The Problem of Birds Escaping from Captivity
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Lake Pinaroo Ramsar Site
Ecological character description: Lake Pinaroo Ramsar site Ecological character description: Lake Pinaroo Ramsar site Disclaimer The Department of Environment and Climate Change NSW (DECC) has compiled the Ecological character description: Lake Pinaroo Ramsar site in good faith, exercising all due care and attention. DECC does not accept responsibility for any inaccurate or incomplete information supplied by third parties. No representation is made about the accuracy, completeness or suitability of the information in this publication for any particular purpose. Readers should seek appropriate advice about the suitability of the information to their needs. © State of New South Wales and Department of Environment and Climate Change DECC is pleased to allow the reproduction of material from this publication on the condition that the source, publisher and authorship are appropriately acknowledged. Published by: Department of Environment and Climate Change NSW 59–61 Goulburn Street, Sydney PO Box A290, Sydney South 1232 Phone: 131555 (NSW only – publications and information requests) (02) 9995 5000 (switchboard) Fax: (02) 9995 5999 TTY: (02) 9211 4723 Email: [email protected] Website: www.environment.nsw.gov.au DECC 2008/275 ISBN 978 1 74122 839 7 June 2008 Printed on environmentally sustainable paper Cover photos Inset upper: Lake Pinaroo in flood, 1976 (DECC) Aerial: Lake Pinaroo in flood, March 1976 (DECC) Inset lower left: Blue-billed duck (R. Kingsford) Inset lower middle: Red-necked avocet (C. Herbert) Inset lower right: Red-capped plover (C. Herbert) Summary An ecological character description has been defined as ‘the combination of the ecosystem components, processes, benefits and services that characterise a wetland at a given point in time’. -
Phylogeography of Finches and Sparrows
In: Animal Genetics ISBN: 978-1-60741-844-3 Editor: Leopold J. Rechi © 2009 Nova Science Publishers, Inc. Chapter 1 PHYLOGEOGRAPHY OF FINCHES AND SPARROWS Antonio Arnaiz-Villena*, Pablo Gomez-Prieto and Valentin Ruiz-del-Valle Department of Immunology, University Complutense, The Madrid Regional Blood Center, Madrid, Spain. ABSTRACT Fringillidae finches form a subfamily of songbirds (Passeriformes), which are presently distributed around the world. This subfamily includes canaries, goldfinches, greenfinches, rosefinches, and grosbeaks, among others. Molecular phylogenies obtained with mitochondrial DNA sequences show that these groups of finches are put together, but with some polytomies that have apparently evolved or radiated in parallel. The time of appearance on Earth of all studied groups is suggested to start after Middle Miocene Epoch, around 10 million years ago. Greenfinches (genus Carduelis) may have originated at Eurasian desert margins coming from Rhodopechys obsoleta (dessert finch) or an extinct pale plumage ancestor; it later acquired green plumage suitable for the greenfinch ecological niche, i.e.: woods. Multicolored Eurasian goldfinch (Carduelis carduelis) has a genetic extant ancestor, the green-feathered Carduelis citrinella (citril finch); this was thought to be a canary on phonotypical bases, but it is now included within goldfinches by our molecular genetics phylograms. Speciation events between citril finch and Eurasian goldfinch are related with the Mediterranean Messinian salinity crisis (5 million years ago). Linurgus olivaceus (oriole finch) is presently thriving in Equatorial Africa and was included in a separate genus (Linurgus) by itself on phenotypical bases. Our phylograms demonstrate that it is and old canary. Proposed genus Acanthis does not exist. Twite and linnet form a separate radiation from redpolls. -
Barmah–Millewa Forest Environmental Water Management Plan
MURRAY-DARLING BASIN AUTHORITY Barmah–Millewa Forest Environmental Water Management Plan February 2012 Barmah–Millewa Forest Environmental Water Management Plan February 2012 Murray–Darling Basin Authority © Copyright Murray–Darling Basin Authority (MDBA), Murray–Darling Basin Authority on behalf of the Commonwealth of Australia 2012. Postal Address: GPO Box 1801, Canberra ACT 2601 This work is copyright. With the exception of Office location: Level 4, 51 Allara Street, photographs, any logo or emblem, and any Canberra City, Australian Capital Territory trademarks, the work may be stored, retrieved and reproduced in whole or in part, provided that it is not Tel: (02) 6279 0100, international + 61 2 6279 0100 sold or used in any way for commercial benefit, and Fax: (02) 6248 8053, international + 61 2 6248 8053 that the source and author of any material used is E‑mail: [email protected] acknowledged. Website: <www.mdba.gov.au> Apart from any use permitted under the Copyright Act For further information contact the Murray‑Darling Basin 1968 or above, no part of this work may be reproduced Authority office on (02) 6279 0100 by any process without prior written permission from the Commonwealth. Requests and inquiries Cover image: Flood marks on giant rush at Barmah Lake concerning reproduction and rights should be showing flood levels. addressed to the Commonwealth Photographer: Keith Ward, Goulburn Broken CMA Copyright Administration, Attorney General’s Department, National Circuit, Barton ACT 2600 This report may be cited as: Barmah–Millewa Forest: or posted at http://www.ag.gov.au/cca. Environmental Water Management Plan 2012 The views, opinions and conclusions expressed by MDBA Publication No. -
Barmah Forest Ramsar Site Strategic Management Plan
Barmah Forest Ramsar Site Strategic Management Plan Department of Sustainability and Environment Parks Victoria developed this Strategic Management Plan in conjunction with the Department of Sustainability and Environment and key stakeholders, and coordinated the public comment process on the draft document. This report was prepared with financial support from the National Wetlands Program, under the Natural Heritage Trust. © The State of Victoria, Department of Sustainability and Environment, 2003 This publication is copyright. Apart from any fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act 1968, no part may be reproduced, copied, transmitted in any form or by any means (electronic, mechanical or graphic) without the prior permission of the State of Victoria, Department of Sustainability and Environment. All requests and enquiries should be directed to the Copyright Officer, Library Information Services, Department of Sustainability and Environment, 5/250 Victoria Parade, East Melbourne, Victoria 3002. Disclaimers This publication may be of assistance to you and every effort has been made to ensure that the information in the report is accurate. The Department of Sustainability and Environment does not guarantee that the report is without flaw of any kind or is wholly appropriate for your particular purposes and therefore disclaims all liability for any error, loss or other consequence, which may arise from you relying on any information in this publication. The views and opinions expressed in this document are those of the authors and do not necessarily reflect the views and opinions of the Commonwealth Government of Australia, the Federal Minister for Environment and Heritage, or the Department of the Environment and Heritage. -
Fauna Possessing (Pet Keeper's) Licence
CEO licensing guideline Fauna possessing (pet keeper’s) licence CEO LICENSING GUIDELINES TO SUPPORT THE BIODIVERSITY CONSERVATION REGULATIONS FAUNA POSSESSING (PET KEEPER’S) LICENCE 1. Legislative Basis for this Guideline 1.1 Regulation 11 of the Biodiversity Conservation Regulations 2018 provides that the CEO must issue licensing guidelines in relation to fauna that may be possessed as pets, and specify the species that are exempt from needing a licence (Category A) or require a standard (Category B) or advanced (Category C) licence. 1.2 Regulation 10(4) provides that the CEO licensing guidelines may be amended at any time. 1.3 Regulation 36 provides for a Fauna possessing (pet keeper’s) licence which authorises the holder of the licence to possess fauna in Category B or Category C as a pet. 2. Purpose of this Guideline 1.4 The purpose of this guideline is to specify the matters that will be considered during the assessment of an application for a Fauna possessing (pet keeper’s) licence. 1.5 In addition, this guideline specifies the circumstances under which the CEO may or may not issue a licence or a class of licence, and any matters relevant to the assessment criteria or assessment process for a Fauna possessing (pet keeper’s) licence. 3. Categories 3.1 Exempt category species: The species which are exempt from requiring a Fauna possessing (pet keeper’s) licence are listed in Table 1 in Appendix 1 to these guidelines. 3.2 Standard licence category: The species that may be kept under a standard Fauna possessing (pet keeper’s) licence are listed in Table 2 at Appendix 1. -
Caged in the City: an Inventory of Birds for Sale in Ha Noi and Ho Chi Minh City, Viet Nam 1 TRAFFIC REPORT
TRAFFIC CAGED IN THE CITY: REPORT An inventory of birds for sale in Ha Noi and Ho Chi Minh City, Viet Nam SEPTEMBER 2017 James A. Eaton, Minh D. T. Nguyen, Madelon Willemsen, Jessica Lee and Serene C. L. Chng TRAFFIC Report: Caged in the city: An inventory of birds for sale in Ha Noi and Ho Chi Minh City, Viet Nam 1 TRAFFIC REPORT TRAFFIC, the wild life trade monitoring net work, is the leading non-governmental organization working globally on trade in wild animals and plants in the context of both biodiversity conservation and sustainable development. TRAFFIC is a strategic alliance of WWF and IUCN. Reprod uction of material appearing in this report requires written permission from the publisher. The designations of geographical entities in this publication, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of TRAFFIC or its supporting organizations con cern ing the legal status of any country, territory, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. The views of the authors expressed in this publication are those of the writers and do not necessarily reflect those of TRAFFIC, WWF or IUCN. Published by TRAFFIC. Southeast Asia Regional Office Suite 12A-01, Level 12A, Tower 1, Wisma AmFirst, Jalan Stadium SS 7/15, 47301 Kelana Jaya, Selangor, Malaysia Telephone : (603) 7880 3940 Fax : (603) 7882 0171 Copyright of material published in this report is vested in TRAFFIC. © TRAFFIC 2017. ISBN no: 928-983-3393-74-9 UK Registered Charity No. -
THE COLUMBIDAE's COOER? Drop Us a Line at Our E- Mail Address, Located on Page 1 of This Issue
THE COLUMBIDAE’S COOER August-September 2011 Volume #1, Issue #3 The Free and Official Bi-monthly E-newsletter of and published by DOVEBOOK The Dove and Pigeon Social Network http://dovebook.webs.com/ email address: [email protected] TABLE OF CONTENTS: Welcome Message from the DOVEBOOK E-newsletter Staff, page 2 THE INTERNATIONAL DOVE AND PIGEON SPECIES LAW RESOURCES LIBRARY PROJECT, pages 3-5 DOVES AND PIGEONS IN THE GUINNESS WORLD RECORDS, page 5 MAKE YOUR DOVE & PIGEON RECOMMENDATIONS COUNT AT RIGHT PET!, pages 6-7 RINGNECK DOVE COLOR THURSDAYS!, pages 7-8 DOVEBOOK HAS EXTENDED ITS PRESENCE TO PETBOOK, page 8 THE WHITE PIGEON LOFT AT THE SAN DIEGO ZOO, pages 8-11 THE DOVE AND PIGEON SOCIAL NETWORK TRADE ANNOUNCEMENTS REPORT, pages 12-17 COLUMBIDAE CARE RESOURCE REVIEWS, pages 17-20 WEBSITE UPDATES, pages 20-26 DOVEBOOK ON FACEBOOK, pages 27-29 SPOTLIGHT ON NEW WEBSITE MEMBER, page 29 YOUR WEBSITE ADMINISTRATION TEAM/NEWSLETTER STAFF, page 30 IN THE NEXT ISSUE…, pages 31-32 DOVEBOOK, The Dove and Pigeon Social Network | THE COLUMBIDAE’S COOER, 1 August-September 2011 Welcome Message from the DOVEBOOK E-newsletter Staff THE SWITCH FROM MONTHLY TO BI-MONTHLY…AND FINALLY QUARTERLY We‟ve had lots of changes in The Columbidae‟s Cooer since last issue. Many of those changes you will be able to see in this issue. But the one change I want to immediately point out is the frequency in which issues are going to be released. Because of a number of circumstances, we‟ve had to switch from a monthly to a bi-monthly publication this issue… http://dovebook.webs.com/apps/calendar/showEvent?calID=5647880&eventID=136668319 If you are a site Member, you‟ve already received an e-mail about the above as it was sent out on what would have been the due date for member submissions this issue -- Tuesday, August 9, 2011 -- with subject line “IMPORTANT UPDATE: Submissions Deadline and Release Dates for „The Columbidae‟s Cooer‟ E-newsletter have changed!” (if you did not receive the e-mail, don‟t worry!). -
Difficulties with Eggs and Babies the Nest on Their Feet
P ublished by Western Waterslager Club March 2009 The foll owing two articles were written by Dr. David E. Marx and were written about pigeons. Much is This can happen during laying as they often become contaminated with feces during this process. It can also very applicable to our hobby. happen by fecal contamination after laying, frequently from parents defecating in the nest or tracking feces in Difficulties with Eggs and Babies the nest on their feet. During damp periods, nesting material often gets high This tim e of the year when many of us are expecting numbers of bacteria in it from parents tracking feces and our first round of youngsters to hatch, we are the dampness and warmth of the sitting parents disappointed with some aspect of our breeding encourage bacterial growth. The higher the numbers of success. The most common problems being clear bacteria around the eggs the easier it is to have eggs; eg gs which die before hatching; and babies penetration of the shell and subsequent infection of the which pe rish in the first few days of life. embryo. Clear eg gs tend to be the most prevalent in the first Babies dying in the first few days of life occurs when round or two. These are the eggs that never begin they are infected either in the egg, resulting in weak develop ment because of being infertile. The testicle in hatchlings, or they become infected after hatching. After the cock s gets quiescent during the shorter daylight hatching they can become infected from the crop milk periods. -
Annotated Checklist of the Birds of Cuba
ANNOTATED CHECKLIST OF THE BIRDS OF CUBA Number 3 2020 Nils Navarro Pacheco www.EdicionesNuevosMundos.com 1 Senior Editor: Nils Navarro Pacheco Editors: Soledad Pagliuca, Kathleen Hennessey and Sharyn Thompson Cover Design: Scott Schiller Cover: Bee Hummingbird/Zunzuncito (Mellisuga helenae), Zapata Swamp, Matanzas, Cuba. Photo courtesy Aslam I. Castellón Maure Back cover Illustrations: Nils Navarro, © Endemic Birds of Cuba. A Comprehensive Field Guide, 2015 Published by Ediciones Nuevos Mundos www.EdicionesNuevosMundos.com [email protected] Annotated Checklist of the Birds of Cuba ©Nils Navarro Pacheco, 2020 ©Ediciones Nuevos Mundos, 2020 ISBN: 978-09909419-6-5 Recommended citation Navarro, N. 2020. Annotated Checklist of the Birds of Cuba. Ediciones Nuevos Mundos 3. 2 To the memory of Jim Wiley, a great friend, extraordinary person and scientist, a guiding light of Caribbean ornithology. He crossed many troubled waters in pursuit of expanding our knowledge of Cuban birds. 3 About the Author Nils Navarro Pacheco was born in Holguín, Cuba. by his own illustrations, creates a personalized He is a freelance naturalist, author and an field guide style that is both practical and useful, internationally acclaimed wildlife artist and with icons as substitutes for texts. It also includes scientific illustrator. A graduate of the Academy of other important features based on his personal Fine Arts with a major in painting, he served as experience and understanding of the needs of field curator of the herpetological collection of the guide users. Nils continues to contribute his Holguín Museum of Natural History, where he artwork and copyrights to BirdsCaribbean, other described several new species of lizards and frogs NGOs, and national and international institutions in for Cuba. -
1 Olga Petri and Philip Howell from the Dawn Chorus to the Canary Choir
Olga Petri and Philip Howell From the Dawn Chorus to the Canary Choir: Notes on the Unnatural History of Birdsong Humanimalia 11, 2 (Spring, 2020): 163-192 https://www.depauw.edu/humanimalia/issue%2022/petri-howell.html 1. Introduction Figure 1. Songbirds and birdsongs: from Athanasius Kircher, Musurgia Universalis (1650). Birdsong is exemplary in its quotidian familiarity, and yet enigmatic almost to the point of obscurity, the heroic efforts of the ornithologists notwithstanding (Stap). Even the 1 term “birdsong” is debatable, if by this we make the claim that nonhuman animals produce music, which is a canonical example of question begging. Naturalists still disagree even on why birds sing (Araya-Salas; Higgins 31-32; Rothenberg, Why Birds Sing; Taylor, Is Birdsong Music?), and they might be placed on a spectrum from the behaviorists and evolutionary biologists, who insist that the sounds birds make are no more than a territorial warning or a sexual invitation, to those who see or hear something else, some excessive exuberance, either approximately or exactly equivalent to our human act of singing for pleasure. Birdsong is, for such aficionados, perhaps even an analogy to art itself (Okanoya; Zeigler; Marler). They rightly lean on the venerable authority of Darwin here. For him, it is the voices of the passeriformes, the perching or singing birds, that explain nothing less than the evolution of the aesthetic. But they also follow the lead of Kant and his fulsome appreciation of the “free beauties of nature,” “pulchritudo vaga”: “things of nature into which no human has placed any meaning whatsoever” (cf. -
COMMUNITY CONSERVATION PLAN The
The Pas - Saskatchewan River Delta CCP Page 1 of 1 COMMUNITY CONSERVATION PLAN for the The Pas - Saskatchewan River Delta IMPORTANT BIRD AREA Cory Lindgren Manitoba IBA Program Oak Hammock Marsh Box 1160, Stonewall, Manitoba R0E 2Z0 For Manitoba Naturalist Society 10/03/01 The Pas - Saskatchewan River Delta CCP Page 2 of 2 Table of Contents 1.0 The IBA Program...................................................................................................... 6 1.1 IBA Manitoba................................................................................................................................ 7 2.0 Introduction................................................................................................................... 7 3.0 IBA Site Information .................................................................................................... 8 3.1 Carrot River Triangle........................................................................................................................ 9 3.2 Tom Lamb WMA............................................................................................................................. 9 3.3 Saskeram Area................................................................................................................................ 11 3.4 Summerberry Marshes.................................................................................................................... 11 3.5 Grand Rapids Hydro Development ............................................................................................... -
Olga Petri and Philip Howell -- from the Dawn Chorus to the Canary Choir: Notes on the Unnatural History of Birdsong
H U M a N I M A L I A 11:2 Olga Petri and Philip Howell From the Dawn Chorus to the Canary Choir: Notes on the Unnatural History of Birdsong 1. Introduction. Figure 1. Songbirds and birdsongs: from Athanasius Kircher, Musurgia Universalis (1650). Birdsong is exemplary in its quotidian familiarity, and yet enigmatic almost to the point of obscurity, the heroic efforts of the ornithologists notwithstanding (Stap). Even the term “birdsong” is debatable, if by this we make the claim that nonhuman animals produce music, which is a canonical example of question begging. Naturalists still disagree even on why birds sing (Araya-Salas; Higgins 31-32; Rothenberg, Why Birds Sing; Taylor, Is Birdsong Music?), and they might be placed on a spectrum from the behaviorists and evolutionary biologists, who insist that the sounds birds make are no more than a territorial warning or a sexual invitation, to those who see or hear something else, some excessive exuberance, either approximately or exactly equivalent to our human act of singing for pleasure. Birdsong is, for such aficionados, perhaps 164 even an analogy to art itself (Okanoya; Zeigler; Marler). They rightly lean on the venerable authority of Darwin here. For him, it is the voices of the passeriformes, the perching or singing birds, that explain nothing less than the evolution of the aesthetic. But they also follow the lead of Kant and his fulsome appreciation of the “free beauties of nature,” “pulchritudo vaga”: “things of nature into which no human has placed any meaning whatsoever” (cf. Figal 54, 55). This natural beauty might even be more sublime than human art, since “a bird’s song, which we can reduce to no musical rule, seems to have more freedom in it, and thus to offer more for taste, than the human voice singing in accordance with all the rules that the art of music prescribes” (Kant 73-74).