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Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Program Notes by Dr
FROM THE NEW WORLD PROGRAM Antonín Dvořák (1841-1904) December 16, 1893, this composition Symphony No. 9 in E minor, Op. 95, was premiered by the New York “From the New World” Philharmonic Orchestra in Carnegie Hall, and concertgoers were ecstatic. The As a young composer in Bohemia (now composer reports proudly to his publisher part of the Czech Republic), Dvořák was Simrock, “The success of the symphony... undoubtedly influenced by the spirit of say that no composer has ever had such Nationalism that swept across Europe in a triumph. I was in a box, the hall was the second half of the 19th century. He filled with the best New York audience and often uses modal fluctuations and Slavic the people applauded so much that I had dance rhythms, which lend an ethnic flavor to thank them from the box like a king.” to his works, making them especially appealing to audiences at home and abroad. Many listeners immediately detected an “American” quality in Symphony No. 9. In 1892 Dvořák was named Director of the Like a number of American folk songs and newly-established National Conservatory spirituals, some of Dvořák’s melodies are of Music. Although reluctant to leave his pentatonic (only five notes) and modal homeland, the composer found his new (lowered leading tone), with open fifths, salary irresistible―$15,000 a year― creating a pastoral effect; however, exactly 25 times his income at Prague numerous folk songs of Central Europe Conservatory! The timing of Dvorak’s share similar characteristics. In fact, arrival in New York could not have been Dvořák denied ever quoting a folk song more propitious, since celebrations literally, stating, “It is the spirit of Negro and commemorating the fourth centenary of the Indian melodies which I was striving to discovery of America were underway. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Mccs Theater Schedule
MCCS THEATER SCHEDULE May 2013 Wednesday 22 7 p.m. Oblivion Friday 24 7 p.m. Scary Movie 5 Saturday 25 7 p.m. Oblivion Wednesday 29 7 p.m. Pain & Gain Friday 31 7 p.m. The Big Wedding June 2013 Saturday 01 7 p.m. Pain & Gain Wednesday 05 7 p.m. Iron Man 3 3D Friday 07 7 p.m. Mud Saturday 08 7 p.m. Iron Man 3 3D Evil Dead Cast: Jane Levy, Shiloh Fernandez, Jessica Lucas, Lou Taylor Pucci, Elizabeth Blackmore Rated: R Story type: Horror Run time: 91 min Synopsis: In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival. 42 Cast: Harrison Ford, Jon Bernthal, Christopher Meloni, Nicole Beharie, Jud Tylor Rated: PG-13 Story type: Drama Run time: 128 min Synopsis: Academy Award winner Brian Helgeland ("L.A. Confidential") wrote and directed the drama "42," starring Chadwick Boseman ("The Express") and OscarR nominee Harrison Ford ("Witness").Hero is a word we hear often in sports, but heroism is not always about achievements on the field of play. "42" tells the story of two men-the great Jackie Robinson and legendary Brooklyn Dodgers GM Branch Rickey-whose brave stand against prejudice forever changed the world by changing the game of baseball. In 1946, Branch Rickey (Harrison Ford) put himself at the forefront of history when he signed Jackie Robinson (Chadwick Boseman) to the team, breaking Major League Baseball's infamous color line. -
The John F. Kennedy Center for the Performing Arts Unveils Special
To download photos, click here. To view a video about the 50th Anniversary, click here. PRESS RELEASE FOR RELEASE: Tuesday, April 6, 2021 The John F. Kennedy Center for the Performing Arts Unveils Special Programming and New Initiatives to Champion Cultural Leadership and Celebrate 50-Year Milestone, including a Fall Reopening HIGHLIGHTS INCLUDE A Celebratory September Reactivation of the Kennedy Center Campus The Kennedy Center Next 50, Naming Today’s Culture-Makers Two New Destination Exhibits & Outdoor JFK Statue Composer-in-Residence Carlos Simon Education Artist-in-Residence Jacqueline Woodson For the Culture Residency: The Roots Robert Glasper Artist Residency A New Look at the Center’s 1971 Opening Masterpiece, Bernstein’s MASS Exciting New Plays, Commissions, and Partnerships WNO’s Written in Stone Commissions (WASHINGTON)—The John F. Kennedy Center for the Performing Arts, the nation’s performing arts center as designated by Congress, today announced plans for its much- anticipated 50th Anniversary season, slated to begin in September 2021 with a grand reopening of its stages and campus and culminate in September 2022 with a fresh interpretation of the seminal work that opened the Center in 1971, Leonard Bernstein’s MASS. In addition to a celebratory reactivation of the Kennedy Center’s campus in mid-September, including an opening concert curated and hosted by Michael Tilson Thomas, the Center will unveil two immersive, interactive exhibits, and a new life-sized statue of John F. Kennedy on the grounds of the REACH. The anniversary -
Grammy-Nominated PETER BOYER Is One of the Most Frequently Performed American Orchestral Composers of His Generation. His Works
Grammy-nominated PETER BOYER is one of the most frequently performed American orchestral composers of his generation. His works have received over 400 public performances by more than 130 orchestras, and thousands of broadcasts by classical radio stations around the United States and abroad. He has conducted recordings of his music with three of the world’s finest orchestras: the London Symphony Orchestra, the Philharmonia Orchestra, and the London Philharmonic Orchestra. His music has been heard in some of the most prestigious venues in the classical music world, including performances at New York’s Carnegie Hall (five different works, two premieres), Los Angeles’s Hollywood Bowl, Boston’s Symphony Hall, the Tanglewood Music Festival, Cincinnati’s Music Hall, Dallas’s Meyerson Symphony Center, Fort Worth’s Bass Hall, and recordings at London’s Abbey Road Studios and AIR Studios. Conductor Keith Lockhart chose Boyer for the Boston Pops 125th anniversary commission honoring the legacy of John, Robert, and Ted Kennedy. Acclaimed actors Robert De Niro, Morgan Freeman, and Ed Harris narrated the premiere of Boyer’s The Dream Lives On: A Portrait of the Kennedy Brothers in May 2010, which was attended by many members of the Kennedy family, and received extensive national media attention. Boyer’s work was the centerpiece of the TV special An American Salute: The Boston Pops at 125, produced and broadcast by WCVB- TV, Boston’s ABC affiliate, which won a Boston/New England Emmy Award. The work was also performed at the 37th annual Boston Pops Fireworks Spectacular on the Charles River Esplanade, for an audience of over 750,000, and telecast on WBZ-TV, Boston’s CBS affiliate. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Wednesday, September 30, 2020 Week Of
Week of Monday, September 28, 2020 (All Times Pacific) Monday, September 28, 2020 9 am 10 am 11 am 12 pm 1 pm Curriculum/Theme: Science / Science Science Social Studies Social Studies Social Studies Grade Band: (Grades 6-8) / (Grades 6- (Grades 6-12) (Grades 6-12) (Grades 6-12) (Grades 6-12) 8) Program Title: SciGirls: Cartoon Coders Big Pacific: Mysterious Ken Burns's The Ken Burns's The The African Americans: (30 min) / SciGirls: Science Roosevelts, Episode 3: Roosevelts, Episode 3: Many Rivers to Cross, Cooks (30 min) The Fire of Life (1910- The Fire of Life (1910- Episode 1: The Black 1919) 1919) (Cont.) Atlantic (1500-1800) Description: Fueled by their passion We are just beginning to With his election to the With his election to the Explore the truly global for technology and explore the depths of the New York State Senate in New York State Senate in experiences that created social justice, Kanah, Pacific Ocean, which 1910, Franklin D. 1910, Franklin D. the African American Margaret, and Eh Lay covers one-third of Earth, Roosevelt sets out to Roosevelt sets out to people beginning a full create a computer as well as the organisms make a name for himself in make a name for himself in century before the first animation that urges that live there. Albany. Albany. documented “20-and-odd” kids to take action in slaves who arrived at their own communities. / Jamestown, Virginia. The SciGirls calculate the nutritional content of two recipes and then investigate ways to increase their nutritional value by exploring the effects of cooking time, acids, and salt on taste. -
Download the Digital Booklet
CD1 Star Wars: A New Hope: 01. Star Wars: A New Hope 02. Cantina Band 03. Princess Leia 04. The Throne Room / Finale Star Wars: The Empire Strikes Back: 05. The Imperial March 06. Han Solo and The Princess 07. The Asteroid Field 08. Yoda's Theme Star Wars: Return Of The Jedi: 09. Forest Battle Star Wars: The Phantom Menace: 10. Anakin's Theme 11. The Flag Parade 12. The Adventures Of Jar Jar 13. Duel Of The Fates Star Wars: Attack Of The Clones: 14. Across The Stars STAR WARS STAR Star Wars: Revenge Of The Sith: 15. Battle Of The Heroes CD2 Raiders Of The Lost Ark: 01. The Raiders March 02. The Map Room / Dawn 03. The Basket Game 04. Marion's Theme 05. Airplane Fight 06. The Ark Trek 07. Raiders Of The Lost Ark Indiana Jones And The Temple Of Doom: 08. Nocturnal Activities 09. The Mine Car Chase 10. Indiana Jones And The Temple Of Doom End Credits Indiana Jones And The Last Crusade: 11. Indy's First Adventure 12. X Marks The Spot / Escape From Venice 13. No Ticket / Keeping Up With The Joneses 14. Indiana Jones And The Last Crusade End Credits INDIANA JONES CD3 Harry Potter And The Philosopher's Stone: 01. Hedwig's Theme 02. Nimbus 2000 03. Harry's Wondrous World 04. Christmas at Hogwarts 05. Leaving Hogwarts Harry Potter And The Chamber Of Secrets: 06. Fawkes The Phoenix 07. The Chamber of Secrets 08. Gilderoy Lockhart 09. Dobby the House Elf 10. Reunion of Friends Harry Potter And The Prisoner of Azkaban: 11. -
Rethinking the Twentieth Century Denigration of Traditional Chinese Science And
Rethinking the Twentieth Century Denigration of Traditional Chinese Science and Medicine in the Twenty-first Century Benjamin A. Elman Professor of East Asian Studies and History Princeton University Prepared for the 6th International Conference on The New Significance of Chinese Culture in the Twenty-first Century: "The Interaction and Confluence of Chinese and Non-Chinese Civilization," co-sponsored by the Himalaya Foundation and the Chiang Ching-kuo Foundation, and held at the International Sinological Center at Charles University in Prague, The Czech Republic, November 1-2, 2003 Abstract: Western scholars and westernized Chinese scholars have often essentialized the European history of science as the universalist progress of knowledge. When Chinese studies of the natural world, her rich medieval traditions of alchemy, or pre-Jesuit mathematical and astronomical achievements are discussed, they are usually treated dismissively to contrast them with the triumphant objectivity and rationality of the modern sciences in Western Europe and the United States. Many twentieth century scholars were rightly convinced that pre-modern China had no industrial revolution and had never produced capitalism. As the evidence of a rich tradition of natural studies and medicine has accrued in volume after unrelenting volume of Joseph Needham's Science and Civilisation in China project after 1954, it has become harder and harder to gainsay it all as superstition or irrationality or inductive luck. Ironically, the long-term history of Western science has been decisively refracted when viewed through the lenses chronicling the demise of traditional Chinese natural studies, technology, and medicine. Study of pre-modern Chinese science, technology, and medicine has restored a measure of respect to traditional Chinese natural studies and thereby granted priority to research in areas where the received wisdom was suspect, based as it was on careless speculation about banal generalities. -
The Foreign Service Journal, January 1967
Is your family protected? If you are a civilian employee of the U. S. govern¬ WAEPA has now doubled its Dependent Life Insurance ment now residing outside the country or one subject coverage to a maximum of $2,000 for each dependent. to overseas assignments in the normal course of your SCHEDULE OF COVERAGE AND COSTS duties or if you exercise management responsibility AGE UP to 41 41-50 incl. 51-65 yrs. for overseas operations, you qualify for membership in Group life Ins. $20,000 $17,500 $16,250 WAEPA. Accidental Death & Dismemberment $25,000 $25,000 $25,000 WAEPA stands for Worldwide Assurance for Em¬ Total Coverage $45,000 $42,500 $41,250 Annual Premium ployees of Public Agencies, Inc., a mutual non-profit Without Dep. $100.00 $125.00 $150.00 association whose sole purpose is to provide life in¬ *Add $7.20 per year for coverage of your spouse and all eligible children. surance at the lowest possible cost to its members. WAEPA WAEPA has been steadily increasing benefits with 1720 Massachusetts Ave. no increase in cost to its members for over 20 years. Washington, D. C. Please send me further information about member¬ Now WAEPA once again announces a new benefit ship in WAEPA. increase for its members. In addition to the continu¬ NAME ADDRESS ing coverages of Life Insurance up to $20,000, and CITY STATE ZIP Accidental Death and Dismemberment up to $25,000, Worldwide Assurance for Employees of Public Agencies, Inc. 1720 Massachusetts Ave. Washington, D. C. 20036 FOREIGN SERVICE JOURNAL PUBLISHED MONTHLY BY THE AMERICAN FOREIGN SERVICE ASSOCIATION AMERICAN FOREIGN SERVICE ASSOCIATION The Foreign Service JOURNAL is the professional journal of the American Foreign Service and is published by the American Foreign Service Association, DOUGLAS MACARTHUR, II, President a non-profit private organization. -
Naval Warfare and the Refraction of China's Self-Strengthening Reforms
Modern Asian Studies 38, 2 (2004), pp. 283–326. 2004 Cambridge University Press DOI:10.1017/S0026749X04001088 Printed in the United Kingdom Naval Warfare and the Refraction of China’s Self-Strengthening Reforms into Scientific and Technological Failure, 1865–18951 BENJAMIN A. ELMAN Princeton University In the 1950s and 1960s, Chinese, Western, and Japanese scholarship debated the success or failure of the government schools and regional arsenals established between 1865 and 1895 to reform Qing China (1644–1911). For example, Quan Hansheng contended in 1954 that the Qing failure to industrialize after the Taiping Rebellion (1850–64) was the major reason why China lacked modern weapons during the Sino-Japanese War.2 This position has been built on in recent reassessments of the ‘Foreign Affairs Movement’ (Yangwu yundong) and Sino-Japanese War of 1894–95 ( Jiawu zhanzheng) by Chinese scholars. They argue, with some dissent, that the inadequacies of the late Qing Chinese navy and army were due to poor armaments, insufficient training, lack of leadership, vested interests, lack of funding, and low morale. In aggregate, these factors are thought to demonstrate the inadequacies of the ‘Self- Strengthening era’ and its industrial programs.3 1 An earlier version was presented at the conference ‘The Disunity of Chinese Science,’ organized by Roger Hart (University of Texas, Austin), sponsored by the History of Science Program at the University of Chicago, May 10–12, 2002.My thanks to an anonymous reader who suggested parts to expand and who also dir- ected me to important recent work on the topic. 2 Quan Hansheng, ‘Jiawu zhanzhen yiqian de Zhongguo gongyehua yundong,’ Lishi yuyan yanjiusuo jikan 25, 1 (1954): 77–8.