 2 sidesteps back to place, clap front-under (R)-front-under (L)-front-back-front Sequence: once to yourself, foot up, chorus/partner, face-to-face, chorus/middles-up, top-to-bottom, chorus/middles-down, bottom-to-top, chorus/partner, rounds & all-in Fireworks Tune: Fireworks by Jeff Bigler Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: modified from the Fieldtown dance by Jeff Bigler Chorus: 4 plain capers into a circle. Toss/clash sequence:

Foot-together-jump. “Explode” and return (3 double steps), all-in clash, galley, FTJ. Sequence: once to yourself, foot up, chorus, face-to-face, chorus, top-to-bottom, chorus, bottom-to- top, chorus, rounds & all-in Banks of the Swere Tune: Banks of the Dee Type: set/bagged hankies (arm clashing) Dancers: 6 Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: clash forearms & stamp R–L–R–L. Half-hey. Repeat. Sequence: once to yourself, foot up, chorus, face-to-face, chorus, top-to-bottom, chorus, bottom-to- top, chorus, rounds & all-in

Mrs. Casey Tune: Mrs. Casey Type: column/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: Face up. distinctive figure by tops, middles, bottoms, then everybody. Half hey. Repeat facing down. D.F. are #1: 2 sidesteps; #2: 4 plain capers; #3: 2 double capers; #4: 1 upright caper (moving forward) Sequence: once to yourself, foot up, chorus/sidesteps, face-to-face, chorus/plain capers, top-to- bottom, chorus/double capers, bottom-to-top, chorus/uprights, rounds & all-in

Trunkles Tune: Trunkles (Headington version) Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Jeff Bigler Chorus: each corner challenge (2 double steps, hockle back, FTJ), then each corner cross and back to center on distinctive figure, then hockle back, FTJ. D.F. are #1: double steps; #2: sidesteps; #3: 8 dou- ble capers; #4: 4 upright capers Sequence: once to yourself, foot up, challenge, chorus/double steps, face-to-face, challenge, cho- rus/sidesteps, top-to-bottom, challenge, chorus/double capers, bottom-to-top, challenge chorus/uprights, rounds & all-in

Lass of Richmond Hill Tune: Lass of Richmond Hill, by James Hood Type: column/bagged hankies Dancers: 6 Stepping: Duns Tew stepping Source: modified from the dance by Martin Johnson of the Hammersmith Morris Men Chorus: Face up; top couple 2 sidesteps and hocklebacks; second & third couple the same, then pro- cess. First processional is sidesteps, second is 8 plain capers (slow music), third is 4 double capers (slow music), fourth is leapfrogs (using upright capers). Spread the set out before the final chorus; (after Bottom-to-Top). Sequence: once to yourself, foot up, chorus/sidesteps, face-to-face, chorus/plain capers, top-to- bottom, chorus/double capers, bottom-to-top, chorus/leapfrogs, rounds & all-in

Froggy’s First Jump Tune: Froggy’s First Jump by the Albion Band Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: modified from the Fieldtown dance by Paul Handford of Thames Valley International Chorus: sticking & cross over, hockle back, FTJ; repeat. Sticking is: RB − RB − PF PB − PB − LF RB − RB − PF − PB LF − PB. Rhythm is “Peas porridge hot, peas porridge cold, peas porridge in the pot, too old!” Crossings are struts (#1 & #2) and plain capers (#3 & #4). Sequence: once to yourself, foot up, chorus/struts, face-to-face, chorus/struts, top-to-bottom, cho- rus/plain capers, bottom-to-top, chorus/plain capers, rounds & all-in Bungalow Bill Tune: Bobbing Around Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: Corner challenge, hockle back, FTJ. Challenges are: #1 & #3: double caper; #2 & #4: up- right caper. Sequence: once to yourself, foot up, chorus/double capers, face-to-face, chorus/uprights, top-to- bottom, chorus/double capers, bottom-to-top, chorus/uprights, rounds & all-in

Oak Apple Day Tune: The Twenty-Ninth of May Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Rebecca Jordan Chorus: #1 & #3: “birdcage” & half hey. Repeat. #2 & #4: “cannons” & half hey. Repeat. Sequence: once to yourself, foot up, chorus/birdcage, face-to-face, chorus/cannons, top-to-bottom, chorus/birdcage, bottom-to-top, chorus/cannons, rounds & all-in

Car Park and Garden Tune: The Gallant Hussar Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Jocelyn Reynolds via Rebecca Jordan Chorus: Sequence: once to yourself, rounds/double steps, chorus, rounds/double capers, chorus, rounds/uprights, chorus, rounds/double steps & all-in

The Gallant Weaver Tune: The Gallant Weaver by Robert Burns Type: corner/bagged hankies Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: modified from the Bledington dance by Peter Redgate of Green Fiddle Morris Chorus: Each corner cross on distinctive figure: dib tips, butts, clash forehand, backhand. 2 hockle- backs, FTJ (clash), turn 180◦ on 2 double steps, hockle back, FTJ/clash. Sequence: once to yourself, foot up, chorus, face-to-face, chorus, top-to-bottom, chorus, bottom-to- top, chorus, rounds & all-in

Shooting Tune: When Johnny Comes Marching Home Again Type: set/long stick Dancers: 6 (can be modified for 4) Stepping: Duns Tew stepping Source: Jeff Bigler Chorus: Masters dib butts–tips, “shoot.” Apprentices repeat. Half hey. Then “hand-to-hand” clashes right hand high, then left hand high, then “baseball” clashes forehand-backhand-forehand. Half hey. Sequence: once to yourself, foot up, chorus, face-to-face, chorus, top-to-bottom, chorus, bottom-to- top, chorus, rounds & all-in

Ladies’ Pleasure Tune: Ladies’ Pleasure (same as the Bledington ) Type: jig/bagged hankies Dancers: 1- or 2-person jig Stepping: Duns Tew stepping Source: Jeff Bigler; based on Bledington jig Chorus: 2 sidesteps, hockle-backs, FTJ, 2 double steps, hockle-back, FTJ Sequence: once to yourself, foot up, chorus, double capers, chorus, upright capers, chorus Sherborne Dances

The Cuckoo’s Nest Tune: The Cuckoo’s Nest Type: set/hankies Dancers: 6 (can be modified for 4) Stepping: Sherborne stepping Source: Tim Radford Chorus: Face down. 4 plain capers by bottoms, then middles, then tops 2 double steps. All galley out. Face up & repeat. Sequence: once to yourself, foot up (moving), chorus, set, chorus, back-to-back, chorus, face-to-face, chorus, small rounds, whole hey, large rounds

Young Collins Tune: Young Collins Type: set/hankies Dancers: 6 (can be modified for 4) Stepping: Sherborne stepping Source: Tim Radford Chorus: stomp L–L–L, clap 3×, stomp R–R–R, clap 3×, half-hey. Repeat. Sequence: once to yourself, foot up (moving), chorus, set, chorus, back-to-back, chorus, face-to-face, chorus, small rounds, whole hey, large rounds

Orange and Blue (or The Orange in Bloom) Tune: Orange and Blue Type: corner/hankies Dancers: 6 (can be modified for 4) Stepping: Sherborne stepping Source: Tim Radford Chorus: distinctive figure, then cross on 2 double-steps & galley-FTJ. Distinctive figures are: #1: 2 sidesteps & 2 salutes; #2: 2 sidesteps & 2 galleys; #3: 4 kick capers; #4: 4 splitters. Sequence: once to yourself, foot up (in place), chorus/salutes, rounds, chorus/galleys, rounds, cho- rus/kick capers, rounds, chorus/splitters, rounds, whole hey

How Do You Do? Tune: Swaggering Boney Type: corner/hankies Dancers: 6 (can be modified for 4) Stepping: Sherborne stepping Source: Tim Radford Chorus: long sidestep sequence (s.s–shuffle–s.s–FTJ), distinctive figure, cross on 4 plain capers. Dis- tinctive figures are #1: 2 salutes; #2: 2 galleys; #3: 2 kick capers; #4: 2 splitters Sequence: once to yourself, foot up (in place), chorus/salutes, rounds, chorus/galleys, rounds, cho- rus/kick capers, rounds, chorus/splitters, rounds, whole hey

Trunkles Tune: Trunkles Type: corner/hankies Dancers: 6 (can be modified for 4) Stepping: Sherborne stepping Source: Tim Radford Chorus: Each corner challenge (double step, FTJ, galley back to place, FTJ). Each corner cross on distinctive figure, then 2 galleys (in, then out). Distinctive figures are #1: 3 double steps; #2: 3 forrie caper; #3: 3 kick capers; #4: 3 splitters Sequence: once to yourself, foot up (in place), challenge, chorus/double steps, rounds, challenge, chorus/forries, rounds, challenge, chorus/kick capers, rounds, challenge, chorus/splitters, rounds, chal- lenge, whole hey Over the Hills and Far Away Tune: Over the Hills and Far Away Type: special/hankies Dancers: 6 Stepping: Sherborne stepping Source: Tim Radford Chorus: 4 double steps, 4 plain capers, long sidestep sequence (s.s. left–shuffle–s.s. right–FTJ), 2 double steps, 4 plain capers Sequence: chorus for 1, chorus for 2, chorus for 4, chorus for 6 (end with hook left), small rounds, whole hey

Leapfrog Tune: The Blue-Eyed Stranger Type: special/hankies Dancers: 6 Stepping: Sherborne stepping Source: Tim Radford Chorus: distinctive figure around the circle, galley left, FTJ. Distinctive figures are: #1: touch hat 3 1 6 5 2 4 brim/salute; #2: forrie caper; #3: galley right; #4: leapfrogs 1 , 3 , 5 , 6 , 4 , 2 Sequence: once to yourself, foot up (moving), chorus/salutes, set, chorus/forries, back-to-back, cho- rus/galleys, face-to-face, chorus/leapfrogs, small rounds, whole hey, large rounds

Constant Billy Tune: Constant Billy Type: set/2 short sticks Dancers: 6 (can be modified for 4) Sticks: 2 short sticks Stepping: Sherborne stepping Source: Tim Radford Chorus: sticking together–right–together–left–together–right–together–both, half hey. Repeat. Sequence: once to yourself, foot up (moving), chorus, set, chorus, back-to-back, chorus, face-to-face, chorus, small rounds, whole hey, large rounds

General Monck’s March Tune: General Monck’s March Type: set/hankies Dancers: 6 Hankies Stepping: Sherborne heel-and-toe Source: traditional Chorus: 1st, then 2nd, then 3rd corners distinctive figure, half hey. Repeat. Distinctive figures are: #1: salute; #2: galley; #3: kick caper; #4: splitter Sequence: once to yourself, foot up (moving), chorus, set, chorus, back-to-back, chorus, face-to-face, chorus, whole hey

I’ll Go and Enlist for a Sailor Tune: I’ll Go and Enlist for a Sailor Type: double jig/hankies Dancers: 2 Stepping: Sherborne stepping Source: traditional Chorus: long sidestep sequence (s.s. left–shuffle–s.s. right–FTJ), 2 double steps (moving forward), 4 plain capers Figures: 4 distinctive figures, 2 double steps (moving forward), 4 plain capers 1st dancer: once to yourself, foot up (d.f. = double steps), walk round, chorus, wkr., kick capers, wkr., chorus, wkr., splitters, wkr. starting with 8 forries, chorus 2nd dancer: once-to-yourself, once to yourself, foot up (d.f. = double steps), walk round, chorus, wkr., kick capers, wkr., chorus, wkr., wkr. starting with 8 forries, splitters, chorus