<<

Perform Chinatown 2013 - PROGRAM SCHEDULE

5:00pm Samuel White (performance area A) duration 5 hours Mariel Carranza (performance triangle B) duration 5 hours Tatiana Luboviski-Acosta (DRKRM) duration 5 hours Natalie Loveless (performance cube E) duration 5 hours Vela Phelan (performance cube F) duration 5 hours Tim Youd (on stage and COAGULA) duration 5 hours Sara Schnadt (RED PIPE) duration 5 hours Mideo Cruz and Racquel de Loyola

ROVING WORKS - these artists will present their works at different times in different locations around Chung King Road. Please refer to the bios and descriptions of each artist to better identify and locate them Christy Roberts - will be in varied locations asking for advice on how to ride a bicycle which she has only done once when she was 11 Dino Dinco / Claudia Bucher / Kate Gilbert (5-8pm only) / Sinead O’Donnell (5-6pm only) Paul Waddell *although paul’s work will take place in different places and times around chung king road, there will be a culminating action on the stage at 9:45pm

5:15pm Dominic Quagliozzi “VEST SESSIONS”, random locations around Chung King Road - duration 30 minutes - please refer to bio page to better identify artist’s performance

5:30pm Jeffery Byrd (stage) - duration 1 hour

6:00pm Ryan Hawk (performance cube C) duration 3 hours Rafa Esparza and Sebastian Hernandez *this performance begins near olvera street and then continues at a random location on Chung King Road - duration 90 minutes

6:45pm Vasan Sitthiket (stage) - duration 45 minutes

8:00pm Rain on Genitalia (stage) - duration 30 minutes Allison Wyper, Esther Baker-Tarpaga and Hind Benali (performance area L) - duration 90 minutes

8:30pm Sheree Rose and Michael Griffin - (public school) - duration 90 minutes

8:45pm Dominic Quagliozzi “VEST SESSIONS”, random locations around Chung King Road - duration 30 minutes - please refer to bio page to better identify artist’s performance

9:30pm Scott Benzel and Anita Pace (stage) duration 15 minutes

9:45pm Paul Waddell (stage) duration 20 minutes

10:00pm PERFORM CHINATOWN AFTER PARTY AT HUMAN RESOURCES WITH Nao Bustamante, The Bushes, Narcissister, Sister Mantos and DJ’s Dawn Kasper and John Berdel 410 Cottage Home Street STAGE SCHEDULE PERFORM CHINATOWN 2013

Stage

5:00-5:05 - opening action and introduction

5:05-5:25 - tim youd

5:25-5:30 - announcements

5:30-6:30 - jeffery byrd performance

6:30-6:45 - vasan sitthiket set up and sound check (announcements as needed during)

6:45-7:30 - vasan sitthiket performance

7:30-8:00 - rain on genitalia set up and sound check (announcements as needed during)

8:00-8:30 - rain on genitalia performance

8:30-8:35 - announcements

8:35-9:30 - scott benzel set up

9:30-9:45 - scott benzel performance

9:45-10:00 - paul waddell set up and performance Artist Information Perform Chinatown 2013

Claudia Bucher - “PLANET PRISM” Claudia is a based multimedia artist who works with performance, new media and carefully constructed sculptural apparatuses and installations to explore ideas about extended sentience. She is interested in the crossover between art, science and technology, architecture, mysticism and science fiction. Her recent work is inspired by space exploration and DIY culture. She has an MFA from Art College of Design and is the recipient of a 2006 Individual Artist (COLA) Fellowship from the City of Los Angeles. She has taught and 3D printing at UCLA, Otis College of Art, and Brandeis University where she was Avnet Artist in Residence in Sculpture and Media from 07-09. She has exhibited with the Boston Cyber Arts Festival, The Charles River Museum of Industry and Innovation, The American Textile History Museum, The Irvine Fine Arts Center, Carl Berg Projects, The Getty, The Armory Center for the Arts, LACE, Track 16 Gallery, Highways Performance Space and many other LA venues, She is currently preparing for a residency in the Mojave Desert.

Christy Roberts - “TEACH YOUR CHILDREN” Artist and educator, Christy Roberts, composes experiences, interventions, and objects that explore the tension between humans and their physical, social, and psychological environments and power structures and how they intersect with joy, risk, failure, and ethics. A native of Southern , Roberts holds Bachelors Degrees in Philosophy and Religion, a BFA in Studio Art, and an MFA from Claremont Graduate University, earned in 2011. Christy Roberts is an Associate Professor at Moreno Valley College and has contributed to and organized in/with/at: The California Poppy Collective, The LA Art Union, Occupy, The Torrance Art Museum, Pacific Standard Time Performance Festival (with Mark Di Suvero, Leslie Labowitz Starus, and Suzanne Lacy), 5790 Projects, The Los Angeles Municipal Gallery, For Your Art, RAID Projects, Summer Camp’s ProjectProject, CSU Long Beach, and Track 16, among others. Roberts was recently one of LA Weekly’s Best of LA People, 2012, and was also a guest blogger for Art 21 Blog, writing on Occupy and the forming of an art workers’ union.

Dino Dinco - “SURREPTITIOUS CONNECTIONS, PERFORM CHINATOWN 2013” www.dinodinco.com

Dominic Quagliozzi - “VEST SESSIONS” Dominic Quagliozzi lives and gets treatment in Los Angeles, CA. He was born in Worcester, MA. He has had Cystic Fibrosis for 31 years, diagnosed at six months old, and is currently listed for a double lung transplant. He has been a patient at Keck Hospital of USC for the last 6 years. He has been a patient at UMass Hospital in Worcester, MA, Boston Children’s Hospital, Brigham and Women’s Hospital in Boston, MA. Some notable medical procedures he’s had are hernia surgery, partial left lung lower lobectomy, sinus polypectomy, and three pulmonary embolizations. In 2004, he was in a coma for 5 days after developing pneumonia from unknowingly inhaling a dime-sized piece of steak. He is currently insured by GHPP. http://artistdominic.com

Jeffery Byrd - “TIE TANGO TARANTELLA” Jeffery Byrd is a performance and video artist who has presented work all over the globe. He has exhibited in over 75 group exhibitions and 15 solo exhibitions, and has performed at such notable venues as Lincoln Center in New York and the Institute of in Boston. Byrd has participated in performance and video festivals in major cities throughout the US and in China, Germany, Switzerland, Canada, Poland, Columbia, Mexico, Cuba, Italy and the UK.

Kate Gilbert - “2 LESS THINGS TO WORRY ABOUT (LUCY RETURNS)” Kate Gilbert works primarily as a graphic designer at the legendary sex shop, The Pleasure Chest. Her national in-store signage campaign utilizes collaged BDSM imagery from the store’s catalog archives from the 1970s and is currently on display at their West Hollywood boutique at 7733 Santa Monica Boulevard. Gilbert’s previous performance work on Chung King Road includes participation in Geneva Skeen and Mathew Timmons’ “Saffron Green”, her solo piece “Lucy” for Perform Chinatown 2012, as well as a role as a puppeteer in Julianna Parr’s annual holiday puppet show at Automata, in which she played a singing reptilian humanoid. Gilbert will be featured in a special KCHUNG Broadcast about Kates on July 27th. Tune into 1630AM, or visit kchungradio.org for more details.

Mariel Carranza - “NO ONIONS PLEASE” Mariel Carranza is a Los Angeles based artist. Using her body as sculpture, Carranza’s work challenges conventional notions of the time, space, and corporeal constraint. Recently she performed at the International Encounter Performancear or Morir, in Sierra Tarahuamara, Norogachi, Mexico. InSitu, First International Festival in Chihuahua, Mexico. Belfast International Festival, A Collaboration with Alastair Mac Lennan. At the Festival Hall South Bank Centre, London, UK.

Natalie Loveless - “BREAST/MILK” Natalie Loveless is an interdisciplinary artist, curator, and theorist who teaches contemporary art and theory at the University of Alberta (Canada). Her installations, performances, video works and curatorial projects have been presented internationally in festivals, galleries and artist-run centers in North America, South America, Europe and Asia. www.loveless.ca Paul Waddell - “COMMUNITY OUTCOMES SUCH AS MOTORIZED AND NON-MOTORIZED ACCESSIBILITY. FACILITATE COMMUNITY PARTICIPATION IN THE SIMULATION_OF_A_GENERALIZED_LEARNING_TRANSFER SYSTEM_INVENTORY OR 1990-” Paul Waddell (b. 1983) lives and works in Los Angeles. He graduated in 2005 from the School of the Museum of Fine Arts, Boston. Waddell has exhibited extensively throughout the . His most recent exhibitions include Ponding Purple Grass, Night Gallery, LA (2012); Moving In, Honor Fraser, LA (2012), Grand Re-opening, Human Resources, LA (2011); I like Massachusetts..., MEME Gallery, Cambridge (2010), The life of a house cat, Waterloo Centre for the Arts, Waterloo, IA (2010). Waddell’s work has been written about in the LA Weekly, Artslant, Notes on Looking, A Righteous Transfer!, Time Out Boston, Big, Red & Shiny, and Inter Magazine.

Rafa Esparza - “CHINO, INDIO, NEGRO” Rafa Esparza was born, raised, and is currently living in Los Angeles. Esparza is a multidisciplinary artist. His work ranges in medium from installation, sculpture to drawing, painting; and most predominantly live performance. Woven into Esparza’s bodies of work are his interests in history, personal narratives, and kinship. He is inspired by his own relationship to colonization and the disrupted genealogies that come forth as a result of. Esparza is persistent in staging situations where he attempts to experience a time and space inaccessible to him. Using live performance as his main form of inquiry; site specificity, materiality, memory and (non)documentation are primary tools in interrogating, critiquing and examining ideologies, power structures and binaries that problematize the “survival” process of historicized narratives and the environments wherein people are left to navigate and socialize. Esparza has performed in a variety of spaces ranging from community engaged places such as AIDS Project Los Angeles, to galleries including Los Angeles Contemporary Exhibitions, Highways Performance Space, REDCAT, Human Resources, SOMArts and most recently public sites through out the city of L.A. www.rafaesparza.com

Rain On Genitalia - “BLACK SPASMS” ROG, a los angeles based organization, is a collaborative performance art effort. ROG was created to explore, and seeks to mine, the chimeric trope of performance art as it is understood today. “Black Spasms,” is a demonstration of the skills, services, and conditions maintained by, and practiced at, annual meetings of ROG. It is an adaptation of recent ROG worship, which celebrates the most basic of needs, while attempting to redefine what it means to be human, now. ROG is breaking open the head.

Ryan Hawk - Ryan Hawk is a visual artist, curator, and arts organizer focusing in performance, video, sculpture, and drawing. Referencing previous systems of art making, he places them within current technologies in order to interrogate art historical narratives. Employing formal and aesthetic strategies, Hawk often creates spaces of illusion. These spaces, whether physical, psychological, or theoretical, can be constantly created and redefined. Hawk’s work has been shown in several venues throughout New York, surrounding Boston areas, exhibited at Chicago’s Rapid Pulse International Performance Art Festival, and was most recently a featured artist for Select Industries Art Fair 2012 during Art Basel Miami Beach. Ryan Hawk was born in Houston, TX in 1992 and currently lives and works between Boston, MA and NYC.

Samuel White - Samuel White’s performance work deals with a confrontation of the self through doubling and a need for meaningful, interpersonal relationships both with the participants and the people he encounters in daily life. This desire is evident in revealing performances in which the artist confronts the different parts of his self, thematically exploring uninhibited sexuality, psychological confrontation, and sincere self-doubt. White’s recent series, Study of Repetition to Achieve the New Now, involves customized, individual performances in which the artist investigates fantasy, sexual identity, and the absurdities of routine through scripted and/ or confrontational environments such as wrestling circles and cruising bathrooms within the gallery space. White has exhibited performance works and film projects at Human Resources, Los Angeles; LACE, Los Angeles; CCS Bard, New York; Zico House, Beirut; among others. He received his degree from UCLA and attended the Independent Arts Research Program at UNAM in Mexico City.

Sara Schnadt - “DRAFTING UNIVERSES” LA-based artist Sara Schnadt explores technology in her work both as subject and media. Her installations and performances use found objects, interactivity, projection, and movement derived from common gestures. Much of her work involves representations or data that translate large quantities of socially resonant information into poetic forms, including data visualization. Schnadt often performs within accompanying sculptural environments, attempting to articulate the personal within virtual and technological innovation. Sara Schnadt’s US projects include: ‘Travelogue’ at Torrance Art Museum; MCA Chicago’s ‘12x12: New Artists New Work’ and ‘Without You I Am Nothing: Interactions’, Hyde Park Art Center, ‘Pop-Up Art Loop’ temporary gallery series, ‘Looptopia’, ‘Site Unseen’ Performance Festival, What It Is project space, Balloon Contemporary, and Antena Gallery (all in Chicago); ‘Spatial City, An Architecture of Idealism’ at MOCAD Detroit; ‘Travel Patterns’ at Counterpath in Denver; and ‘Exchange Rate’ public projection series in LA and NY. International projects include: ‘Upgrade! - Chain Reaction’ in Skopje, Macedonia; ‘Upgrade! Soft Borders’ in Sao Paulo, Brazil; CINEA Paris

Sinead O’Donnell - “RAIN” Sinéad O’Donnell has worked in performance, installation, site and time-based art for the past 15 years. Originally from Dublin and based in Belfast, Sinéad studied sculpture at the University of Ulster, textiles in Dublin and visual performance and time-based practices at Dartington College of Arts, graduating with distinction in 2003. Her work explores identity, borders and barriers through encounters with territory and the territorial. She sets up actions or situations that demonstrate complexities, contradictions or commonality between medium and discipline, timing and spontaneity, intuition and methodology, artist and audience. She uses photography, video, text and collage to record her performances which often reveals an ongoing interest in the co-existence of other women and systems of kinship and identity. Sinéad’s practice is nomadic and travel has broadened her cultural perceptions and influenced her artistic sensibilities regarding time and space. She is active on the Belfast performance art scene working with local organizations to foster performance art activity and supporting emerging artists in her community. Recent work has been presented at In Between Time, Bristol (2013), RITES, Singapore (2012), Mobius Performance Space, Boston, USA (2012), Southbank Centre, London (2012) Golden Thread Gallery, Belfast (2012), Contemporary Art Factory, Tokyo, Japan (2011), My Land festival, Croatia (2012), Black Market International, Belfast (2012), National Review of Live Art, Glasgow (2010)..

Tatiana Luboviski-Acosta i am a storyteller and a historian: a situational mechanic and a poet. spirit statue & occasional sandbar. race relations; exile; female consecration/desecration; disappearance; liberation theology; prodromal states; confrontation; entropy; concrete chaparral; hatred & destruction of capitalism; “real talk”; borderlands; the los angeles river. born: 1990, los angeles exiled & works in: san francisco

Tim Youd - “CHARLES BUKOWSKI’S FACTOTUM” Tim Youd is represented by the Los Angeles based gallery Coagula Curatorial, where he had a solo show in May of 2012. Most recently, his work was featured at the Coagula Curatorial installation at Miami Project art fair, in December of 2012. The crux of Youd’s performances are to connect with a sense of place. This summer he will be typing Charles Bukowski’s novel POST OFFICE at the Post Office where the author worked and where the story takes place.At the Pulse-NY Fair he typed Henry Miller’s TROPIC OF CAPRICORN which took place in New York.

Vasan Sitthiket - “IS IT MY FAULT” Born (1957) in Nakhorn Sawan. Education Studied at the College of Fine Art in Bangkok. Some of his paintings are related to nature or to erotic motifs. However, most of his works address problems within contemporary Thai and international societies, such as the exploitation of the poor by the rich, as well as the corruption among politicians and bureaucrats. He uses several media to express his opinions on these subjects. Paintings, drawings, woodcut prints, installations and performances are some of the media used to put his ideas into practice. In addition to numerous shows in Thailand, Vasan has participated in many shows abroad, including the Venice Biennale (Italy, 2003). He has also staged three plays and is the author of more than ten books, including poetry, children’s books and political writings. Recent performance work has been presented at ‘LIVE’ Vancouver (2011), ‘ My Land’ Croatia, (2012/13), ‘Performance O Mor’, Mexico (2013). Sitthiket is active within the Thailand performance art network supporting local and international artists to develop their performance practices through the Asiatopia performance art festival.

Vela Phelan - “THE BRIGHTEST STAR (AKA THE GREAT NOTHING)” Vela Phelan was born in the Dominican Republic and was raised in Mexico, USA , and Venezuela. Phelan is currently a time based artist, photographer, gatherer and curator. He is active in many forms such as the collaborations with Jeff Huckleberry as J V, as a member of the sound-ART/performance group Gang Clan Mafia with Dirk Adams, as the sonic sludge installation vibrations of o+ and as a solo time based artist and VJ. Since 1994 Vela has been altering festivals, galleries and museums both nationally, internationally and in the World Wide Web. He believes in magnifying the energy of objects, sounds, video and actions while blending subconscious with spirit and allowing the unknown to present itself. http://templeofmessages.com

Scott Benzel - “PART OBJECTS” Interested in the contradictions inherent in mythologized cultural histories, Scott Benzel’s work shows an ongoing fascination with the disjuncture between embodiments of culture - from the classical music score to photographic ephemera - and their accumulated meanings. Benzel’s interventions such as turning a pop musical score upside down to be played by a classically trained quartet and pressing the resulting recording to a lacquer which degrades upon play (Inversion I after Dennis Wilson) explore the processes and contradictions of mass media systems of production alongside the development of collective cultural imaginations and identification. Benzel slips between the roles of visual artist, composer, poet, and curator. He at once inhabits the “culture industry” of easy-to-swallow entertainment postulated by Theodor Adorno and Max Horkheimer and positions himself as its critical dissident. It is not surprising that the histories that Benzel invokes concern nonconformists and anarchists, from misfit Bison Dele to black bloc protests. Benzel’s visual and aural arrangements disrupt cultural orthodoxies and hierarchies, sending objects and viewers on imaginative, often wayward trajectories. His visual, performative, and sound-based artwork has been shown at The Los Angeles County Museum of Art, The , Los Angeles, The Contemporary Art Museum of St. Louis, Blum and Poe, Los Angeles, Human Resources, Los Angeles, The Santa Monica Museum of Art, Santa Monica, CA, The Western Front, Vancouver, BC, Mandrake, Los Angeles. He currently has a solo exhibition at Shanaynay, Paris. http://scottbenzel.net

Anita Pace - “PART OBJECTS” Anita Pace is a choreographer, videographer and performer. Since 1989 she has created over 30 works, presented in Europe, Asia, Mexico and the U.S. She has collaborated with numerous visual artists, composers and writers, including Mike Kelley, Jim Shaw, Christian Marclay, Tony Oursler, Stephen Prina, Carl Stone, Kevin Stultz, Mayo Thompson and Benjamin Weissman. She has performed with Donald Byrd, Albert Reid, Kelly Holt, and d’Warf, Bill Evans, Ruth Solomon, Tandy Beal, David Gordon, Bill Coleman and Kate Foley. Major influences on the development of her work include musician/composer Betty alberg,W John Cage, choreographers Donald Byrd, Trisha Brown, Merce Cunningham, Lois Fuller and Yvonne Rainer. My work ranges from the examination of popular and counterculture, to closely focused dialogues with specific texts, drawings or other visual forms and deep engagement with different musical idioms to the use of the materials and forms of technologies as creative support. She recently created new work for “Love Letters to a Surrogate Stage II, MUHKA”, Antwerp; “Art in the Parking Lot, LAXArt, CA”, “Move Choreographing You”, Hayward Gallery UK, “Field Activity”,PST Performance and Public Art, LA, CA, “Pansy Metal/Clovered Hoof, Stedelijk Museum,Amsterdam.

Sheree Rose - “CORPSE POSE” Sheree Rose is a Los Angeles based artist whose films, videos, performances and photographs have been shown at museums and galleries all over the world, including the Tate Museum of Modern Art in Liverpool, and the Jeu de Paume in Paris. Beginning in 1981 as the staff photographer for Beyond Baroque Literary Center in Venice, Ca. she documented the growing music, literary and art scene in Los Angeles. She collaborated with her late partner, , in an interactive art installation which opened at the Santa Monica Museum of Art in 1992 and travelled to the New Museum of Modern Art in New York. She co-produced the Sundance-Award winning documentary, Sick:The Life and Death of Bob Flanagan, Supermasochist, 1996. After Bob’s death, Sheree participated in an international art show in Tokyo, Japan where she exhibited “Boballoon” a 20-foot high sculptural homage in Bob’s honor. Sheree received an MFA in Studio Art at the University of California, Irvine.

Allison Wyper - “NOVELTY ACTS” Allison Wyper is an interdisciplinary performance artist based in Los Angeles. Bridging contemporary practices including performance, theatre, dance and radical media arts she generates a dynamic hybrid genre that vitalizes the performance space as a site of critical investigation, with focus on collaboration, intimacy, endurance and sustainability within politicized body-based practices. Allison has been an Associate Artist of the international performance company La Pocha Nostra (www.pochanostra.com) since 2004, and a member of Western Australia-based Hydra Poesis (www.hydrapoesis.net) since 2011. She has performed, taught and collaborated with Micha Cárdenas, Guillermo Gómez-Peña, Roberto Sifuentes, Violeta Luna, Tim Miller, Prumsodun Ok, Hancock & Kelly Live, Maria Gillespie, Michael Sakamoto, Kinodance Company, and Katsura Kan, among others. Her work has been seen in museums, galleries, theaters, universities, and on the streets of Los Angeles, San Francisco, Boston, Chicago, Berlin, Calgary, Perth, and Melbourne. Locally she has performed at LACE, Highways, LACMA, the Hammer, the UCLA Fowler Museum, Cal State Long Beach, REDCAT, 1019 West Studios, Public Fiction, Pieter Performance Space, Craftswoman House, the LA Art Show, and was seen in Made in LA and Art Los Angeles Contemporary (with Scott Benzel). www.allisonwyper.com

Esther Baker-Tarpaga - “NOVELTY ACTS” is co-artistic director of Baker & Tarpaga Dance Project (www.btdanceproject.com), which has performed at I Trotra Festival Madagascar, Jacobs Pillow Inside Out Festival, Kelly Strayhorn, REDCAT, Action Danse Morocco, Abok I NGoma Cameroon, and Dialogue De Corps Burkina Faso. She curates the vlog www.shiftafrica.wordpress.com, featuring performance and interviews with African choreographers. She toured with David Rousseve/REALITY and has performed with Guillermo Gomez-Pena/La Pocha Nostra and Hind Benali. She has taught at The Ohio State University, UCLA, Atelier Aex Corps Senegal, and Cypress Community College. She is currently an artist in residence at Marin Headlands, and is the recipient of a NY Live Arts Suitcase Fund, BETHA Grant, and was a State Dept. Cultural Envoy in Guinea, Botswana, and South Africa. She co-directs an annual dance/music workshop in Ouagadougou, Burkina Faso.

Hind Benali - “NOVELTY ACTS” From 2002 to 2005 Hind Benali (Morocco) taught classical dance at the Municipal Conservatory of Casablanca and contemporary dance at French institute of Marrakech. In 2003 she created « Seg Segbo » with Auguste Ouedraogo (Burkina Faso). In 2006 she formed her company Fleur d’Orange and choreographed VOI. In 2008 she launched ACTION DANCE FESTIVAL to improve dance level in Africa and to encourage collaborations between dancers within Africa. Then she created with Thabiso Pule (South Africa)“ MIRAGE” and “Expo” and the school dance program ACTION DANSE IN SCHOOL. In 2012, she got a grant from the US embassy to go to New York to work with Battery Dance Theater on the “Dancing to Connect» program and Ohio State University to start HER OTHER SIDE dance piece with Baker and Tarpaga Dance Project. This year, she coordinated the Dance Motion program in Morocco of HUBBARD STREET DANCE CHICAGO and she starts a new collaboration with Sashar Zarif dance Theater (Canada) and teaches in Marrakech.

Mideo Cruz Mideo M. Cruz is an active cross-disciplinary artist-organizer based in Southeast Asia. His works shows strong allegorical images of the social order Presently, he is preoccupied with the international artists’ network new world disorder and frequently invited for his ingenious actions around the globe. He is a recipient the 2003 Cultural Center of the Philippines Thirteen Artists Award, the 2003 Sungduan Grant and the 2006 Ateneo Art Award.

Racquel de Loyola Racquel De Loyola is actively engaged in the international network neworldisorder and group Kasibulan. She previously curated Authorized Extremist a live art component of 2008 tutoK-2talk Creative Convergence. In 2007 she was shortlisted to Ateneo Art Awards for her “Subsisting Sustenance” which was presented in 2006 in Toronto Canada for 7a*11d.She is now developing her new performative project “Satisfaction” which already presented in Manila, France, and Germany. With a growing reputation in the international cross-disciplinary art circuit she is frequently invited to various art events abroad. She was awarded the prestigious Cultural Center of the Philippines 13 Artists Awards in 2009.

Organizers / Curators Jamie McMurry has been an active organizer, educator and artist in the fields of performance, installation, video and conceptual art for more than 20 years. He has exhibited extensively all over the world. He is originally from Yakima, Washington and has resided in Los Angeles since 1996.

Alejandra Beatriz Herrera Silva has been an active organizer, artist and teacher in the field of performance for more than a decade and has exhibited her work extensively all over the world. Originally from Santiago, Chile, she was a founding member of the PerfoPuerto arts organization which was responsible for presenting the works of over 100 regional, national and international artists at varied locations throughout South America. She currently resides in Los Angeles, USA and continues to actively organize exhibits and perform her own solo works.

HUGE THANKS FOR DONATIONS AND CONTRIBUTIONS

Charlie James, Mat Gleason, Dino Dinco, DRKRM, Red Pipe, Human Resources, Mariel Carranza, Lever Ruhkin, Shannon Cochrane, Brian O’Hare, Jennifer Doyle, Eric Kim, Dawn Kasper, Bryan Chagolla, Mister George, Catalina Schliebener, KCHUNG!, Carol Cheh, Karen Adelman, Tom and Renee Bryan, Michael Haight, Public School, Myriam Laplante, Oscar Herrera, Bootsy Holler, Meiling Cheng, Marcelo Emilio Caracci, Cheyre, Angela Ellsworth, Tom Burtonwood, Joe Germuska, David LeBarron, Nancy Popp, Rose Sponder, Carleen Cappelletti, Heather Cassils, Phillip Fryer, Rebecca Cunningham, Paul Outlaw, Samuel Vasquez, Tim Miller, Janet Swift, Sinead O’Donnell, Kyla Wazana Tompkins, Jennie Klein, Charo Oquet, Siofram M, Allison Wyper, Greenie Arts and Mark Jeffrey + All Access Staging and Above The Line AV