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Uptown Funk! [17] [13] a a a a B B B B ? ? [9] ? [5] ? T T T T D D G a D B E ΠΠ3 3 M M 7 7 a B T ? Π4 4 C

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Uptown Funk! [17] [13] a a a a B B B B ? ? [9] ? [5] ? T T T T D D G a D B E Œ Œ 3 3 M M 7 7 a B T ? Œ 4 4 C Uptown Funk! Mark Ronson Feat. Bruno Mars Words & Music by Rudy Taylor, Robert Wilson, Lonnie Simmons, Ronnie Wilson, Mark Ronson, Philip Lawrence, Jeffrey Bhasker, Peter Hernandez, Charles Wilson, Nicholaus Williams & Devon Gallaspy c 116 Funk/Dance ? 4 . Œ Ó ∑ ∑ ∑ œ G D T A A E B . B . 3 >œ >œ ? ∑ ∑ ∑ Ó ‰ œ ‰ J T 7 7 A 5 B [5] 7 7 Dm G 2 ? Œ Œ ‰ j ‰ j ‰ j « œ œ œ. œ œ œ. œ œ T A 3 1 3 1 B 3 3 3 3 [9] 7 7 2 Dm G ? « Œ Œ ‰ j œ. ‰ j œ œ œ œ œ #œ T A 3 1 B 3 3 3 1 2 [13] Dm7 ? Œ Ó ∑ ∑ œ T A B 3 Bass Grade 5 Bass Grade [17] © Copyright 2014 Mars Force Music/Way Above Music/Sony/ATV Songs LLC/W B Music Corp/Thou Art The Hunger/Songs MP/Sony/ 6 ATV Ballad/Songs Of Zelig/ZZR Music LLC/Tig7 Publishing LLC/Trinlanta Publishing/BMG Onyx/Concord Sounds. Sony/ATV Music Publishing/Universal/MCA Music Limited/Warner/Chappell North America Limited /New Songs Administration Limited/ BMG Rights Management (UK) Limited, a BMG Company/Kobalt Music Publishing Limited/Concord Music Publishing LLC. All Rights Reserved. International Copyright Secured. Get Lucky Daft Punk Words & Music by Thomas Bangalter, Pharrell Williams, c 116 Funk/Pop Guy-Manuel de Homem-Christo & Nile Rodgers Intro A 7 7 Bm D F#m E . ? ## 4 . œ. œ. ¿ œ. œ. œ œ œ ‰ œ ‰ œnœ œ. œ. œ Œ ‰ œ œ 4 œ. œ ¿ œ. œ. J T A 4 4 4 4 4 3 2 2 2 B 2 2 ¿ 2 2 5 5 ¿ 5 5 5 4 7 7 Bm D F#m E ? # j . œ œ. œ. # œ œ. œ Œ ‰ œ œ œ. œ ‰ œ ≈ œ ‰ j ‰ œ œ . J œ œ œnœ œ. œ. ¿ œ #œ T 2 4 4 A 2 2 2 2 5 5 5 5 5 2 B 2 2 2 1 0 0 0 2 5 [5] ¿ Verse B 7 7 Bm D F#m E œ ? # œ j . œ j # . œ œ œ ‰ œ ‰ œ œ œ œ œ ‰ œ ‰. œ ‰ j ‰ Œ ‰ œ ‰ œ . J R œ. œ. œ œ œ œ J 4 7 T 4 2 A 2 2 2 2 2 5 5 5 5 5 5 2 B . 2 2 2 0 0 0 [9] . Bm7 D F m7 E œ # ? # œ œ j . œ # œ œ. ‰ œ ‰ œ œ œ œ. ‰ œ ≈ ‰ j œ ‰ œ œ œ . J œ nœ #œ. œ. œ œ œ œ. œ. œ œ 4 4 7 T 4 2 A 2 2 2 2 4 5 5 5 2 2 B 0 1 2 2 2 2 0 0 0 0 2 5 . [13] . Chorus C 7 7 Bm D F#m E œ ? # œ œ . œ # œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ . œ. œ. œ œ. œ œ. œ. œ œ T 4 4 7 A 4 2 2 B 2 2 2 2 4 5 5 5 5 5 5 2 Bass Grade 5 Bass Grade 2 2 2 2 0 0 0 0 0 5 [17] 10 © Copyright 2013 EMI April Music Incorporated/More Water From Nazareth Publishing Incorporated/XLC Music/Concord Copyrights. Sony/ATV Music Publishing/EMI Music Publishing Limited /Concord Music Publishing LLC. All Rights Reserved. International Copyright Secured. Technical Exercises Scales, Arpeggios & Riff Technical Exercises In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples of the scales and arpeggios you can use when playing the pieces. In Group C you will be asked to prepare the bassline riff exercise and play it to the backing track in the exam. You do not need to memorise the exercises (and can use the book in the exam) but the examiner will be looking for the speed of your response. The examiner will also give credit for the level of your musicality. Groups A and B should be prepared on the starting notes indicated. Before you start the section you will be asked whether you would like to play the exercises along with the click or hear a single bar of click before you commence the test. The tempo is = 80. q Group A: Scales One octave prepared on the starting notes G, B b, C and D in the two specified fingerings. 1. Major scale (G major scale shown) ? # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ T 2 4 5 4 2 A 2 3 5 5 3 2 B 3 5 5 3 ? # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ T 4 5 4 A 3 5 7 7 5 3 B 3 5 7 7 5 3 2. Major pentatonic scale (B b major pentatonic scale shown) œ œ œ ? bb œ œ œ œ œ œ œ œ T 5 8 5 A 5 8 8 5 B 6 8 8 6 œ œ œ ? bb œ œ œ œ œ œ œ œ T 8 A 8 10 10 8 B 6 8 10 10 8 6 3. Natural minor scale (C natural minor scale shown) ? œ œ œ œ œ œ œ œ œ bbb œ œ œ œ œ œ T 8 10 8 A 8 10 11 11 10 8 B 8 10 11 11 10 8 ? œ œ œ œ œ œ œ œ œ bbb œ œ œ œ œ œ T 5 A 5 6 8 8 6 5 B 5 6 8 8 6 5 8 8 5 Bass Grade 63 Supporting Tests Sight Reading Sight Reading In this section you have a choice between either a Sight Reading test or an Improvisation & Interpretation test (see facing page). At this level there is an element of improvisation. This is in the form of a two bar development of the bassline. The piece will be composed in the style of rock, funk or blues and will have chord symbols throughout. The test is eight bars long and is in one of the following keys: F major or G major, or E minor or G minor. The examiner will allow you 90 seconds to prepare it and will set the tempo for you. The tempo is = 85–95. q 90 Funk q = Gm7 œ j œ œ œ ˙ œ j œ œ ? bb 4 œ ‰ œ œ œ œ ‰ J œ ‰ œ œ œ œ Œ œ œ Œ T 3 3 0 0 A 5 3 0 0 5 5 5 3 0 3 3 3 B 1 3 1 3 7 7 7 7 Cm Bbdim Am Gm œ j ˙ ? bb ’ ’ ’ ’ ’ ’ ’ ’ œ ‰ œ œ œ œ œ œ ‰ œ Develop bassline J T A 5 3 0 0 0 5 B 1 3 1 3 [5] Bass Grade 5 Bass Grade 66.
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