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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
MCO and the DOC Have Agreed on the Following Bumping Regions for the Upcoming Prison Reorganization and Closures
KkyiEEPING YOU INFORMED JANUARY 9, 2009 BUMPING REGIONS ESTABLISHED --- VOLUNTARY TRANSFERS ALLOWED MCO and the DOC have agreed on the following bumping regions for the upcoming prison reorganization and closures: Deerfi eld F Mich. Reformatory, Bellamy Creek, I-Max, MTU Camp Branch F Lakeland & Florence Crane Scott F Ryan, Mound and Huron Valley Womens Huron Valley Mens F Parr Highway, Gus Harrison, Ryan, Mound & WHV To minimize the impact, the Department has agreed to allow those offi cers within the bumping regions to voluntarily transfer to vacancies throughout the state. Forms for this purpose will be made available by Monday at every facility within the regions cited above. Any offi cer within the bumping regions interested in transferring to other parts of the state will be required to submit the proper form to your personnel offi ce no later than the date specifi ed therein. You may list as many requests as you want. The determination for placement will be made strictly on operational needs and by seniority. This part of the process only relates to those who are interested in the possibility of transferring to other destina- tions. Do not list any institution within any bump region listed above as that request will be discounted. Note: There will be a different form for layoff and bumping when the institutions actually close. RELATED NEWS: TOUR SCHEDULE GENDER BASED ISSUES MCO President Tom Tylutki, MCO Staff and Board Members will be touring REARS ITS UGLY HEAD the facilities impacted by the closures next week. AGAIN! MONDAY, JANUARY 12, 2009 MCO recently learned it is the Tylutki & Kowitz - Camp Branch (1st & 2nd), Crane (2nd) Potter - I-Max (1st), MTU (2nd) Department’s intent to expand BFOQ assignments in the upcom- Tuesday, January 13, 2009 ing enlarged women’s prison. -
The Grizzly, November 3, 2005
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 11-3-2005 The Grizzly, November 3, 2005 Ali Wagner Ursinus College Bart Brooks Ursinus College Allison Emery Ursinus College Kerri Landis Ursinus College Dan Lamson Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Wagner, Ali; Brooks, Bart; Emery, Allison; Landis, Kerri; Lamson, Dan; Prahlad, Kate; Gagas, Jonathan; Ritter, Cindy; Helzner, Megan; Blidge, Percelia; Budzowski, Elsa; Guardiani, Karen; Taylor, Lane; Keck, Sarah; Givens, Lindsay; Emas, Juliet; Higgins, Ashley; Flyntz, Matt; Rudd, Shawntee; Pastor, Matthew; Marcheskie, Dave; and Langdon, Danielle, "The Grizzly, November 3, 2005" (2005). Ursinus College Grizzly Newspaper. 701. https://digitalcommons.ursinus.edu/grizzlynews/701 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Ali Wagner, Bart Brooks, Allison Emery, Kerri Landis, Dan Lamson, Kate Prahlad, Jonathan Gagas, Cindy Ritter, Megan Helzner, Percelia -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
Politics by Kayfabe: Professional Wrestling and the Creation of Public Opinion
POLITICS BY KAYFABE: PROFESSIONAL WRESTLING AND THE CREATION OF PUBLIC OPINION WILLIAM P STODDEN North Dakota State College of Science and Concordia College and JOHN S. HANSEN Hennepin County Library1 INTRODUCTION Professional wrestling offers an excellent analogy for understanding the way politicians socially construct reality to produce changes in public opinion. In most cases, politicians will frame specific events in a way designed to elicit public support for their preferred policies or candidates. They will also use these same techniques to frame those they perceive to be “enemies” in a way that generates fear and antipathy in the population. The creation of reality and incitement to action in a mass population is one function of political propaganda, which is nearly ubiquitous in the age of mass media, big data, and the 24 hour news cycle.2 In many ways, the process of the construction of reality employed by politicians is similar to the creation of angles and storylines in professional wrestling, which has grown into a world phenomenon alongside-- and largely as a result of-- mass media. In its current manifestation, professional wrestling, now called “sports entertainment,” requires the apparatus of mass media as well as the audiences mass media generates to succeed financially. For their part, policy makers and political leaders also use the mass media. In fact, the modern mass- based political Party, which appeals to huge swaths of the population using claims and narratives resonant with the average person rather than traditional political elites would not exist without the mass media. Without widespread dissemination of news, Parties would not be able to effectively disseminate political propaganda or generate public opinion. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Sasser Has Performed in Life Back Into a Life of Despair
Volume #1, Issue #16 Monday, June 30, 2014 howeenterprise.com Howe's That Seven Howe graduates to serve our country If fireworks are your thing, you're in luck this week. You can travel to three different towns on three different nights and see great shows for no cost. Sherman starts the weekend early with their "Lights on the Lake." It will take place on Thursday, July 3 from 6p- 10p at Pecan Grove West Park. Jake Akins Clay Lewis Chris Kirk Tyler Nicholson There is no official ledger Denison will hold their 27th kept of how many Howe annual event on Friday, July graduating seniors from 4 at Forest Park. one class has entered the military just after Howe will hold their 4th ceremonies, however, it is annual event on Saturday, pretty safe to say that this July 5 at the high school is one of the most in the from 5p-9p. last 70 years. All four major branches of the This is the time of year that I military are covered by go to fireworks shows and these seven individuals. feel like I used a product Zachary Lea Carter Akins Eduardo Cruz continued on Page #2 called "ON" instead of "OFF." However, it's very Howe Fire Department to hold fireworks show Saturday at high school necessary to use your Howe’s Fire Department's 4th Annual The total time of the fireworks show is favorite repellent even if it Firework Festival is set for Saturday expected to be 45-50 minutes long. smells like a mixture of evening, July 5, from 5pm-9pm at the gasoline, WD-40 and radiator Howe High School parking lot. -
Behind the Scenes: Uncovering Violence, Gender, and Powerful Pedagogy
Behind the Scenes: Uncovering Violence, Gender, and Powerful Pedagogy Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy Volume 5, Issue 3 | October 2018 | www.journaldialogue.org e Interdisciplinary Journal of Popular Culture and Pedagogy INTRODUCTION AND SCOPE Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy is an open-access, peer-reviewed journal focused on the intersection of popular culture and pedagogy. While some open-access journals charge a publication fee for authors to submit, Dialogue is committed to creating and maintaining a scholarly journal that is accessible to all —meaning that there is no charge for either the author or the reader. The Journal is interested in contributions that offer theoretical, practical, pedagogical, and historical examinations of popular culture, including interdisciplinary discussions and those which examine the connections between American and international cultures. In addition to analyses provided by contributed articles, the Journal also encourages submissions for guest editions, interviews, and reviews of books, films, conferences, music, and technology. For more information and to submit manuscripts, please visit www.journaldialogue.org or email the editors, A. S. CohenMiller, Editor-in-Chief, or Kurt Depner, Managing Editor at [email protected]. All papers in Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy are published under a Creative Commons Attribution-Non-Commercial-Share- Alike License. For details please go to: http://creativecommons.org/licenses/by-nc-sa/3.0/us/. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy EDITORIAL TEAM A. S. CohenMiller, PhD, Editor-in-Chief, Founding Editor Anna S. CohenMiller is a qualitative methodologist who examines pedagogical practices from preK – higher education, arts-based methods and popular culture representations. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Kevin Von Erich 1 Kevin Von Erich
Kevin Von Erich 1 Kevin Von Erich Kevin Von Erich Ring name(s) Kevin Von Erich Billed height 6 ft 3 in (1.91 m)[citation needed] Billed weight 222 lb (101 kg)[citation needed] Born May 15, 1957 Belleville, Illinois Billed from Denton, Texas Trained by Fritz Von Erich Debut 1976 Retired 1995 Kevin Ross Adkisson (born May 15, 1957) is a retired professional wrestler under the ring name Kevin Von Erich of the Von Erich Family. He is the last surviving son of wrestler Fritz Von Erich and had four brothers that wrestled, David, Kerry, Mike and Chris, as well as an older brother, Jack, Jr., who died in 1959. Career Football career Kevin Adkisson played football at North Texas State University as a fullback, second string to Garry Smith, until an injury ended his football career and dream of playing in the National Football League. World Class Championship Wrestling Kevin started wrestling as Kevin Von Erich in 1976. He spent most of his career wrestling for his father's promotion, World Class Championship Wrestling. Kevin's natural athletic ability and good looks made him one of the promotion's biggest stars. He achieved great success in the company both as a singles and tag team wrestler, often participating in many of the company's high profile feuds. Kevin was also known for wrestling barefoot, highly unusual in a sport where almost all wrestlers wear high-topped boots. World Class announcers often jokingly referred to him as "The Barefoot Boy" on WCCW broadcasts. Kevin later admitted in an interview that he never set out to wrestle barefoot, but that before one of his matches someone hid his boots as a joke, and he wasn't able to find them before his match, so just went out barefoot to wrestle, and it later became his trademark. -
October 9, 1983 in Trotwood, OH Hara Arena Drawing ???
October 9, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Tiger Chung Lee beat Bob Boyer. 2. Pat Patterson beat Dr. X. 3. Tony Garea beat Jerry Valiant. 4. Susan Starr & Penny Mitchell beat The Fabulous Moolah & Judy Martin. 5. Tito Santana beat Mike Sharpe. 6. Rocky Johnson beat Wild Samoan Samula. 7. Andre the Giant & Ivan Putski beat WWF Tag Champs Wild Samoans Afa & Sika. Note: This was the first WWF card in the Trotwood area. It was promoted off of their Saturday at noon show on WKEF Channel 22 which had recently replaced the syndicated Georgia Championhip Wrestling show in the same time slot. November 14, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal beat Bob Colt. 2. Eddie Gilbert beat Jerry Valiant. 3. Tiger Chung Lee beat Bob Bradley. 4. Sgt. Slaughter beat Steve Pardee. 5. Jimmy Snuka beat Mr. Fuji. 6. Pat Patterson beat Don Muraco via DQ. 7. Bob Backlund beat Ivan Koloff. December 12, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal drew Jerry Valiant 2. SD Jones beat Bobby Colt. 3. Tony Atlas beat Mr. Fuji via countout. 4. The Iron Sheik beat Jay Strongbow 5. The Masked Superstar beat Tony Garea. 6. WWF I-C Champion Don Muraco beat Ivan Putski via countout. 7. Jimmy Snuka beat Ivan Koloff. Last Updated: May 24, 2021 Page 1 of 16 February 1, 1984 in Trotwood, OH August 17, 1984 in Trotwood, OH Hara Arena drawing ??? Hara Arena drawing ??? 1. Battle royal. Scheduled for the match were Andre the Giant, Tony Atlas, 1.