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September/October 2014 at BFI Southbank
September/October 2014 at BFI Southbank Al Pacino in Conversation with Salome & Wilde Salome, Jim Jarmusch and Friends, Peter Lorre, Night Will Fall, The Wednesday Play at 50 and Fela Kuti Al Pacino’s Salomé and Wilde Salomé based on Oscar Wilde’s play, will screen at BFI Southbank on Sunday 21 September and followed by a Q&A with Academy Award winner Al Pacino and Academy Award nominee Jessica Chastain that will be broadcast live via satellite to cinemas across the UK and Ireland. This unique event will be hosted by Stephen Fry. Jim Jarmusch was one of the key filmmakers involved in the US indie scene that flourished from the mid-70s to the late 90s. He has succeeded in remaining true to the spirit of independence, with films such as Stranger Than Paradise (1984), Dead Man (1995) and, most recently, Only Lovers Left Alive (2013). With the re-release of Down By Law (1986) as a centrepiece for the season, we will also look at films that have inspired Jarmusch A Century of Chinese Cinema: New Directions will celebrate the sexy, provocative and daring work by acclaimed contemporary filmmakers such as Wong Kar-wai, Jia Zhangke, Wang Xiaoshuai and Tsai Ming-liang. These directors built on the innovations of the New Wave era and sparked a renewed global interest in Chinese cinema into the new millennium André Singer’s powerful new documentary Night Will Fall (2014) reveals for the first time the liberation of the Nazi concentration camps and the efforts made by army and newsreel cameramen to document the almost unbelievable scenes encountered there. -
Wealthy Business Families in Glasgow and Liverpool, 1870-1930 a DISSERTATION SUBMITTED TO
NORTHWESTERN UNIVERSITY In Trade: Wealthy Business Families in Glasgow and Liverpool, 1870-1930 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Emma Goldsmith EVANSTON, ILLINOIS December 2017 2 Abstract This dissertation provides an account of the richest people in Glasgow and Liverpool at the end of the nineteenth and beginning of the twentieth centuries. It focuses on those in shipping, trade, and shipbuilding, who had global interests and amassed large fortunes. It examines the transition away from family business as managers took over, family successions altered, office spaces changed, and new business trips took hold. At the same time, the family itself underwent a shift away from endogamy as young people, particularly women, rebelled against the old way of arranging marriages. This dissertation addresses questions about gentrification, suburbanization, and the decline of civic leadership. It challenges the notion that businessmen aspired to become aristocrats. It follows family businessmen through the First World War, which upset their notions of efficiency, businesslike behaviour, and free trade, to the painful interwar years. This group, once proud leaders of Liverpool and Glasgow, assimilated into the national upper-middle class. This dissertation is rooted in the family papers left behind by these families, and follows their experiences of these turbulent and eventful years. 3 Acknowledgements This work would not have been possible without the advising of Deborah Cohen. Her inexhaustible willingness to comment on my writing and improve my ideas has shaped every part of this dissertation, and I owe her many thanks. -
Income Inequality Is Not Just About Material Deprivation However
Class Wars/Culture Wars 1st March 2012 Who makes chavs? Sue Christoforou www.equalitytrust.org.uk Causes of disadvantage V Professor Sir Michael Marmot, internationally acclaimed epidemiologist Income inequality is not just about material deprivation however. There is evidence that the degree of inequality in society, is having a harmful effect on health, not only of the poor, but of society as a whole. Countries, and areas within countries, marked by greater inequality have not only worse health but a higher rate of crime and other adverse social outcomes. Both poverty and inequality may be important for social cohesion, life opportunities and health. Fair Society, Healthy Lives: The Marmot Review, 2010 Index of: • Life expectancy • Math & Literacy • Infant mortality • Homicides • Imprisonment • Teenage births • Trust • Obesity • Mental illness – incl. drug & alcohol addiction • Social mobility Health and social problems are worse in more unequal countries Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Systemic cause of poor health and = social outcomes You will feel the full force of the law. And if you are old enough to commit these crimes, you are old enough to face the punishment, says Cameron The Telegraph 9 August 2011 I think we all do stupid things when we’re young, says Cameron BBC Radio 4’s Today Programme 2 September 2011 www.youtube.com/watch?v=9SaZUYa5r28 Bullingdon Club antics were nothing like the riots, says Cameron The Guardian 2 September 2011 Help us stop £1.5bn benefits scroungers ―The Sun is declaring war on feckless benefits claimants to slash the £5BILLION wasted in Britain's shambolic handouts culture. -
Internet-Projekte Aspekte
Activities Carnival around the world (A1) Read the text and then answer the questions below. Germany loves to celebrate Carnival. Think of the parades in Cologne and the thousands of visitors who enjoy this festival. People dress up in costumes, they drink a lot and have a good time! But Germany is not alone. Many other countries like to celebrate Carnival as well. The Carnival Capital of the world is Rio de Janeiro in Brazil. The Rio Mardi Gras (Fat Tuesday) Carnival is a wild five-day celebration which begins on Friday and finishes on Tuesday. There are 70,000 participants in over 440 groups who dance and sing and play music in the parade and there is an audience of many millions who watch this gigantic party on television. The first record of Carnival in Rio de Janeiro was in 1723 when the celebration was, of course, much smaller. Panama is a very small country, but it celebrates Mardi Gras in a big way, too. Some people say it is the second biggest Carnival in the world. Like in Brazil, the festival starts on Friday and finishes on Tuesday. Many towns have their own celebrations, but Panama City has an exciting and lively parade along the Via España. There are plenty of water trucks spraying visitors and people throw water ballons – so watch out, you will get wet! Carnival in Venice started nearly one thousand years ago in 1162 and has become very popular today. Masks are very important in this Carnival and people wear masks of different colours and designs – and costumes, too, of course. -
The Limehouse Golem’ by
PRODUCTION NOTES Running Time: 108mins 1 THE CAST John Kildare ................................................................................................................................................ Bill Nighy Lizzie Cree .............................................................................................................................................. Olivia Cooke Dan Leno ............................................................................................................................................ Douglas Booth George Flood ......................................................................................................................................... Daniel Mays John Cree .................................................................................................................................................... Sam Reid Aveline Mortimer ............................................................................................................................. Maria Valverde Karl Marx ......................................................................................................................................... Henry Goodman Augustus Rowley ...................................................................................................................................... Paul Ritter George Gissing ................................................................................................................................ Morgan Watkins Inspector Roberts ............................................................................................................................... -
Pioneer 3-25-15
THE PIONEER Informing LIU Post for over 50 years Volume 66, Issue 8 www.liupostpioneer.com March 25, 2015 Students to Raise Runway Walks the Catwalk in Money for Rare “Mass Damage” Disease Research By Pete Barell Arts and Entertainment Editor A fundraiser for Huntington’s disease research will be held on the Great Lawn in front of Hillwood Commons on Wednesday, April 1, from 11 a.m. to 1:30 p.m. The event, organized by senior Film major Michael Mirabella, will involve student donations and culminate in visuals that include a release of balloons into the sky. These balloons will have info cards about the disease, meant to literally, as Mirabella puts it “raise awareness.” Huntington’s disease is a TIA-MONÁ GREENE rare genetic condition that affects By Caroline Ryan and breaks down nerve cells in the Staff Writer brain over time. Mirabella will be operating a table for the event, as The Runway club is broadcasts. be donated to Relay for Life. Last well as have a film team present hosting its annual spring fashion Thirty models, along year, the club made approximately to produce an online video. Funds show on March 27 at 7 p.m. in the with Jennifer Mejia, a junior $1,000 in profits, and hopes to do will be donated to the Huntington Tilles Center. Tickets are being Art Therapy major who is the the same this year. As for the types Disease Society of America, an sold in Hillwood Commons at a president of the club, decided to of clothing that will be showcased organization that Mirabella has table in front of the Treat Shoppe name the fashion show “Mass during the fashion show, the been in contact with to help guide during common hour, and cost Damage” and have it followed by club preferred to keep that his process. -
Land and Sea Published by Aberdeen University Press
JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 10, Issue 1 Land and Sea Published by Aberdeen University Press in association with The Research Institute of Irish and Scottish Studies ISSN 1753-2396 Contents The Missing Emigrants: The Wreck of the Exmouth and John Francis Campbell of Islay Sara Stevenson 1 Spin Doctors or Informed Lobbyists? The Voices of Four Presbyterian Ministers in the Emigration of Scots to the Antipodes, 1840–80 Jill Harland 21 Celt, Gael or English? British Ethnic Empathy to Indigenes in the Empire from the Records of British Battalions in the Sub-Continent Peter Karsten 50 ‘The Evils Which Have Arisen in My Country’: Mary Power Lalor and Active Female Landlordism during the Land Agitation Andrew G. Newby 71 The Scottish Landed Estate: Break-up or Survival? Ewen A. Campbell 95 Purpose and the Irish Landed Gentry: The Case of Arthur Hugh Smith Barry, 1843–1925 Ian d’Alton 117 List of Contributors 142 Editorial In recent literature both the Irish and the Scots have been described as ‘migrant peoples’, and both nations have a constantly refreshed relationship with an identifi ed global diaspora. These diaspora in turn exercise real political and cultural power across the Anglophone world. Yet this characteristic of these two Celtic peoples was a direct consequence of the politics of place in the homeland. Both Ireland and Scotland had, and continue to have, a contested relationship to the divisions and subdivisions, the management and improvement of the agricultural land which they inhabit. The Great Famine and the Clearances attest to that. This issue of the Journal of Irish and Scottish Studies brings together a set of occasional papers which refl ect on the complex weave of migration and the politics of land since the nineteenth century. -
Polish Alumni of Foreign Universities – a Case of Re-Aculturation
Polish alumni of foreign universities – a case of re-aculturation The analysis of Polish graduates of foreign universities upon their return to Poland, Polish Alumni Networks and their impact on public service and social capital Research Project conducted as part of the Visegrad Fund Research Grant, in partnership with European Academy of Diplomacy Mateusz Mazzini St Antony’s College Oxford University Introduction According to the recent available data published by OECD, the estimated number of Polish students undertaking various programs of Higher Education abroad stands on roughly 40 000 students. This number is measured annually; therefore it does include as well students enrolled on exchange programs, such as Erasmus, Erasmus Mundus or bilateral exchanges between universities. Focusing on those with permanent enrollment (full-time degree entirely undertaken within a foreign educational unit), the primary destinations include Great Britain (ca. 10 000) and Germany (ca. 8 000), followed by the Netherlands, Denmark, France and Italy. A sharp increase in these numbers has occurred since 2004, when due to the EU accession Poles have become classified as Home Students, thus being subjected to the same fees as local students in respective countries. However, this increase in numbers has neither been followed nor come about as a result of governmental programs or comprehensive policies of support. Therefore, preliminarily, it is possible to advance a thesis that the increased quality of public service and education among young Poles, with emphasis on better prospects of receiving support of any kind for foreign education, are indeed to be observed, however the public administration is here a beneficiary of the third sector organisations and their activities rather than of its own comprehensive and institutional strategies. -
The Brazen Nose 2014-2015
The Brazen Nose 2014-2015 BRA-19900 The Brazen Nose 2015.indd 1 19/01/2016 14:16 The Brazen Nose The Brazen The Brazen Nose Volume 49 2014-2015 Volume 49, Volume 2014-2015 BRA-19900 Cover.indd 1 20/01/2016 11:30 Printed by: The Holywell Press Limited, www.holywellpress.com BRA-19900 The Brazen Nose 2015.indd 2 19/01/2016 14:16 CONTENTS Records The Amazing Women Portraits A Message from the Editor ............. 5 Project by Margherita De Fraja ....... 97 Senior Members ............................. 9 Alumni Nominations for the Class Lists ..................................... 18 Amazing Brasenose Women Project Graduate Degrees ........................ 21 by Drusilla Gabbott ...................... 100 Matriculations ............................... 26 Memories of Brasenose College Prizes .............................. 30 by Abigail Green .......................... 103 Elections to Scholarships and John Freeman: Face to Face with an Exhibitions 2014 ......................... 33 Enigma by Hugh Purcell ............... 107 College Blues ............................... 38 My Brasenose College Reunion Reports by Toby Young ............................. 123 JCR Report ................................. 40 Patrick Modiano and Kamel Daoud HCR Report ............................... 44 As Principled Investigators Library And Archives Report ........ 46 by Carole Bourne-Taylor ............... 124 Presentations to the Library........... 52 Review of Christopher Penn’s Chapel Report.............................. 54 The Nicholas Brothers & ATW Penn Music -
Out of Scope
British Broadcasting Corporation Room BC2 B6 Broadcast Centre White City Wood Lane London W12 7TP Telephone 020 8008 2882 Email [email protected] Information Policy & Compliance bbc.co.uk/foi bbc.co.uk/privacy Mark Salter Via email: [email protected] 17th March 2015 Dear Mr. Salter Freedom of Information request – RFI20150307 Thank you for your request to the BBC of 24th February 2015 seeking the following information under the Freedom of Information Act 2000: “Please provide the information you hold on the commisioning of a painting of a photograph of the Bullingdon Club photograph containing the then members David Cameron and Boris Johnson. I would be interested in having - the name of the company or artist commisioned - the dimensions of the painting and materials used - I presume on the commision to the artist. - the cost of the commision - the date the commision was made - the date the painting was accepted by the BBC - any justification made or given for this commision - the documented intended use of the painting - where it will be primarily be displayed, and how/where a member of the public might view it” The painting is retained by the artist , Rona Marsden and will go on exhibition in Oxford in April (Hemingway Art, Penwood House, Pound Lane, Cassington, Oxford OX29 4BN). The reasons for the commission were set out at the time by Michael Crick in a blog in 2007 http://www.bbc.co.uk/blogs/legacy/newsnight/2007/03/bullingdon_and_blair.html. Please note that the other information you have requested is excluded from the Act because it is held for the purposes of ‘journalism, art or literature.’ Part VI of Schedule 1 to FOIA provides that information held by the BBC and the other public service broadcasters is only covered by the Act if it is held for ‘purposes other than those of journalism, art or literature” 1. -
Directing Ayckbourn (And Contemporary British Comedy) in an American Context: Establishing ‘True Brit’ in the Early Rehearsal Process
International Journal of Arts and Humanities Vol. 3 No. 5; October 2017 Directing Ayckbourn (and Contemporary British Comedy) in an American Context: Establishing ‘True Brit’ in the Early Rehearsal Process Paul C. Castagno, Ph.D Professor of Theatre UNC-Wilmington, USA Paul Elsam, Ph.D Senior Lecturer Theatre Teesside University, UK ―England and America are two countries divided by a common language.‖ Attributed to George Bernard Shaw ―Englishmen never, ever say what they mean – [that‘s why] most of my writing is so oblique.‖ Alan Ayckbourn in conversation, Instituit Francaise, 26 April 2014 American directors face major challenges staging contemporary British plays. The director must consider appropriate accents and vocal placement, variants in posture or movement predicated on class distinctions, while deciphering ―loaded‖ textual referents that bundle implicit meanings for the British but remain opaque to most American audiences. All of this must be prepared in advance to instill confidence and direction from the beginning of the rehearsal process. Experienced directors working with professional casts will have a reliable dramaturgical process in place, although as Alan Ayckbourn pointedly observes, capturing the essential ―Englishness‖ of his plays most often proves elusive for American casts and directors. This problem is exacerbated for the neophyte director, the MFA director in training, or the faculty director working with undergraduate acting students. This article provides strategies for capturing this elusiveness with particular focus on the faculty director. By sharing our outcomes, we hope to provide a template that will be helpful for directors charged with producing a contemporary British play with American actors. These outcomes stem from an applied research workshop between Paul Castagno, Ph.D, a professor at the University of North Carolina--Wilmington, and Paul Elsam, Ph.D a professional actor and senior lecturer at Teesside University in the UK. -
EMMA. an Autumn De Wilde Film Running Time: 125 Minutes
EMMA. an Autumn de Wilde film Running Time: 125 minutes 1 TABLE OF CONTENTS I. Synopsis . 3 II. A Screwball Romantic Comedy of Manners and Misunderstandings . 5 III. Casting EMMA.: Bringing Together an Electric Ensemble . 9 IV. About the Production . 16 V. Period Finery: Styling EMMA. 20 VI. Soundtrack and Score: The Music of EMMA. 23 VII. About the Cast . 27 VIII. About the Filmmakers . 39 IX. Credits . 49 2 SHORT SYNOPSIS Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of EMMA. Handsome, clever and rich, Emma Woodhouse is a restless “queen bee” without rivals in her sleepy little English town. In this glittering satire of social class, Emma must navigate her way through the challenges of growing up, misguided matches and romantic missteps to realize the love that has been there all along. LONG SYNOPSIS Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of EMMA. Handsome, clever and rich, 21-year-old Emma Woodhouse (Anya Taylor-Joy) is a restless “queen bee” who has lived all her life in the sleepy English village of Highbury with very little to distress or vex her. When our story begins, Emma has recently discovered the thrill of matchmaking. She has succeeded in orchestrating a marriage between her governess and the kind widower, Mr. Weston. Emma celebrates her success until she realizes that she has also orchestrated the loss of her only mother figure and companion in the house.