Acquisitions

as of June 30, 2009

African and State, Nigeria, Oba’s Tunic, Oscar Serlin, and Mrs. Daniel Trousers, and Coronet, early/mid- Saidenberg in memory of Mr. Amerindian Art 20th cen., glass beads, cloth, and and Mrs. L. E. Block, Chicago; string: restricted gift of Cynthia American Art Purchase Fund African and Terry E. Perucca and African (2009.732). Isamu Noguchi, made and Amerindian Art Purchase by the Herman Miller Furniture Tekna, Guelmim, Morocco, Pair fund (2009.579–81). Company, Chess Table, designed of Anklets, early 20th cen., silver: 1944, made c. 1949, ebonized Alsdorf Foundation, James and North American plywood, aluminum, and Lucite: Marilynn Alsdorf Acquisition through prior bequest of Arthur Fund (2009.577.1–2). Tekna, Central America Rubloff; Quinn E. Delaney Fund Laayoun, Morocco, Head Orna- Maya, Petén, Guatemala, Vessel (2010.227). Gilbert Rohde, made ment, early 20th cen., and Depicting a Mythological Scene, by the Herman Miller Furniture polypropylene hair, amber, coral, a.d. 600/800, ceramic and Company, Paldao “Ectoplastic” shell, silver, carnelian, and glass pigment: gift of Gerald K. and Desk (No. 4106), c. 1940, paldao, beads; Prayer-String Necklace, Patricia Hoffman (2009.735). acacia burl, imitation leather, early 20th cen., wood, silver, and brass tacks; made by the amber, , and carnelian; Pair of United States Herman Miller Clock Company, Bracelets, early 20th cen., silver: Mother of Salena Jackson, Clock, Model 6366, c. 1933, Alsdorf Foundation, James and Maidu, vicinity of Susanville, macassar ebony, metal, chrome- Marilynn Alsdorf Acquisition Northern California, Food plated steel: Stanley and Polly Fund (2009.574–75, 578.1–2). Basket, 1870/90, plant and Stone Endowment; American Art Trarza, Boutilimit, Mauretania, pigment: Mrs. Leonard Florsheim Purchase Fund (2009.733–34). Pair of Anklets, early 20th cen., Fund (2010.3). Paul H. Shramm, made by silver: Alsdorf Foundation, James Cordova Shop, Scrapbook and Marilynn Alsdorf Acquisition Album, c. 1910, leather, paper, Fund (2009.576.1–2). Trarza, American Art and copper alloy: gift of Eugene, Morocco, Jewelry Box, early Anne, and Lynn Springer Roberts 20th cen., wood, leather, iron, Decorative Arts in honor of Dr. Judith A. Barter brass, red copper, and Bakelite: (2009.584). Walter von Nessen, Alsdorf Foundation, James and Artist unknown, probably made by Nessen Studio, Table Marilynn Alsdorf Acquisition midwestern, Bowl, 1820/40, Lamp, c. 1930, silver plate, glass, Fund (2009.573). Yoruba, Nige- blown and tooled glass: Robert and ebony: through prior bequest ria, Woman’s Wrapper (), McCormick Fund (2010.226). of Arthur Rubloff (2009.1037). mid-20th cen., 16 panels joined; Donald Colflesh, made by Russel Wright, Cocktail Set, alternating panels of , plain Gorham Manufacturing Model 326, 1930, spun aluminum weave; screen printed and cotton, Company, Coffee Service, from and cork: through prior bequest plain weave; screen printed; resist- the series Circa 70, designed of Arthur Rubloff (2009.1035). dyed; Woman’s Wrapper (Aso 1958, introduced 1960, silver, Oke), mid-20th cen., 15 strips laminate, and ebony: through joined; cotton and viscose-, prior bequest of Arthur Rubloff Painting warp-float-faced plain weave with (2009.1036). Theodore Russell Helen Torr, Extemporaneous, supplementary patterning wefts Davis, made by Haviland & Co., 1927, egg tempera on metal, and areas of discontinuous wefts Oyster Plate, designed 1879, mounted on board: through forming openwork: acquired by executed 1880/87, porcelain prior acquisition of Mr. and Mrs. Director’s Discretion, Irving Dob- with enamel and gilding: Martin A. Ryerson; through prior kin Endowment (2009.1033–34). through prior gift of Joseph bequest of George F. Porter; Mr. Yoruba, Odo-Ona Ilorin, Kwara L. Block, Leigh B. Block, Mrs. and Mrs. Frederick G. Wacker, Jr.,

13 Endowment; through prior ac- n.d.; FRAME Publisher Identity Lover’s Bench, 2009, recycled pa- quisitions of Friends of American (2), 2004; Children Postal Stamp, per, iron, and chicken wire: funds Art and Charles H. and Mary F. TPG, 2006, paper: gift of COMA provided by the Architecture & S. Worcester; Robert McCormick (2010.14.1–2, 15.1–2, 16). Cor- Design Society (2010.414). Luisa Fund; restricted gift of Elizabeth nelia Blatter and Marcel Hermans Cevese, manufactured by Maha- Souder Louis (2010.298). for COMA, written by Daniel ram, Ply Tan, 2006, Marguerite Thompson Zorach, Birnbaum, Richard Flood, Eungie polyurethane, cotton, , Landscape (recto), 1911/12, oil Joo, and Chus Martinez, edited and upholstery: gift of Maharam on : Roger and J. Peter Mc- by Douglas Fogle, Life on Mars Fabric Corporation (2010.233). Cormick Endowment (2009.583). (2), 2008, paper: gift of Carnegie Dirk Denison, Denison Luchini Museum of Art (2010.299a–b); Architects, Piku House Model, Sculpture written by Barbara Bloemink, c. 1993, stainless steel and glass: Leslie G. Bolling, Sister Tuesday, Brooke Hodge, Ellen Lupton, gift of Dirk Denison (2009.736). 1934, painted poplar: through and Matilda McQuaid, Design Charles and Ray Eames, manu- prior acquisition of the George Life Now: National Design factured by Maharam, Circles; F. Harding Collection; restricted Triennial 2006 (4), 2007, book: Small Dot Pattern, designed 1947, gift of Charles C. Haffner III gift of Cooper-Hewitt, National reissued by Maharam 2000, cot- (2009.582). Design Museum, Smithson- ton and polyester upholstery: gift ian Institution (2010.29.1–4); of Maharam Fabric Corporation written by Winka Dubbeldam, (2010.234–35). Alexander Girard, Architecture and Javier Barreiro Cavestany, Detlef manufactured by Maharam, Mertins, Michael Speaks, et al., Millerstripe, designed 1973 Design Archi-Tectonics Index: Winka for Herman Miller, reissued by Dubbeldam (2), 2005, book: gift Maharam 2002, and nylon (The location of all projects is of Princeton Architectural Press upholstery; Names, designed Chicago and the state is Illinois, (2010.267.1–2); essays by Rudi 1957 for Herman Miller, reissued unless otherwise stated.) Fuchs, Thyrza Nichols Goodeve, by Maharam 2002, cotton and Hernán Díaz Alonso, manufac- Susan Kandel, et al., edited by polyester upholstery; Quatrefoil, tured by Parrish Rash and van Cory Reynolds, Peter Halley/ designed 1954 for Herman Miller, Dissel (PR&vD), Eam-Mess Maintain Speed, 2000, book: gift reissued by Maharam 2001, (Chaise), 2009, expanded poly- of D.A.P./Distributed Art Pub- cotton and nylon upholstery: gift styrene, polyester, metal glaze, lishers, Inc. (2010.302); edited of Maharam Fabric Corporation and polyurethane auto paint: by Robert Thiemann, FRAME (2010.236–38). Konstantin Grcic, Celia and David Hilliard Fund; Magazine 31 (2); FRAME Maga- manufactured by Authentics funds provided by the Architec- zine 32 (2); FRAME Magazine GmbH, 2-Hands Laundry Basket ture & Design Society and the 33 (2); FRAME Magazine 34 (2); (5), 1996; Tip Bucket (12), 2003, Architecture and Design Purchase FRAME Magazine 35 (2), 2003; polypropylene, stainless steel, Fund (2010.13). Maarten Baas, FRAME Magazine 36 (2), 2004; and rubber; H2O Waste Paper Real Time: Sweepers Clock, 2010, FRAME Magazine 44 (2), 2005, Bin (2), 1994, polypropylene; digital video: funds provided magazines; essay by Anna Blume, Square Waste Paper Bin (4), 1994, by the Architecture & Design Every Encounter Has a Color polystyrol: gift of Authentics Society (2010.416). Shigeru (2), n.d., postcards; written by GmbH (2009.602.1–5, 603.1–12, Ban, manufactured by Artek, American Institute of Graphic Art 604.1–2, 605.1–4); manufactured 10-Unit System: 4 Wooden Chairs (AIGA), 365: AIGA Year in De- by Classicon, Chaos Chair, 2001, (Natural), 1 Table (Natural), 2 sign 24 (2), 2004, book; written tubular stainless steel, rubber, Tables (Black), 3 Chairs (Black), by Paul D. Miller aka Dj Spooky polyurethane foam, leather, and 2009, UPM ProFi (recycled paper that Subliminal Kid, Rhythm Sci- polyester ; Venus Chair, and plastic composite): funds ence (2), 2004, book; written by 2006, laminated plywood, oak provided by the Architecture & Lyle Ashton Harris, Blow Up (2), veneer, and rubber; Mars Chair, Design Society (2009.591–600). 2008, book; written by Wayne 2002, PU foam, chromed steel, Edward Barber and Jay Osgerby, Koestenbaum, Amy Sillman: fabric, and leather: gift of Lumi- manufactured by Established & Works on Paper (2), 2006, book: naire (2009.617­­–19); manufac- Sons, De La Warr Pavilion Chair; gift of COMA (2010.17.1–2, tured by C. Josef Lamy GmbH, De La Warr Pavilion Chair, 18.1–2, 19.1–2, 20.1–2, 21.1–2, Vivo Ballpoint (12), 2004, 2006, cast and pressed aluminum, 22.1–2, 23.1–2, 24.1–2, 25.1–2, stainless steel and POM: gift of C. steel, and nylon: gift of Estab- 26.1–2, 27.1–2, 28.1–2). Sam Josef Lamy GmbH (2009.616.1– lished & Sons (2009.585–86). Buxton, Inhale, exhale, 2010, 12); manufactured by Magis, Cornelia Blatter and Marcel stainless steel and glass; limited 360° Chair, 2009, aluminum, PU Hermans for COMA, Life on edition 1/4: funds provided by the foam, and powder-coated steel; Mars: 55th Carnegie Internation- Architecture & Design Society 360° Container, 2009, alumi- al Identity System: Folders (2), (2010.415). Nacho Carbonell, num and ABS; 360° Stool (2),

14 2009, aluminum, PU foam, and (2010.452). Josef Hoffman, ester upholstery; Massive , powder-coated steel; chair_ONE manufactured by Maharam, 2008, cotton and polyester uphol- (2), 2003, die-cast and extruded Design 9297, designed 1913, reis- stery; Mechanism, 2009, polyure- aluminum; chair_ONE, 2003, sued by Maharam 2007, cotton, thane and polyester upholstery; die-cast aluminum and concrete: rayon, and polyester upholstery: Peep, 2006, polyurethane and gift of Magis (2010.303–09); gift of Maharam Fabric Corpora- polyester upholstery; Scuba, 2007, manufactured by Moormann tion (2010.239). Hella Jongerius, polyurethane upholstery; Sudden, GmbH, ES Shelf, 1999, beech; manufactured by Maharam, Lay- 2004, polyurethane upholstery; ES Shelf Packaging, 1999, ers Garden Double, 2008, wool, Leno, 2006, cardboard; HUT_AB Coat nylon, and polyester upholstery; cotton window covering: gift of Stand (2), 1998, ash: gift of Repeat Classic; Repeat Classic Maharam Fabric Corporation Nils Holger Moormann GmbH , 2002, cotton, (2010.247–59). Beatriz Milhazes, (2009.620–21, 622.1–2); manu- rayon, and polyester upholstery: manufactured by Maharam, factured by Moroso, Osorom gift of Maharam Fabric Cor- Horto, 2008, cotton and polyester Bench, 2004, fiberglass and resin: poration (2010.240–42). Hella upholstery: gift of Maharam gift of Moroso USA (2009.601); Jongerius for Maharam, Inc., Fabric Corporation (2010.260). manufactured by Plank, Miura Layers Vineyard; Layers Park M/M (Paris), Serpentine, 2010, Bar Stool (6), 2005, reinforced Double, 2007, wool, nylon, and carbon fiber, stainless steel, and polypropylene; Miura Bistro polyester: gift of Maharam Fabric paper: Celia and David Hilliard Table, 2007, steel; Monza Chair Corporation (2010.228–29). Fund (2010.454). Sarah Morris, (2), 2009, ash and reinforced Claudy Jongstra, manufactured manufactured by Maharam, The polypropylene; Myto Cantilever by Maharam, Drenth Heath, Firm, 2009, cotton and polyester Chair (6), 2008, BASF Ultradur 2006, drenth heath, natural upholstery: gift of Maharam High Speed: gift of Plank Col- mulbury silk, Wensleydale wool, Fabric Corporation (2010.261). lezioni Srl (2009.623.1–6, 624, Merino wool, silk floor Marc Newson, manufactured by 625.1–2, 626.1–6); manufactured covering, and wall hanging: gift Samsonite, Samsonite Black Label by Ryohin Keikaku Co., Ltd., of Maharam Fabric Corpora- Scope 55cm Upright Suitcase, Pipe Table, 2009, tubular steel tion (2010.243). Maira Kalman, 2005, expanded foam laminated and MDF; Pipe Chair, 2009, tu- manufactured by Maharam, The with 600 denier polyester/mesh, bular steel, MDF, and upholstery; Story of My Life, 2005, rayon aluminum, EVA, and Hytrel: gift Tube Chair, 2009, steel, plywood, and polyester upholstery: gift of of Terry R. Myers (2010.232). and polyester; Mono Side Table Maharam Fabric Corporation Verner Panton, manufactured (3), 1995, powder-coated metal: (2010.244). Sonnhild Kestler, by Maharam, Unisol, designed gift of MUJI (2009.737–42); manufactured by Maharam, 1965, reissued by Maharam 2002, manufactured by SCP Ltd., Alpine Stripe, 2009; Folklore, rayon, cotton, and polyester TamTam Side Table, 1991, beech, 2008, cotton and polyester uphol- upholstery: gift of Maharam MDF, and steel: funds provided stery: gift of Maharam Fabric Fabric Corporation (2010.262). by the Architecture & Design Corporation (2010.245–46). Arik Dagobert Peche, manufactured Society (2009.590); manufactured Levy, Confessions, 2010, black by Maharam, Blumen, designed by Serafino Zani, Passimi il Sale enameled MDF, matte chestnut 1901, reissued by Maharam 2004, Tableware (Un Attimo Prima); finish, feather cushion, and rayon and cotton upholstery: gift Passimi il Sale Tableware (Un At- cloth: funds provided by the of Maharam Fabric Corporation timo); Passimi il Sale Tableware Architecture & Design Society (2010.263). Gio Ponti, manufac- (Un Attimo Doppo); Passimi il (2010.419). Greg Lynn, Carbon tured by Maharam, I Morosi Alla Sale Tableware (Alle Cinque); Chair, 2010, 3Di aramid Finestra, designed 1930, reissued Passimi il Sale Tableware (Alle tape: Celia and David Hilliard by Maharam 2002, cotton, silk, Cinque e Mezza); Passimi il Fund (2010.453). Maharam polyester window covering, and Sale Tableware (Va Bene Cosi), Design Studio, AF96, 2000, poly- upholstery: gift of Maharam Fab- 2007, stainless steel; Certamente ester upholstery; Boucle Leno, ric Corporation (2010.264). Joel Tableware (Salad Server Set), 2006, wool, rayon, , and Sanders, Karen Van Lengen, and 2006, stainless steel; Accento window covering; C340 Ben Rubin, Sectional Perspective: Cutlery (Set of 36 Pieces); Composites, 2001, vinyl-coated Audio-Visual Windows; Kitchen Accento Cutlery (Salad Servers polyester and post-consumer Island: Sound Mixing Station, Set); Accento Cutlery (Risotto recycled polyester wall covering; 2006, durst lambda prints on Spoon), 2009, stainless steel: gift Cobblestone, 2008, wool and archival paper: gift of Joel Sanders of Serafino Zani (2009.606–11, polyester upholstery; Ditto, 2009, Architect (2010.300–01). Sol 612.1–2, 613.1–36, 614.1–2, post-consumer recycled polyester Sender, Obama Logo ’08 Identity 615). Simon Heijdens, Shade, and solution-dyed nylon uphol- System: Final Design, Original 2010, self-developed software stery; Embark, 2004, polyolefin, Proposals, and Design Manual, and switchable transparent film: polyester, and vinyl wall covering; 2006, variable media: funds Celia and David Hilliard Fund Intricate, 2006, cotton and poly- provided by the Architecture &

15 Design Society; gift of Sol Sender Foundation Fund (2009.627). Contemporary Art (2010.230). Paul Smith, manu- Pot with Spout, 1000/300 factured by Maharam, Bespoke b.c., earthenware: purchased Stripe, 2003, wool upholstery; with funds provided by the Drawing Stripe, 2010, cotton Weston Foundation; President’s American. Nancy Spero, Woman upholstery: gift of Maharam Exhibition and Acquisition Fund Breathing, 1978, hand printing Fabric Corporation (2010.265– (2010.295). in blue on pieced cream 66). Timorous Beasties (Alistair wove paper: gift of Society for McAuley and Paul Simmons), Ritual objects. Female Figurine Contemporary Art (2009.569). Oriental Orchid Red and Greens with Topknot, 1000/300 on Black Wallpaper; Branch out b.c., earthenware: purchased Painting Black on Black Wallpaper, 2005; with funds provided by the American. Carroll Dunham, Decouper 1 Black on Gold Wall- Weston Foundation; President’s Bather/Night, 2009, acrylic on paper; Bloody Hell Mint Wall- Exhibition and Acquisition Fund canvas: Ada S. Garrett Prize Fund paper, 2008; Superwide Iguana (2010.293). Handle in the Form (2010.268). Richard Hawkins, Silver on Ivory Wallpaper, 1989; of an Animal Head, 1000/300 The Mystical Invention of London Red Wallpaper; b.c., earthenware: purchased Television and Its Relationship London Toile Green Wallpaper, with funds provided by the to Mourning, 2004, acrylic and 2005; Glasgow Toile Reds Wall- Weston Foundation; President’s oil on linen: Ada S. Garrett paper, 2004, wallpaper: funds Exhibition and Acquisition Fund Prize and Contemporary Art provided by the Architecture & (2010.294). Head of a Warrior, Discretionary funds (2010.269). Design Society; gift of Timorous 6th cen., earthenware: purchased Nicholas Krushenick, Elephant Beasties (2010.5–12). TROIKA, with funds provided by the Spoons, acrylic on canvas: gift Plant Facts and Plant Fiction Weston Foundation; Alyce and of Harvey M. and Ruth Glesby (Set of 5), 2010, durst lambda Edwin DeCosta and the Walter E. Wagner (2009.744). Robert prints; edition 1/3: funds provided Heller Foundation Fund; Robert Lostutter, WH 50, 1969–70, oil by the Architecture & Design Allerton Trust (2009.629). Hen, on canvas: promised gift of Mark Society (2010.420). Vinci-Hamp 6th cen., earthenware: purchased and Judy Bednar (117.2009). Joe Architects, Inc., John Vinci, Lewis with funds provided by the Zucker, Woman with Halo and Manilow House Model, n.d., vari- Weston Foundation; President’s Sceptre, 1972, acrylic, cotton, ous media: gift of Susan and Lew Exhibition and Acquisition Fund and Rhoplex on canvas: partial Manilow (2010.231). (2010.296). Partial Figure of gift of Britta Le Va in honor of a Pregnant Women, 1000/300 Leah Zucker; through prior gift b.c., earthenware: purchased Asian and Ancient Art of Joseph Winterbotham; Mr. and with funds provided by the Mrs. Frank G. Logan Purchase Weston Foundation; Robert Prize, Norman Wait Harris Prize, Chinese Allerton Trust (2009.628). Wilson L. Mead, Contemporary Smiling Figurine, 1000/300 Decorative arts. Ma Guozhen, Art Discretionary, Walter M. b.c., earthenware: purchased Brushpot, (1644­– Campana Memorial Prize, Laura with funds provided by the 1911), early 19th cen., wood Slobe Memorial Prize, Max V. Weston Foundation; President’s (huanghuali): restricted gift of Kohnstamm Prize, William H. Exhibition and Acquisition Fund the Asian Art Council of the Bartles Prize, and Annabelle (2010.292). Wrestler, 5th/6th Art Institute of Chicago, Betsy Decker funds (2009.566); cen., earthenware: purchased Nathan, Mr. and Mrs. James Interior, 2005, enamel house with funds provided by the E. Breece III, and Mr. and Mrs. paint on canvas and wood: Ada S. Weston Foundation; President’s Bruce Dunn (2009.630). Garrett Prize Fund (2009.571). Exhibition and Acquisition Fund (2010.297). Indian Photography Print. Nandalal Bose, Mahatma Architectural fragments. American. Carrie Mae Weems, Gandhi (Bapuji) on the Dandi Takamura Koun, Pair of Ramma Untitled (Kitchen Table Series), March, 1930, linocut print on (Transom) Panels, from the 20 gelatin silver prints and 14 text paper: gift of Supratik Bose Hooden, 1893, wood with poly- panels: promised gift of Liz and (2009.743). chrome: gift of the University of Eric Lefkofsky (115–28.2010). Illinois at Chicago (2009.631–32). Fred Wilson, The Museum: Mixed Japanese Metaphors (Seattle Art Museum), Vessels. Deep Pot, 2000/1000 1993, 12 chromogenic prints: b.c., earthenware: purchased with anonymous gift (2009.747.1–12). funds provided by the Weston Foundation; Alyce and Edwin Mexican. Gabriel Orozco, Total DeCosta and the Walter E. Heller Perception, 2002, chromogenic print: gift of Donna and Howard Stone (2010.271). 16 Sculpture Fund; John H. and Neville Bryan A. Bross in memory of Edward American. Scott Burton, Seating Endowment; Richard T. Crane, Byron Smith (2010.278–81). for Eight, African red granite: Jr., Memorial Fund (2010.429). Lewis Baltz, Corona del Mar, gift of Fred Eychaner and 1971, gelatin silver print: Mary Tommy Yang Guo (2009.745). Greek. Jug, Venetian Republic, and Leigh Block Fund (2009.643). Vincent Fecteau, Untitled, 2008, c. 1540, parcel-gilt silver: Mary Wilson A. Bentley, Snowflake, papier-mâché and acrylic: gift of Swissler Oldberg Memorial Fund 1885/1931, gelatin silver printing Judith Neisser (2009.746). Jim (2009.565). out paper print: Ernest N. Kahn Isermann, Untitled (Cubeweave), Photography Fund (2010.282). Agnes Denes (born Hungary), 1997, hand-loomed cotton Medieval to Modern and foam: gift of Dirk Denison Human Dust (3); Human Dust in honor of the Society for European Painting (5), 1969, gelatin silver prints: Contemporary Art (2009.568). Photography Purchase Fund and Sculpture (2010.285­–86). Jay DeFeo, Mexican. Gabriel Orozco, Dent Untitled, 1971; Untitled (Nervous de Lion, 1998, fabric disks, iron Painting Breakdown Couch for Ruth), 1973, gelatin silver prints: Comer wire, and floral tape; Under Tow, American. Albert Bloch, Still Life, Foundation Fund (2009.644–45). 2003, polyurethane foam: gift c. 1915–18, oil on composition Frank Gohlke, View of Mount of Donna and Howard Stone board; George Grosz (born St. Helens from Vicinity of Spud (2010.270, 272). Germany), Landscape with Mountain—7 Miles Northwest, Sunbather, 1940, oil on canvas 1982 (printed 2008), gelatin silver Video and Film board: bequest of Sylvia Simons print: gift of Jeanne and Richard Sights (2010.31–32). American. Paul Chan, 6th Light, S. Press (2009.775). John Beasly from the series The 7 Lights, Greene, Medinet Habu, Mortuary French. Henri de Toulouse- 2007, digital video projection: Temple of Ramses III, Left Lautrec, Au cirque: Écuyère, gift of Society for Contemporary Wall (Médinet-Habou, Temple 1888, tambourine with oil on Art, funded by Marilyn and funéraire de Ramsès III, paroi vellum painting: Patterson/Taylor Larry Fields (2009.570). Iñigo gauche), 1854, salted paper print: Acquisition, and Mr. and Mrs. Manglano-Ovalle, Always After restricted gift of Lucia Woods Donald W. Patterson Endowment (The Glass House), 2006, Super Lindley and Daniel A. Lindley, Jr. funds (2010.413). 16mm film transferred to high- (2010.275); Lapidary Deposit in definition digital video: restricted the Cherchell Museum, Algeria Italian. Ludovico Carracci, The gift of David Teiger Foundation (Musée de Cherchell Algérie Vision of Saint Francis, c. 1602, (2009.567). Dépôt Lapidaire), 1856, salted oil on copper: Lacy Armour Fund paper print: Photography Gala (2010.274). South African. Robin Rhode, Endowment (2010.276). André New Kids on the Bike, 2002, Kertész (born Hungary), Satyric Sculpture digital animation: gift of Igor M. Dancer, Paris, 1926, gelatin DaCosta (2009.748). German. Follower of Johannes silver print: gift of Nicholas Apengeter (active c. 1325–50), and Susan Pritzker (2009.646). Lion Aquamanile, c. 1350, Jason Lazarus, Recordings (“Big European Decorative copper alloy: through prior Storm” January 30th, 1967, Arts bequest of the George F. Harding Mom), 2009, wall installation Collection; Chester D. Tripp, Jane (235 photographs): restricted gift Gidwitz Memorial, and Medieval English. Designed by James of Susan and Gary Garrabrant; through Modern European Hadley, manufactured by Joyce Chelberg; Buzz Ruttenberg Painting and Sculpture— Worcester Royal Porcelain and Biff Ruttenberg, in memory Curator’s Discretionary funds Company, Aesthetic Movement of David C. and Sarajean (2010.30). Teapot (Oscar Wilde Teapot), Ruttenberg (2009.634). Gordon 1882, glazed parian ware: Matta-Clark, Photo Fry, 1969, Eloise W. Martin Acquisition Photography mixed media with fried instant fund; restricted gift of Mr. and color photo, gold leaf, and white Mrs. James Knox, and Mr. and box: anonymous gift (2009.752). American Mrs. Terry Perucca (2010.273). Ralph Eugene Meatyard, Untitled, Artist unknown, 14700—Link- Designed by Augustus Welby 1967, gelatin silver print: gift Belt Type “D”; 14724—Link-Belt Northmore Pugin, manufactured of the Estate of Ralph Eugene Type “A,” 1925; 14886—Link- by John Hardman and Company, Meatyard (2009.767). Richard Belt Type “A”; 14882—Link-Belt Chandelier, Birmingham, 1853, Misrach, Untitled #696-05, 2005, Type “CX,” 1926, gelatin silver brass and glass: Charles H. and digital chromogenic color print: prints: restricted gift of John Mary F. S. Worcester Collection gift of the artist (2009.774). Julie

17 Moos (born Canada), Monsanto 1982; Heathcote Community, Between Michigan Avenue and (Allan and Mark), 2001, Freeland, Maryland, May 2005; Wabash Avenue; Vicinity of chromogenic print: gift of Lorin Twelve Tribes Community, Basin Randolph Street, 1998; Near Adolph (2009.749). Barbara Farms, Bellow Falls, Vermont, O’Hare International Airport, Morgan, Fossils in Formation, June 2005; Albert Bates next to Chicago, Illinois, 1991; Ameritech 1965, gelatin silver print: gift a Dry Composting Toilet at the Building, Rolling Meadows, of Wayne F. Miller (2009.770). Farm Ecovillage, Summertown, Illinois; Spiegel Building, Alison Rossiter, Acme Kruxo, Tennessee, Mar. 2003; Prairie Downers Grove, Illinois, 1992; Expiration ca. 1940’s, Processed Crossing, Grayslake, Illinois, Gold Road, Schaumburg, in 2009, 2009; Eastman Kodak, May 2005; Fruitlands, Harvard, Illinois; Schaumburg, Illinois, Azo E, Expires March 1, 1920, Massachusetts, Oct. 2004; A 1995; Hoffman Estates, 1993; Processed in 2008, 2008; Acme Male Pistachio Tree in Bloom, Schaumburg, Illinois, 1995; Kruxo, Expiration ca. 1940’s, Village Homes, Davis, California, Bartlett, Illinois, 1993; Chicago Processed in 2009; Acme Mar. 2005; A Rocket Stove (View towards U.S. Steel South Kruxo, Expiration ca. 1940’s, Development Workshop, Works), 1987; Indiana Harbor, Processed in 2009, 2009, gelatin Aprovecho Research Center, Indiana; Chicago (Ewing Avenue), silver photograms: gift of the Cottage Grove, Oregon, Aug. 1980; South Chicago, 1986–87, artist (2009.641, 648, 650­–51); 2004; Acorn Community, gelatin silver prints: gift of Roger Ansco, Cyko, Expires in 1917, Mineral, Virginia, Apr. 2004; William Lehman (2009.753–66). Processed in 2009, 2009; Tura, Moonshadow, n.d.; Roosevelt Robert Watts, Auto Series, Excellent 212, White Charcoal R, Public School, Roosevelt, New 1970–73, 23 gelatin silver prints: Expiration ca. 1980’s, Processed , June 2005; Halcyon Photography Associates Fund; gift in 2007; Tura, Excellent 212, Temple of the People (Blue Star of Philip Aarons and Shelley Fox White Charcoal R, Expiration ca. Memorial Temple), Halcyon, Aarons (2009.635.1–23). Carrie 1980’s, Processed in 2007; Tura, California, Jan. 1997; Recreated Mae Weems, Kitchen Table, 1990, Excellent 212, White Charcoal R, Bark Longhouse, Ganondagan gelatin silver print: gift of the Expiration ca. 1980’s, Processed Historic Site, New York, July artist (2010.328). James Welling, in 2007, 2007; Haloid Platino, 2000; Old Economy, Ambrose, Green Drapes 1, 2, 3, 2000, Expiration ca. 1915, Processed Pennsylvania, Aug. 1995, chromogenic prints: Photography 2009; Acme Kruxo, Expiration chromogenic prints: gift of Ralph Gala Fund (2010.287.1–3). ca. 1940’s, Processed in 2009, and Nancy Segall (2009.776–90). 2009, gelatin silver photograms: Zoe Strauss, Untitled (Shorty Czech restricted gift of Lucia Woods Cropped); Untitled (Bev and Jan Lauschmann, Under My Lindley and Daniel A. Lindley, Frank Bed); Untitled (RIP Isaiah Window, 1927, gelatin silver Jr. (2009.637–40, 642, 649); Zeko); Untitled (Yes We Did); print: gift of Wayne F. Miller Kodak, Medalist F3, Expires Untitled (Robert); Untitled (If (2009.768). Nepil, The Big Thing December 1971, Processed in You Can Dream It); Untitled (Cover Design for Velká Vˇe c by 2008 and Kodak, Medalist G2, (McDonald’s Window); Untitled Thomas Mann), c. 1931, gelatin Expires March 1971, Processed (Salt); Untitled (Man in Miller silver print: gift of Wayne F. Miller in 2008, 2008, gelatin silver Hat, Lover); Untitled (2009.771). Adolf Schneeberger, photogram (diptych): gift of the (Michael Jackson House, Bad Still Life (Can on Side), 1925, artist (2009.647). Sam Samore, Poster on Lawn); Untitled (Week gelatin silver print: gift of Wayne Situation, 1980s (Man with of the Perfect Game); Untitled F. Miller (2009.772). Leather Jacket, Coffee Cup on (Woman Striker); Untitled Table); Situation, 1980s (Man (Beverly Mother); Untitled (Frank French Clasping Hands), 1990, gelatin on Sofa); Untitled (Puerto Rican Félix Bonfils, Karnak, 1860s, silver prints: gift of Dirk Denison Flag on Car); Untitled (Lincoln albumen print: Edward Byron FAIA (2009.750–51). Frederick Was a Good Old Man); Untitled Smith and John Bross Fund Sommer, The Fighting Centaur, (Tiger Lounge); Untitled (Gary (2010.319). 1952; The Thief Greater Than Football Field), 2009, ink- His Loot, 1955; The Milky Way, jet prints: Photography Gala German 1949; Golden Apples; Smoke on Endowment; restricted gift of Gertrud Arndt, Untitled (Masked Cellophane #1; Hadrian’s Villa, anonymous donor, Anstiss and Self-Portrait, Dessau), 1930, 1961; Paracelsus, 1959, gelatin Ron Krueck, and Vicki and Bill gelatin silver print: David Travis silver prints: gift of John Vinci in Hood (2009.652.1–19). Karl Fund (2009.636). Hans Peter honor of Richard Nickel and Fred Struss, 116 TN Street, Looking Feldmann, Pictures of Car Radios Sommer (2010.329–34, 336). West, c. 1915, platinum print: gift Taken while Good Music Was Joel Sternfeld, Sonora Cohousing, of Wayne F. Miller (2009.773). Playing, 1970­–90, four gelatin Tuscon, Arizona, Mar. 2005; Bob Thall, Between Madison silver prints and two chromogenic Scott and Helen Nearing at Forest Avenue and Washington Street; prints: Mary and Leigh Block Farm, Harborside, Maine, Oct. Vicinity of LaSalle Street; Fund (2010.317). Werner Mantz,

18 Untitled (Interior View, Table George Air Force Base, 2003–04, Buchbinder Family (2009.710– and Chairs), 1924, gelatin silver gelatin silver prints; M-246 Semi 17). Richard Artschwager, print: gift of Wayne F. Miller Automatic Weapon, Khawr Untitled, 1970, charcoal with (2009.769). Al Amaya Oil Terminal, Iraq, stumping: gift of Susanne Ghez 2007, archival pigment print: (2009.799). James Castle, Italian Photography Purchase Fund Untitled “Window Large Antonio Beato, Temple, Egypt, c. (2010.288–90). Construction,” n.d., soot mixed 1870s, albumen print: restricted with saliva, string, and ribbon: gift of Elizabeth Bryan Seebeck Nationality unknown gift of Cleve E. Carney (2010.277). Luigi Ghirri, Arnold, Strikers at Seabrook (2009.798). George Cohen, Lucerna, 1971, chromogenic Farms, Bridgeton, New Jersey Running Figure, c. 1960, gouache print: David Travis Fund (Air View . . . June 29), July and watercolor, over graphite: (2010.316). 9, 1934, gelatin silver print: anonymous gift in memory of Photographic Society Fund Esther Kuh Askow and Irwin J. Japanese (2010.310). Artist unknown, Askow (2010.396). Bruce Conner, Osamu Kanemura, Tokyo Swing, Civil War Collage, 1860/70, Untitled, 1205 Oak Street, San 1995; Black Parachute Ears, photocollage (albumen prints): Francisco, 1961, graphite; 1999; All the Needles on Are Ernest N. Kahn Photography Untitled, from Mandala Series, Red, 1998; Keihin Machine Soul, Fund (2010.318). Ranzini, 1965, black fiber-tipped , over 1996, gelatin silver prints: David Strikers at Seabrook Farms, traces of graphite; Drawing Travis Fund (2010.321­–24). Taiji Bridgeton, New Jersey (House 6/11/68, 1968, brush and black Matsue, Atlas, 1997, gelatin Covered with Sickening Gas . . . ); ink: Margaret Fisher Endowment silver print: David Travis Fund Strikers at Seabrook Farms, Fund (2009.655–57); Untitled (2010.320). Daido Moriyama, Bridgeton, New Jersey (Riot Men April 5, 1995, Apr. 5, 1995, Room, 1969; Osaka, 1975, and Women Fighting with Police blotted gray ink with touches of gelatin silver prints: Photography . . . ); Strikers at Seabrook Farms, graphite: gift of the Conner Gala Fund (2010.283–84); Bridgeton, New Jersey (The Family Trust (2009.719); Inkblot Goshogawara, 1976; Kariudo Retreat from Bridgeton . . . ), Drawing, June 1, 1995, June 1, (Hunter), 1971, gelatin silver July 9, 1934, gelatin silver prints; 1995, blotted gray ink with black prints: Photography Purchase unknown (probably Ranzini), fiber-tipped pen and touches of Fund (2010.326–27). Shomei Strikers at Seabrook Farms, graphite: Margaret Fisher Tomatsu, Untitled (Nagoya), Bridgeton, New Jersey (With a Endowment Fund (2009.658); 1959 (printed 1966), gelatin silver Stone in One Hand . . . ); Strikers Untitled Inkblot Drawing (Blue), print: Photography Gala Fund at Seabrook Farms, Bridgeton, 2000, blotted blue ink with (2010.325); Untitled (Kadena, New Jersey (Both Offensives touches of graphite; Untitled Okinawa), 1969 (printed 1978), . . . ), July 9, 1934, gelatin silver (Inkblot), 2000, blotted gray ink gelatin silver print: Photography prints: Photographic Society Fund with paper collage element and Purchase Fund (2010.335). (2010.311–15). touches of yellow ink (recto), and black carbon print (verso): gift of Slovak the Conner Family Trust Rudolf Sikora, Civilizational Prints and Drawings (2009.721–22). Ed Flood, Artist’s Cross-Sections: The Earth Must Sketchbook, 1969–70, spiral- Not Become a Dead Planet (Rezy Drawings bound book with 45 pages of Civilizaciou: Zem sa nesmie stat’ drawings in graphite, black and American. Keith Achepohl, Egypt mrtvou planetou), 1971–72, colored fiber-tipped pens, Night and Day #222, 1981, photomontage, gelatin silver watercolor, blue and black watercolor, with touches of blue prints on six Masonite panels; ballpoint pens, brush and gray and orange crayon, over graphite: Exclamation Point (Vykricˇ nik), wash, and collage of commercially gift of Richard and Joyce Prince 1973, photocollage of gelatin printed papers; Regent Sketch- (2010.411). Artist unknown, silver prints and cutouts with King, 1971–77, spiral-bound Pout Mouth, n.d., graphite with text; Study for Exclamation Point book with 55 pages of drawings smudging and erasing; Film Fun (Vykricˇ nik [Projekt]), 1974, in graphite, red Conté crayon, Mag, n.d., graphite; Two Nude photomontage of photographs on black and colored fiber-tipped Women from the Back (recto), red paper: gift of Rudolf Sikora pens, watercolor, charcoal, Two Nude Women (verso); Hero (2010.33–35). colored , black ballpoint and Maiden, n.d., pen and black pen, and collage of commercially ink, over graphite; Woman Vietnamese printed papers: Margaret Fisher Bending Over; Woman Bending An-My Lê, 29 Palms: Security Endowment Fund (2010.50–51). Over from Rear, n.d.; Titter Mag, and Stabilization Operations, Edward Gorey, Untitled (Man Jan. 1947; Standing Woman from Graffiti I; 29 Palms: Security with a Bat on His Head), n.d., Rear, with Two Profiles, n.d., and Stabilization Operations, pen and black ink, and brush and graphite: gift of Henry and Gilda

19 black and gray wash; Untitled Joyeux), 1947, pen and black ink, Untitled (Seated Female Nude), (Flying Man with Record, Man and brush and gray wash; Studies n.d., black crayon; Untitled Wrapping a Gift, and a Man with of Moles, Seated and Flying, n.d., (Seated Female Nude), n.d., red an Ornament), n.d., pen and graphite; The Balked Escape, chalk; Untitled (Seated Female black ink, with brush and orange n.d., pen and black ink, with Nude with Legs Extended), n.d., wash; Untitled (Envelope brush and red wash, over black crayon; Untitled (Kneeling Decorated with Figures on a graphite; Yottle of Woldercan?, Female Nude), n.d., graphite; Yellow Background), 1948, pen 1943, graphite; What a Beastly Untitled (Female Nude); Untitled and black ink, and watercolor; Party!, n.d., pen and black ink, (Study of a Seated Female Nude), Now Is the Winter of Our with cut-and-pasted paper n.d., red chalk; Untitled (Seated Discontent, 1947, pen and blue elements; Had Elizabeth Only Female Nude); Untitled (Seated ink; Untitled (Envelope Known, 1946, pen and red ink, Female Nude); Untitled (Study of Decorated with Pieta and Face), and brush and red wash, over a Crouching Nude), n.d., black 1947, pen and blue ink, with pink graphite; Untitled (Mole crayon; Untitled (Two Figure colored ; Untitled (Envelope Walking), n.d., pen and black ink: Studies), n.d., graphite; Untitled Decorated with a House and bequest of Sylvia Sights (Female Nude), n.d., red chalk; Flying Angels), 1949, pen and (2009.954–57, 959, 961, 963, Untitled (Study of a Bending black ink, and blue wash; 965, 967, 969, 971, 973­–75, Nude), n.d., black crayon; Untitled (Envelope Decorated 977­–79, 981, 983, 985, 987, Untitled (Study of a Standing with Two Men at a Table), 1947, 989–94, 1002). Margo Hoff, Female Nude), n.d., brown chalk; pen and black ink, and brush and Sketchbook, c. 1944, black ink, Untitled (Seated Female Nude) gray wash, over pink watercolor graphite, crayon, and colored (recto), Untitled (Standing Female ground; Untitled (Envelope pencil in bound book: gift of Nude) (verso), n.d., black Conté Decorated with Crucifixion Ellen Lanyon (2009.705). Sylvia crayon; Untitled (Female Nude Scene), 1947, pen and black ink, Shaw Judson, Untitled (Study of Putting on Shoes) (recto), Untitled with watercolor; Goodbye, Little a Girl); Untitled (Study of a (Female Nude) (verso); Untitled Yellow Bird!, 1948, pen and Seated Woman), n.d., black (Reclining Female Nude with Bent black ink, with yellow wash and chalk; Untitled (Study of a Knees Looking at Viewer); cut strips of yellow paper secured Mother and Child), n.d., graphite; Untitled (Reclining Female Nude with transparent self-adhesive Untitled (Study of a Standing with Bent Knees Looking away tape; Untitled (Men Picnicking on Female Nude), n.d., brush and from Viewer); Untitled (Standing a Grave, with Address), n.d.; black ink (recto), and red chalk Female Nude Outline); Untitled Art—Nature, 1948, pen and (verso); Untitled (Study of a (Seated Female Nude Seen from black ink; Untitled (Envelope Crouching Woman), n.d., red Behind), n.d., black crayon; Decorated with Reclining Figure chalk; Untitled (Seated Woman), Untitled (Seated Figure with Hat), and Two Flying Figures), n.d., n.d., black chalk; Untitled (Study n.d., black chalk; Untitled (Child pen and black ink, with purple of a Woman), n.d., red chalk; with Hat), n.d., graphite; Untitled wash; Christmas Card with Untitled (Study of a Child); (Reclining Figure) (recto), Untitled Haloed Mole, n.d., pen and black Untitled (Study of a Reclining (Study of a Cat) (verso), n.d., red ink, with cut-and-pasted gold foil Figure), n.d., black chalk; chalk; Untitled (Standing Sailor), and pen and red ink; Untitled Untitled (Studies of Children), n.d., black Conté crayon; Untitled (Envelope Decorated with Pink n.d., watercolor and graphite; (Seated Sailor) (recto), Untitled Figures), 1947, pen and black ink, Untitled (Studies of a Child), n.d., (Figure Sketch) (verso); Untitled with pink wash; Untitled black crayon; Untitled (Studies of (Study of a Bust of a Sailor), n.d., (Envelope Decorated with Figures a Female Nude), n.d., metalpoint; black crayon; Untitled (Seated and a Guitar), 1947, pen and red Untitled (Female Nude), n.d., Figure), n.d., blue crayon; ink, with pen and black ink; For brown chalk and graphite; Untitled (Two Figure Studies) Helne and Fred, n.d.; Memento Untitled (Female Nude), n.d., (recto), Untitled (Figure Sketch) Mori, 1948, pen and black ink; brown chalk; Untitled (Study of a (verso), n.d., black chalk; Untitled Untitled (Envelope Decorated Figure), n.d., black chalk; (Four Figure Studies), n.d., black with Yellow Figures), 1948, Untitled (Study of a Female crayon; Untitled (Studies of a watercolor and pen and black Nude), n.d., black crayon; Child), n.d., red chalk (recto), and ink; Untitled (Envelope Untitled (Study of a Female red chalk and black crayon Decorated with Men in Orange Nude), n.d., black chalk; Untitled (verso); Untitled (Two Female Striped Shirts), 1950, pen and (Study of Seated Female Nude), Head Studies), n.d., graphite and black ink, and watercolor; n.d., graphite; Untitled (Standing red chalk (recto), and red chalk Untitled (Envelope Decorated Female Nude) (recto), Untitled (verso); Untitled (Studies of with Man Facing a Burning (Bending Female Nude) (verso), Children), n.d., red chalk; Head), 1951, pen and black ink; n.d., red and black chalk (recto), Untitled (Study of a Seated Ballet, n.d., gouache; Christmas and black chalk (verso); Untitled Figure), n.d., black crayon; Card (Joyeux, Joyeux, Joyeux, (Reclining Female Nude); Untitled (Study of a Marble

20 Sculpture), n.d., watercolor with (Seated Female Figure (verso), Untitled (Two Animals); Untitled graphite; Untitled (Seated Figure), n.d., watercolor over graphite (Two Animal Sketches); Untitled n.d., black crayon; Untitled (recto), and black crayon over (Two Horses Feeding); Untitled (Study of a Male Head), n.d., graphite (verso); Untitled, n.d., (Study of a Head of a Horse); graphite; Untitled (Seated black crayon; Untitled, n.d, black Untitled (Head of a Goat); Woman) (recto), Untitled (Seated crayon over graphite; Untitled, Untitled (Studies of Sheep); Man) (verso); Untitled (Seated n.d., black crayon; Untitled; Untitled (Head of a Horse); Woman) (recto), Untitled (Man Untitled, n.d., black crayon with Untitled (Studies of Sheep); with Hat) (verso), n.d., red chalk stumping; Untitled; Untitled, n.d., Untitled (Two Animals); Untitled (recto), and black chalk (verso); black crayon; Untitled, n.d., (Studies of Birds); Untitled (Four Untitled (Studies of a Woman black crayon with stumping; Bird Studies); Untitled (Two ), n.d., graphite; Untitled Untitled, n.d., black crayon; Birds); Untitled (Four Animals), (Female Nude) (outside), Untitled Untitled; Untitled; Untitled, n.d., n.d., black crayon; Untitled (Bust Studies) (inside), n.d., black crayon with stumping; (Horse and Figure), n.d., black brown chalk (outside), and Untitled, n.d., black crayon with chalk: gift of the grandchildren of graphite and black chalk (inside); erasing; Untitled, n.d., black the artist (2009.805–943). Barry Untitled (Mother and Child), n.d., crayon with stumping; Untitled Le Va, Center Points and Lengths black chalk with incising; (Landscape with Boats), n.d., (Through Points of Tangency), Untitled (Female Nude); Untitled graphite; Untitled (Two Figures in 1974, pen and black ink: gift of (Female Nude with Arms a Landscape), n.d., watercolor Mel Bochner and Lizbeth Marano Crossed); Untitled (Sculptor at and graphite; Untitled (Palm (2009.804). John Marin, Self- Work), n.d., black crayon; Tree), n.d., black crayon; Untitled Portrait, c. 1944, graphite; Nudes Untitled (Studies of Two Standing (Landscape with Birds), n.d., in the Forest, c. 1940, watercolor Female Nudes), n.d., brown graphite and blue fiber-tipped and graphite; Downtown, New chalk; Untitled (Female Nude); pen; Untitled (Shell and Coral), York City (With Color Notes), c. Untitled (Female Nude), n.d., red n.d., pen and blue ink; Untitled 1924, graphite with smudging and chalk; Clay Practicing, n.d., (Landscape with Building), n.d., erasing; Untitled (Evergreen Tree, charcoal; Portrait of Clay Judson brown chalk; Untitled (Bowl of Maine), 1921/28, charcoal; Circus Jr. as a Child, n.d., red chalk; Fruit and Vegetables); Untitled Horses, c. 1941, graphite and Portrait of Alice Judson; Clay (Still Life with Flowers and colored pencil, with incising; Judson Jr., n.d., black crayon; Fruit); Untitled (Flower Still Life), Standing Figure (Woman in Untitled (Portrait of a Woman n.d., watercolor over graphite; Kimono), c. 1900, pen and black with Hat), n.d., graphite; Untitled Untitled (Shell), n.d., black chalk; ink; Two Street Scenes (recto), (Full-Length Portrait of a Untitled (Sketchpad), n.d., pen Figure Studies (verso); Figure Woman), n.d., red Conté crayon; and blue and black ink, with gray Studies; Street Scene by the Portrait of Clay Judson Jr. as a wash; Untitled (Woman Holding Docks; Horse and Carriage; Street Child, n.d., watercolor over Child Holding Flower); Untitled Scene with Figures; Street Scene graphite; Portrait of Clay Judson (Woman Holding Child Leaning (Oyster Shop); Tiger (recto), Nude Jr. as a Child (recto), Untitled on Shoulder), n.d., black chalk; Studies (verso); Studies of Figures (Lines) (verso), n.d., graphite Untitled (Sculptural Animal on Benches; Seated Man Reading; (recto), and black crayon, red Studies), n.d., graphite; Drawing Street Scene with Carriages and chalk, and graphite (verso); of Ceramic Relief, 1921, black Tram (recto), Horse and Carriage Untitled (Portrait of a Young crayon and graphite; Untitled Studies (verso), 1895/1900, Man), n.d., black chalk; Portrait (Bird Perched on a Branch); graphite; Figure Studies: Sidewalk of Alice Judson, n.d., black Untitled (Six Bird Studies), n.d., Scene, Seated Man (recto), Figure crayon; Portrait of Alice Judson, black crayon; Untitled (Three Studies, Head Study (verso), n.d., black crayon with scraping; Birds); Untitled (Studies of Birds); 1895/1900, graphite (recto), and Untitled (Portrait of a Woman), Untitled (Sheep in Pasture), n.d., graphite and pen and black ink n.d., black crayon; Untitled brown fiber-tipped pen; Untitled (verso); Tree-Lined Street (top), Portrait of a Boy); Untitled (Horse Wading through Water); Street Scene with Figures (Portrait of a Girl), n.d., black Untitled (Horse Drinking), n.d., (bottom), Figure Studies (verso); chalk; Untitled (Girl Drawing) black chalk; Untitled (Head of a Three Sidewalk Scenes (recto), (recto), Untitled (Outline of a Horse), n.d., black crayon; Steeple and Trees (verso); Horses; Figure (verso), n.d., black crayon, Untitled (Head of a Horse), n.d., Crowded Sidewalk in Front of with scraping, over graphite black chalk; Untitled (Animal Mansard Roof; Street Scene; (recto), and black crayon (verso); Sketches), n.d., red chalk; Town Square; Study—Hoboken, Untitled (Portrait of a Girl), n.d., Untitled (Four Animal Studies) N.J.; Figure on a Bridge; black chalk; Untitled (Portrait of (recto), Untitled (Study of a Downtown with Statue, a Woman Reading), n.d., Figure) (verso), n.d., black 1895/1900, graphite: restricted watercolor over graphite; Untitled crayon; Untitled (Bird Perched on gift of Meg and Mark Hausberg (Plant Still Life) (recto), Untitled a Branch), n.d., black chalk; in honor of Martha Tedeschi

21 (2010.349–74). G. Daniel ink, brush and gold paint, and Helen Curtenius McDougal, Massad, Study for Vessels, 1984, blue gouache, over graphite: and Print and Drawing funds graphite with stumping and Regenstein Endowment Fund (2010.343–44). Giovanni Battista erasing: gift of the artist (2010.345). Gaulli, Detail Study for “The (2010.407). László Moholy-Nagy, Assumption of Saint Agnes,” n.d., Untitled, 1941, pen and black English. Alexander Cozens, pen and brown ink, with brush ink, with brush and gray wash, Goats on the Edge of a Lake, and brown wash, heightened with and touches of orange and ocher 1760s, watercolor over traces of white gouache, over black chalk: gouache and orange colored graphite: Mr. and Mrs. David C. Regenstein Endowment Fund pencil, over graphite: bequest of Hilliard and Thomas Baron funds (2010.338). Pier Francesco Mola, Sylvia Sights (2009.952). (2010.49). Joseph Greeting His Brothers, c. Elizabeth Murray, Untitled, 1656, pen and brown ink, with c. 1990, graphite and colored French. Jean-Baptiste-Camille brush and brown wash, over pencils; Untitled, c. 1990, pen Corot, Standing Male Nude, red chalk: restricted gift of Anne and black ink, gouache, and 1843, graphite with stumping; Searle Bent (2009.670). colored pencils: gift of Mel Venus Disarming Cupid, c. Bochner and Lizbeth Marano 1857, charcoal with stumping, Japanese. Michiko Itatani, (2009.802–03). Ed Paschke, Lady scraping, and erasing, heightened Personal Codes, 2008, silverpoint: I: Tassel Dancer; Lady II: Girl with white gouache: Regenstein gift of Jake Milgram Wien Wearing Bolero Jacket, 1973, Endowment Fund (2010.341–42). (2010.408). graphite: gift of Henry and Gilda François-Marius Granet, Monks Buchbinder Family (2009.708– on the Staircase of the Villa of Prints 09). Marion Perkins, Strathmore, Maecenas at Tivoli, n.d., pen and American. Frances Badger, c. 1945–50, spiral-bound book brown ink, and brush and brown Untitled (Asheville); Untitled with pen and black ink and wash, with touches of watercolor, (Ashville), 1929, soft-ground graphite; Tablet, n.d., perfect- over traces of graphite: Julius etchings: bequest of Vera Berdich bound tablet with graphite and Lewis Endowment Fund (2009.726–27). Eugene Berman, red colored pencil; Regent, n.d., (2010.339). Simon Vouet, printed by Lynton Kistler, spiral-bound book with graphite, Bust Portrait of a Young Man, Verona; Verona; Verona, 1951, pen and black ink, colored 1620/25, black and red chalk, color lithographs; Verona, 1951, crayons, colored pencils, and with stumping: Regenstein lithograph: gift of Tobey C. watercolor, and a sheet of Endowment Fund (2010.337). Moss (2009.794–97). Sanford woodcuts in black; Regent, n.d., Biggers, Afropick, 2005, spiral-bound book with graphite, German. Max Beckmann, woodcut: gift of Jane E. Ratcliffe pen and black ink, colored Birdplay, 1949, pen and black Coakley (2009.706). Kathleen crayons, colored pencils, and ink, with scraping, over charcoal: Blackshear, Portrait of Richard, watercolor; Talent ART Tablet, Margaret Fisher Endowment n.d., lithograph: bequest of Vera n.d., spiral-bound book with Fund (2010.291). Wiebke Siem, Berdich (2009.723). Mel Bochner, graphite, fiber-tipped pens, Dress, 1989, colored pencil published by Two Palms, Blah, charcoal, and colored pencil; and graphite: gift of Nancy and Blah, Blah; Blah, Blah, Blah, Mother and Child, n.d., graphite; Robert Mollers (2010.410). 2009, color monoprints, with Father and Child, n.d., red Rosemarie Trockel, Untitled, engraving and embossment, colored pencil; Nude Model, 1987, pen and black ink, over in oil paint: restricted gift of Reclining, n.d., colored pencils rubber stamp­–applied brown Thomas Baron (2009.680–81). and pastel, with touches of blue and black ink, over graphite: Frank Boyden, The Irreverences, : gift of Julia Perkins Margaret Fisher Endowment Provocations & Connivances of (2010.399–406). Henry Varnum Fund (2009.664). Uncle Skulky, 2003, portfolio Poor, Portrait of Mrs. Tiffany of 21 mixed intaglios: gift of the Blake, c. 1955, pastel: gift of Irish. Robert Healy, Miss artist in honor of Howard and Bruce Downsbrough (2009.791). Cunningham Holding Her King Kennon McKee (2009.683–703); Charles Spaniel, 1770, black Menu, Sept. 13, 2007, hand- Austrian. Joseph Anton Koch, chalk, charcoal, and gouache, colored drypoint, with pen and Landscape with Saint George with stumping, scratching, and black ink: gift of the artist in and the Dragon and the Monte erasing, heightened with white honor of Tom and Lore Firman Soratte, c. 1816, pen and dark chalk: Regenstein Endowment (2009.704). James Lee Byars, The gray ink, over graphite (recto), Fund (2009.682). Book of the Hundred Questions, graphite (verso): Margaret Day 1969, letterpress: gift of Gordon Blake Fund (2010.340). Italian. Giovanni Boldini, Veneklasen (2010.36). Francis Belgian. Jean Delville, Medusa, Audience at a Parisian Theatre Chapin, Cat; Studio Party, n.d., 1893, colored pencils and wax I; Audience at a Parisian lithographs: bequest of Vera crayons, with pen and blue Theatre II, c. 1885, graphite: Berdich (2009.724–25). Bruce

22 Conner, Untitled, 1970/74, offset color lithography (167- Fair, and Stanley Field funds offset lithograph in black (recto), page magazine), with poster (2009.671–79). Rembrandt and black fiber-tipped pen over and audio CD: restricted gift of Harmensz. van Rijn, The Tribute graphite (verso); Prints, 1974, Thomas Baron (2010.393–94). Money, c. 1634, etching: bequest six photocopied reports, keys, Robert Indiana, published by of Sylvia Sights (2009.944). envelopes, and a pamphlet in a Galleria Schwarz, ERR, 1963, gray F22 art steel office lockbox: photo-etching: bequest of Vera English. Richard Earlom, after gift of the Conner Family Trust Berdich (2009.728). Thomas l’Anglais (Michel-Vincent (2009.718, 720). Adolf Dehn, H. Kapsalis, Music #1, 1949, Brandoin), The Exhibition of the Chicago Steel Mills, 1931, etching: restricted gift of Thomas Royal Academy of Painting in lithograph: Mr. and Mrs. T. Baron (2010.375). Raymond the Year 1771, published May Stanton Armour Fund (2010.41). Martin, Face, 1958, soft-ground 20, 1772, mezzotint: Sara R. Helen Frankenthaler, printed by etching and aquatint, with Shorey Endowed Acquisition Roger Campbell, Lee Funderburg, burnishing and etching: gift of Fund (2010.40). David Hockney, and Kenneth Tyler, published by Lisa Ross-Miller (2010.398). Untitled, 1989, 50 prints, Tyler Graphics, Ltd., The Red Michael Miller, Pinnacle, 1972, faxed: gift of Henry and Gilda Sea, 1978–82, color lithograph: color photo-etching, soft-ground, Buchbinder Family (2009.707). gift of Richard and Joyce Prince aquatint, and hard-ground: gift (2009.792). Edward Gorey, An of John L. and Roslyn Bakst Flemish. Schelte Bolswert, after Exhibition, 1965, lithograph; Goldman (2009.800). Matt Peter Paul Rubens, The Lion Cool It with Books This Summer, Mullican, published by Carl Hunt, 1621/29, engraving: n.d., color lithograph; For Solway, Untitled (Organizational Amanda S. Johnson and Marion Reading Achievement . . . , n.d., Legend), 1988, portfolio of 16 J. Livingston Fund (2010.48). lithograph; The Pious Infant etchings and aquatints, some Théodoor Galle, after Joannes Henry Clump, n.d., commercially with color: gift of Dirk Denison Stradanus, The Invention of Oil printed offset lithographs; (2009.793.1–16). Martin Puryear, Painting; The Invention of Copper Brochure for The Minneapolis printed by Paulson Press, Black Engraving, c. 1591, engravings: Institute of Art, 1968; Plain & Cart, 2008, color aquatint and Amanda S. Johnson and Marion J. Coloured Drawings by Edward etching: restricted gift of Kaye Livingston Fund (2009.667–68). Gorey, 1974, booklets with offset and Howard Haas (2009.665). lithography; An Exhibition, Seymour Rosofsky, Man Playing French. Pierre-François Basan, 1965, lithograph; Christmas War Games at Table, early after Gabriel de Saint-Aubin, Card with Tiger, n.d., color 1960s, lithograph: anonymous The Carnival of Parnassus; The offset lithograph; Christmas gift in memory of Esther Kuh Dance Hall, n.d., etchings and Card (Pink); Christmas Card Askow and Irwin J. Askow engravings: Amanda S. Johnson with Man and Cat, n.d., relief (2010.397). Nicholas Sistler, and Marion J. Livingston Fund prints; Christmas Card with printed by Anchor Graphics, (2010.55–56). Adolphe-Marie- Lounging Man and Angel, n.d., Hotel Suite, 2010, portfolio of 16 Timothée Beaufrère, Sails Set commercially printed color offset photo-etchings: Margaret Fisher out to Dry, 1924, etching and lithograph; Christmas Card with Endowment Fund (2010.376–92). drypoint: bequest of Sylvia Sights Robot and Female Prisoner, Kiki Smith, written by Henri (2009.948). Émile Bernard, n.d., lithograph; Christmas Cole, published by the Davis The Stroll, 1888, hand-colored Card (Joyeux Noël), n.d., relief Museum and Cultural Center, lithograph: Stanley Field, Marjorie print; The Poets’ Theatre . . . Wellesley College, printed by and Frank Brookes Hubachek An Entertainment, n.d.; Dylan Annis Press, Wellesley College, Memorial, Albert H. Wolf, John Thomas, 1952; The Poets’ Toxicology, Apr. 2009, linotype H. Wrenn Memorial Endowment, Theatre . . . An Actors’ Reading, and engraving: gift of the Davis Joseph Brooks Fair, Elizabeth Gott n.d.; The Poets’ Theater . . . A Museum and Cultural Center, Templeton Endowment, Joseph Workshop Production, n.d., Wellesley College (2009.801). T. Ryerson Endowment, Helen lithographs: bequest of Sylvia Davis Baily Endowment, Robert Sights (2009.958, 960, 962, Dutch. Allaert Claesz, after M. Chase Endowment, Everett 966, 968, 970, 972, 976, 980, Marcantonio Raimondi, Allegory D. Graff, Hannan, William 982, 984, 986, 988, 996–99). with a Woman in Roman Dress McCallin McKee Memorial, Related to Edward Gorey, on a Triumphal Chariot, n.d., and Henry M. Huxley funds ephemera: bequest of Sylvia engraving: Amanda S. Johnson (2010.346). Felix Bracquemond, Sights (2009.964, 995, 1000–01). and Marion J. Livingston Fund Woman with a Fan, c. 1886, Peregrine Honig, Widow, 2010, (2010.42). Johan Barthold etching: William McCallin McKee offset color lithography (167- Jongkind, Cahier de six eaux- Memorial Fund (2010.38). Marie page magazine), with poster, fortes, vues de Hollande, 1862, Bracquemond, Portrait of the audio CD, and reading glove by etchings: John H. Wren Memorial Critic Gustave Geffroy, by 1890, Peggy Noland; Widow, 2010, Endowment, Joseph Brooks etching: William McCallin McKee

23 Memorial Fund (2010.46). n.d., drypoint: bequest of Sylvia the Dnepr, Apr. 17, 1944; Crimea: Charles-Nicolas Cochin I, after Sights (2009.947). Henri Matisse, The All-Union Health Spa, May Jean-Baptiste-Siméon Chardin, Still Life with Goldfish III; Still 12, 1944; Patriots of Poland, The Washerwoman, 1739, etching Life with Goldfish V, 1914/15, Czechoslovakia, Greece, France, with engraving: Amanda S. monotypes: Mr. and Mrs. Robert Belgium, Holland, Denmark, Johnson and Marion J. Livingston O. Delaney Fund (2010.1–2); Norway!, May 16, 1944; The Fund (2010.57). Jean Daullé and Odalisque in Pantaloons, 1925, Hour Approaches, May 26, 1944; Simon-François Ravenet, Mlle. lithograph: bequest of Sylvia New German Divisions, Nov. 16, Lavergne, Niece of Mr. Liotard, Sights (2009.946). Gérard Scotin, 1944; Noisy Success, Dec. 16, n.d., engraving: Amanda S. after Jean-Antoine Watteau, 1944; Hitler’s Lackeys—to the Johnson and Marion J. Livingston The Pleasures of the Ball, 1730, Bottom!, Jan. 9, 1945; Aleksandr Fund (2010.54). Étienne Fessard, etching: Amanda S. Johnson Timofeevich Danilichev, The after Jean-Baptiste-Siméon and Marion J. Livingston Fund Order of Nakhimov, Apr. 11, Chardin, Woman Sealing a Letter, (2009.659). Louis Surugue, after 1944; The Order of Ushakov, 1738, engraving: Amanda S. Jean-Baptiste-Siméon Chardin, Apr. 15, 1944; The Liberators Johnson and Marion J. Livingston The House of Cards, 1744; The of Pskov, July 24, 1944; Nikolai Fund (2010.60). Jean-Jacques Blind Man Begging, c. 1753, Fedorovich Denisovsky, Derailed!, Flipart, after Charles-Nicholas engravings: Amanda S. Johnson Feb. 16, 1944; It Is Now a Cochin, Contest for the Prize and Marion J. Livingston Fund Question of Clearing the Fascist for the Study of Heads and (2010.61–62). Henri de Toulouse- Invaders . . . , May 1944; Expression, 1763, etching and Lautrec, The Stalk—Moulin “Statesman” of Hitler’s Germany, engraving: Amanda S. Johnson Rouge, 1894, lithograph: bequest Aug. 25, 1944; Vain Attempts, and Marion J. Livingston Fund of Sylvia Sights (2009.945). Nov. 23, 1944; Victory!, May 12, (2009.666). Marcel Gromaire, 1945; The Victory Document, Grounded Boat, 1928, etching German. Julius Ussy Engelhard, June 1945; Nikolai Fedorovich and drypoint: bequest of Sylvia Bolshevism Brings War, Denisovsky and Pavel Petrovich Sights (2009.950). Henri-Charles Unemployment, and Starvation, Sokolov-Skalya, Our One Guérard, The Assault of the Shoe; 1918, color lithograph: William Thousandth Blow, June 5, 1944; The Assault of the Shoe; The McCallin McKee Memorial Fund B. E. Efimov, “Philanthropic” Assault of the Shoe; The Assault (2010.348). Johann Gottlieb Hitler, Jan. 31, 1945; S. N. of the Shoe, 1888, etchings with Glume, Woman with a Parasol Kostin, Two Faces, Feb. 12, 1944; open bite: restricted gift of Anne (Mrs. Friedrich Christian Glume, The Flight of General Manstein, Searle Bent (2009.660–63). Sister-in-Law of the Artist), 1749, Apr. 17, 1944; The Former Ange-Laurent de La Live de Jully, etching: Amanda S. Johnson Ersatz Landowner, July 3, 1944; after François Boucher, Two and Marion J. Livingston Fund “Neutral” Franco, Nov. 16, Lovers Giving Thanks to the (2009.669). 1944; Hitler and His Generals, Statue of Health, n.d., etching; Dec. 8, 1944; Hold the Bandits Ange-Laurent de La Live de Italian. Bernardino Capitelli, Accountable!, Jan. 14, 1945; Our Jully, Minerva Teaching a Young after Rutilio Manetti, Lot and Answer; Inescapable Date, Mar. Artist, from Catalogue historique His Daughters, c. 1625, etching: 31, 1945; A Trick or a Useless du Cabinet, n.d., etching; gift of Nicolaas Teeuwisse Disguise, May 11, 1945; Long Frontispiece, from Élements, (2010.412). Giuseppe De Nittis, Live the Victory . . . , May 21, n.d., etching: Amanda S. Johnson The Dancer Holoke-Go-Zen, 1945; Kukryniksy, Thunderous and Marion J. Livingston Fund 1873, etching, drypoint, and Blow, June 17, 1942; Buns (2010.43–45). Jacques-Philippe roulette: Everett D. Graff Fund and Bumps, Nov. 6, 1943; The Le Bas, after Jean-Baptiste-Siméon (2010.39). Piero Dorazio, Hitlerites Intended . . . ; Chardin, The Drawing Lesson; Untitled XXI, 1968, color The Hitlerites Intended . . . , The Good Education, 1749, aquatint: gift of Nancy and Feb. 6, 1944; An Attempt with engravings: Amanda S. Johnson Robert Mollers (2010.409). Futile Efforts, Feb. 23, 1944; and Marion J. Livingston Fund Marcantonio Raimondi, Mars, The Pursuit of Man-Power in (2010.58–59). François-Bernard Venus, and Cupid, 1508, Germany, Mar. 1944; A Lesson Lépicié, after Jean-Baptiste- engraving: Amanda S. Johnson for the Germans, Mar. 21, 1944; Siméon Chardin, School Mistress, and Marion J. Livingston Fund A Deadly Concern, Apr. 17, 1944; c. 1740; The Turnip Scraper, (2010.47). Welcome!, Apr. 19, 1944; Under 1742, engravings: Amanda S. the Blows of the Red Army, Johnson and Marion J. Livingston Polish. Stanislaus Szukalski, May 1944; Three Years of War, Fund (2010.63–64). Jean Lurçat, Untitled, 1916, drypoint: bequest June 11, 1944; I Will Force the Untitled, n.d., drypoint: bequest of Sylvia Sights (2009.953). Channel Crossing!!!, June 27, of Sylvia Sights (2009.951). Russian. Fedor V. Antonov, 1944; Two Cauldrons, July 24, Attributed to Henri Manguin, Nurse, Mar. 21, 1944; Mikhail 1944; The Liberated Ukraine Untitled (Ships in a Harbor), M. Cheremnykh, It Happened on Gathers Its Harvest, Aug. 2,

24 1944; Paris Is Liberated!, Sept. Grand Europe”. . . ?, July 7, of Victories,” May 12, 1945; He 1, 1944; The “Newest” Europe, 1943; Exactly According to the Returned with Victory, May 24, Oct. 25, 1944; Krylov’s Monkey Order, Apr. 25, 1944; We Will 1945; Japan Has Capitulated!, on Goebbels, Nov. 20, 1944; Long Liberate Our Brothers!, May 31, Sept. 22, 1945; Pavel Petrovich Live the Victory of the Anglo- 1944; Thunder and Lightning, Sokolov-Skalya and Nikolai Soviet-American . . . , May 10, Aug. 28, 1944; The Last Ally, Ernestovich Radlov, Fascist 1945; Ours Is a Just Cause! We Oct. 5, 1944; Rats of a Sinking Reports, Aug. 17, 1942; Pavel Won!, June 1945; Let the Three Ship, Dec. 20, 1944; They Will Petrovich Sokolov-Skalya and V. Brightly Illuminated Flags Flutter Not Resurface!, Dec. 29, 1944; Sokolov, Patriots of Yugoslavia!, . . . , Sept. 21, 1945; Vladimir New Year’s Fortune Telling, June 12, 1944; Mikhail Vasilievich Lebedev, Wedding Jan. 3, 1945; Goebbels’ New Mikhailovich Solov’ev, During Present; Wedding Present, July 1, Year’s Canards, Jan. 24, 1945; This Year’s Winter Campaign, 1942; Spiders in a Jar, Aug. 12, No “Illusions,” Jan. 25, 1945; Apr. 1944; On Mayday!, Apr. 13, 1942; The Arsonists Are Burning, Hindenburg and Hitler, Feb. 28, 1944; Victors of the Competition Apr. 21, 1943; Captured!, Feb. 1945; The Last Masquerade, Preceding May Day, Apr. 25, 17, 1944; The Ally with Weight, May 11, 1945; 1941–1945, June 1944; Harvest to the Front!, Aug. Apr. 12, 1944; A Careless Shot, 29, 1945; Hooray to the Fifth 27, 1944; Glory to the Liberators May 13, 1944; With the Call Anniversary of the Latvian . . . , of Kishinev!, Aug. 31, 1944; The “Death to the German-Finnish July 17, 1945; In the Dens Soviet-Finnish Frontier, Oct. 9, Invaders!,” June 27, 1944; of Madrid, Aug. 14, 1945; B. 1944; The Baltic Is Liberated!, Belorussian Landscape, July Shirokrad, A Menacing Ghost, Nov. 16, 1944; Greetings to the 31, 1944; Force of Habit, Jan. Feb. 4, 1944; Piotr Mitrofanovich People of Yugoslavia!, Nov. 18, 8, 1945; V. Lyushin, Fruits Shukhmin, Repin and the White- 1944; Just as the Red Army, and Vegetables to the Front!, Finnish Savages, Aug. 4, 1944; Dec. 1944; Glory to the Fighting Aug. 29, 1944; M. V. Mal’tsev, Glory to the Artillerymen!, Nov. Youth!, Dec. 30, 1944; Salute, For the Motherland!, Dec. 15, 24, 1944; Long Live the Great Jan./Feb. 1945; The National 1944; Our Winter Offensive Organizer and Inspiration . . . ; Flag of the Polish State Is Raised Shows . . . , 1945; Long Live Inglorious End, May 1945; V. P. . . . , Apr. 2, 1945; Konigsberg the Heroic Working Class, June Sokolov, Donbass Is Reviving!, Is Taken!, Apr. 10, 1945; In 22, 1945; V. A. Milashevsky, Sept. 1944; Glory to the Railway the Direction of Dresden, Apr. Tallin Is Liberated!, Sept. 22, Men—The Heroes of Socialist 26, 1944; Let Us Greet the 1st 1944; Our Pechenga, Nov. 4, . . . , Aug. 4, 1945; V. P. Sokolov of May, Apr. 29, 1945; Our 1944; Soviet Forces Have Taken and A. I. Plotnov, Narva Is Friendship Became Stronger . . . , the Village of Kunersdorf . . . , Liberated!, July 27, 1944; Pavel June 18, 1945; Glory to the Soviet Mar. 20, 1945; 220 Years of the Petrovich Sokolov-Skalya, The Soldier!, June 21, 1945; Glory to Academy of Sciences of USSR, Hour of Payback Is Nearing, the Soviet Youth!, Aug. 31, 1945; June 19, 1945; A. I. Plotnov, To June 18, 1942; Wolf the Moralist; Mikhail Mikhailovich Solov’ev the Heroes of the Sky, Aug. 4, Wolf the Moralist; Wolf the and P. Sarkisyan, The Allied 1945; A. Przhetslavsky, Glory to Moralist, July 19, 1943; German Forces Have Forced a Channel the Belorussian Partisans!, Aug. Wolf in Sheep’s Clothing, Crossing, July 16, 1944; Yet 21, 1944; Cavalrymen of the Mar. 22, 1944; A Secret and a Another Blow Against Fascism, Red Army!, Nov. 3, 1944; In the Counter-Secret, Mar. 23, 1944; Jan. 3, 1945; P. Sudakov, To Mountains of Transylvania, Nov. The Result of Fascist Culture, Berlin!, Mar. 26, 1945; Glory to 11, 1944; The Cossack Glory, Apr. 3, 1944; You Reap What the Pilot-Heroes, Aug. 4, 1945; Dec. 20, 1944; Sacred Duty, Dec. You Sow, Apr. 25, 1944; Our Aleksandr Nikolaevich Volkov, 22, 1944; A Blow to the Enemy’s Crimea, May 9, 1944; You’re The Supreme High Command Rear, Jan. 26, 1945; Our Forces, Once Again with Us, Sevastopol!, of the Red Army, Apr. 11, 1944; Developing the Offensive, Are May 10, 1944; The Liberation Yet Another “Cauldron,” Feb. Penetrating . . . , Mar. 7, 1945; In of Rome, June 21, 1944; It 8, 1945; No Pillbox Will Save the Carpathian Mountains, Apr. Was Realized!, June–July 1944; the Enemy!, Apr. 15, 1945; 29, 1945; Nikolai Ernestovich Ancestors and Descendants, July Konstantin Aleksandrovich Radlov, A Portrait of a Scoundrel, 27, 1944; The Land of Suvorov, Vyalov, Sailors-Guardsmen; In All Might of His Small Height; Sept. 29, 1944; “Neutral” Sailors-Guardsmen, June 26, A Portrait of a Scoundrel, In Switzerland, Jan. 8, 1945; Under 1942; A Sea Raid, Jan. 31, 1944; All Might of His Small Height, the Scorching Sun of Argentina, Salute to the Courageous Sailors, July 17, 1942; Parisian Parade, Jan. 20, 1945; Hitler and the May 29, 1944, multicolored brush Aug. 17, 1942; E. Reznikov “Brotherly” Austria, Jan. 27, stencils: gift of the USSR Society and I. Kogout, The Villain Will 1945; Along a Familiar Path, Apr. for Cultural Relations with Not Escape Judgment, Dec. 16, 14, 1945; The Exhaustive Result Foreign Countries (2010.65–72, 1944; P. Sarkisyan, What Is His of His Bloody Dictatorship, Apr. 74, 73, 75–86, 88, 87, 89–97, Last Name?, May 17, 1943; “A 18, 1945; On the Berlin “Avenue 100, 99, 98, 101–18, 120, 119,

25 121–33, 136, 134–35, 137–53, backed with cotton, plain weave; 1920s/30s, cotton, various plain 155, 154, 156–65, 167–68, 166, pieced; edged with cotton, plain weaves; most printed; pieced; 170, 172, 171, 173–79, 182, 181, weave; printed: gift of Donald quilted; backed with cotton, plain 180, 183–91, 169, 192–203, 205, Young and Shirley Weese Young weave; pieced: gift of Donald 204, 206–17, 219, 218, 220–21). (2009.1015). Bedcover (Star and Young and Shirley Weese Young Crescent Quilt), Pennsylvania (2009.1022). Spanish. Francisco José de Goya y (Pennsylvania Dutch), early 19th Lucientes, You understand? . . . cen., cotton, plain weaves; pieced; American or Canadian Well, as I say . . . eh! Look out! quilted; backed with cotton, plain Bedcover, c. 1900, cotton, various Otherwise . . . , plate 76 from Los weave; printed; edged with cot- plain weaves; printed; pieced; Caprichos, 1797/99, etching and ton plain weave: gift of Donald lining: four panels, pieced: cotton, aquatint: gift of Lyn Delliquadri Young and Shirley Weese Young plain weaves, printed: gift of the (2010.395). Pablo Picasso, (2009.1013). Bedcover, 1800/30, Morrison-Shearer Foundation printed by Louis Fort, published cotton, various plain weaves; (2009.1010). by Ambroise Vollard, Salomé, block printed; pieced; quilted; from The Saltimbanques, 1905 lining: cotton, various plain Caucasian (printed and published 1913), weaves; block printed; pieced: etching and drypoint: bequest of gift of Donald Young and Shirley Carpet, mid-18th/19th cen., wool, Sylvia Sights (2009.949). Weese Young (2009.1011). plain weave with supplementary Bedcover (Star of Bethlehem wrapping wefts forming cut Swiss. Artist unknown, after Quilt), Newburgh, New York, through a technique known as Jean Huber, Le déjeuner de c. 1815, cotton, various plain “Ghiordes knots”: gift of Joseph Voltaire à Ferney or Le souper weaves; printed; some calender- W. Fell (2009.1031). des philosophes, c. 1773–75, ized and glazed; pieced; quilted; etching: Amanda S. Johnson lining: cotton, plain weave; English and Marion J. Livingston Fund pieced; batting: cotton: gift of Probably designed by the (2010.37). Hans Lendorff, text Donald Young and Shirley Weese Haslemere Peasant Industries, by Hans Sandreuter, Boecklin Young (2009.1012). Bedcover Panel, Surrey, 1899–1901, linen, Jubilee Exhibition Basel, 1897, (Album Patch or Signature Quilt), plain weave; appliquéd with color lithograph: William 1847, cotton, plain weaves; linen, plain weave; embroidered McCallin McKee Memorial Fund printed; quilted; backed and with cotton in stem, buttonhole, (2010.347). edged with cotton, plain weave; and stitches; both selvages pieced; printed: gift of Donald present: Louise A. Lutz Estate Young and Shirley Weese Young (2009.731). (2009.1017). Bedcover (Album Patch or Signature Quilt), Berks, French American Lebanon, and Montgomery Scarf, 1920s, silk, hexagonal counties, Pennsylvania, 1847/48, Bedcover, 19th cen., cotton, plain bobbinet; embroidered with cotton, various plain weaves; weaves; pieced; quilted; backed viscose-rayon in chain and satin most printed; pieced; quilted; in- with cotton, plain weave; edged stitches; glass (?) beads; appliquéd scribed; backed with cotton, plain with cotton, plain weave: gift of with iron-alloy grommets; applied weave; pieced; printed; edged Donald Young and Shirley Weese cotton fringe: gift of Joseph with cotton, plain weave; printed: Young (2009.1020). Bedcover W. Fell (2009.1029). Scarf, gift of Donald Young and Shirley (Flying Geese Quilt), 19th cen., 1920s, silk, plain weave; screen Weese Young (2009.1016). cotton, plain weaves; pieced; printed: gift of Joseph W. Fell Bedcover (Nine Patch Quilt), late some printed; quilted; backed (2009.1030). 19th cen., cotton, plain weaves; with cotton, plain weave; edged printed; pieced; quilted; backed with cotton, plain weave: gift of Greek with cotton, plain weave; printed: Donald Young and Shirley Weese gift of Donald Young and Shirley Pillow Cover (?), possibly Rhodes Young (2009.1018). Crib Quilt, Weese Young (2009.1021). Bed- (Dodecanese Islands) or mainland 19th cen., cotton, plain weaves, cover (Sawtooth or Jagged Square Greece, 1850/1900, wool, mostly printed and 2:2 “Z” Quilt), Pennsylvania (Pennsyl- cotton, and linen, various plain weaves, printed; pieced; appliquéd vania Dutch), c. 1890, cotton, weaves, some balanced, some with cotton, plain weave, printed; plain weaves; pieced; appliquéd; weft-faced, some fulled, some quilted; backed and edged with quilted; backed with cotton, plain with discontinuous wefts; pieced; cotton, plain weave; printed: gift weave; printed; edged with cot- embroidered in chain, buttonhole, of Donald Young and Shirley ton plain weave: gift of Donald tent, long and short, cross, Weese Young (2009.1019). Bed- Young and Shirley Weese Young and back and double running cover (Crossroads Quilt), early (2009.1014). Bedcover (Log stitches: gift of Joseph W. Fell 19th cen., cotton, various plain Cabin or Barn Raising Quilt), (2009.1025). weaves; printed; pieced; quilted;

26 Hmong and silk plain weaves; bottom mid-19th cen., cotton, plain Hanging (?), probably Chicago, edge padded: gift of Debra L. weave with supplementary pile Illinois, 1975/2000, cotton, Hammond (2009.1023). Kimono wefts forming cut, solid pile plain weave; embroidered with (Altered into a Child’s Kimono), (); appliquéd with beads; late Taisho– (1912–26) or early lined with cotton, plain weave, acrylic in stem, long and short, – Roumanian, and buttonhole Sho wa period (1926–89), c. glazed; interlined with paper; stitches; edged with cotton, plain 1920–50, silk, warp-float faced edged with cotton, plain weave weaves; pieced; lined with cotton, 3:1 twill weave with and silk, plain weave; strap: plain weave: gift of Joseph W. Fell crepe effect from over-spun cotton, plain weave with self- (2009.1024). wefts in the S-direction; printed; patterning warps and wefts: gift lined with silk, plain weave; of Frances Meredith Allison Lease patterned by differences in Mayor (2009.1009). Indian weave density; printed: Textiles Aba (Dress for Child or Young Purchase Account (2010.224). Woman), Gujarat, Kutch (Khatri Designed and executed by Robe, possibly Syria, 19th cen., community), 19th or early Keiko Kobayashi, Silk Overshot cotton, plain weave; quilted 20th cen., silk, satin weave; Wearable Poncho, 1984, with areas of raised padding embroidered with silk floss and four panels joined to form a (trapunto): James D. Tigerman “gold” and “silver” metal-strip- poncho: silk, plain weave with Estate (2009.730). wrapped silk in chain stitches; supplementary patterning wefts; applied paillettes; loop and ball both selvages on all four panels Spanish fastenings; edged with applied present; Passion, 1988, cotton, braid; embroidered areas lined acrylic, and viscose-rayon and Panel, probably Barcelona, late with cotton, plain weave: James acrylic, areas of plain weaves 19th/early 20th cen., two panels D. Tigerman Estate (2010.222). and twill weaves with viscose- joined: silk and cotton, satin Trousers, 1900/50, silk, warp rayon, cellulose acetate, and weave; cut; appliquéd with silk, resist-dyed plain weave (warp viscose-rayon on cellulose film (?) cut edged with gilt-metal- ikat) with stripes of plain weave; supplementary patterning wefts; strip-wrapped silk thread in laid edged with applied silk and metal woven on a loom with a Jacquard work and couching; embroidered strip, plain weave; button and attachment; Map I, 1986, linen, with gilt-metal-strip-wrapped loop closures; waistband: silk, single interlocking plain weave silk thread, looped and couched, plain weave; lining: cotton, plain with discontinuous warps and edged with couched silk chenille weave: James D. Tigerman Estate wefts (sections of joined : Elizabeth Werner Walter (2010.223). by dovetailing around inserted, Memorial Fund (2009.729). scaffolding wefts); Spider’s Web Aurèlia Muñoz, Textile + Paper Iranian Crossing, 1990, two panels (Textil + Papel), 1991, silk (?), joined: silk, slip-knot net with plain weave; resist-dyed; painted; Hanging, 1893, two panels applied paper elements and joined: linen, plain weave; areas of gold and silver colored metal-foil-wrapped cotton and reflective material: gift of Albert painted; printed: gift of Joseph and Araceli Bosch (2009.1032). W. Fell (2009.1026). Cover, cotton discontinuous plain weave; Rings on Ring (Geometric 19th or early 20th cen., three Turkish panels joined: wool, stripes of Circus), 1994, five ring and warp-faced plain weave and spiral components: silk, plain Bridal Bedcover, c. 1877, warp-faced plain weave with weave with a circular warp in Istanbul, five panels joined: silk, warp substitution: gift of Joseph the shape of a ring; wefts from satin weave; embroidered with W. Fell (2009.1027). Cover, 19th main ring become warps for gilt-metal-strip-wrapped silk in or early 20th cen., two panels smaller, secondary connected laid work and couching over card; joined: cotton, plain weave with rings; attached silk, plain weave lined with cotton, twill weave: gift wool supplementary diagonal and in a spiral, secured and stabilized of John-Mark Horton (2010.225). horizontal weft wrapping: gift of with cotton threads and gilt- Joseph W. Fell (2009.1028). metal-strip-wrapped cotton; Autumn Leaves (Impromptu of Japanese Scarves), 1988, 26 scarves: silk, plain weave with supplementary Kimono, late Meiji (1868–1912) patterning wefts: gift of Keiko – or early Taisho period (1912–26), Kobayashi (2009.1003–08). early 20th cen., silk, crepe plain weave (chirimen); resist-dyed, painted, and applied gold leaf; Native American bottom edge padded; inner layer: silk, crepe plain weave (chirimen); Woodlands Indians, possibly resist-dyed and applied gold leaf Iroquois, North America, Bag,

27