C'era Una Volta in America/Once Upon a Time in America
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
Mamma Roma Di Pier Paolo Pasolini Nelle Fotografie Di Divo Cavicchioli E Angelo Novi
Mamma Roma di Pier Paolo Pasolini nelle fotografie di Divo Cavicchioli e Angelo Novi 1 Mamma Roma Organizzazione di Pier Paolo Pasolini Centro Studi Pier Paolo Pasolini Mamma Roma nelle fotografie Piero Colussi Presidente di Divo Cavicchioli Flavia Leonarduzzi e Angelo Novi Francesco Colussi di Pier Paolo Pasolini 27 ottobre 2018 – 24 febbraio 2019 Catalogo a cura di Casarsa della Delizia Antonio Maraldi nelle fotografie Piero Colussi Centro Studi Pier Paolo Pasolini Luciano De Giusti di Divo Cavicchioli In collaborazione Progetto grafico Centro Cinema Città di Cesena e allestimento mostra Cinemazero DMB Associati e Angelo Novi Con il contributo Regione Autonoma Friuli Venezia Giulia Stampa Comune di Casarsa della Delizia Lithostampa Stampe fineart Cesare Genuzio Allestimenti Diapason Scrl Social Media Giacomo Trevisan Ufficio stampa Cristina Savi Accoglienza ProCasarsa Coordinamento Marco Salvadori Segreteria generale Elisa Miglioranza Si ringraziano Silvia Gutierrez Dario Pontuale Centro Studi Pier Paolo Pasolini via Guido Alberto Pasolini, 4 33072 Casarsa della Delizia (PN) tel +39 0434 870593 www.centrostudipierpaolopasolinicasarsa.it © Fotografie [email protected] Centro Cinema Città di Cesena 2 3 Le illusorie ambizioni Nella flagranza della loro immediatezza gli scatti di Angelo Novi e Divo Cavicchioli di Mamma Roma sul set di Mamma Roma ci portano dietro Luciano De Giusti le quinte del secondo film di Pasolini rievocandone la lavorazione che è sempre un’avventura scandita dagli imprevisti, a cominciare da quelli meteorologici, tanto che in una delle pause il regista dirà: «Il sole così poetico e pieno di memorie di stamattina è scomparso. […] Piove che Dio la manda. In fondo fare cinema è una questione di sole». -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
Pontifícia Universidade Católica Do Rio Grande Do Sul Faculdade De Comunicação Social
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL FACULDADE DE COMUNICAÇÃO SOCIAL CRISTINE DE ANDRADE PIRES O PODER DO CHEFÃO: O MITO DA MÁFIA ITALIANA NO CINEMA DE HOLLYWOOD Porto Alegre 2016 PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL FACULDADE DE COMUNICAÇÃO SOCIAL CRISTINE DE ANDRADE PIRES O PODER DO CHEFÃO: O MITO DA MÁFIA ITALIANA NO CINEMA DE HOLLYWOOD Dissertação apresentada como requisito para obtenção do grau de Mestra pelo Programa de Pós-Graduação da Faculdade de Comunicação Social da Pontifícia Universidade Católica do Rio Grande do Sul. Orientador: Prof. Dr. Francisco Ricardo Rüdiger Porto Alegre 2016 Dados Internacionais de Catalogação na Publicação (CIP) P667 Pires, Cristine de Andrade. O poder do chefão: o mito da máfia italiana no cinema de Hollywood / Cristine de Andrade Pires – 2016. 151fls. Dissertação (Mestrado) – Pontifícia Universidade Católica do Rio Grande do Sul / Faculdade de Comunicação Social, Porto Alegre, 2016. Ficha catalográfica elaborada pela Bibliotecária Clarissa Jesinska Selbach CRB10/2051 Orientador: Prof. Dr. Francisco) Rüdiger 1. Comunicação social. 2. Cinema. 3. O poderoso chefão (Filme). 4. Máfia – Itália. I. Rüdiger, Francisco. II. Título. CDD 791.43 Ficha catalográfica elaborada pela Bibliotecária Clarissa Jesinska Selbach CRB10/2051 CRISTINE DE ANDRADE PIRES O PODER DO CHEFÃO: O MITO DA MÁFIA ITALIANA NO CINEMA DE HOLLYWOOD Dissertação apresentada como requisito para obtenção do grau de Mestra pelo Programa de Pós-Graduação da Faculdade de Comunicação Social da Pontifícia Universidade Católica do Rio Grande do Sul. Aprovada em: _____ de __________________ de ______. BANCA EXAMINADORA: ____________________________________________ Prof. Dr. Francisco Rüdiger Pontifícia Universidade Católica do Rio Grande do Sul ____________________________________________ Prof.a Dr.a Miriam de Souza Rossini Universidade Federal do Rio Grande do Sul ____________________________________________ Prof. -
TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kent Academic Repository CHAPTER 6 PUNKS! TOPICALITY AND THE 1950s gANgSTER BIO-PIC CYCLE ------------------------------- peter Stanfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 15 peter stanfield DELINQUENTS, gANgSTERS AND PUNKS In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology, which held that criminality was fostered by psycho- pathic personalities. -
BANG the DRUM SLOWLY Narrated by John Randolph Jones
60316_bangthedrumslowly_LIBV2_LayoutRBoverlay1_Layout 1 5/12/10 1:32 PM Page 1 4/16/10 1 10:38 AM Page 1 Mark Harris BANG THE DRUM SLOWLY Narrated by John Randolph Jones This is a bittersweet return to an era in baseball when there were no million-dollar contracts and playing ball had not yet become a media extravaganza. Author Harris takes us on the circuit with Henry Wiggen, sometime insurance salesman, and full-time pitcher for the New York Mammoths. Along the way we encounter what has now become the B classic folklore of baseball in its early years: seedy hotels, smelly sleeper trains, players who A could read the gestures and expressions of a competitor better than any stat book. N N G The New York Mammoths are an unforgettable team—with their coaches who a r consult horoscopes, their eccentrics who are better off in a ball park than loose on the r a T streets, or their simple farmboys like Bruce Pearson, Wiggen’s endearing and exasperating t e H roommate. An erratic and guileless catcher, Pearson could be satisfied swinging at balls all d M day. He’s also a man with a secret, and the one person who can bring the team together in b E y a time for the playoffs. J r D o k h n H R R U a a r n r M d i s o l p S h L J o O n e W s L Y Recorded Books Unabridged Running Time: 7.25 hours Z1956 by Mark Harris 91991 by Recorded Books, LLC Cover art Z1991 by Stephen Hale Recorded by arrangement with The Fox Chase Agency, Inc. -
Summer 2013 Mark Your Calendar These Events Take Place in the Library Unless Otherwise Stated
NONPROFIT ORG. U.S. POSTAGE PAID PERMIT NO. 5544 *ECRWSS* SEATTLE, WA Postal Customer Bainbridge Island, WA 98110 Vol. 15, No. 4 Bainbridge Public Library, 1270 Madison Ave. N, Bainbridge Island, WA 98110 Summer 2013 Mark your calendar These events take place in the library unless otherwise stated. JULY 1-31 • Art at the Bainbridge Public Library. On exhibit in July: Paintings and collages by Donna Snow. THURSdaY, JULY 4 • Library Closed for Independence Day. Look for the BPL booth at Waterfront Park! FRidaY, JULY 5 • 1st Friday art walk reception with Donna Snow, paintings and collages 5-7 p.m. SatURdaY, JULY 6 • CLICK! Learn to download Library eBooks and eAudio. Preregister at the library (842- 4162). 1-3 p.m. Maria adds a TUESdaY, JULY 9 star for reading 100 • CLICK! Learn to download Library eBooks hours in last summer’s and eAudio. Preregister at the library (842- reading program. 4162). 10 a.m. -12 WEDNESdaY, JULY 10 • Low Vision Support Group 1-3 p.m. • Island Film Group: Serenity (2005) Film & Discussion 7 p.m. It’s not too late to sign up for summer reading. THURSdaY, JULY 11 • Ferry Tales Book Group 3:50 (BI to SEA), 4:40 (SEA to BI) SatURdaY, JULY 13 It’s summer at the library • Friends of the Library Book Sale 10 a.m.-3 TUESdaY, JULY 16 Already children and teens have begun reading Hugo House on June 24 and EMP July 8. • Community Center Book Discussion (370 Brien Dr): The Girls from Ames: the Story their 10 books. -
Ciclo De Cine: Pier Paolo Pasolini. La Conciencia Trágica
CINE PASOLINI.qxp_Maquetación 1 7/6/18 16:34 Página 1 CICLO PIER PAOLO PASOLINI La conciencia trágica SALÓN DE ACTOS MUSEO PATIO HERRERIANO Martes 19 de junio de 2018, 19.00 h “Accatone”, 1961 Miercoles 20 de junio de 2018, 19.00 h “Mamma Roma”. , 1962 CICLO PIER PAOLO PASOLINI Jueves 21 de junio de 2018, 19.00 h “Teorema”., 1968 Escritor, poeta y director de cine Italiano Pasolini nació en Bolonia en 1922. Vivió su infancia y adolescencia en distintas ciudades de la Italia PIER PAOLO PASOLINI septentrional (Parma, Bolonia, Cremona, Reggio Emilia) y más tarde en Casarsa, el pueblo de su madre, donde permaneció hasta 1949. Tras estudiar letras en Bolonia se trasladó a Roma y empezó a publi- La conciencia trágica car una larga lista de novelas (Una vida violenta, Los chicos del arroyo), poemarios (Las cenizas de Gramsci, La mejor juventud) y ensayos de primera magnitud que le situaron en primera línea de la literatura ita- SALÓN DE ACTOS DEL MUSEO PATIO HERRERIANO liana de posguerra. En los años sesenta Pasolini iniciaría una exitosa y controvertida carrera de director cinematográfico con películas Días 19, 20 y 21 de junio, 19:00 h como El evangelio según Mateo, Mamma Roma, Pajarracos y pajaritos, Accatone o Teorema. Su obras reflejaban las contradicciones surgidas al calor de las com- plejas transformaciones sufridas por su país tras la Segunda Guerra Entrada libre Mundial: el paso del fascismo a la democracia o la posterior transición hasta completar el aforo No se pueden reservar asientos de una sociedad “primitiva” a la instauración del consumo de masas. -
Bang the Drum Slowly by Mark Harris and Adapted for the Stage by Eric Simonson
Theater you can afford to see— plays you can’t afford to miss! NEWS for immediate release December 2013 Contact Emily Morrison 703-998-4555 (TACT Office) or 323-363-4404 (mobile) E-mail [email protected] and [email protected] Press photos http://www.americancentury.org/photos/drum (available after 2/8/14 The American Century Theater presents Bang the Drum Slowly By Mark Harris and adapted for the stage by Eric Simonson The American Century Theater begins the new year with its production of Bang the Drum Slowly by Mark Harris and adapted for the stage by Eric Simonson. Ellen Dempsey directs A moving look at life, loyalty and America's pastime, this touching drama unfolds during a season of with the Mammoths baseball team, focusing on the friendship between a world-wise star pitcher and a country boy catcher struggling to cope with devastating news. With themes of teamwork, perseverance and friendship, the play is ultimately about people caring for people, and the strong bond that forms between two men from different walks of life who by sheer coincidence and chance become the best of friends, loyal to each other through thick and thin. Mark Harris’ novel of the boys of summer is a sequel to 1953s The Southpaw and was first published in 1956. It was later made into a 1956 U.S. Steel Hour television adaptation starring Paul Newman. A later film adaptation in 1973 starred a little known Robert De Niro. Eric Simonson adapted the novel and the play was first produced in 1992. -
Pier Paolo Pasolini: the GOSPEL ACCORDING to ST. MATTHEW
October 9, 2018 (XXXVII:7) Pier Paolo Pasolini: THE GOSPEL ACCORDING TO ST. MATTHEW (1964, 137 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY Pier Paolo Pasolini WRITTEN BY Pier Paolo Pasolini PRODUCED BY Alfredo Bini MUSIC Luis Bacalov CINEMATOGRAPHY Tonino Delli Colli EDITING Nino Baragli PRODUCTION DESIGN Luigi Scaccianoce SET DECORATION Andrea Fantacci COSTUME DESIGN Danilo Donati MAKEUP Marcello Ceccarelli (makeup artist), Lamberto Marini (assistant makeup artist), Mimma Pomilia (hair stylist) ART DEPARTMENT Dante Ferretti SOUND Fausto Ancillai (sound mixer), Mario Del Pezzo (sound) VISUAL EFFECTS Ettore Catalucci COSTUME AND WARDROBE Piero Cicoletti (assistant Renato Terra...Un indemoniato costumer), Piero Farani (wardrobe) Eliseo Boschi...Giuseppe D'Arimatea Natalia Ginzburg...Maria di Betania CAST Enrique Irazoqui...Cristo PIER PAOLO PASOLINI (b. March 5, 1922 in Bologna, Margherita Caruso...Maria (giovane) Emilia-Romagna, Italy—d. November 2, 1975 (age 53) in Ostia, Susanna Pasolini...Maria (vecchia) Rome, Lazio, Italy) was published poet at 19 and had already Marcello Morante...Giuseppe written numerous novels and essays before his first screenplay in Mario Socrate...Giovanni Battista 1954. His first film Accattone (1961) was based on his own Settimio Di Porto...Pietro novel. He was arrested in 1962 when his contribution to Alfonso Gatto...Andrea Ro.Go.Pa.G. (1963) was considered blasphemous. The original Luigi Barbini...Giacomo Italian title of The Gospel According to St. Matthew (1964), a Giacomo Morante...Giovanni realistic, stripped-down presentation of the life of Christ, Il Giorgio Agamben...Filippo vangelo secondo Matteo, pointedly omitted “Saint” in St.