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Shrek the Musical Study Guide
The contents of this study guide are based on the National Educational Technology Standards for Teachers. Navigational Tools within this Study Guide Backward Forward Return to the Table of Contents Many pages contain a variety of external video links designed to enhance the content and the lessons. To view, click on the Magic Mirror. 2 SYNOPSIS USING THE LESSONS RESOURCES AND CREDITS TABLE OF CONTENTS Section 1 BEHIND THE SCENES – The Making of Shrek The Musical Section 2 LET YOUR FREAK FLAG FLY Section 2 Lessons Section 3 THE PRINCE AND THE POWER Section 3 Lessons Section 4 A FAIRY TALE FOR A NEW GENERATION Section 4 Lessons Section 5 IT ENDS HERE! - THE POWER OF PROTEST Section 5 Lessons 3 Act I Once Upon A Time. .there was a little ogre named Shrek whose parents sat him down to tell him what all little ogres are lovingly told on their seventh birthday – go away, and don’t come back. That’s right, all ogres are destined to live lonely, miserable lives being chased by torch-wielding mobs who want to kill them. So the young Shrek set off, and eventually found a patch of swampland far away from the world that despised him. Many years pass, and the little ogre grows into a very big ogre, who has learned to love the solitude and privacy of his wonderfully stinky swamp (Big Bright Beautiful World.) Unfortunately, Shrek’s quiet little life is turned upside down when a pack of distraught Fairy Tale Creatures are dumped on his precious land. Pinocchio and his ragtag crew of pigs, witches and bears, lament their sorry fate, and explain that they’ve been banished from the Kingdom of Duloc by the evil Lord Farquaad for being freakishly different from everyone else (Story Of My Life.) Left with no choice, the grumpy ogre sets off left to right Jacob Ming-Trent to give that egotistical zealot a piece of his mind, and to Adam Riegler hopefully get his swamp back, exactly as it was. -
MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), Piano
MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano PROGRAM JOHN WILLIAMS For New York (b. 1932) (Trans. for band by Paul Lavender) FRANK TICHELI Acadiana (b. 1958) At the Dancehall Meditations on a Cajun Ballad To Lafayette IGOR ST R AVINSKY Concerto for Piano and Wind Instruments (1882–1971) Lento; Allegro Largo Allegro Joseph Mohan (DMA ’21), piano Intermission VITTORIO Symphony No. 3 for Band GIANNINI Allegro energico (1903–1966) Adagio Allegretto Allegro con brio CENTENNIAL NOTE Vittorio Giannini (1903–1966) was an Italian-American composer calls upon the band’s martial associations, with an who joined the Manhattan School of Music faculty in 1944, where he exuberant march somewhat reminiscent of similar taught theory and composition until 1965. Among his students were efforts by Sir William Walton. Along with the sunny John Corigliano, Nicolas Flagello, Ludmila Ulehla, Adolphus Hailstork, disposition and apparent straightforwardness of works Ursula Mamlok, Fredrick Kaufman, David Amram, and John Lewis. like the Second and Third Symphonies, the immediacy MSM founder Janet Daniels Schenck wrote in her memoir, Adventure and durability of their appeal is the result of considerable in Music (1960), that Giannini’s “great ability both as a composer and as subtlety in motivic and harmonic relationships and even a teacher cannot be overestimated. In addition to this, his remarkable in voice leading. personality has made him beloved by all.” In addition to his Symphony No. -
© 2020 Kaitlyn Wentz All Rights Reserved
© 2020 KAITLYN WENTZ ALL RIGHTS RESERVED ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION A Thesis PresenteD to The GraDuate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts KAITLYN WENTZ May, 2020 ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION Kaitlyn Wentz Thesis ApproveD: AccepteD: ______________________________ ___________________________ Advisor School Director James Slowiak Dr. Marc ReeD ______________________________ ___________________________ Committee Member Interim Dean of the College ArnolD Tunstall Dr. LinDa Subich ______________________________ ___________________________ Committee Member Acting Dean of the GraDuate Courtney Cable School Dr. Marnie SaunDers ___________________________ Date ii ABSTRACT In a time of constant threat to funDing, elimination of the National EnDowment, anD competition over resources, philanthropy in the arts anD culture sector is inDispensable to the vibrancy anD economic Development of a city’s core. The arts anD culture sector is consiDereD to take away from an economy’s financial resources. However, it is the exact opposite. It is a thriving sector that contributes to the economy by creating jobs, spenDing money at local businesses, anD bringing in cultural tourists. FreD BiDwell anD Rick Rogers have a long history of philanthropy in this sector, anD their DemonstrateD support has leD to efforts of revitalization, vibrancy, anD Dollars spent in the cities of Akron anD ClevelanD. This thesis explores the history, issues, and successes of the two cultural proDucers’ philanthropy efforts in the sector anD the impact that their support has brought to the Northeast Ohio region. iii TABLE OF CONTENTS CHAPTER I. -
Black-Ish 613 Kid Life Crisis Repeat
June 26, 2020 THE JOHNSONS GO ON A FAMILY VACATION TO PARADISE, AND DRE AND BOW ENJOY SOME TIME AWAY FROM THE KIDS, ON ABC’S ‘BLACK-ISH’ Directed by Catherine Reitman “Kid Life Crisis” – The Johnsons go on vacation at an all-inclusive beach resort in paradise. Dre and Bow meet a couple without kids and live a kid-less fantasy for a while but soon begin to crave their kid-filled reality. Junior catches the eye of a cute girl at the resort and vies for her attention, while Jack gets the flu on “black-ish,” WEDNESDAY, JULY 8 (8:30–9:00 p.m. EDT), on ABC. (TV-PG, L) Episodes can also be viewed on demand and on Hulu. (Rebroadcast. OAD: 1/21/20) ABC’s “black-ish” stars Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Laurence Fishburne as Pops, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Jenifer Lewis as Ruby, Peter Mackenzie as Mr. Stevens, Deon Cole as Charlie Telphy and Jeff Meacham as Josh. Guest starring is Catherine Reitman as Lucy, August & Berlin Gross as Devante, Alanna Fox as Rita, Gillian White as Tanya, Anthony Alabi as Lewis and Madison Shamoun as Lily. “Kid Life Crisis” was written by Steven White and directed by Catherine Reitman. The series was created by Kenya Barris and is executive produced by Barris, Courtney Lilly, Laura Gutin Peterson, Gail Lerner, Anthony Anderson, Laurence Fishburne, Helen Sugland and E. Brian Dobbins. -
Department of African Literature Masters Research Report
DEPARTMENT OF AFRICAN LITERATURE MASTERS RESEARCH REPORT Name: Zukolwenkosi Zikalala Student Number: 716649 Fabricating Pleasure, Fabricating Black Queer Experience: The Time and Space of FAKA Supervisor: Dr Danai Mupotsa A thesis submitted in fulfilment of the partial requirements for the degree of Master of Arts at the University of the Witwatersrand. Department of African Literature March 2019 Zukolwenkosi Zikalala Masters Research Report 716649 Plagiarism Declaration Name: Zukolwenkosi Zikalala Student Number: 716649 Course: MA African Literature by Coursework Supervisor: Danai Mupotsa, Tshepo Moloi 1. I know that plagiarism is wrong. Plagiarism is to use another’s work and to pretend it is one’s own. 2. I have used the Footnote convention for citation and referencing. Each significant contribution to and quotation for this proposal from the work or works of other people has been acknowledged through citation and reference. 3. This proposal is my own work. 4. I have not submitted this work, or a substantial portion thereof, for assessment previously. 5. I have not allowed and will not allow anyone to copy my work with the intention of passing it off as his or her work. Signed: Zukolwenkosi Zikalala Date 2 Zukolwenkosi Zikalala Masters Research Report 716649 Abstract: This research report argues that deployments of pleasure by the black queer cultural duo FAKA, reconfigures engagements with time and space. Using performance studies as a method, I examine FAKA’s video works, autobiographical utterances, and sartorial strategies, to think about the manifold ways in which pleasure is utilized by black queers, particularly the inhabitation of black femme, in a quest for greater freedom. -
MARCH 2019 APSS Newsletter
Newsletter VOLUME 40, NUMBER 6 Formerly New York Sheet Music Society www.APSSinc.org MARCH 2019 Shana Farr: Living Inside a Song - An Appreciation of Barbara Cook By Jerry Osterberg appearing in a-number-of with her debut at the Laurie others not as well known, Some years before I saw Gilbert & Sullivan Beechman with Pure with informed narration and Shana Farr’s celebrated productions, essentially Imagination, Shana Farr has insight. Interestingly, Cook tribute to Julie Andrews at the extending an impressive been a welcome presence, and Farr had both appeared in Metropolitan Room, a resume of operetta and staging other productions some of the same musicals, program she later reprised at s among them The Yeoman of g n the New York Sheet Music i the Guard, The Music Man, l l i Society, as we were then B and Oklahoma. Before e known, I heard her perform at s o Barbara Cook became widely R a concert staged by the y known for The Music Man b Village Light Opera o t (“Goodnight, My Someone” o Company. Although I wasn’t h P and “Till There Was You”), a passionate fan of Gilbert & she starred in Plain and Sullivan, I attended their Fancy (“This is All Very New programs from time to time. to Me”) and Candide VLOG’s practice was to (“Glitter and Be Gay”). alternate G & S with Besides two additional plays Broadway musicals including she opened, The Gay Life (“I concert versions. One of Wouldn’t Marry You”) and these was a revue focusing on She Loves Me (“Ice Cream”), songs which had emerged Cook appeared in revivals of from theater productions to Oklahoma (“I Can’t Say stand on their own, becoming No!”), Carousel (“If I Loved the building blocks of the Shana Farr You” and “You’re a Queer Great American Songbook. -
Ann Hampton Callaway
ANN HAMPTON CALLAWAY Ann Hampton Callaway is one of the leading champions of the great American Songbook, having made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. A born entertainer, her unique singing style blends jazz and traditional pop, making her a mainstay in concert halls, theaters and jazz clubs as well as in the recording studio, on television, and in film. She is best known for Tony-nominated performance in the hit Broadway musical Swing! and for writing and singing the theme song to the hit TV series The Nanny. Callaway is a Platinum award-winning writer whose songs are featured on seven of Barbra Streisand's recent CD's. The only composer to have collaborated with Cole Porter, she has also written songs with Carole King, Rolf Lovland and Barbara Carroll to name a few. Callaway's live performances showcase her warmth, spontaneous wit and passionate delivery of standards, jazz classics and originals. She is one of America's most gifted improvisers, taking words and phrases from her audiences and creating songs on the spot, whether alone at a piano or with a symphony orchestra. Ann has been a special guest performer with Wynton Marsalis and the Lincoln Center Jazz Orchestra, with Keith Lockhart and the Boston Pops at Symphony Hall and Tanglewood and is featured at many of the Carnegie Hall tributes. She has sung with more than thirty of the world's top orchestras and big bands, and has performed for President Clinton in Washington, D.C. and at President Gorbachev's Youth Peace Summit in Moscow. -
Crowd Pleaser Thousands Flock to Princeton for Food and Jazz by Tony Mottola Editor Jersey Jazz
Volume 35 • Issue 10 November 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Crowd Pleaser Thousands flock to Princeton for food and jazz By Tony Mottola Editor Jersey Jazz Princeton JazzFeast 2007 — story on page 26. Free for members! inset: photo Alan Dale. Photos by Tony Mottola. NJJS Annual Meeting SUNDAY, DECEMBER 2 • CONCERT see pp 3, 8, 49 ARTICLES Ellingtonia on the Net . 32 Institute of Jazz Studies/ Snuffy’s . 23 in this issue: Classic Stine. 9 Crow’s Nest . 49 Jazz from Archives. 49 CTS Images . 24 NEW JERSEY JAZZ SOCIETY Meadowbrook Swings Again. 9 REVIEWS Somewhere There’s Music . 50 Lana’s Fine Dining . 25 Pres Sez/NJJS Calendar Big Band in the Sky . 10 D. Sherman/KT Sullivan . 34 The Name Dropper . 51 Community Theatre. 33 NH Library of Traditional Jazz . 14 Glen Rock Inn . 34 & Bulletin Board. 2 CDs: Compact Views/ ADVERTISERS Talking Jazz with Anat Cohen . 16 Other Views . 36 Arbors Records . 35 November 18 Member Meeting . 3 Cornerstone. 5 The Mail Bag/Jazz Trivia. 4 Dan’s Den . 22 DVDs: Jazz Icons/ Jazzdagen Tours. 39 Yours for a Song . 24 Improvisation . 40 Shanghai Jazz. 7 46 Lounge . 43 Editor’s Pick/Deadlines/NJJS info . 6 35th Anniversary Dinner Dance. 28 September Member Meeting . 46 Whiskey Café. 11 PA Jazz Society . 44 Notes from the Music Committee . 8 Riverwalk Jazz on WBGO. 30 EVENTS Cedar Grove Elks/Meadowbrook. 13 Atlanta Jazz Party . 45 In the Mainstream. 44 Giants of Jazz at the Baird . 30 ’Round Jersey: Bridgewater, Trumpets . -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
NR 2020 Alumnae Award - Headley
For Immediate Release October 12, 2020 For more information: Michele Bresler, Public Relations Chair The Alumnae of Northwestern University 847-867-5412; [email protected] Heather Headley to Receive 2020 Alumnae Award From The Alumnae of Northwestern University (Photo available) EVANSTON, Ill. --- Heather Headley, singer, songwriter, and actress, is the recipient of The Alumnae of Northwestern University’s 2020 Alumnae Award. She was honored with the 2000 Tony Award for Leading Actress in a Musical for her role in Aida. The Alumnae Award recognizes a woman who has brought honor to Northwestern University through outstanding professional contributions in her field and who has attained national recognition. Established in 1976, the Alumnae Award has been presented every year to an alumna who has had a significant impact in her field of endeavor. Educators, journalists, doctors, scientists, and artists are included among The Alumnae’s roster of awardees. “As the 44th recipient of our Alumnae Award, Heather will join a distinguished group of women bringing honor to Northwestern University,” say Alumnae Award committee co-chairs Mary Schuette and Susie Stein. Following high school participation in choir and musicals, the multi-faceted Headley attended Northwestern University, studying communications and musical theater until the last day of her junior year on 1996, when she made the decision to become part of the musical Ragtime and drop out of school. In 1997, she originated the role of Nala in the Broadway musical The Lion King. Following, she originated the title role of the Nubian princess in the Broadway adaptation of Aida, earning the Tony Award for Best Actress in 2000. -
Black Lives Matter
( NEWS COVID-19 UPDATES SOCIAL SELECTS HOLIDAY GIFT GUIDE CALENDAR SHOWS ' JOBS ' SHOP MENU DECEMBER 1, 2020 & LATEST NEWS MOST READ -50% -64% -64% -50% -50% -50% Raúl Esparza, Krysta Rodriguez, More Will Star in A Christmas Carol, Co-Adapted by In the News: A Sneak Peek of Samantha Barks as Queen Elsa, Amanda Kloots to Co Snoop Dogg, Loretta Devine, Joaquina Kalukango, More Tapped for Virtual Free Shipping + Free Returns Compete at Broadway Trivia Night, Stage Rugs.com Door With the Cast of Company, and More Watch the Of/cial Trailer for the Laura ! " # $ BENEFITS AND GALAS Benanti-Produced Documentary Special #WhileWeBreathe: A Night of Creative Protest Bene/t 41 NEW STORIES % Premieres July 29 BY OLIVIA CLEMENT JUL 29, 2020 The eveninG of creative protest features Patina Miller, Lynn Whit#eld, Marcus self-injecting SUBLOCADE into a vein (intravenously), it is only available through a restricted program called the SUBLOCADE REMS Program. Henderson, and more in world-premiere short works. • SUBLOCADE is not available in retail pharmacies. • Your SUBLOCADE injection will only be given to you by a certified healthcare provider. In an emergency, you or your family should tell the emergency medical staff that you are physically dependent on an opioid and are #WhileWeBreathe: A Night of Creative Protest | Premiering Wednesday, July 29 at 9PM E… being treated with SUBLOCADE. Watch later Share #WhileWeBreathe: A Night of Creative Protest, an eveninG of virtual world premieres bene#tinG justice-focused orGanizations, premieres July 29. The roster of performers for the one-night only bene#t includes Tony winner Patina Miller (Pippin, Madam Secretary), Emmy winner and Golden Globe nominee Lynn Whit#eld (Greenleaf, The Josephine Baker Story), Obie Award winner Ale Fuller (BLKS, Is God Is), Tony nominee Will Swenson (Jerry Springer: The Opera, Hair), and Get Out's Marcus Henderson. -
For Calendar Editors
FOR IMMEDIATE RELEASE CONTACT: Kevin Kopjak | Charles Zukow Associates 415.296.0677 | [email protected] FEINSTEIN’S AT THE NIKKO WELCOMES TONY AND GRAMMY AWARD-WINNER, BILLY PORTER, FOR THREE PERFORMANCES ONLY! JANUARY 30 – FEBRUARY 1, 2015 SAN FRANCISCO (January 7, 2015) – Hotel Nikko San Francisco and Michael Feinstein are honored to welcome Tony® and Grammy® Award-winning singer, composer, actor, playwright and director Billy Porter to Feinstein’s at the Nikko for three performances only – Friday, January 30 (8 p.m.); Saturday, January 31 (7 p.m.) and Sunday, February 1 (7 p.m.). Porter will perform songs from his new critically acclaimed album, “Billy’s Back on Broadway,” as well some of his other favorites! Tickets for Billy Porter range in price from $45–$60 and are available now by calling 866.663.1063 or visiting www.ticketweb.com. Located within Hotel Nikko (222 Mason Street, San Francisco), Feinstein’s at the Nikko presents a wide range of entertainers from stage and screen all within an intimate 140-seat cabaret setting. There is a $20 food and beverage minimum per person inside the showroom which guests can use towards cocktails as well as a variety of small plates crafted exclusively for Feinstein’s at the Nikko by Executive Chef Philippe Striffeler, through Restaurant Anzu. Cheese and dessert platters will also be available in the showroom. Porter currently stars as “Lola” in the smash hit Broadway musical Kinky Boots, for which he won the 2013 Drama Desk and Tony Awards for Best Actor in a Musical. Other Broadway acting credits include Miss Saigon, Five Guys Named Moe, Grease (all original cast), Smokey Joe’s Café and Dreamgirls (20th Anniversary Broadway Concert and LA Ovation Award).