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,, . Theatre Three's THEATRE THREE'S MAINSTAGE SEASON: Board of Directors CHEERING THE UNDERDOGS! Enika Schulze, Chair; Jae Alder, D'Metria Benson, Roland The FullMon by Da 1d Yazbek and Terrence cNallv July 20-August 20 Did YJ>U see it? " e unde�_ylng theme ls ab�ut g�ining self-respect as wen as e�rning some flucks, & Virginia Dykes, Gary W. and cl1reotor/choreographer. 11;'11ct,aelSerreCGh1a slays firmlyon-tnessage here. Betweenthe · R-rated jokes and pelvic ttir\Ists,tl'lere's genuine poignancy. You want these guys IQ be a hit." - Perrystew- Grubbs, Jeannine Lee, David art, FortWorth Star-Telegram. G. Luther, Sonja J. McGill, Shanna Nugent, Elizabeth v;eux Carreb September 14-0etober 15 The Dream Cafe D,id you see It? • � e first ef four WIiliams praductions.he(eab0uts over Che next month establishes a Rivera, Eileen Rosenblum, 2800 Routh Street high standard for the ottiersto keep up." - Lawson Taitte, The DallasMorning News. · Ph.D., Jeff Sanders, Janet Dallas, Texas 75201 Spencer Shaw, Katherine Next door to Theatre Three Glorious!by Peter Quilter November 9 - December 10 Did you see it? "Connie Ceil se good at being very_bad that her performancepaY.s ho111age not only Ward, Karen Washington, Sam 214-956-0486 10. th.e PQWerof illusion overllfe ,but also to the music she so skillfully slaughters. She ma�es you howl." - 'GlennAmery; People ivewspapers1 Yang, Patsy P. Yung We gladly take reservations Democraq b Michael Frayn . January 4-F�bruary 4 . for theatre-goers in a hurry Did you see 1 ? " he· performaneesar� e�c:ell�nt1 and no actor achievestoo much salience, as befits an ensemble piete. llke this6ne ... Theatre, Threedeserves congratulations forgiving this all-male play The playbill is a publication of Theatre Three, Inc. 2800 Routh Street, Suite #168 Dallas, Texas 75201. about power such an imagiha�ve and lucid treatment." - Glenn :Amery,People Newspapers This Theatre Three playbill is published for: • Talking Pictures by , the fifthshow of the 2006-2007 Theatre Three Mainstage Season. Ta/kin Pictures b Horton Foote Februarv 22 - March 25 • The Big Bang by Jed Feuer & Boyd Graham, the fourth show of the 2006-2007 Theatre Too Season. ln 1929, he divoreedJc1w pia111st at thepicture show is abo.ur. to l@se her Job: the talkies are coming. And she's about lo lose Ilerteen-aged son: hes fallingfor his·father's empty_ promises . Harrison, Cover art is by Jae Alder and Buzz Print. Show artworkby Susan Holden, and subscription brochure Texas, li�e the whole Gountry, dealingis wilh the.uncertainty the depression is thrustingupon it. So design by Joanna Holden of I] 214. 526. 7356. Playbill editors: Jae Alder and Kimberly Richard now.fs ,t that th1slar;ly llves a fife of hope? f)esp,!J3her un.rt.erdog c1rcumstanoos1 or p_,erbapsbecause Mo,..,,._Jlll,. of them, she mustersthe resolve, even daresto hope forthe . kind oflove and appreciation everyone needs to findin tough times. 1 The Odd Couo/e b, Neil Simon April 12 - M�y 13 The 2006-2007 S S Two mid-/ife New Yorkersfas mismatchea in roommatelife as theyhad b.een in 1/f.eirm artiarJesJ I InspiredNell Simon to create A,merioa1s favorite·'fheatre, couple. His play inspited a gff!a(teTe vision show. Whars easy Ip forget, beeau� of the belovedTV seriesabout the underdogs, ts 1ust how excruciatinglyfunny and onrfarget th'e.original play is and.how freshitssiluatibn and one-linersate for (iJlJt19alht'1 �Jnilt!J Jthr� any generation of actorsto get Jo perform. And for audiences to rediscover! Dallas News.com TACA Theatre Three is supported by its Board of Directors, by subscribers, by funds from the City of Caroline, Or Chanae by Tonv Kushner and Jean·ne Tesori May 31-July 1 Dallas Office of Cultural Affairs, and The Texas Commission on the Arts. Supporters also in­ Excitiny, compl,ex, s.omefim-essµr:real and 9/ways theatrlea/1 this mus,eal storyenters the worldof a blac� maid woif(tf!g furwefl-to.-do a Louisiana family, On the natfonal stage, {fie.era of ciVII rightsls clude TACA. Major corporate season sponsors include American Airlines, The Dallas Morning JJ./aymg@ut: Dr. f

"'Those were exciting years to be involved in television: said Foote. "There was little money to be made. When I wrote the teleplay forThe Trip to Bountiful I made less than $5,000, but actors, writers and producers had a lot of freedom."ln those early days of television shows were produced much like the theatre. "Many shows were live," he said, "and they were produced in a small studio. We could take chances and e�eriment. told me early television was like the early days of film," said Foote, when the technology to edit film came along and television moved to the coast. Although he admits to being a creature of the theatre, he does acknowledge that writing screenplays has brought him much success."! prefer to adapt my own plays to film," he said, "but I have adapted the work of others. I'll do that if the story connects with me. When you adapt another work you have to get into someone else's skin and ' that's not always very easy." The book To Kill A Mockingbirdby Harper Lee was something he desperately wanted to adapt. "From the moment I by Horton Foote read the book I felt that Harper Lee's town was just like my town," he said. "I knew these characters."He also knew Artistic Staff at the time the movie was going to be something special. "We had a verycreative team from the director Robert Mulligan to the producer Alan Pakula and especially ," said Foote. "Everyone who worked on that film Director Kerry Cole • felt it was important.It wasn't just a movie." Set Design Jae Alder & Barbara Murrell Since that movie came out Harper Lee has given only a handful of interviews, but she has always praised Horton Lighting Design Tristan Decker Foote's adaptation. "She and I hit it off right away in our first meeting," said Foote, "and we've become close friends Costume Design Michael Robinson Sound Design through the years."Harper Lee had complete faith in him to write the screenplay. "After the first meeting she said, Richard Frohlich 'Go home and write the screenplay."'According to Foote, Harper Lee was an observerbut not involved in the mak­ Cast ing of the film, and when it was made she spoke veryfavorably of it. "And there's absolutely no truth that Truman Gerard Anderson John Victor Allen Capote helped her write that book," laughed Horton Foote. "Harper Lee is the soul of integrity." Pete Reese Arrington Although he has lived most of his life in City he still findsthe setting for his stories to be the fictional town Mr. Jackson *Vince Davis of Harrison, Texas, which closely resembles his hometown of Wharton."! don't sentimentalize where I grew up," said Katie Bell Emily Jackson Foote, "but it's a landscape I know filled with people I know."HortonFoote learned many years ago how to live mod­ Myra Renee Krapff estly as a writer. "Success is never about how much money you make," he said. "I've never gotten involved with an Estaquio Michael Madrinkian expensive or Hollywood lifestyle."He also considers himself to be verylucky to have had a blessed marriage of over Vesta Allison Pistorius 60 years to a woman who encouraged him to take risks with his writing even when he could have taken on a project Gladys Jody Rudman that would have paid much more money."Writing doesn't always make you rich in money earned," said Foote, "but Ashenback Scott Smith you can become rich in many other ways." Willis *Derik Webb Mrs. Jackson *Wendy Welch The Staff of Theatre Three Production Staff Administration AEA Stage Manager • Jae Alder ExecutiveProduoor-Director JacAlder Company ManaQer Terry Dobson Master Scenic Artist Barbara Murrell Director ol Bus ness Alfairs Joan Sleight Computer Services Manager Nick Rusning Production Manager & Propmaster Linda Harrison Director or Publications& Comm1,mlcaUons K mbert�Richard Master Electrician Leann Ellis Webmaster Cl,lft Sleight In-House Accountant Wendy "wan Production Assistant **Mark C. Guerra ExecutiveAdministrative Assistant Adele Acrey Master Carpenterr JeffreySchmidt Production Crew **Andrew Phifer, Danielle Pickard Production Director or Deslgn JacAlder Musical Direcfor Terry Dobson Production Manager Linda Harrison Scene Synopsis Master CafP(lnler Jeffrey Schmidt lnlem Staff Mark C. Guerra, Andrew Phifer, Danielle Pickard Place: Harrison, Texas Time: I . Summer of 1929 This play is performedin twoacts with one fifteen intermission. Customer Service Customer Service Director Amy Mills Jackson Special Thanks Hospitality and Concessions Nancy Meeks, House Manager Box Office Daytime Service Manager Darius Warren Box Office Performance Service Manager Shanara Hollins to Michael Robinson, S&D Oyster Company Box OfficeAgents Fred Faust, Amy Mills Jackson, Tony Banda, Shanara Hollins Director of Telemarketing Carol Crosby Telemarkefing Agents Donald Baab, Michael P. Marek, Roger Wilson KerryCole (Director) Michael Robinson (Costume Design) Last season Kerry directed Theatre Three's top seller, The Mousetrap. She has also written Michael's previous assignments at Theatre Three include Metamorphoses, The Imaginary and directed two productions for Theatre Three's young-audiences outreach program, and Invalid, I'll Leave It to You, Children of Eden, The Mousetrap, The Musical of Musicals (The she appeared onstage at Theatre Three two seasons ago in Medicine, Man. Her directing Musical!), The Full Monty, 'h'euxCarre, Glorious/, and Democracy. He has designed many credits in the Metroplex include Circle Theatre, WaterTower Theatre, ContemporaryTheatre shows for WaterTower T�eatre,Uptown Players, CrossRoads Theatre, Plano Repertory of Dallas, Shakespeare Dallas, Richardson Theatre Center, Garland Civic Theatre, and Irving Theatre, Garland Civic Theatre, Garland Summer Musir,als, LyricStage, Contemporary Theatre Community Theatre. She has also directed at several regional theatres in Virginia, New of Dallas, KauffmanCl'lic Theatre, and CoppellCommunity Theatre. He has also designed for Mexico, and Hawaii. A few of the shows she has directed include , Turnof the many of our localcolleges and universities: University of NorthTexas Opera Theatre,Texas Screw, , Someone Who'll Watch Over Me, Psychopathia Sexua/is, Cripple of ChristianUniversity Opera Studio, University of Texas at Dallas, Brookhaven College, and lnishmaan, Much Ado About Nothing,Damn Yankees, Ten Little Indians,A Doll's House,and Ricl11andCollege. His awards Include 'Besl Costume Shop' (Danas Observer2000), Best Barefootin the Park. Kerry teaches theatreat Richland Collegeand the University of North Costumes' for Old Settler (Dallas.FortWorth Crites Forum Award 2003),the Leon Rabin Award Texas. For Mom. for Best Costumes for 42nd Street (2003), and the Column Awards for Best Costume in a Play or Musical (2001,2002, and 2005for Theatre Three's Metamorphoses). Jae Alder Co-Set Designer) Co-founder of Theatre Three with his wife, Norma Young. Alder has, since the theatre's Tristan Decker (Lighting Design) beginnings, served in many capacities. Trained at Oklahoma University as an architect, he has Tristan most recently designed Theatre Three's production of Vieux Carreand A Christmas servedthe theatre (and this production) as designer; has appeared in many roles in , Memory. He is the resident Set & Lighting Designer for the University of Dallas. He has , and musicals; has functioned as producer putting together the creative teams associ­ designed for the , Shakespeare Dallas,Undermain Theater, KitchenDog ated with each production; has adapted and translated classics; has accompanied musicals Theater, Our Endeavors Theater Collective, Texas Women's University Fashion Department, as a pianist; has staged and/or choreographed major productions in everyseason since the and many others. He is a two time recipient of the DFW Theater Critics Forum Award and a theatre's founding in 1961 and currently oversees the theatre's administrative and marketing two time Leon Rabin nominee. He has upcoming designs for Texas Christian University and staffas well as the production staff. Shakespeare Dallas. He is also a Corporate Lighting Technician for AV Technical Supportof Barbara Murrell Co-Set Desi ner San Antonio. "''# Ms. Murrell has been a Master SceAicArtist and Muralist working in theDallas area forthe last Horton Foote (Playwright) •. 35 years. She has painted on everything from church pageants to operas, from localtheatre to Broadway. Designing and painting stage scenerywas an idea planted in her from an ea�yag e, Oftencitied as one of America's most beloved dramatists, HortonFoote has shown an - having grown up in Dallas and seeing the artistryof Peter Wolf, who designed sets for Dallas unmatched ability to capture the very essence of small-town life, a talent that has become the Summer Musicals and various other shows. She began working in his studio in 1975. As an life-blood of his career since its earliest days. From his Oscar-winning and unforgettably mov­ apprentice, she studied under some of the best Scenic Artists and Designers of the time learning ing adaptation of To Kill a Mockingbird(1962) lo such in�ospectiveoriginal worlls asTender the fine artof trompe l'oeil and stage design. Some of her painting credits include the Broadway Mercies(1983} and TheTrip lo Bounlfful(1985), Foote had a way of craftingcharacters who revival of The King and I, with Yul Brynner, The Wiz, Broadway road shows including, On the speak directly lo the soulwith honesty and sincerify. Bornin Wharton,TX, Fooleleft home Twentieth Century with Imogene Coco, The Unsinkable Molly Brown, West Side Story, Annie, at !he age ot 16 to study acting. Realizing that he wouldlikely have to relocateto the West and many more. Notable Opera painting credits include Peter Grimmes, Billy Budd, Hansel Coast, he gained e�perienceat the Pasadena Playhouse in Californiaand later in New York, and Gretel, The Magic Flute, Boris Godunov,Das Rheingold, and Eugene Lee's design of Girl though the good roles stlll eluded him. Foote's solution lo Olisdilemma was lo write them for of the Golden West, and many others. Previous Theatre Three credits include Metamorphoses, himself, and the actor soondiscovered his true la!ent as a write/. His work for the stage quick� Candide, Taking Steps, The Musical of Musicals (The Musical!), and many others. led to work in television , and, before he knew it, he was writing for such respected programs as Playhouse 90 and Studio One during television's Golden Age. His plays The Richard Frohlich Sound Desi n Chase and The Trip to Bountiful proved that his unique styleof small-town drama was equally Previous TheatreThree assignments include Democracy, Glorious!, VieuxCarre, The Full effective on the stage or screen. Foote's career eventually led him to Hollywood, where his Monty, The Mousetrapand The Mus/Gal of Musicals (TheMusical!). Richard has recordedand screenplays for Storm Fear (1955) and To Kill a Mockingbird began to attract serious attention. producedover 60 audio plays with the award-winningTexas Radio TheatreCompany, produced In 1966, Foote's play The Chase was adapted into a feature film starring Marlon Brando, Jane CDs for many area storytellers and designed sound for ICT Malnstage,The Pocket Sandwich • Fonda, RobertRedford, and Angie Dickinson. Theatre, Slappy's Puppet Playhol!seand Bonnie Parker On-Slageal U,eJohn Houseman Theatre Centre, New York. He producesa modernaudio theater programthat airs Sundays on Foote worked sporadically through the 1960s and '?Os, and, in 1983, he re-teamed with To Kill KNTU-FM in Denton, Texas. a Mockingbird actor RobertDuvall for the affecting drama Tender Mercies. Not only was the film a critical success, but it also earned for both its star and screenwriter. Sonja McGill (Board Member) The Trip to Bountiful was adapted for the screen two years later, and found actress Geraldine eing a naUve of Dal as, was drawn to Theatre Three becauseof Its emphas� on showcas, Page cast in the role of an aging mother desperate to revis� the townwhere she grew up . ing local and regional talent. I also like Theatre Three because it challenges its audiences Many of the writer's plays were adapled to the screen throughoutthe 1980s, and, in 1992, with human portrayalsthat depict many aspects of everyday like that often go undiscussed, Foote adapted John Steinbeck's Of Miceand Men for stars and . in a realistic yet humorous way. I am a native Dallasite who swore never to return (never say As the '90s progressed, Foote workedfrequently in television on such effortsas Lily Dale never). Happily, I have involved myself in those pursuits which were the great enjoymentof (1996), OldMan (1997), and Alone (also 1997). In 1999, Foote wrote an account of life in my childhood: sports(as a former member of the Oak Cliff YMCA); community service (as a Texas, called Farewell:A Memoir of a Texas Childhood. He created the fictional townof Har­ volunteer with Meals on Wheels); and the arts(now as a board member of Theatre Three). I rison, TX, which he used as the locale for many of his plays. The first two installments of his have also proudly volunteered for the annual Legal Servicesof North West Texas's Women's autobiography, Farewell, and Beginnings, were published in 1999 and 2001, respectively. Advocacy Reception and the Princeton Alumni Association of Dallas/Fort Worth. Thank you for Foote was honored with the Award for Lifetime Achievement in the American your supportof Theatre Three through your attendance to today's performance. Please con­ Theatre in 1989, a Gold Medal for Drama from the Academy of Arts and Letters in 1998, tinue to supportTheatre Three as we look forwardto celebrating its 50th Golden Anniversary the Writer's Guild of America's Lifetime Achievement award in 1999, and the PEN American in 2011. Center's Master American Dramatist Award in 2000. John Victor Allen Gerard Anderson Allison Pistorius Vesta John Is making his Theatre Three debut in Talking Pictures. Previous lhea�eexperience includes Allison is thnlledto be backworking with TheatreThree afteracting in the ensemble and assist- Borachioin Much Ario.AboutNothing at Shakespeare Dallas, Edward Sheridani n Someone ant choreographing Mus(lca�eum. Favoriteroles in DIFW: Hyacinthe/Sca(,)ino(Second Though! lMio11Watch Over Me and Kelpie in The Strikerat Dallas Hub, and Trag�dian in Rosencrantzand Theatre), Mrs. Bob CratchlVMrs. Bob CralcM's Wild Christmas Binge (RCT), Evelyn/TheShape of Gw7demstem Are Dead at RTI. In addition to variousshorts and industrials,he has appeared In Things,AmyfTape, Anna/Closer (!CTTheatre on theEdge), VeraJTe11 Utile Indians(Column Award The Tn"nityTest for Slrange PilgrimProductions, Dawn's EarlyLight for Brianbox Productions,and Nominee, ICT Mainstage),AndromacheJTroilus and Cressida(Shakespeare Dallas). In New York, lnsp�lor Mom for Lifelime. "Thanks to my family for theirunwavering support.Jordan for getting she portrayedEcho and Diana In The Gods Are Ustening: Ta/es From Ovid(Off-Broadway) and the pints the other night, and Sascha my catfor waking me up on time in the mornings.' voiced several pieces for Dasani water and Coca Cola. Allison earned a BA in Theatre and Dance, concentration in physical acting, and a BA In French, Historyminor, from UT Austin. Favortle roles Reese Arrin ton Pete in Austin: Ophelia/Hamlet, Wendy/Peter Pan, White Cat/Houseof Sweets. She alsotaught acting, --- Reese is a student at Booker T. Washington High School for the Performing and Visual Artsand voice, and movement, and assistant directed Mad Forest for NorthwesternUniversity's NaUonal High has appeared as in lhe school's productions of Inherit the Wind as Howard Blair and The Lottery School Institute and has recently been certifiedas a yogainstructor. Many thanks to her wonderful as Dicky. Al Rosemont, he played Linus in Charlie Brown. He likes to read books especially family and lo the grizzly who keeps her warm at night. fantasy. He likes basketball, skateboarding, wake boarding, and doing backfiipsoff of trees. He thanks his family for supporting him as an actor and for encouraging him to always dream big. Jod Rudman (Gladys) Vince Davis Mr. Jackson) Jody is thrilled to make her first appearance at Theatre Three. She recently returned to acting after This acting veteran was last seen at Theatre Three playing Chance Tate in Comic Potential. A few a ten-year law career. Recent shows include As Bees In Honey Drown (Stage West), Death of a of his many roles include Phil Hogan in A Moon for the Misbegotten at Circle Theatre, John Mer­ Salesman(Classical Acting Company), (Richardson Theatre Center), The Kathy and Mo rick in The Elephant Man, Rosencrantz in Rosencrantz & Gui/densternare Dead, Jeremy in Home Show (CTD), Charlotte's Web and Sarah, Plain and Tall (Dallas Children's Theatre). National and Front, George Spelvin in The Actor's Nightmare, Moses Flying-By in The Crashing of Moses VOC commercials include AT&T, Denny's, Papa John's, Stanley Steemer, HEB, KHOU. Other work Flying-By, and Mac Sam in The Miss Firecracker Contest all at Theatre Three, Aries Struvie (et includes numerous industrials, print campaigns, Chuck E. Cheese video, Inspector Mom, and' several al) in Greater Tuna at Stage West, , Lenny Bruce in Lenny at More Sugar Prod., Ray in Lone Star films. She is represented by the MaryCollins Agency. In her spare time(!) she owns Tempest Tea. at Stage West, Hugo Taney in God's Man in Texas at Circle Theatre, Ken Talley in Fiffhof July at Much love to her two sweet babies, and a big thank you to her amazing friends. MUAH! Stage #1, Harry S. Truman in The Dead Presidents' Club at Circle Theatre, Rick Steadman in The Nerd at Ft. WorthTheatre, and Karl Linder in at Corner Theatre. His television Scott Smith (Ashenback) experience includes Prison Break, Walker Texas Ranger, Wishbone, 13 East, Heaven Help Us, Scolt Smith is happy to be back at Theatre Three after his appearance in Vieux Carre. Before that, and Dallas. His film experience includes Walling Tall II, King of the World,Birdie and Bogey, he was in the San Francisco World Premiere of Jack Heifner's Seduction at the New Conservatory Bad Girls, The Operator,Leap of Faith, Witness to the Execution, Problem Child, Touchand Die, Theatre. Other favorite roles include Felix in The Normal Heart, Berger in Hair,and Tom in The Glass Heaven and Hell, The Challenger,Poncho Barnes,Ned Blessing, Fire and Rain, and Stormin' Menagerie. Directing credits include 's MarriagePlay, Eugenia, and Hold Me! He Home. "To my steadfast loves Jane Evelyn and Michael who make all things possible." is currently preparing for the London premiere of his one-act play, Jupiter by the Shameless Boyz Emily Jackson (Katie Bell) Theatre Company in April. Emily Jackson is delighted to be returning to the Theatre Three slage after being seenIn last season's Children of Eden. She has also been seen on the stages of many area theaters Derik Webb {Willis including Dallas Summer Musicals and Plano Repertory. A junior at Booker T. Washington High Talking Piclures Is Derik's debut performanceat Theatre Three. At the Dallas Children's Theater, he School for the Performingand Visual Arts,Emily is in the Theatre Cluster and is very active in the played the title character in The Velveteen Rabbit and Red Dogin Go, Dog, Go/. His other favorite Mime Troupe and the Entertainers.Her favorite roles include Gertrude in Seuss/cal! The Musical, theatre roles include Raleigh in Last Train to Nibrocat Circle Theater,Patrick Burgess in Stage Door Fraulein Schneider in Cabarel, and Rachel Brown in Inherit the Wind. In her spare time, Emily al Plano RepertoryTheatre, and Blake Hoffmanin Hazard Countyat KitchenDog Theatre. Denk has loves drinking mochas with toffeenut syrup and wearing spinny dresses! been workingin film,ltelevisionfor the last 10 years. His national. commercialsinclude AutoZone, Ben­ nigans, and CVS Pharmacy. He has been named Best Actor by !he Dallas-Fl. WorthTheater Critics Renee Krapff(Myra) ForumAwards in 2000, Best Actor in Dallas Observer's 2000 Best of Dallas, and was a Leon Rabin Renee is proud to make her Theatre Threedebut. 'Thankyou Jae Alder and KerryCole for this Award Nominee in 1997and 1999. Denk is representedby TheHorne Agency. amazing opportunity." Dallas area credits include Water Tower Theatre, Contemporary Theatre of Dallas, Plano Rep, Classical Acting Company, Uptown Players and Garland Civic Theatre. Her Wendy Welch (Mrs. Jackson) favorite roles include Harper in , Cecily in The Importanceof Being Earnest, • Wendy Welch was seen at Theatre Too in Elegies last season, and upstairs in The Gondoliers way Rachel in Reckless, Sybil in Cover of Life, Tracy Lord in The Philadelphia Story and Lala in The back in the '80's. Her brother, Michael Justis, was a regular at Theatre Three in lhe 80's and early Last Night of Ballyhoo. Renee has also done various local, regional and national voice over and 90's, her father, Jim Jackson, appeared in several shows here in the early 90's, and her mother, commercial work. She has a Bachelor of Artsdegree from the University of Central Oklahoma. A voice teacher Anne Jackson, is memorialized on a plaque in the lobby. Wendy is very happy to be special thanks to her parents, Mark and Carrie Krapff, for their unconditional love and support and back, continuing the family tradition. She has also appeared locally at WatertowerTheatre, Lyric for continuing to !ravel many miles to supporther craft. Stage, Casa Manana, TRAC, FMPAT, Dallas Children's Theatre, and Contemporary Theatre(Leon Michael Madrinkian Esta uio Rabin Award). She is married to actor/songwriter, Willy Welch, and they spent 16 yrs. singing as a duo in NYC, the Northeast,and all over Texas. They have produced 3 recordings of original music, This is Michael's debut at Theatre Three. Other shows include, John Reed in Jane Eyre at Lyric and 2 children, Grady and Molly. Wendy teaches at Richland College Theatre and has a private voice Stage, Prince Edward in Richard Ill at Shakespeare Dallas, Danny Dorgan in Laura at Irving studio. She is represented by the Tomasagency and is a 26 year member of Actor's Equity Assn. Communily Theater, Young Siward in Macbeth at Frisco Community Theater, Young Scrooge Much thanks to Jae and Kerry(with whom she's grateful to be working after all these years). in A Christmas Carolat Pocket Sandwich Theater. Films roles include, a kidnapped boy in UT Student Film, Hasbro "Super Soaker'' commercial, FBI agent in Having My Baby,Abused Child for Praesidium Productions. He recieved the "Best Supporting Actor'' award for his role in Macbeth. / Terry Dobson (Director) Terry hasbeen a memberorTheatre Three'sArtistic Staff sinceMay 1980. He currently servesas Theatre Three'sMusical Director and Company Manager. Terrydirected (and accompanied)the longest running stage productionin Dallas theater history- Theatre Three's productionof I Love You, You're Perfect,Now Change. He also directed and accompaniedmany of the criticallyacclaimed Theatre Too producUons. Myths & Hymns, Rrst LadySuite, Grateful:The Songs of John Bucchino, Elegies: A Song Cycle and therecent Only Heaven are among his favorites. Terry has performedwith theDallas Theater Center, CasaManana, Lyric Stage, FMPAT,and Theatre Arlington. Terry won a Leon Rabin Award - Outstanding MusicalDirecuon - for his work on the musical Jon & Jen and is therecipienl ornumerous 'Column Awards'. As an actor, Terryhas appearedIn Theatre Three productionsof Sylvia, Nice People Dancingto GoodCountry Music, Beyond Therapy,Death DefyingActs, God'sMan inTexas, Dirty Blonde,and Glorious!His autobiographicalplay, My Own PrivateDiva, recently won a DFW Theatre CriticsForum Awards forBest New Play. Kelly Smith (lighting Design) Kelly Smith has been a designer In the Dallas area for several years. She is currently pursuing a Bachelor of Fine ArtsDegree in Thealre ArtsProduction and Design at the University ofTexas at Arlington. OUlerThealre Three productions she has designed include A ChristmasMemory, My Own PrivateDiva, and assisted In !he design of The Devil'sDisciple. Olher lighting designs includeTheatre Quorum's Honour at Water­ TowerTheatre and UTA's production or The Go/em. She servedas Assistant Lighting Designer for HurlyBurly,an Off-Broadwayproducbon in , as well as acting as assistant designer ior productionsin theDallas area such as Classical Acting Company's ChenyOrchard and Contempora,yTheatre's Visiting Mr.Green. Next year by Jed Feuer & Boyd Graham to Originally produced Off-Broadwayby Eric Krebs. and Nancy she plans attend graduate schoolto receiveher MFA in lighting design. Nagel Gibbs in association with Pam Klappas:Pariseau Joe Feuer Com oser Equally at home with concert,theatre and film music, Jed Feuer is one of the most Artistic Staff versatile composerswriting today. As a Jazztrumpeter, he leads his quintet, Bipolar,the newest, most unusual jazzensemble on lhe scene today,in recordingsand perform­ Director, Pianist TerryDob son AmericanPrincess, Prometheus Bound, Set Design Jae Alder ances.Theatrescores: NYC (1982), London (1983), The Miser,NYC (1985), TheScoundrel D, The DreyfusAffair(1991),Eating Lighting Design Kelly Smith Raoul, The Big Bang, Costumer Mark C. Guerra NYC (1992), NYC (2000).F!lm, Television, and Documentaries: The Joy that Kiffs,American Playhouse, PBS (1934), MemorialDay, The Motion Picture Cast Corp. of America(1985), No Means No,CBS SchoolbreakSpecial (1988), The '60s, Someone Uke You, The Powerof *Gary Floyd NBC mini-series (1999), 20th CenturyFox (2000), Boyd I Conscience,PBS (1995), TheHea/ing Gardens of New York,PBS (July 2006), docu- Jed *K. Doug Miller mentaries forThe Humane Societyof theUnited States (1985-present).Concert music: 'Fugue in b minor fdr chorus & percussion'(1996), ' Rhapsodic Incident for muted Production Staff trumpe� harpsichord & contrabassoon'(1997), 'Tilt for percussion'(including piano) AEA Stage Manager/Choreographer *AmyAnders Corcoran (1997), 'Reactions for wind quintet', (1998), 'Twenty-One Songs, (poems, 1757-1999) Production Manager, Propmaster Linda Harrison for soprano, baritone & piano' (2000), 'Orchestral Suite' (2001),'A Brief Life for flute Painters & Carpenters Barbara Murrell, "Mark C. Guerra, & piano· (2002/, 'Elegy for cello clarinet& piano' (2002), "Quintet in D minor for violin, Danielle Pickard, **Andrew Phifer cello,oboe/Eng ish horn,French horn& piano' (2003), 'Five Songs for mezzo-soprano Production Assistant Danielle Pickard & piano' (2004), '4A.M. foralto saxophone and piano'(2005). He is currentlyat work on the opera, "Slaughterhouse-Five". Scene Synposis - there will be no intermission Boyd Graham (Book & Lyrics) Time Present Bornin Brooklyn, NY, 1952, he worked for TriStar Pictures writing ad campaigns. Off Place New York City; the living room of Broadway: lyricsfor Eating Raoul, music by Jed Feuer, bookby Paul Bartel; book,& an elegant Park Avenue apart­ Life Not A DorisDay Movie, ment. lyricsfor /s directedby Norman Rene: bookand direction of TheLast Chance Revue. Television: TheAdventures of BriscoeCounty Junior, The Muppets, The Seventh AnnualPhiladelphia Music Alliance Awards honoringPhil Spec­ tor and Nina Simone, The Ninth Annual Mr. Abbott Awards, honoring Trevor Nunn and the ShubertOrganization, and specialmaterial forThe 1994Tony Awards. He wrote and directed his one man show, An Act OfDesperation. Mr. Graham Is the authorof BestialityKilled The Cat and is currently workingon his autobiography, Show Business Is Mein Kampf. ,, Gary Floyd (Boyd) Mark C. Guerra (Costumer) Garyis thrilled to be making his return toTh eatre Too! He was last seen in this space in Elegies: Mark is a Class A intern at TheatreTh ree for the 2006-07 season. He graduated with a BA in A Song Cycle and Merrily We Roll Along, for which he received a DFW TheatreCritics award Theatre Performance/TheatreDesign from the Univ. ofTexas-Pan American. He has also done for OutstandingPerformance by an Actor. Other favoriteroles includeJerry in TheFull Monty costumes for Theatre Three's Summer Children's Show, Musicaleum and Only Heaven in Theatre (TheatreThree), Radames in A/DA(Uptown Players),David in King David(LyricStage). He Too. He worked last summer at the Utah Shakespearean Festival on Costume BuildM'ardrobe alsoreceived a Leon Rabin Award for Best Supporting Actor in a Musicalfor his performance Run. His real passion is performing. He just madehis Thealre Three debut asTony Giordano/En­ as L.M. in ContemporaryThe a!re of Dallas' productionof Pumpboys & Dinettes. Garyis alSQa semble in The Full Monty and as theSlagehand in All About Bette. Markhas also done makeup prolificsinger/songwriter and has recordedseveral solo CDs. For more information aboulGary, design for TheLittle TrollWithout A Souland a live action version of The Nightmare Before visit his website at www.garyfloyd.biz. Thanks to Terry,Jae, Doug(great to be workingwith you Christmas. Mark's firstcostuming assignment at Theatre Three was for !he recentproduction of again!), and my best friend, Theo. Frozen. Markalso costumedTheatre Three's mostrecent producUon of A ChristmasMemory. Afterhis internship,he plans to earnan MFA in Acting and pursue a professional acting career. Special thanks lo his in!em family for ll1eirlove and his real family for all of theirsupport.

Doug Miller (Jed) Ga Grubbs Board Member Doug Miller is veryexcited to be backat Thea!re Three, and to beperforming withhis buddies Gary and his family have many years experience with Theatre Three, as his grandmother used to Garyand Terry! Favorite roles include:Seymour in LittleShop of HOITOrs(Waler Tower Theatre), perform on stage with JaeAlder and Norma Young in the early years of the theatre. While he does Frankie in Pageant (Uptown Players), Sparkyin Forever Plaid(FMPA1), Cosmo in Singin'in the not have the acting abilities or the stage charisma of his grandmother, he is honored to be partof Rain, and Jeffreyin Jeffrey.Dallas Thea!re league's Leon Rabin Awards for Acting: The Baker and help theTh eatre accomplish its aspirations. In 2001, Gary formed RedRiver Systems along in (ICT Mainslage), and Roger in A New Brain(Uptown Players). Rabin Awards with a longtime colleague. RedRiver concentrates on delivering enterprise application develop- for Direction: A Man of No /mporlance, Love! Valour!Compassion! (Uptown Players), and Pump ment and custom software solutions for industries including not-for-profit, legal, defense, and bio­ Boys and Dinettes. Otherdirecting credits include: AIDA, TheLast Sessiorr and John & Jen. technology. In early 2006, RedRiver broadened their service offeringsthrough the acquisition of a Doug, along with his partnerBob Hess, is currently working on the stage adaptation of the cult staffingfirm, enabling RedRiver to provide clients with the best solutions for their individual needs. film Valley of the Dolls, which will premiere in Dallas this year. Doug is Performance Director for Gary can be reached at (214) 446-4413 or [email protected] Barney& Friends (PBS), and is represented by The Horne Agency. On Other Stages The DFW area is rich with somany wonderfulopportunities in artsentertainment. Here's a sample of what's playing at other theatres in thearea: Amy Anders Corcoran (Equity Stage Manager/ Choreographer) Amy is happy lo be back downstairs, working with this great cast and crew, Contemporary Theatre of Dallas: 214-828-0094 after completing a 2nd run in I Love You, You're Perfect, Now Change. Favorite previous Shadow/ands: February 9 ·· March 4 choreography credits include Crazy for You, Annie, and The Wizard of Oz. Favorite acting Dallas Children's Theater: 214-740-0051 creditsinclude Polly in Crazy for You,Annie Oakley In Annie Get YourGun, Audrey in Uttle Shop James and the Giant Peach: March 16 -·April 22 of Horrors,and Woman #2 in Theatreloo's acclaimedproduc�on of Begies. Thanks loTeny Dallas Summer Musicals: 214-691-7200 for the chance to dance, to family and friends who always believe, and Scott, the best friend and 12 Angry Men: February 27 -- March 4 husband a theatre girl could ever ask for. Dallas Theater Center: 214-522-8499 Fences: March 7 •· April 1 Echo Theatre: 214-904-0500 String of Pearls: February 16 -- March 3 Eisemann Center for the PerformingArts: SouthernFried Chicks Tour. March 13-18 , Jubilee Theatre: 817-338-4411 Gookin' at the Cookery: March 30 ·· April 22 Kitchen Dog Theatre: 214-953-1055 Woyzeck: February 16 ·· March 17 ' Lyric Stage: 972-252-2787 Dallas Divas: March 9 ·· 10 Second Thought Theatre: 972-450-6232 Lawrence & Holloman: April 5 -April 22 Teatro Dallas: 214-689-6492 The PretentiousMaidens: March 23 --April 29 Uptown Players: 214-219-2718 Hair.February 16 - March 18 WaterTower Theater: 971-450-6232 Out of the Loop Festival: March 1 -- 11 A Special Thanks to all of our Phoenix Donors! (Won't you add your name to this list?)

penfield, Laura 8. Saunders, Judy Kinder Pat Snell, Joyce & Howard Korn, Caryn M. Hansen, Mr. & Mrs. Jack W. Hawkins, Schwoch, Mr. & Mrs. Rex A. Sebastian, Korshin, Mr. Steve Lamberti, Mrs. Peggy The Producer's Dr. & Mrs. Arthur Ingalls, Mrs. Jo Kurth Grace & Roger Secrest, Mr. Tom Shaw, J. Learner, Arlene Leibs, Mrs. Susan Lichten, Jagoda, Mr. & Mrs. Patrick Kelly, Carol & Val & Sylvia Smith, Mr. Carroll Staton, Ted Richard J. Lorenz in memory of Helen, Council George Kondos, Steven A. Krant, Chuck & Dr. & Mrs. Kenneth Altshuler, Mr. Bill Bond, & Patti Steinke, Gene & Marge Stockton, Scott & Maureen Ludrick, Dr. & Mrs. P. E. Lolisa Laenger, Jerome and Brenda Levy, Mr. & Mrs. J. Roland & Virginia Dykes, Ms. Patsy A. Stodghill, Ms. Nancy H. Strick­ Luecke, Jr., Cheryl & Glen Lumpkin, Dr. & Mona & Nick Magnis, Judy Meagher, Scot Stan Graner & Jim McBride, John & Meg land, Barbara Sudweeks, JoAnn & Robert Mrs. Richard Mabry, Sally Magee, Bar- & Eileen Milvenan, Marion and Stewart Hauge, Emily Jefferson, Mr. & Mrs. Edwin Tobey, Mr. & Mrs. Barry Uhr, Britt & Bonnie bara Materka, Kay Maxwell, Ms. Marcia J. Mitchell, June Speed Morgan, Jan Nimmo B. Jordan, Fannie & Stephe Kahn Chari­ Vincent, Nancy & Leonard Volk, Kay & McGoey, Joan Mirabal, Jim & Pat Mitchell, in memory of Dan Nimmo, Mr. Patrick table Foundation, Margaret & Dick Krui­ Harry Weaver, Jane Webb, Anonymous Bernice Catherine Moss, Carolyn & Stewart Parise, Fred Penn & Dean Corbitt, Yvonne zenga, Mr. David G. Luther Jr., Mr. & Mrs. in honor of Hugh Feagin, Glenda Kemple, Musket, The Nassifs, George Nilan, Jr., Perkins, Gary & Genie Short, Betty & John Tom H. Mccasland Jr., David & Catherine John & Lynne Wood Barbara Noller, Mal & Linda Noone, Mr. Silander, Helen M. Sindermann, Mr. & Mrs. McCue, Shanna Nugent, Mr. & Mrs. Ross & Mrs. Rudy Norris, Ellen Osburn, Pat Robert S. Sloan, Marvin S. & Margaret D. Perot, Henriette & Leonard Rayburn, Wm Polk, Sue Prather, Wes & Louise Putnam, Sloman, Evelyn Smith, William George The Backstage W. Richardson, Deedie & Rusty Rose, Ernest & Dorothea Rajala, Charles & Smith, Frank Sulzbach, Mr. Edward B. Richard Schulze, Richard & Enika Schulze, Benefactors Susan Ramirez, Jeanne Rasco, Dr. & Mrs. Summerhill, Patricia A. Vaughan, Dr. & Mrs Ms. Nancy S. Shamblin, Ms. Janet Spen­ 8.8. Arhelger, Mrs. Pat Barr, Helen & Paul Peter C. Ray, Mr. & Mrs. Richard A. Reed, S. Beck Weathers, Jim and Tammy White, cer Shaw, Dr. Margie Sunderland, Peggy Barton, Catherine B. Bass, John P. Bell, Jr., Dure! & Barbara Reid, Mr. & Mrs. Irvin M. Bill & Julie Wilkinson, Patsy Yung Steven & Mary Carol, Carl & Jeanette Ben­ & Patricia Rice, Janelle Richards, Lynne Townsley, Laura & Charlie Weems son, Ors. Steven & Jane Blair, Mr. & Mrs. Richardson, Mr. & Mrs. Martin 8. Roberts, The Author's Duncan Boeckman, Dr. Jo Ellen Bogert, Mr. & Mrs. Warren Rubin, Ms. Ruth May The Director's Robert Boyer, Patti & Mack Castleberry, Mr. Rydell, Dr. & Mrs. Jay P. Sackler, Mr. Glenn Benefactors & Mrs. Davis Chauviere, Doris Cheshier, Samford, June Saucer, Mr. & Mrs. Peter Council Dr. & Mrs. Vincent Barr, Ms. Emily Beyette, Kim Cheshier, Art & Evelyn Cohen, Billie Schaar, Hal & Mary Jo Schneider, Ms. Ann Ida Jane & Doug Bailey, Lawrence & Barbara & Paul Bierbrier, Joan & Edward Maxine Cook, Jeff & Wendy Cook, Cory L. Schoeps, Ors. Richard & Roxanne Scott, Elizabeth Barron, Paul Coggins & Regina Brodton, Martin Camp, Susan & T.A. Coons, Betty and Tom Cox, Mrs. Sarah G. Donald W. Seldin, Jean & Rudy Seward, Montoya, Brig. Gen & Mrs. H.J. Dalton.Jr., Carnell, Bill & Frances Carter, Kay Cham­ Cramer, John & Zonneke Cross, John D. & William P. & Billie L. Sparks, Ms. Patricia Harriet Halsell, Dr. & Mrs. Norman Kaplan, pagne, Carol L. Croy, Ms. Lee B Cullum, Margaret B. Daigh, Mary E. Davis, Bob & L. Stahl, Chuck & Debby Stein, Freda Arlene & Louis Navias, Eileen and Harvey Cynthia M. Cummings, Michael L. Dailey, Rosemary Deininger, Gene Diskey, Gwen Gail Stern, Billie Stone, Mr. John Suther­ Rosenblum, John McCafferty & Lorraine A & P Denur, Olyarie Drummond, Ms. Delia Dixie, John & Harryette Ehrhardt, Laura land, Carole Trocchio, Alvena Unruh, Pam Sear, Miss Jeanne F. Shelby, Mike & Anne Duson, Dr. & Mrs. James & Kathryn Erick­ V. Estrada, Boyce & Pat Farrar, Frederick Venne, Mr. & Mrs. Don H. Waddington, Mr. Skipper, David & Elaine Smith, Brenda and son, Wanda Farris, Gary & Edith Fritzsche, & Pauline Fedri, Richard & Kay Fleming, & Mrs. Joseph P. Walker, Jr., Thomas E. Nelson Spencer, Conni & Bill St. Angelo, Eileen & Joel B. Goldsteen, Bob & Barbara Colleen Flickinger, Ms. Cecilia Flores, Ms. & Charlotte Walker, Dr. & Mrs. Mark H. Wal­ Katherine Ward, Charles W. Yates Goodman, Philip & Gloria Gray, Elaina and Dawn Fowler, Mr. & Mrs. John E. Garrett, ters, Mr. Ottis & Dr. Betty Ward, Charlotte Gary Gross, Bob & Marilyn Halpin, Mark Les Geiter, Mr. James M. Gerhardt, Doug & Herbert Webb, Louise Wells, Virginia The Actor's & Lynda Hamilton, Elsie M. Harris, Mary & Linda Gilpin, Shirley Grannan, Mr. Fred Whitehill, Robert S. Williams, Mr. Richard Anne Ingram & James Schachterle, Matt Grinnell, Fred J. & Harriet P. Gross, John & Wills, Jenna Vee Worthen, Ken & Anita Benefactors C. Jansha, Sue & Phil John, Milton & Ann Jo Guittard, Robert & Janet Hadeler, Mark Wrobel, Ms. Ellen Ogden Young, Jerry & Jo Mr. & Mrs. Philip Askew, Susan E. Barkley, Killen, Mary Kretzinger, Peggy Laden­ & Lanell Hadley, Mr. & Mrs. Gaylord Hall, Zeffren Mary S. Bienkowski, James Lee Black­ berger, Ph.D., James A. Lathim, Jr., Dr. & Jim & Ann Hambleton, Mrs. Nancy Ha­ Donations were given as of Feb. 12, 2007. well, KEMB, Lee & Florence Buehrer, Tom Mrs. S.O. Livingston, Mr. & Mrs. Robert 0. mon, Nick & Anne Harper, Mr. & Mrs. Jerry Cornell, Linda & Bill Custard, The Cut­ & Patsy Magruder, Wilson & Gwyn Mason, M. Haynes, Charles & Patricia Hayward, ATTENTION THEATRE THREE shalls, George & Kim Dawson, Mr. & Mrs. Myrna & John Mccully, Marla McDonald, Robert & Barbara Herbison, Ennis & Donna SUBSCRIBERS! Peter J. Denker, Carol & Roger Eberhart, Hilda S. McLaughlin, Ellis & Mary Minton, Hill, Mary Hill, Angela & John Howell, John Joan Eschrich, Bobby & Anne Fincher, Louis & Betty Moore, Erika & Joel Nannis, & Rusty Jaggers, Mitch Jericho, Dr. & Mrs. Just a reminder! It is time to renew your Dorothy E. Fischer, David M. Forsythe, Bill & Elya Naxon, Petey Parker-Fite, Ann Warren C. & Phyllis Johnson, Ms. Caro- T. Reeves, Paul & Joan Ridley, Catherine Tt:ieatre Three subscription for the Lynn Frank, Richard & Arlette Galland, W. lyn Kacena, Dan and Susan Kasten, Dr. John & Jane Glancy, Dr. & Mrs. Leonard & Ritchie, Charlotte & Robby Robertson, Judy Sondra Kaufman, Charlotte Kelly, Barbara 2007-2008 season. Pauline Graivier, Lisa-Gabrielle Greene & & Colin Rorrie, John & Christina Rusnak, Kemp, Lucy & Roger J. King, Kitchen Regular renewal deadline: lv1ar. 31 Chris Westfall, Ed & LeAnn Greer, Dick & Mr. W. Richard L. Russell, Dick & Rita Dog Theater, Elaine Klobe in memory of Call Theatre Three's box office at 214- Jacqueline, Mr. Alex Hamerman, Ms. Sarah Sanderson, Mr. & Mrs. Luther & Ruth Sap- 871-3300, option #1 to renew!

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