New Mexico Film Production Tax Incentive Study

Total Page:16

File Type:pdf, Size:1020Kb

New Mexico Film Production Tax Incentive Study New Mexico Film Production Tax Incentive Study Phase III Report July 2016 New Mexico Film Production Tax Incentive Study Phase 3 Report TABLE OF CONTENTS Executive Summary .................................................................................................................................... 2 1 Background and Study Purpose ..................................................................................................... 6 1.1 Introduction ......................................................................................................................................... 6 1.2 Purpose and Scope of Phase 3 .......................................................................................................... 7 1.3 Report Structure .................................................................................................................................. 7 1.4 Report Limitations ............................................................................................................................... 7 2 Film Tourism and Its Measurement ................................................................................................ 8 3 Experience of Film Tourism in Other Jurisdictions ...................................................................... 9 4 Film Tourism in New Mexico ......................................................................................................... 12 4.1 Review of Previous Studies of Film Tourism in New Mexico ............................................................ 12 4.2 Individual/Annecdotal Evidence of FIT in New Mexico ..................................................................... 14 4.3 Survey of Visitors .............................................................................................................................. 16 4.4 Survey of Tourism-Related Businesses and Organizations ............................................................. 17 5 Impacts of Film Tourism in New Mexico ...................................................................................... 23 5.1 New Mexico’s Tourism Industry ........................................................................................................ 23 5.2 Estimation of the Economic Impacts of Film Tourism in New Mexico .............................................. 25 6 Film Tourism Recommendations .................................................................................................. 29 7 Impacts of Film and Television on Educational Institutions ...................................................... 31 7.1 Film and Television Related Educational Programs ......................................................................... 31 7.2 Impact of Film and Television Industry on Educational Institutions .................................................. 34 7.3 Partnerships ...................................................................................................................................... 37 7.4 Role of the Film Tax Incentive on Educational Institutions ............................................................... 37 8 Film and Television Related Infrastructure Investments ............................................................ 38 8.1 Existing Production Studios in New Mexico ..................................................................................... 38 8.2 Additional Infrastructure Investments ............................................................................................... 40 Appendix A. Description of Data Sources ........................................................................... A-1 Appendix B. Economic Impact Definitions .......................................................................... B-1 Appendix C. Film Agreements from New Zealand .............................................................. C-1 Appendix D. Survey of Visitors ............................................................................................ D-1 Appendix E. Survey of Tourism-Related Businesses and Organizations ....................... E-1 Appendix F. Survey of Educational Institutions .................................................................. F-1 i New Mexico Film Production Tax Incentive Study Phase 3 Report EXECUTIVE SUMMARY This is the third in a series of reports prepared by MNP LLP on the New Mexico film and television industry. The previous reports, which were released in 2014 and 2015, analyzed the economic impacts arising from film and television production spending, and its resulting effects on suppliers and the labor force. This report is focused on the following three aspects of the New Mexico film and television industry: Analysis of the effects that the film and television industry has on the New Mexico tourism industry. Documentation of educational programs that are designed to encourage participation by New Mexico residents in the film and television industry. Review of investments made in New Mexico in film and television infrastructure. EFFECTS OF THE FILM AND TELEVISION INDUSTRY ON NEW MEXICO TOURISM The interaction between film and television and tourism is known as film-induced tourism, or FIT. FIT effects include both the influencing of visitors to travel to a jurisdiction, and the encouraging of increased visitor spending through participation in film-related experiences. In general, the assessment of FIT on a jurisdiction-wide basis is a difficult task. The study of FIT in a systematic fashion has only been of recent interest, and few jurisdictions have established systems to measure it in an ongoing fashion. This is currently the case in New Mexico, where no ongoing measurement system for FIT exists. As a result, our approach involved considering all available information on FIT, supplemented, as much as possible within the study terms of reference and budget, by original research. This approach can be described as an examination using multiple lines of evidence, where the multiple lines of evidence consisted of: Research and interviews regarding FIT in other jurisdictions that have film and television industries with similar characteristics. Review of previous studies on FIT undertaken in New Mexico. Research and interviews with individual New Mexico businesses and organizations that have reported FIT. Survey of visitors to New Mexico regarding the effects of FIT. Survey of New Mexico tourism businesses and organizations regarding the effects of FIT. Key Findings on FIT in New Mexico The following are our key findings on FIT in New Mexico: FIT is a contributor to the tourism industry in New Mexico. While it is difficult to isolate the effects of any single factor on the decision of visitors to travel to New Mexico, there is clear evidence that many visitors have been influenced, in whole or in part, to travel to New Mexico because of scenery or locations that have been featured in film or television productions, or to see locations where film and television productions have been filmed. In addition, some visitors not initially influenced to travel to New Mexico by film and television productions engage in film-related tourism experiences during their stay. The available evidence suggests that FIT has increased substantially since 2008. This increase appears to be largely due to the popularity of the Breaking Bad television production and its related production, Better Call Saul. On a regional basis, FIT appears to have the most effect in the Central Region (Albuquerque), followed by the North Central Region (Santa Fe). Tourism businesses and organizations from the Central Region that were surveyed as part of the study believe that roughly 20 percent of visitors to that region may be influenced by film and television productions, while tourism businesses and organizations from the North Central Region believe film and television productions may influence 2 New Mexico Film Production Tax Incentive Study Phase 3 Report roughly 15 percent of visitors to their region. Tourism businesses and organizations in the remaining regions believe film and television productions may influence roughly 5 percent of visitors to their regions. At present, FIT accounts for a small but not insignificant portion of total New Mexico visitor spending. A conservative estimate is that FIT influenced, in whole or in part, between 5 percent and 13 percent of total visitor spending in 2014 (or between $302 million and $777 million).1 Based on that range, the estimated economic impacts attributable in whole or in part to FIT in 2014 are shown in the following table. ESTIMATED RANGE OF FIT ECONOMIC IMPACTS IN 20142 Low Median High Visitor Spending (millions) $301.6 $539.2 $776.8 Total Output (millions) $423.8 $757.7 $1,091.7 Total Gross State Product $219.2 $391.8 $564.5 (millions) Total Employment (FTEs) 4,412 7,888 11,363 Total Labor Income (millions) $115.6 $206.6 $297.7 Total State Taxes (millions) $20.8 $37.2 $53.7 Total Local Taxes (millions) $9.9 $17.7 $25.6 Recommendations on FIT Based on a review of FIT practices in other jurisdictions and on research conducted in New Mexico, we recommend the following regarding FIT: Coordination between film and television production companies and tourism organizations is a key factor for capitalizing effectively on FIT opportunities. New Mexico should consider the New Zealand model of introducing collaborative marketing agreements between production companies and relevant tourism agencies as part of its film incentive program. (Such agreements
Recommended publications
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • The Rt Hon Douglas Hurd CBE MP LONDON 15 March 1994 Sir VISIT
    The Rt Hon Douglas Hurd CBE MP LONDON 15 March 1994 Sir VISIT OF HM THE QUEEN AND HRH THE DUKE OF EDINBURGH TO THE CAYMAN ISLANDS 1.1 have the honour to report that Her Majesty The Queen and His Royal Highness The Duke of Edinburgh paid a most successful visit to the Cayman Islands from 26-27 February 1994. 2. The visit came eleven years almost to the day since their first visit to the territory. That visit is still remembered by the Cayman Islanders and this second visit will undoubtedly remain in their memories for as long. It was a most happy occasion; the programme went like clockwork and it was clear that both The Queen and The Duke enjoyed visiting one of the remaining Dependent Territories where everything works and where they were truly welcome. 3. I estimate that there were more than 3000 people gathered on the main street overlooking George Town harbour to welcome the Royal couple when they landed by barge from the Royal Yacht Britannia which had sailed into view shortly after 8 a m on Saturday 26 February escorted by the frigate HMS Lancaster. After the usual formalities and presentations the motorcade proceeded to the Legislative Assembly, The Queen and The Duke riding in the Rolls Royce which was purchased by the Cayman Islands Government for this occasion subsequently to become the Governor's official car. After inspecting a Guard of Honour drawn up by the Royal Cayman Islands Police, the Royal Party entered the Assembly where Her Majesty read the Speech from the Throne All members of the Legislative Assembly and their spouses were presented in the Speaker's Room and we then proceeded to what I consider to be the highlight of the visit: a public investiture on the steps of the Assembly when Cayman's first knight, Sir Vassel Johnson, Kt„ CBE, was formally dubbed in front of a large crowd.
    [Show full text]
  • THE FORWARD PARTY: the PALL MALL GAZETTE, 1865-1889 by ALLEN ROBERT ERNEST ANDREWS BA, U Niversityof B Ritish
    'THE FORWARD PARTY: THE PALL MALL GAZETTE, 1865-1889 by ALLEN ROBERT ERNEST ANDREWS B.A., University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of History We accept this thesis as conforming to the required standard. THE'UNIVERSITY OF BRITISH COLUMBIA June, 1Q68 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.ils representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of History The University of British Columbia Vancouver 8, Canada Date June 17, 1968. "... today's journalism is tomorrow's history." - William Manchester TABLE OF CONTENTS Chapter Page PREFACE viii I. THE PALL MALL GAZETTE; 1865-1880 1 Origins of the P.M.G 1 The paper's early days 5" The "Amateur Casual" 10 Greenwood's later paper . 11 Politics 16 Public acceptance of the P.M.G. ...... 22 George Smith steps down as owner 2U Conclusion 25 II. NEW MANAGEMENT 26 III. JOHN MORLEY'S PALL MALL h$ General tone • U5> Politics 51 Conclusion 66 IV. WILLIAM STEAD: INFLUENCES THAT SHAPED HIM . 69 iii. V. THE "NEW JOURNALISM" 86 VI. POLITICS . 96 Introduction 96 Political program 97 Policy in early years 99 Campaigns: 188U-188^ and political repercussion -:-l°2 The Pall Mall opposes Gladstone's first Home Rule Bill.
    [Show full text]
  • Download the List of History Films and Videos (PDF)
    Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future.
    [Show full text]
  • Letters from a Fish to His Admiral (Pdf)
    LETTERS FROM A FISH TO HIS ADMIRAL BEING BRITANNIA NEWSLETTERS 1-20 17th November 1953 – 9th April 1954 from Acting Captain J S Dalglish, Royal Navy to Rear Admiral Connoly Abel Smith, Royal Navy (temporarily absent with Her Majesty Queen Elizabeth II on board the S.S. GOTHIC for the Commonwealth tour of 1953/4) COMMISSIONING BRITANNIA The following notes and letters were written by Acting Captain J S Dalglish, the Officer in charge of Commissioning BRITANNIA, and getting her ready for Royal service, between November 1953 and April 1954. They were written to Rear Admiral Conolly Abel Smith who was on SS Gothic, in temporary use as a Royal Yacht, for The Queen’s Commonwealth Tour 53/54. Upon his return to the UK, Admiral Abel Smith would then become in charge of BRITANNIA, as the first Flag Officer Royal Yachts (FORY). Throughout his career Captain Dalglish was known as FISH. We have a copy of his autobiography – Life Story of a Fish. Prologue SOME RANDOM THOUGHTS ON “BRITANNIA” AT THE BEGINNING. Selection Officers were nominated by Flag Officer Royal Yachts after personal interviews, after which approval was formally given from the Palace. Royal Yachtsmen (who were ranked as ‘Riggers’ in V&A, but with us they became just ‘Yachtsmen’), were all volunteers in response to an AFO in 1953. About 1,000 names came up and we began, of course, with examination of Service Certificates from which any who were not VG Superior were eliminated (although I seem to remember some of our Stokers were VG Satisfactory because of numbers).
    [Show full text]
  • A Filmmakers' Guide to Distribution and Exhibition
    A Filmmakers’ Guide to Distribution and Exhibition A Filmmakers’ Guide to Distribution and Exhibition Written by Jane Giles ABOUT THIS GUIDE 2 Jane Giles is a film programmer and writer INTRODUCTION 3 Edited by Pippa Eldridge and Julia Voss SALES AGENTS 10 Exhibition Development Unit, bfi FESTIVALS 13 THEATRIC RELEASING: SHORTS 18 We would like to thank the following people for their THEATRIC RELEASING: FEATURES 27 contribution to this guide: PLANNING A CINEMA RELEASE 32 NON-THEATRIC RELEASING 40 Newton Aduaka, Karen Alexander/bfi, Clare Binns/Zoo VIDEO Cinemas, Marc Boothe/Nubian Tales, Paul Brett/bfi, 42 Stephen Brown/Steam, Pamela Casey/Atom Films, Chris TELEVISION 44 Chandler/Film Council, Ben Cook/Lux Distribution, INTERNET 47 Emma Davie, Douglas Davis/Atom Films, CASE STUDIES 52 Jim Dempster/bfi, Catharine Des Forges/bfi, Alnoor GLOSSARY 60 Dewshi, Simon Duffy/bfi, Gavin Emerson, Alexandra FESTIVAL & EVENTS CALENDAR 62 Finlay/Channel 4, John Flahive/bfi, Nicki Foster/ CONTACTS 64 McDonald & Rutter, Satwant Gill/British Council, INDEX 76 Gwydion Griffiths/S4C, Liz Harkman/Film Council, Tony Jones/City Screen, Tinge Krishnan/Disruptive Element Films, Luned Moredis/Sgrîn, Méabh O’Donovan/Short CONTENTS Circuit, Kate Ogborn, Nicola Pierson/Edinburgh BOXED INFORMATION: HOW TO APPROACH THE INDUSTRY 4 International Film Festival, Lisa Marie Russo, Erich BEST ADVICE FROM INDUSTRY PROFESSIONALS 5 Sargeant/bfi, Cary Sawney/bfi, Rita Smith, Heather MATERIAL REQUIREMENTS 5 Stewart/bfi, John Stewart/Oil Factory, Gary DEALS & CONTRACTS 8 Thomas/Arts Council of England, Peter Todd/bfi, Zoë SHORT FILM BUREAU 11 Walton, Laurel Warbrick-Keay/bfi, Sheila Whitaker/ LONDON & EDINBURGH 16 article27, Christine Whitehouse/bfi BLACK & ASIAN FILMS 17 SHORT CIRCUIT 19 Z00 CINEMAS 20 The editors have made every endeavour to ensure the BRITISH BOARD OF FILM CLASSIFICATION 21 information in this guide is correct at the time of GOOD FILMS GOOD PROGRAMMING 22 going to press.
    [Show full text]
  • Prop Master Production Designer Art Director
    STRENGTHS Strong VFX understanding and experience CONTACT Exceptional leadership and organisational skills Cell: +64 27 537 2531 Webpage: https://www.melissaspicerartdept.com/ Detail, budget and deadline orientated Email: [email protected] IMDB: https://www.imdb.com/name/nm2373975/ Collaborative and creative problem solving Location Base: Wellington New Zealand/Aotearoa LinkedIn: https://www.linkedin.com/in/melissa-spicer-86950514/ PRODUCTION DESIGNER PROP MASTER ART DIRECTOR AVATAR SEQUELS PICK UPS' (FF) THE BFG' (FF) SPARTACUS - BLOOD AND SAND' (TV) Prop Master Digital Set Decorator Prop Master July 2021- October 2014 - Sept 2015 January 2009 - May 2009 Production Designer: Ben Procter Production Designer: Rick Carter Production Designer: Iain Aitken 880 Productions NZ Partnership Ltd/Lightstorm Entertainment Big Valley Productions/Amblin Entertainment Pacific Renaissance Spartacus Ltd WELLINGTON PARANORMAL SEASON 4' (TV) WETA DIGITAL VFX SEPARATION CITY' (FF) Production Designer Department Manager (Layout, Compositing) Prop Master April 2021 - June 2021 September 2012 - April 2018 August 2008 - November 2008 Producers: Taika Waititi, Jermain Clement, Paul Yates Multiple feature films and TV Series, including Game of Thrones, Hunger Production Designer: Iain Aitken Wellington Documentary Board Games, Mortal Engines, Avengers Infinity Wars, Guardian of the Galaxy Vol 2 Redhead Films GOING GOING' (FF) THE HOBBIT TRILOGY' (FF) AVATAR' (FF) Production Designer Assistant Prop Master Lead Props Jan 2021 - April 2021 September 2010 -
    [Show full text]
  • Stellar Energy Lightstorm Entertainment
    P "#$%&' System Profiles Stellar Energy Lightstorm Entertainment Overview DESIGNER: Chris Pettigrew, senior Courtesy Stellar Energy (4) commercial PV designer, Stellar Energy, stellarenergy.com n June 2012, Stellar Energy commis- period based on the facility’s historical sioned a 960 kW roof-mounted PV sys- energy consumption, which included LEAD INSTALLERS: Jim Nash, project I manager, Stellar Energy; Steve Foster, tem that provides clean energy for James the energy used to produce the #rst #lm. project manager, CSI Electrical Con- Cameron’s Lightstorm Entertainment Stellar Energy designed the system, which tractors, csielectric.com production studio. "e Lightstorm team utilizes 3,692 Yingli Solar 260 W modules DATE COMMISSIONED: June 13, 2012 wanted to make a signi#cant statement and three Solectria SGI central inverters, by powering 100% of the #lming and pro- to generate a projected 1,667 MWh annu- INSTALLATION TIME FRAME: duction of the Avatar movie sequels with ally. "e system will allow the #lmmakers 113 days solar energy. Installed at the MBS Media to achieve their goal of producing 100% LOCATION: Manhattan Beach, CA, Campus in Manhattan Beach, California, solar-powered Avatar sequels. 33.9°N the system required close cooperation "e 212,481-square-foot array is 2 SOLAR RESOURCE: 5.6 kWh/m /day between Lightstorm; the property owner, distributed over three buildings. "e ASHRAE DESIGN TEMPERATURES: the Carlyle Group; and the property man- barrel roofs presented a design chal- 78.8°F 2% average high, 39.2°F ager, Raleigh Studios. lenge requiring Stellar Energy to develop extreme minimum Stellar Energy worked with Light- a unique penetrating racking system ARRAY CAPACITY: 960 kWdc storm Entertainment to determine the that fans over the roof surfaces.
    [Show full text]
  • ABSTRACT Title of Dissertation: ROYAL SUBJECTS
    ABSTRACT Title of dissertation: ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860- 1901 Charles Vincent Reed, Doctor of Philosophy, 2010 Dissertation directed by: Professor Richard Price Department of History ABSTRACT: The dissertation explores the development of global identities in the nineteenth-century British Empire through one particular device of colonial rule – the royal tour. Colonial officials and administrators sought to encourage loyalty and obedience on part of Queen Victoria’s subjects around the world through imperial spectacle and personal interaction with the queen’s children and grandchildren. The royal tour, I argue, created cultural spaces that both settlers of European descent and colonial people of color used to claim the rights and responsibilities of imperial citizenship. The dissertation, then, examines how the royal tours were imagined and used by different historical actors in Britain, southern Africa, New Zealand, and South Asia. My work builds on a growing historical literature about “imperial networks” and the cultures of empire. In particular, it aims to understand the British world as a complex field of cultural encounters, exchanges, and borrowings rather than a collection of unitary paths between Great Britain and its colonies. ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860-1901 by Charles Vincent Reed Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2010 Advisory Committee: Professor Richard Price, Chair Professor Paul Landau Professor Dane Kennedy Professor Julie Greene Professor Ralph Bauer © Copyright by Charles Vincent Reed 2010 DEDICATION To Jude ii ACKNOWLEGEMENTS Writing a dissertation is both a profoundly collective project and an intensely individual one.
    [Show full text]
  • The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
    The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1).
    [Show full text]
  • Ascot Racecourse & World Horse Racing International Challengers
    Ascot Racecourse & World Horse Racing International Challengers Press Event Newmarket, Thursday, June 13, 2019 BACKGROUND INFORMATION FOR ROYAL ASCOT 2019 Deirdre (JPN) 5 b m Harbinger (GB) - Reizend (JPN) (Special Week (JPN)) Born: April 4, 2014 Breeder: Northern Farm Owner: Toji Morita Trainer: Mitsuru Hashida Jockey: Yutaka Take Form: 3/64110/63112-646 *Aimed at the £750,000 G1 Prince Of Wales’s Stakes over 10 furlongs on June 19 – her trainer’s first runner in Britain. *The mare’s career highlight came when landing the G1 Shuka Sho over 10 furlongs at Kyoto in October, 2017. *She has also won two G3s and a G2 in Japan. *Has competed outside of Japan on four occasions, with the pick of those efforts coming when third to Benbatl in the 2018 G1 Dubai Turf (1m 1f) at Meydan, UAE, and a fast-finishing second when beaten a length by Glorious Forever in the G1 Longines Hong Kong Cup (1m 2f) at Sha Tin, Hong Kong, in December. *Fourth behind compatriot Almond Eye in this year’s G1 Dubai Turf in March. *Finished a staying-on sixth of 13 on her latest start in the G1 FWD QEII Cup (1m 2f) at Sha Tin on April 28 when coming from the rear and meeting trouble in running. Yutaka Take rode her for the first time. Race record: Starts: 23; Wins: 7; 2nd: 3; 3rd: 4; Win & Place Prize Money: £2,875,083 Toji Morita Born: December 23, 1932. Ownership history: The business owner has been registered as racehorse owner over 40 years since 1978 by the JRA (Japan Racing Association).
    [Show full text]
  • Focus on Shared Ownership
    Focus on sharred ownership In addition to our own highly successful Kingsley share.” Mark Johnston did very well for KVT with the Group 3-placed Further details available at www.middlehamparkracing.net three-time winner Persian Moon last season, and he feels this Park partnerships, Johnston Racing also trains son of Night Of Thunder has been particularly well bought. The horses for some of the best shared-ownership Ventura Racing is a relatively new ownership syndicate, colt is also eligible for the £25,000 Tattersalls Book 1 Bonus. started last year by Tom and Tony Denham. In their first season, With a limited number of shares available, make sure you don't providers in British racing, and we are delighted to they enjoyed success in the Gosforth Park Cup at Newcastle miss out! and a good handicap at York, and their horses took their owners “A 1/16th share in this colt is £9,400 which includes all offer readers the chance to take shares in them to all the top racecourses, including Ascot, Goodwood and training and running costs until October 31, 2019. Being a part Newmarket. of KVT means you receive communication on all of our 12 Syndicate Manager Tom Denham said: “Ventura Racing horses, hospitality at various events throughout the season, have two horses available, both purchased by Mark and guaranteed badges whenever the horse runs and hopefully a lot Middleham Park Racing is one of the most successful Shares are available in this chestnut colt from £1,650 for a Charlie. The first is a Footstepsinthesand colt out of a half-sister of fun to boot!” racehorse syndication companies in the sport, having enjoyed 2.5% share.
    [Show full text]