The Setting of Euripides' Andromache
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The Cave of the Nymphs at Pharsalus Brill Studies in Greek and Roman Epigraphy
The Cave of the Nymphs at Pharsalus Brill Studies in Greek and Roman Epigraphy Editorial Board John Bodel (Brown University) Adele Scafuro (Brown University) VOLUME 6 The titles published in this series are listed at brill.com/bsgre The Cave of the Nymphs at Pharsalus Studies on a Thessalian Country Shrine By Robert S. Wagman LEIDEN | BOSTON Cover illustration: Pharsala. View of the Karapla hill and the cave of the Nymphs from N, 1922 (SAIA, Archivio Fotografico B 326) Library of Congress Cataloging-in-Publication Data Names: Wagman, Robert S. Title: The Cave of the Nymphs at Pharsalus : studies on a Thessalian country shrine / by Robert S. Wagman. Description: Boston : Brill, 2015. | Series: Brill studies in Greek and Roman epigraphy, ISSN 1876-2557 ; volume 6 | Includes bibliographical references and indexes. Identifiers: LCCN 2015032381| ISBN 9789004297616 (hardback : alk. paper) | ISBN 9789004297623 (e-book) Subjects: LCSH: Thessaly (Greece)—Antiquities. | Excavations (Archaeology)—Greece—Thessaly. | Inscriptions—Greece—Thessaly. | Farsala (Greece)—Antiquities. | Excavations (Archaeology)—Greece—Farsala. | Inscriptions—Greece—Farsala. | Nymphs (Greek deities) Classification: LCC DF221.T4 W34 2015 | DDC 938/.2—dc23 LC record available at http://lccn.loc.gov/2015032381 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 1876-2557 isbn 978-90-04-29761-6 (hardback) isbn 978-90-04-29762-3 (e-book) Copyright 2016 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. -
“FRBR-Inspired” Catalog 2.1? (Fall 2012) Alison Babeu
A Continuing Plan for the “FRBR-Inspired” Catalog 2.1? (Fall 2012) Alison Babeu Introduction....................................................................................................................................1 So What Exactly is in the FRBR-Inspired Catalog Collection Anyway?..................................1 What’s Contained in the Catalog Data (MODS records) ..........................................................2 What’s Found in the Enhanced Authority Records (MADS RECORDS)................................3 The Catalog’s Initial Goals and Changing Goals .......................................................................3 Current Status of Cataloging Work.............................................................................................4 Some Desired Enhancements to the MODS and MADS records..............................................5 Cataloging Priorities/Desires........................................................................................................6 Some Tasks To Automate/Partial Automation?...........................................................................7 Current Issues with the FRBR Catalog eXtensible Catalog implementation .........................7 Current Issues With FRBR Feeds in Dropbox............................................................................9 Introduction Work that began in 20051 to create an experimental “FRBRized” catalog for the Perseus Digital Library’s (PDL) online classics collection has continued to the present day in the form of work on -
University of Groningen the Sacrifice of Pregnant Animals Bremmer, Jan N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen The Sacrifice of Pregnant Animals Bremmer, Jan N. Published in: Greek Sacrificial Ritual: Olympian and Chthonian IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). The Sacrifice of Pregnant Animals. In B. Alroth, & R. Hägg (Eds.), Greek Sacrificial Ritual: Olympian and Chthonian (pp. 155-165). Gothenburg: Paul Astroms Forlag. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 THE SACRIFICE OF PREGNANT ANIMALS by JAN N. BREMMER There has recently been renewed interest in Olympian sacrifice and its chthonian counterparts, 1 but much less attention has been paid to its more unusual variants. -
The Hecate of the Theogony Jenny Strauss Clay
STRAUSS CALY, JENNY, The Hecate of the "Theogony" , Greek, Roman and Byzantine Studies, 25:1 (1984) p.27 The Hecate of the Theogony Jenny Strauss Clay EAR THE MIDDLE of the Theogony, Hesiod appears to drop N everything in order to launch into an extended encomium of Hecate (411-52). Because of its length and apparent lack of integration into its context, but above all because of the peculiar terms of praise reserved for the goddess, the so-called "Hymn to Hecate" has often been dismissed as an intrusion into the Hesiodic text.l To be sure, voices have also been raised in defense,2 and, at present, the passage stands unbracketed in the editions of Mazon, Solmsen, and West.3 But questions remain even if the authenticity of the lines is acknowledged. Why does Hesiod devote so much space to so minor a deity? What is the origin and function of Hesiod's Hecate, and what role does she play in the poem ?4 1 Most notably by U. von Wilamowitz-Moellendorff, Der Glaube der Hellenen I (Berlin 1931) 172. Wilamowitz is followed by M. P. Nilsson, Geschichte der griechischen Re/igion 3 I (Munich 1969) 723. Condemnation is fairly universal among earlier editors. Cf 0. Gruppe, Ueber die Theogonie des Hesiod (Berlin 1841) 72; G. Schoemann, Die He siodische Theogonie (Berlin 1868) 190, who, after many good observations, concludes that the passage is a later interpolation; H. Flach, Die Hesiodische Theogonie (Berlin 1873) 81; A. Fick, Hesiods Gedichte (Gottingen 1887) 17 ("Der Verfasser war ein Or phiker"); F. -
Leto As Mother: Representations of Leto with Apollo and Artemis in Attic Vase Painting of the Fifth Century B.C
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Lavinia Foukara Leto as Mother: Representations of Leto with Apollo and Artemis in Attic Vase Painting of the Fifth Century B.C. aus / from Archäologischer Anzeiger Ausgabe / Issue Seite / Page 63–83 https://publications.dainst.org/journals/aa/2027/6626 • urn:nbn:de:0048-journals.aa-2017-1-p63-83-v6626.5 Verantwortliche Redaktion / Publishing editor Redaktion der Zentrale | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/aa ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 ISSN der gedruckten Ausgabe / ISSN of the printed edition Verlag / Publisher Ernst Wasmuth Verlag GmbH & Co. Tübingen ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]). -
Thetis-Hebrew.Pdf
Thetis Not be confused with the sea-goddess Tethys, or Themis, 1 Thetis as goddess the embodiment of law. For other uses, see Thetis (dis- ambiguation) Most extant material about Thetis concerns her role as “Thetys” redirects here. For the animal genus, see Thetys mother of Achilles, but there is some evidence that as the (salp). sea-goddess she played a more central role in the religious Thetis (/ˈθɛtɪs/; Ancient Greek: Θέτις, [tʰétis]), is en- beliefs and practices of Archaic Greece. The pre-modern etymology of her name, from tithemi (τίθημι), “to set up, establish,” suggests a perception among Classical Greeks of an early political role. Walter Burkert[3] considers her name a transformed doublet of Tethys. In Iliad I, Achilles recalls to his mother her role in de- fending, and thus legitimizing, the reign of Zeus against an incipient rebellion by three Olympians, each of whom has pre-Olympian roots: You alone of all the gods saved Zeus the Darkener of the Skies from an inglorious fate, when some of the other Olympians—Hera, Poseidon, and Pallas Athene—had plotted to throw him into chains... You, goddess, went and saved him from that indignity. You quickly summoned to high Olympus the monster of the hundred arms whom the gods call Briareus, but mankind Aegaeon,[4] a giant more power- ful even than his father. He squatted by the Son Head of Thetis from an Attic red-figure pelike, c. 510–500 BC, of Cronos with such a show of force that the Louvre. blessed gods slunk off in terror, leaving Zeus countered in Greek mythology mostly as a sea nymph or free known as the goddess of water, one of the fifty Nereids, —E.V. -
Herodotus the Σοφόσ – Theology and the Claim to Knowledge
HERODOTUS THE ΣΟΦΌΣ – THEOLOGY AND THE CLAIM TO KNOWLEDGE A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in the University of Canterbury. By Samuel J. Wakelin University of Canterbury 2018 Contents Contents ..................................................................................................................................... 2 Abstract ...................................................................................................................................... 4 Chapter 1. INTRODUCTION – CRITICISM OF HERODOTUS’ THEOLOGY ................... 7 1.1 Innovation and the tradition ................................................................................. 26 Chapter 2. THE ΣΟΦΌΣ AND THE DISPLAY (ἘΠΊΔΕΙΞΙΣ) OF KNOWLEDGE ............ 34 2.1 Croesus and Solon – σοφιστής, travel, display and understanding ..................... 46 Chapter 3. ἹΣΤΟΡΊΗ AND THE DIVINE – HERODOTUS AND HERACLITUS .............. 53 3.1 Heraclitus – ἱστορίη, ὄψις, γνώµη ....................................................................... 64 3.2 The ambiguous status of Salmoxis ...................................................................... 71 3.3 Rhampsinitus’ descent into the underworld ......................................................... 74 3.4 Cleomenes’ madness – judgement upon causes .................................................. 78 Chapter 4. PATTERNS OF ΤΊΣΙΣ AND ΦΎΣΙΣ IN THE IONIAN WORLD ..................... 82 4.1 The divine and balance in nature ........................................................................ -
Artemis Beyond the Polis of Thasos: the Cult of the Goddess in the Archaic North-Eastern Aegean
Artemis beyond the polis of Thasos: the cult of the goddess in the Archaic north-eastern Aegean Introduction The Thasos Artemision has been excavated and studied (primarily by the French School at Athens) since the early 20th century and has proven to be a major landmark of the Thasos archaeological landscape.1 Its lifetime stretches from as early as the 7th century2 to as far down as the imperial times; during that time, and as the city grew, it developed from a sanctuary placed near the city gates to what appears to have been a centrally-placed, monumental, urban cult centre. Although the study of the finds recovered from the site is still ongoing, the material that has been published up to this point indicates that the Artemision rivalled or surpassed the sanctuaries of the Thasian acropolis in importance. The deity appears to have been worshiped in her Pōlō (child-rearing / Kourotrophos-like)3 aspect and perhaps also in the aspect of Eileithyia, the goddess of childbirth. Material evidence for cults of Artemis (or, more specifically, of deities which bear a great similarity to the Thasian Artemis regarding aspects, purview and/or cult practices) has also been discovered in sites near Thasos, along the coast of the modern-day Gulf of Kavala. These sanctuaries provide us with a wider regional context in which to place the Thasian cult and alternative viewpoints from which to approach it. In this paper, I shall first discuss the late-7th and 6th-century Thasian cult: the material from the site, the emergence of the cult, the ritual practices and the importance of the Artemis cult in early Thasos. -
Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic
UCLA UCLA Historical Journal Title Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic Permalink https://escholarship.org/uc/item/4hb1v94d Journal UCLA Historical Journal, 29(1) ISSN 0276-864X Author Ladouceur, John Publication Date 2018 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic John Ladouceur Notre Dame University “Rather than retreats from public life, however, these residences were the forum made private.” —Peter Brown, on the late Roman villa1 Since its chance discovery in 1983 at the site of ancient Nea Paphos, the “House of Aion” floor mosaic has both fascinated and perplexed scholars. Located in the dining room (triclinium) of a wealthy Roman villa, the pavement, which contains five remarkably preserved panels depicting famous scenes from Greco-Roman mythology, is simply stunning in its artistic quality and scope. Constructed during the fourth century CE, the floor is a reflection of the considerable pros- perity of late Roman Cyprus and a window into the private world of a confident Mediterranean elite.2 Yet if the magnificence of the mosaic program has been conceded by all, its interpretation has proven more controversial. Although the scenes themselves are easily identifiable, being explicitly labeled by the artist, their meaning has been vigorously debated.3 Indeed, several prominent scholars, including the head exca- vator of the villa, W. A. Daszewski, have noticed an unsettling pattern in the layout of the panels.4 When read as part of a continuous sequence, the thematic content of these pagan scenes seems to mirror, in exact order, key scenes from the life of Jesus as depicted in the canonical Christian Gospels. -
Interstate Alliances of the Fourth-Century BCE Greek World: a Socio-Cultural Perspective
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Interstate Alliances of the Fourth-Century BCE Greek World: A Socio-Cultural Perspective Nicholas D. Cross The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1479 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INTERSTATE ALLIANCES IN THE FOURTH-CENTURY BCE GREEK WORLD: A SOCIO-CULTURAL PERSPECTIVE by Nicholas D. Cross A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 Nicholas D. Cross All Rights Reserved ii Interstate Alliances in the Fourth-Century BCE Greek World: A Socio-Cultural Perspective by Nicholas D. Cross This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ __________________________________________ Date Jennifer Roberts Chair of Examining Committee ______________ __________________________________________ Date Helena Rosenblatt Executive Officer Supervisory Committee Joel Allen Liv Yarrow THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Interstate Alliances of the Fourth-Century BCE Greek World: A Socio-Cultural Perspective by Nicholas D. Cross Adviser: Professor Jennifer Roberts This dissertation offers a reassessment of interstate alliances (συµµαχία) in the fourth-century BCE Greek world from a socio-cultural perspective. -
Unveiling Baubo: the Making of an Ancient Myth for the Degree Field Of
NORTHWESTERN UNIVERSITY Unveiling Baubo: The Making of an Ancient Myth A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Comparative Literary Studies By Frederika Tevebring EVANSTON, ILLINOIS December 2017 2 © Copyright by Frederika Tevebring 2017 All Rights Reserved 3 Abstract “Unveiling Baubo” describes how the mythical figure Baubo was constructed in nineteenth-century German. Associated with the act of exposing herself to the goddess Demeter, Baubo came to epitomize questions about concealment and unveiling in the budding fields of archaeology, philology, psychoanalysis and literary theory. As I show in my dissertation, Baubo did not exist as a coherent mythical figure in antiquity. Rather, the nineteenth-century notion of Baubo was mediated through a disparate array of ancient and contemporary sources centered on the notion of sexual vulgarity. Baubo emerged as a modern amalgam of ancient parts, a myth of a myth invested with the question of what modernity can and should know about ancient Greece. The dissertation centers on the 1989 excavation of the so-called Baubo statuettes, a group of Hellenistic votive figurines discovered at Priene, in modern-day Turkey. The group adheres to a consistent and unique iconography: the face of the female figures is placed directly onto their torso, giving the impression that the vulva and chin merge. Based on the statuettes’ “grotesque- obscene” appearance, archaeologist concluded that they depicted Baubo, the woman who greeted Demeter at Eleusis when the goddess was searching for her abducted daughter Persephone. According to late antique Church Fathers, Demeter refused the locals’ offerings of food and drink until Baubo cheered her up by lifting her skirt, exposing herself to the goddess. -
ATINER's Conference Paper Proceedings Series LIT2017-0021
ATINER CONFERENCE PRESENTATION SERIES No: LIT2017-0021 ATINER’s Conference Paper Proceedings Series LIT2017-0021 Athens, 22 August 2017 Themistocles' Hetairai in a Fragment of Idomeneus of Lampsacus: A Small Commentary Marina Pelluci Duarte Mortoza Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10683 Athens, Greece ATINER’s conference paper proceedings series are circulated to promote dialogue among academic scholars. All papers of this series have been blind reviewed and accepted for presentation at one of ATINER’s annual conferences according to its acceptance policies (http://www.atiner.gr/acceptance). © All rights reserved by authors. 1 ATINER CONFERENCE PRESENTATION SERIES No: LIT2017-0021 ATINER’s Conference Paper Proceedings Series LIT2017-0021 Athens, 24 August 2017 ISSN: 2529-167X Marina Pelluci Duarte Mortoza, Independent Researcher, Federal University of Minas Gerais, Brazil Themistocles' Hetairai in a Fragment of Idomeneus of Lampsacus: A Small Commentary1 ABSTRACT This paper aims to be a small commentary on a fragment cited by Athenaeus of Naucratis (2nd-3rd AD) in his Deipnosophistai. This is his only surviving work, which was composed in 15 books, and verses on many different subjects. It is an enormous amount of information of all kinds, mostly linked to dining, but also on music, dance, games, and all sorts of activities. On Book 13, Athenaeus puts the guests of the banquet talking about erotic matters, and one of them cites this fragment in which Idomeneus of Lampsacus (ca. 325-270 BCE) talks about the entrance of the great Themistocles in the Agora of Athens: in a car full of hetairai. Not much is known about Idomeneus, only that he wrote books on historical and philosophical matters, and that nothing he wrote survived.