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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Minneapolis 2 Regional
2019 MINNEAPOLIS 2 REGIONAL THE IN10SITY CHALLENGE Studio Average Top Non-Solo 1ST PLACE - Lake Area Dance Center 276.28 “Survivor” $1000 2ND PLACE - In The Spotlight 276 “Girls Night Out” $750 3RD PLACE - Elite Dance Productions 267.68 “Shout” $500 4TH PLACE - Jan’s School of Dance 266.72 “Southbound Train” $250 5TH PLACE - Dance For Fun 255.08 “Rise Up” $100 IN10SE ROUTINES Routine Score Studio Prize In10se Mini “Flickers” 287.5 DelMonico Dance $500 In10se Junior “In May Blood” 288.1 DelMonico Dance $500 In10se Teen “The Tiger’s Bride” 288.2 DelMonico Dance $500 In10se Senior “Into The Spin” 285 In The Spotlight $500 !1 of !11 CON10TION Dancer Studio Mini Con10der Daphne Braun “Flickers” DelMonico Dance Junior Con10der Caleb Abea - “In My Blood” DelMonico Dance Teen Con10der Lucia Vera - “Survivor” DelMonico Dance Senior Con10der Angelina Amarigo - “Time” DelMonico Dance DIVISIONAL OVERALLS - MINI DEBUT MINI SOLO 1ST Kaylee Caldwell - “I’m A Lady” In The Spotlight 2ND Hadley Amick - “Flaunt It” Elite Dance Productions 3RD Ellas Sullivan - “Trust In Your Heart” Delmonico Dance 4TH Kennedi Roelike - “Getting Good At Being Elite Dance Productions Bad” 5TH Weatherly Drowne - “Kill The LIghts” In The Spotlight ELITE MINI SOLO 1ST Daphnie Braun - “Flickers” DelMonico Dance DEBUT MINI DUET/TRIO 1ST “The Squad” Elite Dance Productions DEBUT MINI SMALL GROUP 1ST “Better Together” Jan’s School of Dance 2ND “I’m A Lady” Dena’s Dance Company 3RD “Fight Song” Dance For Fun !2 of !11 DEBUT MINI LARGE GROUP 1ST “Tea With Me” In The Spotlight 2ND “Thankful” -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Interpreting in the Zone
3 The Interpreter in the Zone (and Other Zones) Interpreting requires a high degree of concentration and engagement in the moment, and the results of the two studies indicate that this type of intense attention can lead to an in-the-zone experience. As introduced in Chapter 1, being “in the zone” is an exhilarating experience in which people are completely absorbed in what they are doing and are perform- ing at their best. Their skills and judgment rise to the challenges before them, and they experience a state of euphoria. Being in the Zone Professionals, artists, performers, athletes, and others report having in- the-zone (flow) experiences. Csikszentmihalyi1 clarifies what allows for this type of experience to occur by explaining, The optimal state of inner experience . [is one] in which there is order to consciousness. This happens when psychic energy—or attention—is invested in realistic goals, and when skills match the opportunities for action. The pursuit of a goal brings order in awareness because a person must concen- trate attention on the task at hand and momentarily forget everything else. These periods of struggling to overcome challenges are what people find to be the most enjoyable times of their lives.2 In-the-zone experiences are characterized by intense attention and the suc- cessful application of skills, expertise, and decision-making, which allow one to overcome challenges and to feel good about that accomplishment. Csikszentmihalyi explains that there are three primary characteristics of flow: the complexity of the experience, the pleasure of the experience, and its contribution to one’s ability to grow and develop. -
Beyonce Embarrassed to Play Her Steamy New Song for Her Mother
lifestyle SUNDAY, JANUARY 5, 2014 Gossip Beyonce embarrassed to play her steamy new song for her mother he 32-year-old singer has admitted she still mad at me.” The ‘Drunk in Love’ hitmaker, who has a Thasn’t played the sexy track - which appears 23-month-old daughter, Blue Ivy, with husband Jay on her recently released hit album ‘BEYONCE’ - Z, also revealed that the song was inspired by her for her mum Tina Knowles because the lyrics are so spouse’s attempts to woo her when they first met. salacious. On ‘Partition’, Beyonce sings of a romantic Beyonce made the admission in a new mini-docu- tryst with her lover in the back of a chauffeur-driven mentary ‘Liberation’, which she uploaded to car, with lyrics including: “Driver, roll up the partition YouTube in support of her fifth album. She said: “It please, I don’t need you seeing ‘Yonce on her knees.” takes me back to being in my car as a teenager. It The star explained: “I kinda had this whole fantasy of takes me back to when me and my husband first being in the car, and this whole movie played in my meet, and he tries to scoop me and he thinks I’m the head. I didn’t have a pen and paper. I got to the mic, hottest thing in the world. I’m like, ‘Oh, press record...’ “I was so embarrassed after I recorded the song because I’m just talking s**t. I’m like, ‘I can’t play this for my husband!’ I still haven’t played it for my mum. -
Us Against the Music 拍数: 32 墙数: 4 级数: 编舞者: Karen Katrea 音乐: Me Against the Music (Feat
Us Against The Music 拍数: 32 墙数: 4 级数: 编舞者: Karen Katrea 音乐: Me Against the Music (feat. Madonna) - Britney Spears LEFT COASTER STEP, FUNKY WALK, KICK AND KICK, STEP AND PIVOT ¼ LEFT 1&2 Step left behind, step right beside left, step left forward 3-4 (Funky) walk right-left 5&6& Kick right diagonally across left, step right beside left, kick left diagonally across right, step left beside right 7-8 Step right forward and pivot ¼ left turn (weight ending on left) CROSS, STEP, HEEL-JACK, CROSS, ¼ LEFT STEP BACK, LEFT COASTER STEP 1-2 Cross right over left, step left to the side 3&4& Rock back on right, recover on left, touch right heel diagonally forward, step right slightly behind left 5-6 Cross left over right, ¼ left turn stepping right back 7&8 Step left behind, step right beside left, step left forward DOROTHY STEPS, RIGHT FULL MONTEREY TURN, SIDE-ROCK-CROSS 1-2& Step right diagonally forward, step left lock behind right, step right diagonally forward 3-4& Step left diagonally forward, step right lock behind left, step left diagonally forward 5-6 Touch right to the side, full right turn on ball of left, step right beside left 7&8 Rock left to the side, recover on right, cross left over right ROCK HOLD STEP, ROCK, TOUCH, SLIDE A SQUARE TURNING ¾ RIGHT 1-2& Rock right to the side, hold, step left beside right 3-4 Rock right to the side, touch left beside right Roll your hips as you rock 5-6 Large left step to the side turning ¼ right, large right step to the side turning ¼ right 7-8 Large left step to the side turning ¼ right turn, large right step to the side On counts 5-8, slide your feet REPEAT. -
United States District Court for the Western District of Pennsylvania
Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 1 of 3 UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF PENNSYLVANIA ZOMBA RECORDING LLC, a Delaware limited liabiHty company; ELECTRONICALLY FILED BMG MUSIC, a New York general partnership; INTERSCOPE RECORDS, a Califorma general partnership; UMG CIVIL AcrION NO. 2:08-cv-01327-GLL RECORDINGS, INC., a Delaware corporation; and WARNER BROS. RECORDS INC., a Delaware corporation, Plaintiffs, vs. ClARA MICHELE SAURO, Defendant. DEFAULT .JUDGMENT AND PERMANENT IN,JUNCTION Based upon Plaintiffs' Motion For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Plaintiffs seek the minimum statutory damages of $750 per infringed work, as authorized under the Copyright Act (17 U.S.c. § 504(c)(1», for each of the ten sound recordings listed in Exhibit A to the Complaint. Accordingly, having been adjudged to be in default, Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Seven Thousand Five Hundred Dollars ($7,500.00). 2. Defendant shall further pay Plaintiffs' costs of suit herein in the amount of Four Hundred Twenty Dollars ($420.00). Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 2 of 3 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: • "Cry Me a River," on album "Justified," -
Libido Song List 2000
LIBIDO SONG LIST 2000 - Now Ain’t It Fun (Paramore) All Of Me (John Legend) American Boy (Estelle & Kanye West) Bartender (T-Pain & Akon) Because Of You (Ne-Yo) Birthday (Katy Perry) Blame It (Jamie Foxx & T-Pain) Blurred Lines (Robin Thicke) Break Your Heart (Taio Cruz) Burn (Ellie Goulding) Can’t Hold Us (Macklemore) California Gurls (Katy Perry) Champagne Life (Ne-Yo) Closer (Ne-Yo) Counting Stars (OneRepublic) Crazy In Love (Beyonce) DJ Got Us Falling In Love (Usher) Diamonds (Rihanna) Die Young (Ke$ha) Don’t Worry Child (Swedish House Mafia) Dynamite (Taio Cruz) Fancy (Iggy Azalea) Feel Again (OneRepublic) Feel So Close (Calvin Harris) Fine China (Chris Brown) Forget You (Cee-Lo) Get Lucky (Daft Punk & Pharrell) Give Me Everything (Tonight) (Ne-Yo & Pitbull) Gold Digger (Kanye West) Good Feeling (Flo Rida) Good Life (OneRepublic) Happy (Pharrell Williams) Hey Brother (Avicii) Hey Ya (Outkast) Hold On, We’re Going Home (Drake) I Gotta Feeling (Black Eyed Peas) I Just Wanna Love U (Give It To Me) (Jay-Z) I Need Your Love (Calvin Harris) Ignition Remix (R. Kelly) I’m In Miami Trick (LMFAO) In The Club (50 Cent) Just Dance (Lady Gaga) Just The Way You Are (Bruno Mars) Let Me Love You (Ne-Yo) Let’s Get It Started (Black Eyed Peas) Locked Out Of Heaven (Bruno Mars) Love At First Sight (Kylie Minogue) Low (Flo-Rida & T-Pain) Meet Me Halfway (Black Eyed Peas) Moves Like Jagger (Maroon 5 feat. Christina Aguilera) More (Usher) Nothin’ On You (B.o.B. feat Bruno Mars) OMG (Usher feat Will.i.am) Party Rock Anthem (LMFAO) Please Don’t Stop the Music (Rihanna) Pumped Up Kicks (Foster The People) Raise Your Glass (Pink) Rolling In The Deep (Adele) Royals (Lorde) Rude Boy (Rihanna) Safe & Sound (Capital Cities) Say it Right (Nelly Furtado) Scream & Shout (Will.i.am & Britney Spears) Sexy & I Know It (LMFAO) Sexy Chick (Akon & David Guetta) Sexy Love (Ne-Yo) SexyBack (Justin Timberlake) Set Fire To The Rain (Adele) Starships (Nicki Minaj) Stay The Night (Zedd ft. -
Song Lyrics ©Marshall Mitchell All Rights Reserved
You Don’t Know - Song Lyrics ©Marshall Mitchell All Rights Reserved Freckled Face Girl - Marshall Mitchell © All Rights Reserved A freckled face girl in the front row of my class Headin’ Outta Wichita - Harvey Toalson/Marshall Mitchell On the playground she runs way too fast © All Rights Reserved And I can’t catch her so I can let her know I think she is pretty and I love her so Headin’ outta Wichita; we’re headed into Little Rock tonight And we could’ve had a bigger crowd but I think the band was sounding pretty tight She has pigtails and ribbons in her hair With three long weeks on this road there ain’t nothing left to do, you just listen to the radio When she smiles my heart jumps into the air And your mind keeps a’reachin’ back to find that old flat land you have the nerve to call your home And all through high school I wanted her to know That I thought she was pretty and I loved her so Now, you can’t take time setting up because before you know it’s time for you to play And you give until you’re giving blood then you realize they ain’t a’listenin’ anyway I could yell it in assembly And then you tell yourself that it can’t get worse and it does, and all you can think about is breaking down I could write it on the wall And then you find yourself back on the road following a dotted line to another town Because when I am around her I just cannot seem to speak at all I wanna see a starlit night and I wanna hold my baby tight again While in college I saw her now and then And I’m really tired of this grind and I’d sure like to see the face -
SMYC 2013 CD Booklet
SPECIAL MULTISTAKE YOUTH CONFERENCE 2013 MUSIC SOUNDTRACK Audio CD_Booklet.indd 1 10/18/2013 9:04:08 AM Stand Chorus Chorus: Joy of Life Singer: Megan Sackett No, I can’t say that I know for certain, but, Singers: Savanna Liechty & Hayden Gillies Every choice, every step, I’m feelin’ somethin’ deep inside my heart Morning sun fill the earth, every moment, I wanna say that I know for certain, Sunlight breaking through the shadows fill the shadows, point my course, set my path but for now it’s a good start. stand lighting all we see fill my soul with light. make me ready. taking in each single moment Sacred light, holy house, I’ve been trying things out a bit, with the air we breath Steady flame, steady guide, loving Father, wanting to know what’s real still so much that lies before us steady voice of peace bind my heart, fill my life I don’t know what will come of it but still so much within our reach lead me through the night. with this promise to stand… if I keep it up I will. of life joy Chorus: Won’t give in, won’t give up And be not moved, together I know there’s someone who after all I can do Every day won’t give out at all Stand makes it all alright brings another moment ‘til my heart is right. In a holy place Then I hear a voice that whispers to me every time Stand… Oh Stand that I’ve known it all my life. -
Getting in the Zone, Part 1: Flow and Finding a State of Peak Performance
MINDFUL VOICE Lynn Helding, Associate Editor Getting in the Zone, Part 1: Flow and Finding a State of Peak Performance Sean McCarther eople call it different names: in the zone, in the groove, on fire, in the moment, present, unified, tuned in, a high, a rush. All these terms describe a similar sensation. One of my first experiences of being “in the zone” was at the finals for a NATS competition Pduring my senior year of undergraduate studies. I was singing Papageno’s suicide aria from Die Zauberflöte, and, near the beginning of the aria, made a reaching gesture with my right hand. I remember watching my hand and arm shake violently and a sense of terror crept over me. In that moment, a Sean McCarther very simple thought came to me: “No.” My hand stopped shaking, my mind focused on the moment at hand, and I experienced a fascinating connection with the world around me. It was as if I could feel the audience, my pianist, and the music as never before. Time slowed down and I felt a unification of body, mind, and voice. It was as if I could do no wrong. And, in the blink of an eye, the aria was over. It was some of the most fun I had ever had performing. “This,” I said to myself. “I want more of this.” I later learned that what I had experienced is what Hungarian-born psychologist Mihaly Csikszentmihalyi calls “flow.” MIHALY CSIKSZENTMIHALYI AND THE CONCEPT OF FLOW For the first decade or so of his career Csikszentmihalyi’s primary focus was on the study of creativity. -
Project VIP Spring2020 Manuscript
PARENTS (& KIDS) JUST DON’T UNDERSTAND PERIOD Friends Forever #BLM PARENTS (& KIDS) JUST DON’T UNDERSTAND Table of Contents I. Ensemble Photos pg 2 II. Directors’ Note pg 3 III. Scripts: 1. Some Things We Wish Our Parents Would Have Told Us pg 4 2. Period Piece pg 5 3. Sister Sister pg 10 4. What I Wish I could Tell You pg 12 5. Wear What I Want pg 13 6. Party At A Friend’s pg 19 7. Things Heard During Covid-19 Quarantine pg 23 Written by the Ensemble: Jendayi Benjamin, Sariya Western Boyd, Aniyah Campos, Ashanti Campos, Shea Davis, Deshante Deberry, Atseda Johnson, Annalise Rios Mercado, Jaslene Rios Mercado, Tia Sledge & Nakayla Teagle 1 Dear Aniyah, Annalise, Ashante, Atseda, Deshante, Jaslene, Jendayi, Nakayla, Sariya, Shea & Tia: What an interesting semester we have had! We came in talking about parents and all the craziness we had to endure with them … remember watching Will Smith’s video for Parents Just Don’t Understand, and then the corny (but funny) song “Kids” from Bye Bye Byrdie? And improvising (hilarious) inner voice/outer voice conversations? And then our world turned upside down. We’ve never had a semester like this where so much of our work was completed online. No rehearsals, no more theatre games, no more seeing each other in person. Yet despite all this we came up with some great scripts and poems to show how parent and child relationships work in 2020. We loved the energy you brought to the group. Thank you for all your hard work in class and online.