The Cold War State, Child Welfare Systems, and the Battles Over the Rosenberg Children
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Want to Start a Revolution? Gore, Dayo, Theoharis, Jeanne, Woodard, Komozi
Want to Start a Revolution? Gore, Dayo, Theoharis, Jeanne, Woodard, Komozi Published by NYU Press Gore, Dayo & Theoharis, Jeanne & Woodard, Komozi. Want to Start a Revolution? Radical Women in the Black Freedom Struggle. New York: NYU Press, 2009. Project MUSE., https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/10942 Access provided by The College Of Wooster (14 Jan 2019 17:31 GMT) 4 Shirley Graham Du Bois Portrait of the Black Woman Artist as a Revolutionary Gerald Horne and Margaret Stevens Shirley Graham Du Bois pulled Malcolm X aside at a party in the Chinese embassy in Accra, Ghana, in 1964, only months after hav- ing met with him at Hotel Omar Khayyam in Cairo, Egypt.1 When she spotted him at the embassy, she “immediately . guided him to a corner where they sat” and talked for “nearly an hour.” Afterward, she declared proudly, “This man is brilliant. I am taking him for my son. He must meet Kwame [Nkrumah]. They have too much in common not to meet.”2 She personally saw to it that they did. In Ghana during the 1960s, Black Nationalists, Pan-Africanists, and Marxists from around the world mingled in many of the same circles. Graham Du Bois figured prominently in this diverse—sometimes at odds—assemblage. On the personal level she informally adopted several “sons” of Pan-Africanism such as Malcolm X, Kwame Nkrumah, and Stokely Carmichael. On the political level she was a living personification of the “motherland” in the political consciousness of a considerable num- ber of African Americans engaged in the Black Power movement. -
ROBERT Meeror MICHAEL MEEROF '
,s1 '6 6 .1c, ROBERT mEERor MICHAEL MEEROF ' Dear Friend : You may well understand why we, as children of Ethel and Julius Rosenberg, have been devoting all of our energies to clearing their names. But now, the situation has gone far beyond the obvious necessity to obtain simple justice for our parents—albeit posthumously. We now know about Watergate, the CIA—Howard Hughes relationship, J. Edgar Hoover's secret files, the spying done by the Post Office, the Internal Revenue Service and prosecution sponsored perjury and manufactured "evidence" in a whole series of trials. And thousands of Americans who may have, in the past, complacently accepted government versions of virtually everything, are beginning to understand that perjury, forgery, provocation and cover-up, are all part of the techniques used almost routinely. Only the most naive or obtuse can believe that the. Rosenberg case was an exception to the routine. To the contrary, the case was a major test of those methods. It was, afteral I, a giant step toward the establishment of the "national security" rationale subsequently used to enforce policy on a wide range of domestic and international issues. Our legal requests for our parent's files have thus far met with government stalling and non-compliance. Therefore, we'll probably have to resort to the courts. We ask one simple thing. We want the Rosenberg files to be opened—al! of them—now! As a major step in this campaign, the National Committee to Re-Open the Rosenberg Case will be placing a full-page ad in the New York Times, and, if finances permit, in other major newspapers throughout the country. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
Kronos Quartet Performing Three from Its Fifty for the Future Initiative, Including the World Premiere of New Work by Anna Meredith
CONTACT: Louisa Spier Jeanette Peach Cal Performances Cal Performances (510) 643-6714 (510) 642-9121 [email protected] [email protected] FOR IMMEDIATE RELEASE: November 10, 2016 Press Room CAL PERFORMANCES AT UC BERKELEY PRESENTS KRONOS QUARTET PERFORMING THREE FROM ITS FIFTY FOR THE FUTURE INITIATIVE, INCLUDING THE WORLD PREMIERE OF NEW WORK BY ANNA MEREDITH COMMEMORATING THE CENTENNIAL OF THE ARMENIAN GENOCIDE, MARY KOUYOUMDJIAN’S SILENT CRANES RECEIVES BAY AREA PREMIERE SATURDAY, DECEMBER 3, 2016 Berkeley, November 10, 2016 — Cal Performances welcomes back the Kronos Quartet for a concert featuring three works by composers from Fifty for the Future: The Kronos Learning Repertoire, on Saturday, December 3, at 8pm in Zellerbach Hall. Through its Fifty for the Future initiative, Kronos is commissioning a collection of 50 new works—10 per year for five years—from an eclectic group of 50 composers (25 men and 25 women); the new works explore contemporary approaches to the string quartet, designed for student players and emerging professional ensembles. Cal Performances is a major project partner for Fifty for the Future, which aligns closely with its Berkeley RADICAL initiative to cultivate artistic literacy in future generations. Of Fifty for the Future, Kronos Quartet artistic director, violinist and founder David Harrington told NPR, “What I hope will happen is that the art form is just going to expand. And the explorations that will be possible from this body of work will just bring a lot of new energy into the field.” The score for each of Kronos’ Fifty for the Future commissions will be made available to musicians free of charge, along with accompanying digital learning materials, recordings, and performance notes. -
Strange Fruit
Get hundreds more LitCharts at www.litcharts.com Strange Fruit antithetical to the South's purported values. The poem thus SUMMARY forcefully argues that no society can call itself civil and also be capable of acts like lynching; the South can’t be an idyllic The trees in the southern United States hang heavy with an “pastoral” place if black people’s corpses swing in the breeze. unusual fruit. These trees have blood on their leaves and at According to the poem, notions of progress and civilization are their roots. The dead bodies of black lynching victims sway nothing but hollow lies if such racism is allowed to thrive. back and forth in the gentle southern wind; these bodies are the strange fruit that hang from the branches of poplar trees. And, importantly, this racist hatred affects the entire tree—which becomes covered in blood “on the leaves” “at Picture the natural beauty and chivalry of the American South, and the root.” Just as a tree must suck up water from the ground where corpses hang with swollen eyes and contorted mouths. and spread it all the way through its branches, the poem implies The sweet, fresh smell of magnolia flowers floats on the air, that the "blood" shed by racism works its way through until suddenly interrupted by the smell of burning flesh. humanity. Lynching is thus a failure of humanity that results in Crows will eat the flesh from these bodies. The rain will fall on the rotting of the human family tree. them, the wind will suck them dry, and the sun will rot them. -
European Journal of American Studies, 11-2 | 2016, « Summer 2016 » [En Ligne], Mis En Ligne Le 11 Août 2016, Consulté Le 08 Juillet 2021
European journal of American studies 11-2 | 2016 Summer 2016 Édition électronique URL : https://journals.openedition.org/ejas/11535 DOI : 10.4000/ejas.11535 ISSN : 1991-9336 Éditeur European Association for American Studies Référence électronique European journal of American studies, 11-2 | 2016, « Summer 2016 » [En ligne], mis en ligne le 11 août 2016, consulté le 08 juillet 2021. URL : https://journals.openedition.org/ejas/11535 ; DOI : https:// doi.org/10.4000/ejas.11535 Ce document a été généré automatiquement le 8 juillet 2021. Creative Commons License 1 SOMMAIRE The Land of the Future: British Accounts of the USA at the Turn of the Nineteenth Century David Seed The Reader in It: Henry James’s “Desperate Plagiarism” Hivren Demir-Atay Contradictory Depictions of the New Woman: Reading Edith Wharton’s The Age of Innocence as a Dialogic Novel Sevinc Elaman-Garner “Nothing Can Touch You as Long as You Work”: Love and Work in Ernest Hemingway’s The Garden of Eden and For Whom the Bell Tolls Lauren Rule Maxwell People, Place and Politics: D’Arcy McNickle’s (Re)Valuing of Native American Principles John L. Purdy “Why Don’t You Just Say It as Simply as That?”: The Progression of Parrhesia in the Early Novels of Joseph Heller Peter Templeton “The Land That He Saw Looked Like a Paradise. It Was Not, He Knew”: Suburbia and the Maladjusted American Male in John Cheever’s Bullet Park Harriet Poppy Stilley The Writing of “Dreck”: Consumerism, Waste and Re-use in Donald Barthelme’s Snow White Rachele Dini The State You’re In: Citizenship, Sovereign -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
Kopi Fra DBC Webarkiv
Kopi fra DBC Webarkiv Kopi af: Rosenberg-sagen / The Rosenberg Case Dette materiale er lagret i henhold til aftale mellem DBC og udgiveren. www.dbc.dk e-mail: [email protected] 60 ÅR SIDEN 19. JUNI 2013 23:15 Rosenbergsagen / The Rosenberg Case Linksamling om Rosenbergsagen og McCarthyismen Links on the Rosenberg Case and McCarthyism AF BIBLIOTEKET Indhold / Content: Artikler på dansk Articles in English Sites and encyclopedia's Se også linksamlingen/See also links on: McCarthyismen / McCarthyism Artikler på dansk Wikipedia.dk Julius og Ethel Rosenberg (Wikipedia.dk) Mindre oversigtsartikel om sagen. Information Thomas Schødt Rasmussen: Hvad stikker David Greenglass? (3. januar 2002) "Rosenbergsagen er stadig speget efter alle disse år." Articles in English The Literature & Culture of the American 1950s Michael Meeropol Statement on Ethel and Julius Rosenberg (25 July 1995) "By Robert and Michael Meeropol, sons of Julius and Ethel Rosenberg, as an initial reaction to the release by the National Security Agency of the ’Venona’ documents purporting to prove that their parents were indeed Soviet spies." AlterNet Silja J.A. Talvi: Son of the Rosenbergs (June 18, 2003) "Fifty years after the most politicized execution of the 20th century, Robert Meeropol carries the torch of dissent. And 2003, he says, is looking more like 1953 every day." CounterPunch Robert Meeropol: "What we need to do is speak out" (June 20, 2003) "The son of the Rosenbergs reflects on the tenor of the times 50 years after his parents’ execution." HBO Documentary -
Scoping out the International Spy Museum
Acad. Quest. DOI 10.1007/s12129-010-9171-1 ARTICLE Scoping Out the International Spy Museum Ronald Radosh # The Authors 2010 The International Spy Museum in Washington, D.C.—a private museum that opened in July 2002 at the cost of $40 million—is rated as one of the most visited and popular tourist destinations in our nation’s capital, despite stiff competition from the various public museums that are part of the Smithsonian. The popularity of the Spy Museum has a great deal to do with how espionage has been portrayed in the popular culture, especially in the movies. Indeed, the museum pays homage to cinema with its display of the first Aston Martin used by James Bond, when Agent 007 was played by Sean Connery in the films made during the JFK years. The Spy Museum’s board of directors includes Peter Earnest, a former CIA operative and the museum’s first chief executive; David Kahn, the analyst of cryptology; Gen. Oleg Kalugin, a former KGB agent; as well as R. James Woolsey, a former director of the CIA. Clearly, the board intends that in addition to the museum’s considerable entertainment value, its exhibits and texts convey a sense of the reality of the spy’s life and the historical context in which espionage agents operated. The day I toured the museum it was filled with high school students who stood at the various exhibits taking copious notes. It was obvious that before their visit the students had been told to see what the exhibits could teach them about topics discussed in either their history or social studies classes. -
Arne Swabeck Papers
http://oac.cdlib.org/findaid/ark:/13030/kt4s2012z6 No online items Register of the Arne Swabeck papers Finding aid prepared by David Jacobs Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 2003 Register of the Arne Swabeck 87019 1 papers Title: Arne Swabeck papers Date (inclusive): 1913-1999 Collection Number: 87019 Contributing Institution: Hoover Institution Archives Language of Material: English Physical Description: 21 manuscript boxes(8.4 linear feet) Abstract: Memoirs, other writings, correspondence, resolutions, bulletins, minutes, pamphlets, and serial issues, relating to socialist and communist movements in the United States, and especially to the Socialist Workers Party and other Trotskyist groups in the post-World War II period. Creator: Swabeck, Arne Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives. Preferred Citation [Identification of item], Arne Swabeck papers, [Box no., Folder no. or title], Hoover Institution Archives. Acquisition Information Acquired by the Hoover Institution Archives in 1987. Accruals Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at https://searchworks.stanford.edu . Materials have been added to the collection if the number -
Helen Sobell .Pdf
Love, Betrayal, and the Cold War: An American Story This is the Accepted version of the following publication Deery, Phillip (2017) Love, Betrayal, and the Cold War: An American Story. American Communist History, 16 (1-2). 65 - 87. ISSN 1474-3892 The publisher’s official version can be found at http://www.tandfonline.com/doi/full/10.1080/14743892.2017.1360630 Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/34767/ Love, Betrayal and the Cold War: an American story Phillip Deery I wait for your touch to spring into life Your absence is pain and torment and strife (Helen Sobell, “Empty Hours”, 1956) 1 Shall I languish here forgotten On the perjured word of one Or will valiant men and women Cry for justice to be done? (Edith Segal, “Thirty Years: A Ballad for Morton Sobell”, 1959) Introduction This article investigates, for the first time, two decades of political activism by one woman, Helen Sobell. Using previously untapped archives, it reveals how she waged a relentless struggle on behalf of her husband, Morton Sobell. She guaranteed that he did not “languish here forgotten”. Sobell was sentenced in 1951 to thirty years imprisonment after being convicted with Julius and Ethel Rosenberg of conspiracy to commit espionage. This is a story, in part, about how their relationship unfolded through four prisons, eight Supreme Court appeals2 and nearly nineteen years of incarceration. It is also a story of harassment from the state, to which her FBI files abundantly attest. Ultimately, it is a story of political mobilization, stretching from the United States to Europe. -
The Martin Luther King, Jr. Papers Project
26 Oct ing that is now coming to our family will in some little way serve to make Atlanta 1960 a better city, Georgia a better state, and America a better country. Just how I do not yet know, but I have faith to believe it will. If I am correct then our suffering is not.& vain. I understand that I can have visitors twice a month-the second and fourth Sunday. However, I understand that everybody-white and colored-can have vis- itors this coming Sunday. I hope you can find some way to come down. I know it will be a terrible inconvenience in your condition, but I want to see you and the children very badly. Also ask Wyatt to come. There are some very urgent things that I will need to talk with him about.5 Pleas bring the following books to me: Stride Toward Freedom, Paul Tillich’s Svstematic Theolom Vol 1 &2, George But- trick The Parables of lesus E. S.Jones Mahatma Gandhi, Horns and Halo, a Bible, a Dictionary and my reference dictionary called Increasing your Word Power? This book is an old book in a red cover and it may be in the den or upstairs in one of my [stdzeout illegible;] bags. Also bring the following sermons from my file: “What is Man” “The Three Dimensions” “The Death of Evil” “Why could not we cast him out?” “WhyJesus called A man A Fool” “The God Samaritan” “The Peril of the Sword” “Our God is Able” “Levels of Love” “Loving your enemies” “God of the Lost” ‘Vision of A world made New” “Keep moving From this Mountain” “A Reli- gion of Doing” “Looking Beyond you circumstances” The Impassable Gulf” “Love for Action” “Christ The Center of our Faith” Some of these are in the file; others are on the desk.5 Also bring a radio Give my best regards to all the family.