Sunday Monday Tuesday Wednesday Thursday Friday Saturday

Total Page:16

File Type:pdf, Size:1020Kb

Sunday Monday Tuesday Wednesday Thursday Friday Saturday SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 19 20 21 22 23 24 MUSIC REHEARSAL 9 - 3:30 9 - 3:30 9 - 3:30 3 Day Intensive 3 Day Intensive 3 Day Intensive BLOCKING REHEARSAL Everyone Everyone Everyone DANCE REHEARSAL REVIEW/EVERYONE 25 26 27 28 29 30 31 SEPTEMBER 1 2 3 4 5 6 7 3:15 - 6 TBA Sets Review Summer Everyone 8 9 10 11 12 13 14 1 - 3 Freshman Tea 3:15-6 3:15-6 3:15 - 6 TBA Sets 2 - 5 Rehearsal Dance Music I Have a Dream Dance Mamma Mia Thank you for the Music Honey, Honey Money, Money, Money Mamma Mia Thank You For The Music Chiquitta Dancing Queen Act 1: 1,2,3 SALG, SEP, SBH, DTR 15 16 17 18 19 20 21 1 - 5 3:15-6 3:15-6 3:15 - 6 TBA Sets Review - Everyone Dance Music Chiquitta Lay All Your Love On Me Money, Money Dancing Queen Lay All Your Love On Me Act 1: 4,5 DTR, SEP, SALG 22 23 24 25 26 27 28 1 - 5 3:15-6 3:15-6 3:15 - 6 TBA Sets Review - Everyone Dance Music Super Trooper Gimme, Gimme, Gimme Gimme, Gimme The Name of the Game Super Trooper Act 1: 6,7,8 DTR, SBH, SALG, SEP 29 30 OCTOBER 1 2 3 4 5 1 - 5 3:15-6 3:15-6 3:15 - 6 TBA Sets Review - Everyone Dance Music One of Us Does Your Mother Know SOS Knowing Me, Knowing You Act 2: 2,3 SEP, SALG, BILL, ROSIE, DONNA, SAM 6 7 8 9 10 11 12 Open House 3:15-6 3:15-6 3:15 - 6 TBA Sets 2 - 5 Rehearsal Dance Music Our Last Summer Dance Take A Chance On Me Slipping Thru My Fingers I Do, I Do, I Do The Winner Takes It All Take A Chance On Me I Do, I Do, I Do, I Have A Dream Act 2: 4,5,6 SBH, DRT, SALG, SEP 13 14 15 16 17 18 19 1 - 5 3:15-6 3:15-6 3:15 - 6 3:15 - 6 Sets Review - Everyone Dance Music Run Show Run Show Complete I Have A Dream Everyone Everyone 20 21 22 23 24 25 26 1 - 5 3:15-6 3:15 - 6 3:15 - 6 3:15 - 6 11 - 4 Review - Everyone Dance Act 1 Run w/Nile Act 2 Run w/Nile Run Show Run Show Bows Everyone Everyone Everyone Everyone 27 28 29 30 31 NOVEMBER 1 2 PHOTO, ORCHESTRA & 6 - ? 6 - ? 12 Call 6 Call 6 Call FINAL DRESS Rehearsal Rehearsal w/Orchestra 1 Senior Matinee 7:30 Show 7:30 Show 12 Call w/Orchestra Everyone 1 Photo Everyone 1:30 Rehearsal Everyone 3 4 5 6 7 8 9 12:30 Call 6 Call 6 Call 6 Call 2 Show 7:30 Show 7:30 Show 7:30 Show 10 10 Strike Mandatory for Everyone .
Recommended publications
  • 10CC Dreadlock Holiday 98 Degrees Because of You Aaron Neville Don
    10CC My Love My Life Dreadlock Holiday One Of Us Our Last Summer 98 Degrees Rock Me Because Of You S.O.S. Slipping Through My Fingers Aaron Neville Super Trouper Don't Know Much (Duet Linda Ronstad) Take A Chance On Me For The Goodtimes Thank You For The Music The Grand Tour That's Me The Name Of The Game Aaron Tippin The Visitors Ain't Nothin' Wrong With The Radio The Winner Takes It All Kiss This Tiger Two For The Price Of One Abba Under Attack Andante, Andante Voulez Vous Angel Eyes Waterloo Another Town, Another Train When All Is Said And Done Bang A Boomerang When I Kissed The Teacher Chiquitita Why Did It Have To Be Me Dance (While The Music Still Goes On) Dancing Queen Abc Does Your Mother Know Poison Arrow Dum Dum Diddle The Look Of Love Fernando Gimme! Gimme! Gimme! (A Man After Midnight) Ac Dc Happy New Year For Those About To Rock Hasta Manana Have A Drink On Me He Is Your Brother Highway To Hell Hey Hey Helen Who Made Who Honey Honey Whole Lotta Rosie I Do, I Do, I Do You Shook Me All Night Long I Have A Dream I Let The Music Speak Ace Of Base I Wonder All That She Wants If It Wasn't For The Nights Beautiful Life I'm A Marionette Cruel Summer I've Been Waiting For You Don't Turn Around Kisses Of Fire Life Is A Flower Knowing Me Knowing You Lucky Love Lay All Your Love On Me The Sign Lovers(Live A Little Longer) Wheel Of Fortune Mamma Mia Money Money Money Ad Libs The Engelstalige Karaoke Holding de Riddim Entertainment Pagina 1 Boy From New York City Theme From Moonlighting Adele Al Jolson Don't You Remember Avalon I Set Fire
    [Show full text]
  • HOWARD HOUSE SINGING ABBA Money Money Money ABBA Take a Chance on Me
    HOWARD HOUSE SINGING ABBA Money Money Money ABBA Take a Chance on Me I work all night, I work all day, to pay the If you change your mind, I'm the first in line bills I have to pay Honey I'm still free Ain’t it sad Take a chance on me And still there never seems to be a single If you need me, let me know, gonna be penny left for me around That’s too bad If you've got no place to go, if you're feeling In my dreams I have a plan down If I got me a wealthy man If you're all alone when the pretty birds I wouldn’t have to work at all, I’d fool have flown around and have a ball…. Honey I'm still free Take a chance on me Money, money, money Gonna do my very best and it ain't no lie Must be funny If you put me to the test, if you let me try In the rich man’s world Take a chance on me Money, money, money (That's all I ask of you honey) Always sunny Take a chance on me In the rich man’s world We can go dancing, we can go walking, as Aha – ahaaa long as we're together All the things I could do Listen to some music, maybe just talking, get If I had a little money to know you better It’s a rich man’s world 'Cause you know I've got So much that I wanna do, when I dream I'm A man like that is hard to find but I can’t get alone with you him off my mind It's magic Ain’t it sad You want me to leave it there, afraid of a And if he happens to be free I bet he love affair wouldn’t fancy me But I think you know That’s too bad That I can't let go So I must leave, I’ll have to go If you change your mind, I'm the first in line To Las Vegas or Monaco Honey I'm still free And win a fortune in a game, my life will Take a chance on me never be the same...
    [Show full text]
  • Interpret Titel CD Titel 1910 Fruitgum Co
    Interpret Titel CD Titel 1910 Fruitgum Co. Simon says 38 15 2raumwohnung 36 Grad 133 7 3 lustige Moosacher Ja, mir san mit´m Radl da 84 8 50 Cent Candy Shop 122 4 5th Dimension Stoned soul picnic 28 10 5th Dimension Wedding bell blues 28 11 A A CD Titel A 1 Summertime of our lives 78 7 A Fine Frenzy Almost Lover 134 13 A Taste of Honey Boogie Oogie Oogie 60 4 Abba Dancing Queen 45 6 Abba Waterloo 45 7 Abba Dancing Queen 95 1 Abba The winner takes it all 97 1 Abba Dancing Queen 97 2 Abba Waterloo 97 3 Abba Take a chance on me 97 4 Abba Fernando 97 5 Abba I do, I do, I do, I do, I do 97 6 Abba Gimme Gimme Gimme 97 7 Abba Does your mother know 97 8 Abba I have a dream 97 9 Abba Knowing me, knowing you 97 10 Abba Chiquitita 97 11 Abba The name of the game 97 12 Abba SOS 97 13 Abba Thank you for the music 97 14 Abba Knowing me, knowing you 99 1 Abba Bang-a-Boomerang 135 17 Abba Ring ring 135 18 Abba Money Money Money 135 19 Abba One of us 135 20 ACDC Thunderstruck 146 2 Achim Reichel Aloha Heha He 76 5 Adamo Es geht eine Träne auf Reisen 89 1 Adele Chasing Pavements 139 10 Adriano Celentano Azzurro 79 2 Aerosmith & Run DMC Walk this way 110 8 After 7 Can´t stop 66 1 A-HA Take on me 122 9 Air The one that you love 32 10 Air Supply All out of love 13 13 Air Supply Lost in love 15 3 Air supply All out of love 114 4 Al B.
    [Show full text]
  • Lay All Your Love on Me SATB.Mus
    Lay all your love on me fra "Mamma Mia! The Movie" FJELLKORET T/M: ABBA Arr.: Tove Kragset Sopran-solist F m C F m C F m C Db C Komp b b & b b c ˙ ˙ œ œ œ œ w ˙. Œ Don't go wast - ing your e - mo - tion, Sopran b b & b b c ˙ ˙ œ œ œ œ w ˙. Œ Don't go wast - ing your e - mo - tion, Alt b b & b b c ˙ n˙ œ nœ œ œ w n˙. Œ Don't go wast - ing your e - mo - tion, Tenor b V b bb c ˙ ˙ œ œ œ œ w ˙. Œ Don't go wast - ing your e - mo - tion, Bass ? ˙ ˙ œ œ œ œ w bbbb c n˙. Œ Don't go wast - ing your e - mo - tion, F m E /G A D 6 E A 5 b b b b b Komp b & b bb ˙ œ œ ˙ ˙ w ˙. Œ lay all your love on me 5 S b & b bb ˙ œ œ ˙ ˙ w ˙. Œ lay all your love on me A b b & b b ˙ œ œ ˙ ˙ w ˙. Œ lay all your love˙ on me T b V b bb ˙ œ œ ˙ ˙ w ˙. Œ lay all your love on me B ? b ˙ œ œ ˙ w ˙. b bb ˙ w ˙. Œ lay all your love on me 9 F m Komp b b œ bœ œ œ bœ œ & b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2012 Tove Kragset AS 13 F m Komp b & b bb ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ 13 S b b & b b ∑ ∑ ‰ œ œ œ œ œ œ œ œ œ œ now eve - ry man that I see is a po - A b b & b b ∑ ∑ ‰ œ œ œ œ œ œ œ œ now eve - ry man that I see is œa poœ - T b œ V b bb ‰ œ œ œ œ œ œ œ œ œ Ó ‰ œ œ œ œ œ œ œ œ œ 1.I was - n't jea - lous be - fore we met, now eve - ry man that I see is a po - B ? œ œ œ œ bbbb ‰ œ œ œ œ œ œ œ œ œ Ó ‰ œ œ œ œ œ œ 1.I was - n't jea - lous be - fore we met, now eve - ry man that I see is a po - E F m 17 b Komp b & b bb ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ 17 S b b & b b œ œ œ Ó ∑ ∑ ∑ ten - tial threat A b b & b b œ œ œ Ó ∑ ∑ ∑ ten -
    [Show full text]
  • Mamma Mia Scene Breakdown
    Mamma Mia! Scene Breakdown - Who's in what? Act Scene Song Location Who's on Stage 1 Prologue Overture Darkness/The Beach N/A 1 Prologue I Have a Dream The Beach Sophie 1 1 N/A The Beach Sophie, Ali, Lisa 1 1 Honey, Honey The Beach Sophie, Ali, Lisa 1 2 N/A The Courtyard Tanya, Rosie, Donna, Sophie, Sky, Pepper, Eddie, Island Residents 1 2 Money, Money, Money The Courtyard Donna, Rosie, Tanya, Sophie, Sky, Dance Troupe, Island Residents 1 2 Scene Change The Courtyard Dance Troupe 1 3 N/A The Courtyard Harry, Bill, Sam, Sophie, Ali, Lisa, Tourists 1 3 Thank You For the Music The Courtyard Harry, Sophie, Bill, Sam, Ali, Lisa, Tourists 1 3 Mamma Mia The Courtyard Donna, Sam, Bill, Harry, Ali, Lisa, Tourists 1 4 N/A Donna's Room Tanya, Rosie, Donna 1 4 Chiquitita Donna's Room Rosie, Tanya, Donna, Island Residents 1 4 Dancing Queen Donna's Room Rosie, Tanya, Donna, Ali, Lisa, Tourists 1 4 Scene Change Donna's Room to The Beach Dance Troupe 1 5 Lay All Your Love On Me The Beach Sophie, Sky, Eddie, Pepper, Dylan 1 6 Super Trouper The Courtyard Donna, Tanya, Rosie, Sophie, Ali, Lisa, Select Female Ensemble TBD 1 6 Gimme, Gimme, Gimme The Courtyard Sophie, Lisa, Ali, Sam, Bill, Harry, Female Ensemble 1 7 The Name of the Game The Jetty Sophie, Bill 1 8 Voulez Vous The Courtyard Full Company 2 1 Entr'acte Darkness/Sophie's Nightmare/Bedroom N/A 2 1 Under Attack Sophie's Nightmare/Bedroom Sophie, Full Company 2 2 N/A The Courtyard Donna, Sophie, Sky, Pepper, Eddie 2 2 One of Us The Courtyard Donna, Sam 2 2 S.O.S.
    [Show full text]
  • Abba's :Album' Makes Listening Fun
    Abba's :Album' Makes Listening Fun By Bernie Russell Start with Jackson Browne and Paul Simon and begin moving in the other direction; past the Eagles, past Fleetwood Mac, past the Bee Gees, and past Barry Manilow and you finally end up with Abba. Abba's music is as different from Browne's and Simon's as possible with its sumptious background arrangements, infectious melodies, triv­ ial lyrics, and perky delivery. Abba does not pretend to be innovative or even artistic in their music; their aim is purely, blatantly commercial success. In spite of this less than noble goal, Abba's music is terrific. Anyone who has heard their hits ''Mamma Mia'' and "Dancing Queen" knows that Abba's music has a contagiously happy sound that is all but irresistable. Abba's latest, simply called ''The Album,'' carries on their tradition elf light, escapist music and it is entertaining in the way an amusement park is entertaining. There's very little intellectual going on-certain­ ly nothing revolutionary-but the mood is so happy and energetic that it is impossible not to enjoy yourself. Every song on ''The Album'' has a melody so catchy that it lingers in the mind long after the record is over. The lyrics that go with these melodies are, as usual, very slight; such as "There gotta be rock'n rolVTo fill the hole in your soul.'' Much of the music.on "The Album" sounds like Fifties music that has been slicked up and transplanted into the Seventies. "Take a Chance on Me" has a beat like a polka that is occasionally interrupted by one of the singer's cooing "C'mon, gimme a break, baby" the way .
    [Show full text]
  • The Catherine Berg Summer Musical Theatre Will Be Presenting the Musical “Mamma Mia” on July 16 and 17 at 7:30 PM in the Claude C
    The Catherine Berg Summer Musical Theatre will be presenting the musical “Mamma Mia” on July 16 and 17 at 7:30 PM in the Claude C. Deck Performing Arts Center. Tickets are $10.00 for adults and $8.00 for students and senior citizens and will be available at the door. The incredibly successful and wildly popular, “Mamma Mia,” production is sure to entertain with its high energy numbers and acting. The play is a jukebox musical written by British playwright Catherine Johnson, based on the songs of ABBA composed by Benny Andersson and Björn Ulvaeus, former members of the band. The title of the musical is taken from the group's 1975 chart-topper "Mamma Mia". Twenty-year-old Sophie has big news. She is getting married to the love of her life. The problem is, who should walk her down the aisle since she took a peek at her mother's diary and realizes she has three possible dads. Sophie yearns to know more about her past, so she secretly sends each man a wedding invitation, hoping she can find out the truth. Her mother Donna, has plans of her own as she prepares for an elegant but simple wedding with the help of two old friends. The action takes place on the idyllic island of Greece and is jam packed with the delightful music of the 70's and 80's Swedish band, ABBA. What a way to say hello to summer and goodbye to a pandemic with songs like, "Dancing Queen," "Our Last Summer," "The Name of the Game," "Take a Chance on Me," "Thank You for the Music," and many more.
    [Show full text]
  • To See the Study Guide
    A Study Guide Music & Lyrics by BENNY ANDERSSON & BJORN ULVAEUS And some songs with Stig Anderson Book by Catherine Johnson Production Personnel Cast George Absi Ensemble / Dance Captain Kevin Aichele Sam Carmichael Paul Almeida Pepper / Ensemble Michelle Bardach Ensemble Danielle Benton Lisa / Ensemble Janet Gigliotti Rosie Mulligan Annie Chen Ensemble Rachel Clark Ensemble Austin Eckert Eddie / Ensemble Nicko Giannakos Father Alexandrios / Ensemble Mark Harapiak Bill Austin / Ensemble Alana Hibbert Tanya Cresham-Leigh Katie Kerr Sophie Sheridan Ben Montgomery Ensemble Desmond Osborne Ensemble Chelsea Preston Ali / Ensemble Antonette Rudder Ensemble Colin Sheen Sky / Ensemble Cailin Stadnyk Donna Sheridan Leon Willey Harry Bright / Ensemble 1 Musicians Kris Ruston Guitar Alex Ward Bass Ed Hilliard Drums Production Team Ron Ulrich Director Steve Thomas Musical Director Jeff Dimitriou Choreographer Ivan Brozic Set and Costume Designer Ken Wells Scenic Painter Gail Ksionyk Lighting Designer Greg Klohn Sound Engineer Beth Bruck Stage Manager Skylar Nakazawa Assistant Stage Manager Madison Henry Apprentice Stage Manager Andrew G. Cooper Assistant Director Christine Leroux Head Dresser Roya Mole Technician Liam Befurt Technician Robin Arundel Technician Joel Feenstra Technician 2 Contributors Music & Lyrics by BENNY ANDERSSON & BJORN ULVAEUS And some songs with Stig Anderson Book by Catherine Johnson Mamma Mia! is a jukebox musical written by British playwright Catherine Johnson, based on the songs of ABBA, which were composed by Benny Andersson and Björn Ulvaeus, former members of the band. The title of the musical is taken from the group's 1975 chart-topper "Mamma Mia!". Ulvaeus and Andersson were involved in the development of the show from the beginning. Anni-Frid Lyngstad, who was also a member of ABBA, has been involved financially in the production and been present at many of the premieres around the world.
    [Show full text]
  • ABBA Gold Songbook
    UKULELE JAM IN HISTORIC LOWER MILLS -------Ninth Theme < ---------- ​ ​ ​ ​ ​ ​ ​ ​ ABBA GOLD Jam . ​ ​ ​ ​ ​ Tuesday 1st May 2018 Jam from 7 to 9:30 pm Walter Baker Artist Lofts 1231 Adams Street Boston, MA 02124 Common Room Nearest T: Milton T (red line to Ashmont) ​ Line-up according to original track list https://www.youtube.com/playlist?list=PLBEA362DAD76373B7 1. Dancing Queen: start with downward glissando; 8 chords ​ 2. Knowing Me, Knowing You - 6 chords ​ 3. Take a Chance on Me - 5 chords ​ 4. Mamma Mia - 9 chords ​ 5. Lay All Your Love on Me - 12 chords ​ 6. Super Trouper - 10 chords ​ 7. I Have a Dream: 3 chords: C, G7, F ​ 8. The Winner Takes It All - 4 or 5 chords ​ 9. Money, Money, Money - 8 chords ​ 10.S,O.S. - 8 chords ​ 11.Chiquitita - 9 chords ​ 12.Fernando; 8 chords ​ 13.Voulez Vous - 6 chords ​ 14.Gimme! Gimme! Gimme! (A Man After Midnight): 7 chords ​ 15.Does Your Mother Know - 8 chords ​ 16.One of Us - 10 chords ​ 17.The Name of the Game - 7 chords ​ 18.Thank You for the Music - 10 chords ​ 19.Waterloo - 8 chords ​ For more information about ukulele workshops, song sheets, tips & advice, chord charts, and event announcements visit http://www.anneku.com/ukulele/ ​ Dancing Queen artist:Abba , writer:Benny Andersson, Björn Ulvaeus ,Stig Anderson ABBA - https://www.youtube.com/watch?v=S9otrK5mb6g (BUT in A) Intro: [C] / [F] / [C] / [F] / [C] / [F] / [C] / [F] / [G] You can dance, [E7] you can jive [Am] having the time of your [D7] life [F] See that girl, [Dm] watch that [G7] scene Diggin' the [C] Dancing Queen [F] / [C] / [F] / [C] Friday night and the lights are low [F] [C] Looking out for the place to [Am] go [G] Where they play the right music, getting in the swing You come to [Am] look for a king.
    [Show full text]
  • Beethoven 'Was' the Pop Writer for the Classical Era. ABBA Were Influenced by This
    FAMOUS ABBA FANS TALK: SUZI QUATRO QUOTE: “Beethoven 'was' the pop writer for the classical era. ABBA were influenced by this. It’s in every song they ever wrote.” Undoutably, Suzi Quatro broke down the barriers for many female rock stars with her tough leather-clad look and catchy pop/rock tunes during the glam rock years of the early 70s. A big ABBA fan herself, Suzi enthusiastically accepted the offer to join our Famous ABBA Fans Gallery. With her fantastic cover of Does Your Mother Know that she recently recorded, she certainly deserves her place in the ABBA annals. I met Suzi at the Stag Studios in Essex (“It's a nice little studio. On my new box set there is the track Desperado with Jeff Beck, and I recorded the piano and the vocals here”), where she rehearsed for her upcoming BBC radio show in celebration of her 50 years in the music business. At what time did ABBA enter your life and did you become a fan? I worked with ABBA way back when Ring Ring was a single. We did a TV show together in Belgium and lots of TV after that. We ran into each other quite a bit. Their style wasn't exactly finalised yet. I didn't actually become a fan until Waterloo. I thought they were fab and turned the Eurovision Song Contest on its head. What are your memories of meeting the ABBA members? Nice people - very normal. In your opinion what is the greatest merit of ABBA's music? The simplicity.
    [Show full text]
  • Wedding Ceremony Classical Favourites Charts 50'S, 60'S, 70'S
    W edding Ceremony Classical Favourites Charts 50’s, 60’s, 70’s, 80’s Charts 90’s, 00’s, Now Christmas Classical Film and TV Jazz, Rags and Tangos Opera and Ballet Scottish & Irish Traditional Video Game Soundtracks ___________ EMAIL | FACEBOOK | TWITTER | YOUTUBE | INSTAGRAM ​ ​ ​ ​ ​ ​ ​ ​ © 2018. The Cairn String Quartet. All Rights Reserved Wedding Ceremony Classical Favourites BACK TO MENU A Thousand Years​ / Christina Perry Air on a G String​ / Bach All about You​ / McFly Ave Maria​ / Beyonce, Schubert and Gounod Canon​ / Pachelbel Caledonia​ / Dougie McLean For the Love of a Princess​ / Secret Wedding / Braveheart Here Come the Girls turning into Pachelbel’s Canon​ / Sugababes / Pachelbel Highland Cathedral I Giorno​ / Einaudi Kissing You​ / From Romeo and Juliet One Day Like this​ / Elbow The Final Countdown​ / Europe Wedding March​ / Wagner Wedding March​ / Mendelssohn Wedding March turning into Star Wars​ / Mendelssohn / Star Wars Wedding March turning into All you Need is Love​ / Mendelssohn / Beatles Wedding March turning into Another One Bites the Dust​ / Mendelssohn / Queen Wings​ / Birdy 500 Miles​ / the Proclaimers BACK TO MENU EMAIL | FACEBOOK | TWITTER | YOUTUBE | INSTAGRAM ​ ​ ​ ​ ​ ​ ​ ​ © 2018. The Cairn String Quartet. All Rights Reserved Charts 50, 60, 70, 80s BACK TO MENU A Forrest ​/ The Cure A Hard Days Night​ ​/ The Beatles A Little Help from My Friends​ / The Beatles A Little respect​ / Erasure Africa​ / Toto Ain't No Mountain High Enough​ / Marvin Gaye/Diana Ross Albatross​ / Fleetwood Mac All I Want is You​
    [Show full text]
  • Caroline Baroness Nairne: the Scottish Songstress
    THE SC,OTTISH SONGSTRESS CAROLlNE BARONESS NAIRNE SCOTTISH SONGSTRESS CAROLINE BARONESS NAIRNE BY HER GREAT GRAND-NIECE EDINBURGH & LONDON OLIPHANT ANDERSON & FERRIER '894 PRINTED DV MORRISON AND GIBD, EDINEURGH, POR OLIPHANT, ANDERSON, 8 FERRIER EDINBURGH AND LONDON. LIST OF ILLUSTRATIONS LADYNAIRNE AND HER SON ....Fvonlisjiece THE Au~nHOUSE OF GASK .....Page 10 PORTRAITOF LORDNAIRNE .......34 PORTRAITOF BARONESSNAIRNE .....35 PORTRAITOF WILLIAMMURRAY. LAST LORDNAIRNE 37 FACSIMILEOF LADYNAIRNE'S HANDWRITING . 47 THE SCOTTISH SONGSTRESS CAROLINE BARONESS NAIRNE can tell the power of music and of song ? Although the essence of time, they transcend time. As the wind or as the sunshine, their influence is everywhere, yet undefined. It may be like a breeze or a storm, a stray ray or the meridian glory. It is all around us. We are but the losers if our capacity be small. Oliver Wendell Holmes calls music a "bath for the soul.'' Shall we call it a tideless sea, or an atmosphere of light? For those who love solidity, music is like a temple or a shrine where the greatest in all ages have laid their offering, or at least inscribed their names, ere they passed on into 8 THE SCOTTISH SONGSTRESS what is darkness to us and purer light to them. But though the singers pass on, what they were at their best remains in their song. The mother sings the lullaby at the cradle; the " toddlin' wean " runs an errand to the nearest shop, humming it as it goes ; and thus a stream of song is set aflowing. We had grown up so loving and learning Lady Nairne's songs; that it was a special joy to stand, in the summer of 1893, near the spot, at once her birthplace and her grave, where, as another poet wrote, " Lady Nairne had walked and ridden, and loved and sung, till Strathearn, that made Caroline Oliphant so beautiful and such a poet, was made by her more lovely and lyric still.'' It was nearly fifty years by the calendar since the day that her eyes were closed to all that lovely land.
    [Show full text]