DOCUMENTARY FEATURE All Information Is Subject to Change

Total Page:16

File Type:pdf, Size:1020Kb

DOCUMENTARY FEATURE All Information Is Subject to Change DOCUMENTARY FEATURE All information is subject to change. Please visit www.woodstockfilmfestival.com for the most up to date information including SCHEDULES, added screenings, and OTHER EVENTS. 48 AMAZING GRACE: JEFF BUCKLEY 48 CONVERSATIONS WITH NICKLE 49 DON’T CALL IT HEIMWEH... 49 DOUBLE DARE 50 THE FORBIDDEN TEAM 50 THE FUTURE OF FOOD 51 GUERRILLA: THE TAKING OF PATTY HEARST 52 I LIKE KILLING FLIES 52 IN THE REALMS OF THE UNREAL 53 A LEAGUE OF ORDINARY GENTLEMEN 53 MAKING GRACE 54 MOJADOS: THROUGH THE NIGHT 54 THE NOMI SONG 55 OFF TO WAR 55 PARALLEL LINES 56 POPaganda: The Art & Subversion of Ron English 56 SCREAMING MEN (HUUTAJAT) 57 SHOCKING & AWFUL: A GRASS ROOTS RESPONSE TO WAR IN IRAQ 57 SCHOOL BOARD BLUES 58 SOLDIERS PAY 58 STILL, THE CHILDREN ARE HERE 59 TROLLYWOOD 59 WITCHES IN EXILE 60 WORDS OF MY PERFECT TEACHER 61 THE WORLD ACCORDING TO BUSH(LE MONDE SELON BUSH) 47 DOCUMENTARY FEATURES “Singer songwriter Jeff Buckley is remembered in hues of gray and sepia in this biography charting his rise from obscurity to his untimely death. “Grace,” he said, “is what mat- AMAZING GRACE: ters—in anything. It keeps you from reaching for the gun too quickly.” This is an intimate JEFF BUCKLEY portrait of a true artist and avid journal keeper who translated his experiences into music.” (Barbara Pokras) Directed by Nyla Adams and Laurie Trombley USA / 2004 / 60 minutes Community Center Town Hall 10/15 • 7:00pm W 10/17 • 3:30pm mercial success, with only one full-length Main Credits: Directors/ Producers/ Cinematographers: album, who has become a veritable tour de Laurie Trombley, Nyla Bialek Adams force of inspiration for artists across the globe. Interviews include all four of the Jeff Buckley Band members, friends, family, col- of New Rochelle in Westchester, New York. leagues, critics, DJs, producers, and fans. She’s spent the past nine years marketing for From Sydney, New York, and London to various companies, including A&E Television Memphis, Montpelier, and Los Angeles, the and The History Channel, FUSE, and Regal film takes viewers on an expansive yet CineMedia, while moonlighting as co-pro- In Europe, they speak of him in holy incredibly intimate trip through the world of ducer and co-director of her first film. whispers. In America, he’s a mysterious Jeff Buckley, and explores how he continues to Nyla Bialek Adams worked as an audio footnote. He was poised for huge commer- inspire his fans–from classical composers to visual technican while studying at Trinity cial success, but Jeff Buckley’s untimely death rock ‘n roll superstars and everyone in College in Hartford. After graduating, she kept him on the periphery of popular music. between. spent several years working in documentary Amazing Grace: Jeff Buckley, a passionately programming at A&E television before leav- crafted documentary, sets out to investigate Laurie Trombley was handpicked by ing to co-produce, co-direct, and edit the extraordinary phenomenon of Jeff BIO Jeff Buckley to be his fan relations Amazing Grace: Jeff Buckley. Buckley, a musician of relatively modest com- manager while she was attending the College CONVERSATIONS WITH NICKLE EAST COAST PREMIERE Conversations with Nickle is a narrative documentary that takes us through pro- Directed by Lorette Bayle foundly surprising events in Gay Nickle USA / 2003 / 72 minutes Lauritzen’s life as she struggles to overcome Town Hall W the disabling effects of Lou Gehrig’s disease. 10/13 • 1:30pm With inspiring humor and courage, Nickle Main Credits: teaches us about the immense power of the Director Lorette Bayle human spirit. Producer Lorette Bayle Lorette Bayle is an award-wining Cinematographer Lorette Bayle BIO documentary and narrative film- 1997. She has traveled to three continents to Editor Bryan Pitcher maker. Her narrative film Mariela’s Kitchen produce and shoot documentaries, some of Composers Phil Curtis, Brian Demke won a Silver Award for Best Dramatic Short which include Haite, Land of Hope, The at the Houston International Film Festival, Enchanted Gardens of England, and A Gift to the was a finalist in the Next Frame Festival, City. She has worked for the Sundance screened in festivals internationally and Institute, Independent Feature Project/LA, *Benefit screening for domestically, and aired on Fine Cut for KCET and American Zoetrope. Currently, Lorette is Albany ALS support Group (PBS, Los Angeles) in 2001. Lorette pro- a production executive at the Eastman Kodak duced and directed a number of in-studio Company. She completed an MFA in film and programs for KUED (PBS, Salt Lake City), theater directing at the California Institute of winning a Silver Award for Brahms at 100 in the Arts (CalArts) in 1999. 48 DOCUMENTARY FEATURES “Six decades ago Margot Friedlander fled her native Berlin as the city succumbed to Nazi control. She narrowly escaped with her life; the rest of her family was not so fortunate. A lifetime later she returns to find a homeland she no longer recognizes, confronting bit- ter memories and educating German youth about hardships they can barely compre- hend. A moving and unsentimental tale of one woman’s indomitable will to survive. (Jeff Economy) DON’T CALL IT HEIMWEH... The Greeks call it nostalgia–in German on television here and abroad. Directed by Thomas Halaczinsky Heimweh. At the age of eighty-two, Margot Recently he completed the first segment of a USA / 2004 / 60 minutes Friedlander begins a journey to resolve a life compilation film about elderly women in the Community Center long search for home and identity. Surviving Unitd States, entitled I am… that premiered W 10/16 • 11:30pm Nazi Germany hidden by Germans while her at the Jewish Women’s Film Festival in New Main Credits: family was murdered in Auschwitz has left her York City, 2002. He produced and directed Director, Producer Thomas Halaczinsky with truly conflicted feelings. the lead segment for a television-special about Cinematographer Francisco Dominguez Thomas Halaczinsky was born and Stanley Kubrick’s film 2001 - A Space Odyssey Editor Sabine Krayenbuehl BIO raised in Germany and has lived in reaching the year it projected for New York City since 1991. He has produced German/French culture channel ARTE. For Preceded by several feature films here and abroad, among his participation in the Emmy winning docu- The 43rd Spring & Old Country them Facing the Forest (1993), directed by mentary about war crimes against women in Peter Lilienthal and shot on location in Israel. former Yugoslavia Calling The Ghost, that Himmelsschluessel (Key to Heaven) a film about In the United States he produced the feature debuted on HBO/Cinemax he won an ACE a 90-year-old woman and the impact that film Zoo (1999) and line-produced Cross-Eyed award in 1996 in the category international Catholic religion had on her life. (Directed by (1997). As a documentary filmmaker he has documentaries. Mr. Halaczinsky made his Karl Heinz Rehbach and produced for produced and directed numerous films shown directorial debut as a codirector with Der renowned Kleines Fernsehspiel ZDF, Germany.) DOUBLE DARE Directed by Amanda Micheli USA / 2003 / 81 minutes NEW YORK PREMIERE Amanda Micheli is an award-win- In Competition BIO ning filmmaker with a solid back- Preceded by misc shorts ground as both a director and a cinematogra- pher. She shot, edited, and directed Just for the CMF 2 Town Hall Ride, a documentary about the women’s pro H 10/16 • 4:00pm 10/17 •11:00am rodeo circuit, that won an Academy Award W and an International Documentary Association Award in student categories and Documentary at both the AFI FEST in Los Double Dare is a double-barreled, action- premiered on the prestigious PBS series POV in Angeles and the San Francisco International packed documentary about two Hollywood 1996. Since then she has shot a Sundance Film Festival, and is scheduled for release in stuntwomen, Jeannie Epper and Zoe Bell. Award-winning documentary (My Flesh and early 2005. She is currently shooting and pro- Jeannie, who refused to retire at sixty-two, Blood, HBO) and an Emmy-nominated film set ducing an HBO documentary directed by pho- doubled for Wonder Woman in the 70s, and in Cambodia (The Flute Player, PBS). She was tographer Lauren Greenfield. Other production Zoe landed the coveted job of doubling for more recently the cinematographer of Witches in credits include You’re Gonna Miss Me (in post), Xena at the age of eighteen. With star-studded Exile, a film shot in Ghana, that won the Special Same River Twice (Sundance, 2003), and the interviews and rollicking live-action stunt Jury Prize at SXSW in spring 2004 and is sched- ITVS series American Girls. Amanda is a gradu- sequences, Double Dare is a candid look at two uled for release later this fall. ate of Harvard University and has been a mem- strong, dedicated women who pursue tough Amanda’s second film as a director, ber of the top U.S. women’s rugby team for careers in male-dominated Tinseltown Double Dare, won the audience award for Best over a decade. DOCUMENTARY FEATURES “Stunning cinematography blends sports and spirituality in this documentary about a Tibetan refugee soccer team in India training for their first international event. Brisk edit- ing deftly blends slow and fast motion and perfectly reveals this duality. A heartfelt explo- ration of themes of freedom and nationhood; a cameo by the Dalai Lama is an added treat.” (Barbara Pokras) THE FORBIDDEN TEAM EAST COAST PREMIERE Directed by Arnold Krolgaard and Rasmus Dinesen The Forbidden Team is the story of a both practices and games. And dealing with Denmark / 2003 / 55 minutes national football team without a nation.
Recommended publications
  • Prohm in Transferts, Appropriations Et Fonctions De L’Avant-Garde Dans L’Europe Intermédiaire Et Du Nord Ed
    AUCUN RETOUR POSSIBLE – AN EVENT LOGIC OF THE AVANT-GARDE Alan Prohm in Transferts, appropriations et fonctions de l’avant-garde dans l’Europe intermédiaire et du Nord ed. Harri Veivo Cahiers de la Nouvelle Europe No. 16 2012 Kunst und Kamp, poster, April, 1986 Inherent in the notion of an avant-garde is the irreversibility of its measure of progress. The vector of a cultural effort need be neither straight nor singular nor without setbacks for this to be asserted: to occupy a position that has been surpassed is to not be avant-garde. It is stunning the degree to which this logic is disregarded by fans. Art historians can hardly be faulted for keeping warm the corpses of their favorite moments. It is a mortuary profession, and for many sufficiently well paid to keep up their confidence that scholars are anyway smarter than the artists they study; “We’ll be the judge of what’s dead and when.” More charitably, taking scholars as journalists, there are new sightings of the avant-garde to report every day, so we should expect the glorified blogging of peer-review journals on the topic to continue. And here, too, there is no foul. What approaches the kind of tragedy worth regretting, however, is that so many people of such lively genius should suffer their intellectual enthusiasms to be diverted, and secured off the track of any real cultural agency. The main veins of avant-garde activity in the European sphere, the now canonical cycle Futurism-Dada- Surrealism-Etcetera, gambled art and literature’s stakes in the centuries-old entitlement for a new chance at impacting the human situation.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2000
    DALE CH I HU LY INSTALLATIONS AND SCULPTURE ;.,^AU(((^ HOLSTE N GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 41 3.298.3044 www.holstengalleries.com Outlet shopping never looked so eood up to 70% off regular retail prices CVCry Q3.y GIORGIO ARMANI BROOKS (general Otore BROTHERS VERSACE COMPANY STORE ^accoAat CCX^CH ) Polo lr Ralph Lauren Calvin Klein :OLE-HAAN JJ.CREWFACTORY STORE MICK HILTON Men COLLECTION The Cosmetics Edmonds Company Store Company Shoe Store ® MOVADO. ESCADA COMPANY STORE GODIVA THE HICKEY-FREEMAN FACTORY STORE limberiand^ kipliNqVr JE3J3 OyiLe* DANSK TSE JQAN QshKosh IrOvfi TOD Outlet SEIKO COMPANY STORE JONES NEW YORK CRABTREE & E V E L Y N maidenforrrr PERUVIAN CONNECTION Garnet Hill JOHNSTON SWVlURPHY CATALOG OUTLET Manchester Designer Outlets Style has a country home routes 7A and 11/30 manchestervermont.com 1-800-955-SHOP OfllGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship, fullyfunded in perpetuity Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairmn Ray Stata, Vice-Chairman Harlan E. Anderson William F Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr.
    [Show full text]
  • Le Scatole Magiche È Un film Evento Per Famiglie Dei Creatori Di Coraline E La Porta Magica E Paranorman, Entrambi Candidati All'oscar Per Il Miglior Film D'animazione
    Pressbook italiano Presentano Un film diretto da ANTHONY STACCHI e GRAHAM ANNABLE Tratto dal romanzo best seller di ALAN SNOW “Arrivano I Mostri” (Here be Monsters!) Con le voci originali di: Ben Kingsley, Isaac Hempstead Wright, Elle Fanning, Dee Bradley Baker, Steve Blum, Toni Collette, Jared Harris, Nick Frost, Richard Ayoade, Tracy Morgan, e Simon Pegg Prodotto da DAVID BLEIMAN ICHIOKA, PGA TRAVIS KNIGHT, PGA Scritto da IRENA BRIGNULL ADAM PAVA Direttore della Fotografia JOHN ASHLEE PRAT Uscita Italiana: 2 Ottobre 2014 Durata del Film: 97 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Matilde Marinai – [email protected] 1 Pressbook italiano Indice I. Sinossi pag 3 II. La Nascita dello Stop-Motion pag 5 III. Fuori dai Cartoni pag 7 IV. Dar Voce Anche Alle Scatole pag 11 V. I Boxtrolls Si Muovono pag 22 VI. I LAIKAni pag 42 VII. Ritocchi Finali pag 49 VIII. Tutti i Numeri di Boxtrolls pag 52 IX. Il Cast Artistico page 54 X. Il Cast Tecnico page 63 2 Pressbook italiano Sinossi Boxtrolls- Le Scatole Magiche è un film evento per famiglie dei creatori di Coraline e la Porta Magica e ParaNorman, entrambi candidati all'Oscar per il Miglior Film d'Animazione. Si tratta della terza produzione cinematografica dello studio d’animazione con sede in Oregon, LAIKA. Girato in loco presso gli studi LAIKA, in 3D e con metodi avanzati manuali e tecnologici, Boxtrolls- Le Scatole Magiche utilizza disegni manuali, formato grafico ibrido d’animazione in CG e tecnica dello stop-motion, per rappresentare la storia del best-seller fantasy d’ avventura di Alan Snow “Arrivano I Mostri!”.
    [Show full text]
  • Senior Recital: Jeff Rubin, Horn Jeff Rubin
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2004 Senior Recital: Jeff Rubin, horn Jeff Rubin Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Rubin, Jeff, "Senior Recital: Jeff Rubin, horn" (2004). All Concert & Recital Programs. 3526. https://digitalcommons.ithaca.edu/music_programs/3526 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. SENIOR RECITAL Jeff Rubin, horn Kathy Hansen, piano FORD HALL SATURDAY, APRIL 17, 2004 9:00 P.M. ITHACA . Assisted by: Ian Rafalak, guitar; Ian Craft, mandolin Xander Lott, double bass Steve Peterson, dramatic interpreter Brian Jack, tambourine and falsetto soprano ROTARY Christian Carichner, piano; Mary Gardner, drums Brian Hoeflschweiger, lead and rhythm guitar, vocals Ryan Muehlbauer, acoustic guitar and vocals · Tyler Ogilvie, bass Jeff Rubin, lead vocals, slide, lead, and rhythm guitar Matt Beale, audio technician PROGRAM Sonata in E minor, Opus 38 Johannes Brahms (1833-1897) I. Allegro non troppo trans. by Stott Brubaker II. Allegro quasi minuetto III. Allegro INTERMISSION Thema und Variationen Franz Strauss (1822-1905) Introduktion Theme Variation I Variation II Andante Cantabile Rondo Short Trip Home Edgar Meyer (b. 1960) trans. by Jeff Rubin PAUSE Why is my Patsy? Poem and Music Brian Jack and Jeff Rubin My Heart Will Go On James Horner (b. 1953) Free Bird Words and Music Ronnie Van Zant and Allen Collins Senior Recital is presented in partial fulfillment for the degree Bachelor of Music in Performance and Education.
    [Show full text]
  • RON ENGLISH New York, NY 10014
    82 Gansevoort Street RON ENGLISH New York, NY 10014 p (212) 966 - 6675 Born 1959 in Decatur, IL allouchegallery.com Based in Beacon, NY University of North Texas; University of Texas, Austin SELECTED SOLO EXHIBITIONS 2019 Ron English at Art Wynwood, Eternity Gallery, Miami 2018 Ron English: Universal Grin, Galerie Matthew Namour, Montréal 2018 Delusionville, Allouche Gallery, New York, NY 2017 Toybox, Corey Helford Gallery, Los Angeles, CA 2016 Guernica, Allouche Gallery, New York, NY 2016 Popaganda NYC Pop-Up!, Redbird NYC, New York, NY 2016 Dorothy Circus Gallery, Rome, Italy 2015 NeoNature, Corey Helford Gallery, Culver City, CA 2015 EVOLUTIONARY ALTERNATIVES, Tribeca Grand Hotel, New York, NY 2014 Ron English, From Studio to Street, Caixa Cultural, Rio de Janeiro, Brazil 2014 Death and the Eternal Forever, Atomica Gallery, London, United Kingdom 2014 Brandit-Popmart, University of North Texas, Denton, TX 2012 Family Tradition, MINDstyle, Los Angeles, CA 2012 Crucial Fiction, Opera Gallery, New York, NY 2011 Last Supper in South Park, Opera Gallery, New York, NY 2011 Seasons in Superbia, Corey Helford Gallery, Los Angeles, CA 2011 Dim Dum Dolls, Dream in Plastic, New York, NY 2011 Skin Deep, Lazarides Rathbone, London, United Kingdom 2009 The Don Gallery, Milan, Italy 2009 MACRO Future, Museo d’Arte Contemporanea, Rome, Italy 2009 Immortal Underground, Opera Gallery, New York, NY 2008 Shooting Gallery, San Francisco, CA 2006 Robert Berman Gallery, Santa Monica, CA 2005 Varnish Fine Art, San Francisco, CA 2003 Robert Berman Gallery, Santa Monica, CA 2002 Minna Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2019 Here’s looking at you: modern and contemporary portraiture to fall in love with, Artsnap 2019 Street Art Collection, Artsnap 2019 Statement Piece: Recent Acquisitions and Consignments, The Missing Plinth 2019 Lucky 13 Anniversary Show, Pt.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Together in Distance
    Press Release Poster Design: Lynn Hai Together in Distance An Online Benefit Auction for COVID-19 Relief July 8–July 20, 2020 Auction Website: https://www.artspace.com/auctions/n95fornyc-benefit-auction-2020? preview=5d4ae52bce951d789e1b7f862bfdf9c7 “On this earth there are pestilences and there are victims, and it's up to us, so far as possible, not to join forces with the pestilences.” “A loveless world is a dead world.” ― Albert Camus, The Plague Ever since the beginning of 2020, our longstanding belief in the peacefulness of daily life has been shattered as the unprecedented COVID-19 pandemic attacks the whole world. In May, the Press Release George Floyd Protests as part of the Black Lives Matter Movement began in Minneapolis and soon spread over not only the entire United States but across the globe. During the pandemic and the protests, more and more people have united to confront both the virus and systemic inequality. Battling natural disasters and human injustice is not heroism. It is “a matter of common decency” (Camus, 1947) that everyone should maintain. Besides supporting peaceful protests while keeping social distance, what extra efforts can we take as art professionals to help people who have been suffering? Art has always been powerful and educational for the public. Even now, when physical access to art is extremely limited, creative insights, reflections and manifestos are not constrained. On the contrary, this is a time that motivates artists to recapitulate aspects of their work and move toward new breakthroughs. It is our responsibility to struggle and explore, to look for an outlet for our anxieties or a solution to the newly disrupted reality of life, and to respond to the upheavals that have happened or are about to happen.
    [Show full text]
  • Adler, Mccarthy Engulfed in WWII 'Fog' - Variety.Com 1/4/10 12:03 PM
    Adler, McCarthy engulfed in WWII 'Fog' - Variety.com 1/4/10 12:03 PM http://www.variety.com/index.asp?layout=print_story&articleid=VR1118013143&categoryid=13 To print this page, select "PRINT" from the File Menu of your browser. Posted: Mon., Dec. 28, 2009, 8:00pm PT Adler, McCarthy engulfed in WWII 'Fog' Producers option sci-fi horror comicbook 'Night and Fog' By TATIANA SIEGEL Producers Gil Adler and Shane McCarthy have optioned the sci-fi horror comicbook "Night and Fog" from publisher Studio 407. No stranger to comicbook-based material, Adler has produced such graphic-based fare as "Constantine," "Superman Returns" and the upcoming Brandon Routh starrer "Dead of Night," which is based on the popular Italian title "Dylan Dog." This material is definitely in my strike zone in more ways than one," Adler said, noting his prior role as a producer of such horror projects as the "Tales From the Crypt" series. "But what really appealed to me wasn't so much the genre trappings but rather the characters that really drive this story." Set during WWII, story revolves around an infectious mist unleashed on a military base that transforms its victims into preternatural creatures of the night. But when the survivors try to kill them, they adapt and change into something even more horrific and unstoppable. Studio 407's Alex Leung will also serve as a producer on "Night and Fog." Adler and McCarthy are also teaming to produce an adaptation of "Havana Nocturne" along with Eric Eisner. They also recently optioned Ken Bruen's crime thriller "Tower." "Night and Fog" is available in comic shops in the single-issue format and digitally on iPhone through Comixology.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode.
    [Show full text]