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The Kent Regeneration Framework 2009–2020
Unlocking Kent’s Potential Kent County Council’s framework for regeneration 2 Welcome to Kent _________________________________________________________________ 3 4 Contents _________________________________________________________________ page Foreword 1. Introduction 11 2. The changing policy landscape 15 3. The changing county of Kent 19 4. Defining our priorities 27 5. Building a new relationship with business 29 6. Unlocking talent to support the Kent economy 37 7. Embracing a growing and changing population 49 8. Building homes and communities, not estates 59 9. Delivering growth without transport gridlock 69 10. Working together to unlock Kent’s potential 79 Annex List of respondents to the consultation draft 80 5 6 Foreword by the Leader of Kent County Council and the Cabinet Member for Regeneration In the last 20 years Kent has seen phenomenal change and growth. There are 100,000 more people living in the county, our housing stock has increased by over 60,000 homes and there are 130,000 more cars on our roads. Kent has undergone dramatic change in this time and the pace of change is set to accelerate further over the next 20 years. As we write, the Government’s target for housing growth in Kent, between now and 2026, has risen to 138,420.This could deliver a population increase of 8 per cent and a 20 per cent increase in Kent households, or three new towns the size of Dover, irrespective of the current global recession and the ability of house builders to build or the affordability of homes and availability of mortgage finance for people to buy them. At the same time, demography is changing in a way never experienced before. -
London, Radical Culture, and the Making of the Dickensian Aesthetic
London, Radical Culture, and the Making of the Dickensian Aesthetic London, Radical Culture, and the Making of the Dickensian Aesthetic Sambudha Sen The Ohio State University Press / Columbus Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Sen, Sambudha. London, radical culture, and the making of the Dickensian aesthetic / Sambudha Sen. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1192-2 (cloth : alk. paper)—ISBN 978-0-8142-9293-8 (cd) 1. English fiction—19th century—History and criticism. 2. Dickens, Charles, 1812– 1870—Criticism and interpretation. 3. Thackeray, William Makepeace, 1811–1863— Criticism and interpretation. 4. Literature and society—Great Britain—History—19th century. 5. Radicalism—Great Britain—History—19th century. I. Title. PR861.S46 2012 823'.809—dc23 2012007257 Cover design by Greg Betza Text design by Juliet Williams Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS List of Illustrations vii Acknowledgments ix INTRODUCTION 1 CHAPTER 1 Dickens, Thackeray, and “The Language of Radicalism” 13 CHAPTER 2 The Aesthetics and Politics of Caricature: Bleak House, Little Dorrit, and Vanity Fair in Relation to “Radical Expression” 36 CHAPTER 3 Re-Visioning the City: The Making of an Urban Aesthetic from Hogarth to the Stereoscope 65 CHAPTER 4 Novelizing the City: Bleak House, Vanity Fair, and the Hybridizing Challenge 94 CHAPTER 5 Radical Culture, the City, and the Problem of Selfhood: Great Expectations and Pendennis 116 CHAPTER 6 Working with Fragments: Our Mutual Friend as a Reflection on the Popular Aesthetic 141 Notes 163 Bibliography 177 Index 184 IllUSTRATIONS 1. -
Kent Archæological Society Library
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society KENT ARCILEOLOGICAL SOCIETY LIBRARY SIXTH INSTALMENT HUSSEY MS. NOTES THE MS. notes made by Arthur Hussey were given to the Society after his death in 1941. An index exists in the library, almost certainly made by the late B. W. Swithinbank. This is printed as it stands. The number given is that of the bundle or box. D.B.K. F = Family. Acol, see Woodchurch-in-Thanet. Benenden, 12; see also Petham. Ady F, see Eddye. Bethersden, 2; see also Charing Deanery. Alcock F, 11. Betteshanger, 1; see also Kent: Non- Aldington near Lympne, 1. jurors. Aldington near Thurnham, 10. Biddend.en, 10; see also Charing Allcham, 1. Deanery. Appledore, 6; see also Kent: Hermitages. Bigge F, 17. Apulderfield in Cudham, 8. Bigod F, 11. Apulderfield F, 4; see also Whitfield and Bilsington, 7; see also Belgar. Cudham. Birchington, 7; see also Kent: Chantries Ash-next-Fawkham, see Kent: Holy and Woodchurch-in-Thanet. Wells. Bishopsbourne, 2. Ash-next-Sandwich, 7. Blackmanstone, 9. Ashford, 9. Bobbing, 11. at Lese F, 12. Bockingfold, see Brenchley. Aucher F, 4; see also Mottinden. Boleyn F, see Hever. Austen F (Austyn, Astyn), 13; see also Bonnington, 3; see also Goodneston- St. Peter's in Tha,net. next-Wingham and Kent: Chantries. Axon F, 13. Bonner F (Bonnar), 10. Aylesford, 11. Boorman F, 13. Borden, 11. BacIlesmere F, 7; see also Chartham. Boreman F, see Boorman. Baclmangore, see Apulderfield F. Boughton Aluph, see Soalcham. Ballard F, see Chartham. -
Seman 1 Dickens Against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A
Seman 1 Dickens against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A Thesis Presented to the Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the Degree of Bachelor of Arts in English by Taylor J. Seman June 2011 Seman 2 This thesis has been approved by The Honors Tutorial College and the Department of English __________________________ Dr. Carey Snyder Associate Professor, English Thesis Advisor and Director of Studies ___________________________ Dr. Jeremy Webster Dean, Honors Tutorial College Seman 3 Table of Contents Introduction…………………………………………………………………………….4 Chapter One: Transgressive Characters………………………………………………..9 Chapter Two: Idealized Characters…………………………………………………...28 Chapter Three: Female Power in Unusual Places…………………………………….45 Conclusion…………………………………………………………………………....56 Bibliography…………………………………………………………………………..58 Seman 4 Introduction Charles Dickens certainly cannot be considered a participant in a precursory movement towards feminism; in fact, many of Dickens‘s novels uphold traditional ideas about femininity and punish the usurpation of male privilege. In Bleak House, Hard Times, and Great Expectations—the three novels that form the basis of this study—Dickens punishes characters who transgress gender norms (such as Mrs. Jellyby, Louisa, and Mrs. Joe) both through explicit condemnation by the narrator and the adversity that befalls them in the plot. These characters have been created to appear ridiculous, no matter their accomplishments in the community or in the world at large. Yet in these same novels, Dickens presents a socially relevant depiction of female power and agency that subverts the sexism he exhibits in the creation and punishment of other characters. -
Great Expectations on Screen
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Violeta Martínez-Alcañiz Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Tesis presentada por Violeta Martínez-Alcañiz Licenciada en Periodismo y en Comunicación Audiovisual para la obtención del grado de Doctor Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair” (Charles Dickens, A Tale of Two Cities) “Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?” (Sergei Eisenstein, “A dialectic approach to film form”) “An honest adaptation is a betrayal” (Carlo Rim) Table of contents ACKNOWLEDGMENTS 13 CHAPTER 1. INTRODUCTION 15 CHAPTER 2. LITERATURE REVIEW 21 Early expressions: between hostility and passion 22 Towards a theory on film adaptation 24 Story and discourse: semiotics and structuralism 25 New perspectives 30 CHAPTER 3. -
Various Locations in England Including Pip's Home in Kent, a Cemetery On
1. SETTING: Various locations in England including Pip’s home in Kent, a cemetery on the marshes, Miss Havisham’s estate a.k.a. Satis House, Joe Gargery’s forge, and Pip’s rooms in London. The time flows between the years 1812 and 1840. AT RISE: The ruined gardens of Satis House, 1840. ACTORS #3, #4, #5, and #6 enter. They look around the garden in wonder, then take the positions they will assume at play’s end. PIP enters and looks around at the disaster of what was once a grand estate. After a moment… PIP (To audience) My name is Philip Pirrip, but ever since I was a young lad I was known as… ACTOR #4 Pip… ACTOR #5 Pip… ACTOR #6 Pip… ACTOR #3 Pip… (ESTELLA enters.) ESTELLA Hello, Pip. (PIP turns to her, surprised. He takes a step towards her.) PIP Estella! (ESTELLA, ACTOR #6, and ACTOR #5 twirl off.) 2. PIP (cont.) (To audience) At the age of two I was orphaned, and was taken in by my brother-in-law, a kind-hearted blacksmith named Joe Gargery… (ACTOR # 4 steps forward and becomes JOE.) …and his wife, my much older sister, whom I have always referred to as “Mrs. Joe.” (ACTOR #3 steps forward and becomes MRS. JOE.) Mrs. Joe resented my presence in her household. MRS. JOE I did and I do and I don’t deny it. Left with a child such as this to raise up… (She shakes PIP.) Lazy and useless, that’s what you are! A trial to my very soul! JOE Now, there’s no need for that. -
Unit 2, Broadstairs Retail Park, Margate Road, Broadstairs, Kent, CT10 2QW 13,512 Sq Ft (1,255.31 Sq.M)
Unit 2, Broadstairs Retail Park, Margate Road, Broadstairs, Kent, CT10 2QW 13,512 Sq Ft (1,255.31 Sq.m) • Flexible. floor space • Anchored by 120,000 sq.ft Tesco Extra • Busy retail park location • New drive thru’s to be added to park (STP) • Free parking Location Accommodation The property is located in the coastal town of Broadstairs, approximately 25km to the east of Size (SQ. FT) Size (SQ. M) Canterbury. Broadstairs Retail Park is part of the main shopping area within the Isle of Thanet, Ground floor 13,512 1,255.31 alongside Westwood Cross Shopping Centre, 500m to the north-west. The subject retail park is situated in the heart of the Use Class main retail warehousing cluster, anchored by a The property falls within ‘Class E’ of the Town and Country successful 120,000 sq ft. Tesco Extra with other Planning (Use Classes) Order 1987. operators including The Range, Wickes and Curry’s PC World. Rates The park will shortly benefit from two new drive thru The Rateable Value for the property has been supplied by the units due to be constructed (STP) at both the Valuation Office Agency. Interested parties are advised to Margate Road and Westwood Road entrances make their own enquiries for verification purposes. driving further traffic footfall to the scheme. Free parking is available on site directly in front of Rateable Value: £204,000 the retail unit. UBR 2021/2022: £0.512 Rates Payable: £104,448 Description The property comprises a terraced, retail Rent warehouse of traditional construction with a glazed Rent Upon Application entrance and pitched roof The unit is able to be configures to suit Service Charge requirements up to the total floor area. -
California State University, Northridge the Charms Of
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE CHARMS OF ASSUMPTION: ROLE PLAYING IN DICKENS'S LATER NOVELS A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Patrick Byron Hunter January 1988 The Thesis o~Patrick Byron Hunter is approved: Lawrence Stewart California State University, Northridge ii ACKNOWLEDGMENTS I most especially thank Dr. Harry Stone, whose brilliant expertise as a Dickensian and meticulous attention as an advisor helped to create many of this thesis's virtues and none of its flaws. I also thank Valerie, my dearest friend, whose insight inspired me to begin this thesis and whose support enabled me to finish it. iii TABLE OF CONTENTS Acknowledgments •• . iii Abstract • • • • • . • v Chapters: I. Introduction . • • • 1 II. Dickens and Role Playing • . 8 III. Expected Roles: Great Expectations •• • • • .18 IV. Behavioral Roles: Our Mutual Friend • • .34 v. The Impersonator . • • • ~ .45 VI. The Player Without a Role. • • .57 VII. Conclusion • • . .67 Works Cited. • • • • .70 iv ABSTRACT THE CHARMS OF ASSUMPTION: ROLE PLAYING IN DICKENS'S LATER NOVELS by Patrick Byron Hunter Master of Arts in English This thesis demonstrates how roles, or the facades which human beings project when interacting with others, provide an approach for understanding the characters and themes in Dickens's fiction written after 1857, from Little Dorrit to The Mystery of Edwin Drood. It argues that the characters in the author's final period desperately play roles to find fulfillment and also demonstrates how Dickens himself sought role playing to alleviate his own personal crises. ' ~ v The thesis approaches the fiction by categorizing roles into the two types: expected roles, or those roles demanded by society; and behavioral roles, or those structured, not by society, but by individuals. -
Selected Bibliography on Our Mutual Friend for the 2014 Dickens Universe August 3-9 UC Santa Cruz
Selected Bibliography on Our Mutual Friend for the 2014 Dickens Universe August 3-9 UC Santa Cruz (*starred items are strongly recommended) Reference Works Cotsell, Michael. 1986. The Companion to Our Mutual Friend. Boston: Allen & Unwin; rpt. New York: Routledge, 2009. Brattin, Joel J., and Bert. G. Hornback, eds. 1984. Our Mutual Friend: An Annotated Bibliography. New York: Garland. Heaman, Robert J. 2003. “Our Mutual Friend: An Annotated Bibliography: Supplement I, 1984-2000.” Dickens Studies Annual 33: 425-514. Selected articles and chapters Allen, Michelle Elizabeth. 2008. “A More Expansive Reach: The Geography of the Thames in Our Mutual Friend.” In Cleansing the City: Sanitary Geographies in Victorian London, ch. 2. Athens: Ohio University Press. Alter, Robert. 1996. “Reading Style in Dickens.” Philosophy and Literature 20, no. 1: 130-7. Arac, Jonathan. 1979. “The Novelty of Our Mutual Friend.” In Commissioned Spirits: The Shaping of Social Motion in Dickens, Carlyle, Melville, and Hawthorne, 164-185. New York: Columbia University Press. Baumgarten, Murray. 2000. “The Imperial Child: Bella, Our Mutual Friend, and the Victorian Picturesque.” In Dickens and the Children of Empire, edited by Wendy S. Jacobson, 54-66. New York: Palgrave. Baumgarten, Murray. 2002. “Boffin, Our Mutual Friend, and the Theatre of Fiction.” Dickens Quarterly 19: 17-22. Bodenheimer, Rosemarie. 2002. “Dickens and the Identical Man: Our Mutual Friend Doubled.” Dickens Studies Annual 31: 159-174. Boehm, Katharina. 2013. “Monstrous Births and Saltationism in Our Mutual Friend and Popular Anatomical Museums.” In Charles Dickens and the Sciences of Childhood: Popular Medicine, Child Health and Victorian Culture, ch. 5. New York: Palgrave Macmillan. -
Katie Wetzel MA Thesis Final SP12
DOMESTIC TRAUMA AND COLONIAL GUILT: A STUDY OF SLOW VIOLENCE IN DOMBEY AND SON AND BLEAK HOUSE BY KATHERINE E. WETZEL Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. _____________________________ Chairperson Dr. Dorice Elliott _____________________________ Dr. Anna Neill _____________________________ Dr. Paul Outka Date Defended: April 3, 2012 ii The Thesis Committee for Katherine E. Wetzel certifies that this is the approved version of the following thesis: DOMESTIC TRAUMA AND COLONIAL GUILT: A STUDY OF SLOW VIOLENCE IN DOMBEY AND SON AND BLEAK HOUSE _______________________________ Chairperson Dr. Dorice Elliott Date Approved: April 3, 2012 iii Abstract In this study of Charles Dickens’s Dombey and Son and Bleak House, I examine the two forms of violence that occur within the homes: slow violence through the naturalized practices of the everyday and immediate forms of violence. I argue that these novels prioritize the immediate forms of violence and trauma within the home and the intimate spaces of the family in order to avoid the colonial anxiety and guilt that is embedded in the naturalized practices of the everyday. For this I utilize Rob Nixon’s theory on slow violence, which posits that some practices and objects that occur as part of the everyday possess the potential to be just as violent as immediate forms of violence. Additionally, the British empire’s presence within the home makes the home a dark and violent place. Dombey and Son does this by displacing colonial anxiety, such as Mr. -
Magwitch's Revenge on Society in Great Expectations
Magwitch’s Revenge on Society in Great Expectations Kyoko Yamamoto Introduction By the light of torches, we saw the black Hulk lying out a little way from the mud of the shore, like a wicked Noah’s ark. Cribbed and barred and moored by massive rusty chains, the prison-ship seemed in my young eyes to be ironed like the prisoners (Chapter 5, p.34). The sight of the Hulk is one of the most impressive scenes in Great Expectations. Magwitch, a convict, who was destined to meet Pip at the churchyard, was dragged back by a surgeon and solders to the hulk floating on the Thames. Pip and Joe kept a close watch on it. Magwitch spent some days in his hulk and then was sent to New South Wales as a convict sentenced to life transportation. He decided to work hard and make Pip a gentleman in return for the kindness offered to him by this little boy. He devoted himself to hard work at New South Wales, and eventually made a fortune. Magwitch’s life is full of enigma. We do not know much about how he went through the hardships in the hulk and at NSW. What were his difficulties to make money? And again, could it be possible that a convict transported for life to Australia might succeed in life and come back to his homeland? To make the matter more complicated, he, with his money, wants to make Pip a gentleman, a mere apprentice to a blacksmith, partly as a kind of revenge on society which has continuously looked down upon a wretched convict. -
Coast, Cliffs & Café Culture
Sea it all Coast, Cliffs & Café Culture Ramsgate to Broadstairs Walk explore kent | 1 Ramsgate to “There’s nothing I like Broadstairs better than a weekend by the coast, walking, Walk biking, relaxing.” Nicholas Crane Presenter of the BBC Coast series If you enjoy the sea, you will love this coast hugging, cliff topping, café cruising circuit from Active Ramsgate. Like all the trails in the initiative, this route goes the extra mile to delight and surprise. From awe inspiring white cliffs to the breath taking views across Viking Bay, every step leads to something special you can enjoy. 2 | explore kent explore kent | 3 On the waterfront… There can be few more But don’t get too comfortable on to the cliff top or down on beautiful places to start a because there’s a lot to enjoy to the beach at Dumpton Gap coastal walk than the 700 and see as you pick up the where you will be rewarded berth Royal Harbour Marina. Thanet Coastal Path, pass with some stunning views - Just 35 miles from the French the Royal Victoria Pavilion and a refreshing drink from a coast and a skip and a hop and Ramsgate Sands and seasonal kiosk. away from attractions like the (at high tide) head on to Sailor’s Church, Jacob’s Ladder King George VI Memorial Enjoy the sense of in Military Road, the RNLI Park. Large, grassy, and achievement because in a Lifeboat Station and the Royal much beloved by dogs and few moments you will leave Temple Yacht Club, almost their walkers, this all season this remarkable seascape everything you want to see is attraction (originally the site and round the bend into within easy reach.