Eyes JACK & KANEZA SCHAAL Wide Lights Low May 24–26, 2018 Thu–Sat Notes Program

at MCA

Stage Theater Edlis Neeson STAGE MCA

Winter/Spring JACK & running time 2018 is seventy-five minutes with no intermission. SUPPORT FOR THIS Created and directed by Kaneza Schaal JACK & KANEZA SCHAAL MCA STAGE PROJECT FROM THE CURATOR Creative Engagement and Presenting Starring Cornell Alston Collaborator: Jane M Saks and Project& In our very first conversations, Kaneza Schaal –––––––––––––––––––––––––––––––––––––––––––––– Project& collaborates Performers Modesto Flako Jimenez, with artists and described JACK & as an occasion to hold partners across all Rucyl Mills, platforms to create Stacey Karen Robinson bigger conversations inside and beyond theater new, unconventional models of cultural participation and Design Christopher Myers walls. I admire Kaneza’s dedication to the experiences with social impact. We create work possibilities that rise to the surface when social to reinforce agency, Sound Rucyl Mills creative voice, and common humanity; justice and creative practice come together— support risk-taking and Light Megan Lang and innovative artistic in informal conversations after the show, in excellence; and Ashley Vellano stimulate dialogue and shifts. Project&’s interactions between artist and student, and network of Text Christopher Myers (Part I), collaborators support Christopher Myers in the performers’ navigation of a carefully longevity and expansion of our cultural gestures and Jackie Sibblies Drury and break artistic (Part II), Keisha (Part III) staged scene. JACK & uses the flexibility of confines. We create original work focused avant-garde theater to deftly transition between on the democratic –––––––––––––––––––––––––––––––––––––––––––––– promise of equitable participation. PRODUCTION expressive styles, shifting the logic of a scene Central to our practice instantaneously. But that changeable nature is is bridge-building across Design and Production Cheyanne Williams fields in a rigorous Associate creative process that the very thing that keeps us on our toes and demands time and space to risk arriving in Stage Manager Clarissa Marie Ligon provides a rich set of entry points. I am grateful places we did not initially imagine. These times call on us to Producers Rachel Silverman to Project& for supporting the broadening of investigate and Jane Jung challenge, putting audiences and engagement projects, as well as long-held assumptions aside and privileging new models of Contributing Artists Robert Chappelle our other partners in connecting the creative community and cultural Daphne Gaines engagement. Project& team with Chicago’s education, organizing, creative collaborators Yahhkhem Hyman include two-time April Matthis Pulitzer Prize–winning and theater communities: Prison + Neighborhood playwright Lynn Naomi Saito Nottage; MacArthur Art Project, League of Chicago Theatres, Fellows Lynsey Addario and Claire Chase; visual artist and Guggenheim Marwen, and the MCA’s own SPACE and TCA Fellow Hank Willis Thomas; award- programs. The spirit of generosity and mutual winning visual artists Cheryl Pope, Jim Hodges, and Kerry care with which these artists embrace one James Marshall; Pulitzer May 24–26, 2018 Thu–Sat Notes Program Prize–winning another, their audiences, and their unique composer Du Yun, extraordinary scholar and performer E. approaches to theater becomes more evident Patrick Johnson; and Oscar-nominated every time I see them in action. filmmaker Yance Ford.

—Tara Aisha Willis Associate Curator of Performance Theater Edlis Neeson STAGE MCA

CONTINUES IN NOTE: Haze and fog are used during MARGIN ON PAGE 4 this performance. SUPPORT FOR THIS MCA STAGE PROJECT (Continued) ABOUT THE WORK RELATED PROGRAMS Additional engagement programming was MCA Stage’s series of artist-centered talks, workshops, created in collaboration with Ben Thiem and PART I : THE MONOLOGUES and open studios engages the public with the artists Deb Clapp of the League of Chicago What had happened was . . . in intimate settings and provides a closer look at the Theaters, Damon Locks and the Sarah E. Goode creative process. STEM Academy, Christian Ortiz and PART II : THE SITCOM Cynthia Weiss of Marwen, Black and The Good Life . . . ————————————————————————————————————— Pink: Chicago, and Sarah Ross of Prison + TCA ACTIVITY Neighborhood Art Project. PART III : THE COTILLION Sat, May 26, 6 pm Accessible programming Goldfish with wings . . . for JACK & is supported by artist and scholar The MCA's Teen Creative Agency lead an activity for Carrie Sandahl, director of Bodies of Work: A audiences in the Street prior to the evening performance. Network of Disability Arts and Culture and “Jack” works the night shift at an industrial bakery. Rewrite history by typing your own story over historical faculty in the Department of Disability He returns home to bake a cake for his wife, “Jill." “Jack” documents and discuss who has been left out of history. and Human Development at the ends up whirling through a dance—part dream, part University of Illinois at ritual—reentering his own internal life. The performance ————————————————————————————————————— Chicago. TALK: IMAGINING CHANGE IN CYCLES OF INCARCERATION MCA Stage draws from aspirational class stories like those in The acknowledges the Tue, May 22 support of Jeanine Honeymooners and Amos ‘n’ Andy; the paintings of Agnes Pollard, Master's candidate in Museum Martin, Ellen Gallagher, and Ruth Azawa; tigers in Harlem; and Exhibition Studies Kaneza Schaal and Cornell Alston joined Heidi Mueller, at the University of real and imagined society-entrance ceremonies like Illinois at Chicago, and Director of Illinois Department of Juvenile Justice, and Shawn primary liaison for Cotillion balls; and markers of transition from John Canoe Bodies of Work at MCA Reddy, Social Science Specialist for Elementary Schools (K–8) Stage in the 2017–18 traditions, to the mirroring and mimicry found in African season. American dance pageantry of the late nineteenth century. for Chicago Public Schools, on a panel moderated by Natalie The performance considers reentry into society after Moore, WBEZ's South Side Bureau Reporter, to discuss how prison; focusing not on the time one has served, but the imagination and art, both inside and outside of the prison measure of one’s dreaming that is given to the state. experience, can interact with civic efforts to interrupt the cycles of neglect and isolation that prison creates. ————————————————————————————————————— TCA WORKSHOP SERIES Fri–Sat, Mar 16–17 Schaal and Alston led two workshops to share their creative practices with the MCA's Teen Creative Agency (TCA) and students from Marwen Lab, a local arts education program. ————————————————————————————————————— STORIES THAT BUILD OUR FUTURE: EXCELLENCE, EXPERIMENTATION, AND AUDIENCE Wed, Mar 14 Schaal joined theater professionals and artists from the League of Chicago Theatres to discuss the myth that experimental art forms are inherently for small, elite audiences. The group also explored how we build theater that embraces the dreaming capacity of all audiences—our CONTINUES IN MARGIN ON PAGE 7 Kaneza Schaal: JACK &. Image by Christopher Myers. desire to synthesize the abstract and enjoy the hybrid. SUPPORT FOR RELATED PROGRAMS ABOUT THE ARTISTS THE ARTISTS JACK & is a project of Creative Capital, the ————————————————————————————————————— KANEZA SCHAAL (CREATOR an arts-in-education advocate. New England Foundation for the IN PROGRESS: JACK & WITH KANEZA SCHAAL AND DIRECTOR) He is the recipient of a 2016 Arts’ National Theater is a –based theater Creative Capital Award. Alston Project, and The Map Tue, Mar 13 GO FORTH Fund, supported by the artist. Her recent work performed and collaborated with Doris Duke Charitable premiered at Performance Space Kaneza Schaal on PLEASE, BURY Foundation and the ME Andrew W. Mellon Director Schaal, Alston, and Myers gave a sneak peek of 122, then showed at the Genocide at Baryshnikov Arts Center and Foundation; a National Memorial Amphitheater in Kigali, GO FORTH during a Performance Performance Network the library of media and textual materials that influenced (NPN) Creation Fund Rwanda; Lower Cultural Space 122 RAMP residency. Other Project co- the process of developing JACK &. Council’s River-to-River Festival; performance highlights include commissioned by the Contemporary Arts Contemporary Arts Center New One Flew Over the Cuckoo's Nest, Center (Cincinnati) in ————————————————————————————————————— Orleans; Cairo International 12 Angry Men, and the title role partnership with On Contemporary Theater Festival in in Ma Rainey's Black Bottom. The Boards (Seattle), SPACE WORKSHOPS Portland Institute for Egypt; and Wesleyan University. Contemporary Art, Tue, Mar 13 Walker Art Center Schaal received a 2017 MAP Fund MODESTO FLAKO JIMENEZ (Minneapolis), REDCAT award, a 2016 Creative Capital (PERFORMER) (Los Angeles), and Award, and is the current Aetna is a Dominican-born, Bushwick- NPN; a commission by Schaal, Alston, and Myers led workshops for art and civics Hartford Stage through New Voices Fellow at Hartford raised theater maker, producer, the Aetna New Voices students at Sarah E. Goode STEM Academy through Fellowship; and with Stage. JACK & was co-commissioned and educator. Jimenez was the support from BRIClab, the MCA's School Partnership for Art and Civic by the Walker Arts Center, REDCAT, ATI Best Actor Award Winner for the Baryshnikov Arts On The Boards, PICA, and the 2016, HOLA Best Ensemble Award Center, and THE Engagement (SPACE) program as guests of Embedded LUMBERYARD. JACK & Center for Contemporary Art Winner for 2015, and HOLA will have its New York Artist Damon Locks. City premiere in BAM Cincinnati with support from the Outstanding Solo Performer for Next Wave Festival in National Performance Network 2017. He has also been profiled by October 2018. ————————————————————————————————————— and NEFA National Theater Project. the New York Times and Wall Street Thank you to Miya This spring, her new piece, Journal. Jimenez is best known Carey, Ama Codjoe, PROJECT& ENGAGEMENT DINNER Lisa Dent, Charles CARTOGRAPHY, will be work- for original productions and three Fenner, James Finch Mon, Mar 12 shopped through New Victory signature festivals—Ghetto Hors and Country Boy Bakery, Miranda Haymon, Theater Lab and NYU Abu Dhabi, D’Oeuvres, One Catches Light, Daniel Alexander Jones, and will show at The Kennedy and Oye! Avant-Garde Night!— Thomas O. Kriegsmann, Schaal, Alston, and Myers shared dinner and discussion on Eddy Kwon and Center’s New Vision New Voices. produced with his company Oye MyCincinnati, Sam dreaming and prison justice with twenty local cultural Schaal's work has been supported Group. Jimenez has appeared on Miller, Steve Neil, Raquel Palmas, Jane workers, activists, and educators, hosted by Jane M. Saks, by Baryshnikov Arts Center, TEDxBushwick, Early Shaker Spirituals Saks and Project&, Performance Space 122, Lower (The Wooster Group), Last Night Annie Sieg, and Cathy Creative Engagement and Presenting Collaborator, and Manhattan Cultural Council, Nathan At The Palladium (Bushwick Zimmerman. Project&. Cummings Foundation, Foundation Starr/3LD), Yoleros (Bushwick Starr/ for Contemporary Arts, Theater IATI theater), Conversation: How to Communications Group, and a Make it in Black America, Pt.1 (JACK), Princess Grace George C. Wolfe Take Me Home (3LD/Incubator Arts ACCESSIBLE EVENTS Award. Her work with The Wooster Project), Richard Maxwell’s Samara Group, Elevator Repair Service, (Soho Repertory), and ¡Oye! For ————————————————————————————————————— Richard Maxwell/New York City My Dear Brooklyn (Abrons Art Players, Claude Wampler, Jim Center). Jimenez received the 2016 RELAXED PERFORMANCE WITH ASL INTERPRETATION Findlay, and Dean Moss has Princess Grace Award Honorarium Sat, May 26, 2 pm brought her to venues across the in Theater. In 2018 he became the globe including Centre Pompidou, first Dominican-American Lead the Royal Lyceum Theater in Artist in Under Relaxed performances are for people with or without Edinburgh, The Whitney Museum, the Radar Festival. disabilities who prefer some flexibility in terms of noise and MoMA. and movement in the theater. Stage lighting and sound JANE JUNG (PRODUCER) CORNELL ALSTON is a manager and producer for have been adapted by the artists to be less intense. Patrons (LEAD PERFORMER) individual artists, artist-led are free to leave and reenter the theater as necessary, is a longtime member of companies, and theater projects. and theater lights are kept at a glow to facilitate Rehabilitation Through the Arts, Jung is currently working with Ping a nonprofit that uses the arts Chong + Company, Writer and movement. Sensory rest areas are available outside the as a springboard to teach life skills Performer Diana Oh, and Gung Ho theater for patrons to take a break before returning to the to individuals both inside and Projects. From 2014–17, she was show. Trained volunteers are present to assist. outside of state correctional Managing Director of The Civilians, facilities. He started the Youth where she oversaw all admin- Empowerment Through the Arts istrative, fundraising, general Shannon Moutinho provides ASL interpretation for initiative launched in Queens, management, and producing areas this performance. NY, and he continues to work as of the company. During her time at ACCESSIBILITY The Civilians, the company was the RUCYL MILLS (SOUND DESIGNER) Quiet Frenzy, is published in solo/ Playwrights Theater and Props INFORMATION first theater company in residence is a sonic new media artist. Her black/woman: scripts, interviews, and Designer for Cute Activist, The Select MCA Stage essays performances include at the Metropolitan Museum of Art work revolves around a live , Northwestern University Bushwick Starr. Upcoming projects open-captioning, and produced premieres of a new experimentation performance Press, 2014. Performances of Quiet include Props Design for Big Green sign-interpretation, Pretty Filthy Frenzy listening devices, or musical , which was process, centering sound as a included JACK, the John L. Theater at The Bushwick Starr in are relaxed sensory. nominated for Lucille Lortel and medium to represent non-tactile Warfield Center for African and spring 2018, as well as the premiere up your aesthetic. Please call Drama Desk Awards for Outstanding concepts like time, emotion, identity, African American Studies, of , a devised 312-397-4010 in New Musical, and The Undertaking, and physics. During her live Northwestern University, and the retelling of the ancient Greek myths advance to reserve seats and which premiered at BAM Next performances, she uses MIDI Wild Project. A Bronx native, she is of the Amazons, at the DC Fringe inclusive services. Wave Festival and toured to controllers, loopers, and effects a proud recipient of the Bronx Festival this summer. Théâtre de la Ville in Paris, France. processors, often with Recognizes Its Own (BRIO) Award Previously, she was General accompanying visual vignettes for Playwriting, 2009. Robinson has Manager at Ping Chong + Company composed of found footage and appeared as an actress in many from 2010–14. She has worked as abstract personal video. productions, including Daniel a producer with Little Lord and Alexander Jones’s Duat (Soho Rep.), the Women's Project and produced Toshiki Okada’s Quiet, Comfort (Hoi Her Speech –––––––––––––––––––– new works presented at the CHRISTOPHER MYERS Polloi), and Erik Ehn’s BUY TICKETS New Ohio Theater’s Ice Factory (DESIGN AND TEXT) (Planet Connections - Playwrights ONLINE Festival, The Public Theater's Under is an artist and writer who lives for a Cause). mcachicago.org/stage the Radar Festival, City Center in New York. While he is widely BY PHONE Stage II, and The Bushwick Starr. acclaimed for his work with RACHEL SILVERMAN (PRODUCER) 312-397-4010 She is a board member of literature for young people, he is is a New York City–based theater AT THE MCA Network of Ensemble Theaters also an accomplished fine artist artist and producer. She works on BOX OFFICE and is on the editorial board of who has lectured and exhibited the artistic staff at New York 220 E Chicago Ave the Yale Theater Management internationally. His practice can be Theatre Workshop as a curator and Chicago, IL 60611 Knowledge Base. divided into two categories: producer of all workshops and artist Single performance interventions in historical narratives development programs, NYTW’s tickets starting at $30; MEGAN LANG (LIGHTING) and work crafted with artisans NEXT DOOR series for artists and $10 for students, limited has a BA from Fordham University from around the globe. Myers’s companies producing their own availability. and has designed lighting at BAM, work has been exhibited at MoMA work, and the 2050 Fellowship for Groups of ten or more save 20% on full-price La Mama, Abrons Arts Center, PS1 and included as part of Greater early career directors and tickets; call 312-397-4010. EST, Under St. Mark's, the Wild New York, the Art Institute of playwrights. Silverman served as Project, Dixon Place, 59E59, JACK, Chicago, the Prospect Biennial in festival producer for PRELUDENYC and New Orleans, and Contrasts Gallery in 2012 and 2013 and was the Stage 2, among other projects. Shanghai. Myers has curated shows associate producer of 13P for its FREE MUSEUM Recent designs include A Star Has in Vietnam, designed theater that final years. Other producing credits ADMISSION Burnt My Eye (BAM Next Wave, has travelled from P.S. 122 in New include 13P’s OBIE Award–winning WITH TICKET directed by Paul Lazar), Riot York City to the Genocide Memorial A Map of Virtue and UglyRhino’s ––––––––––––––––– Present your MCA Antigone (La Mama, directed by Theater in Kigali, Rwanda, site-specificWhat it Means to Stage ticket stub to Seonjae Kim), and Furry!/La Furia! and collaborated with Hank Willis Disappear Here. She holds a BA from receive FREE ADMISSION* and 10% (The Bushwick Starr, directed by Thomas on the short film Am I Wesleyan University in Theater and off your purchase at William Burke). She is the resident Going Too Fast, which premiered at Sociology. the MCA Store.** Or become an MCA lighting designer for the Ubumuntu Sundance. Myers participated in the Member and save 15%. Arts Festival in Rwanda. Assistant Whitney Independent Studio ASHLEY VELLANO (LIGHTING Ticket stub is valid or associate special effects Program. He has written essays that DESIGNER) during regular hours work includes Sting's The Last Ship, have been published by the New graduated from the University of up to seven days after Our Lady of Kibeho, and An Act York Times and is currently working Mississippi with a BFA in Technical the performance date. of God. on a book comparing global Theater emphasis in Lighting Design. * Not accepted for special ticketed censorship methodologies. She has been designing lights in exhibitions. CLARISSA MARIE LIGON New York City since 2008. She is ** Regular price, in-stock merchandise (STAGE MANAGER) STACEY KAREN ROBINSON one the founding members of Kidz only; no other is a stage manager, designer, (PERFORMER) Theater in NYC, a company which discounts apply. and classically trained singer. She is a multidisciplinary theater artist. provides a free professional training makes art because she believes She performed her new solo work, ground for young performers. it can change the world. You Never Can Always Sometimes Vellano has worked with Kaneza Recent production work includes Tell, in New York at JACK. She Schaal since 2014 and designed the Cruel Intentions: The Musical at developed the show with the lighting for GO FORTH. Le Poisson Rouge, The Rise and Fall support from the Foundation of of Marcus Monroe at Jeffrey and Contemporary Arts, a 2017 Process CHEYANNE WILLIAMS (DESIGN Paula Gural Theatre, 3/Fifths at Space Residency from the Lower AND PRODUCTION ASSOCIATE) 3LD, Penny Arcade’s Longing Lasts Manhattan Cultural Council, and a is a New York–based theater Longer at St. Ann's Warehouse, work-in-progress production at artist. Recent design collaborations and La Paloma Prisoner at Hi-ARTS. Salvage Vanguard Theater, Texas. include Assistant Set Designer Her previous one-woman show, for {mylingerieplay}, Rattlestick CHAIR OF THE BOARD OF TRUSTEES SEASON CALENDAR Anne L. Kaplan PRITZKER DIRECTOR 2017 Madeleine Grynsztejn CHIEF OPERATING DATE NIGHT OFFICER Sep 7–10 600 HIGHWAYMEN Teresa Samala The Fever de Guzman JAMES W. ALSDORF CHIEF CURATOR Michael Darling Oct 5–8 Marc Bamuthi Joseph/ –––––––––––––––––––– PERFORMANCE

The Living Word Project CURATOR /peh-LO-tah/—a futbol Yolanda Cesta Cursach ASSOCIATE CURATOR framed freedom suite . . . Tara Aisha Willis MANAGER John Rich THEATER PRODUCTION Nov 9–12 Faye Driscoll MANAGER Thank You For Richard Norwood CURATORIAL ASSISTANT Coming: Play Phill Cabeen ADMINISTRATIVE ASSISTANT Dec 7–10 Twyla Tharp Kasey Trouba INTERNS Minimalism and Me Mike Anestor (The Mission Continues) –––––––––––––––––––– 2018 HOUSE MANAGEMENT ASSOCIATES Megan Cline Jan 25–28 Federico León Cameron Heinze Las ideas Lacey Whittaker –––––––––––––––––––– BOX OFFICE MANAGER Feb 8–11 Claire Cunningham Matti Allison ASSISTANT MANAGER Marisol Escobar. Photo: Herman Hiller. & Jess Curtis Phongtorn The Way You Look Phongluantum COORDINATOR (at me) Tonight Molly Laemle Join us for dinner or drinks before or after the theater at VISITOR SERVICES ASSISTANTS Marisol, named one of the hottest restaurants in Chicago Julia Kriegel by Zagat and one of Vogue's "Six Chicago Restaurants You Apr 6­–7 Mind Over Mirrors Caitlin Joseph ASSOCIATES Should Know About Now." Call 312–799–3599 to make Bellowing Sun Graham Feyl Cagla Gillis reservations. Peyton Lynch Janelle Miller Georgie Morvis Apr 12–15 Okwui Okpokwasili Mistead Sai Lisa West Poor People’s TV Room Lacey Whittaker Program notes are compiled by May 24–26 Kaneza Schaal Tara Aisha Willis. JACK &

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