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Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
Paintings by Susan Bee and Miriam Laufer, AIR Gallery, NY, 2006
SUSAN BEE E-mail: [email protected] Website: http://epc.buffalo.edu/authors/bee/ SELECTED EXHIBITIONS Solo Shows Seeing Double: Paintings by Susan Bee and Miriam Laufer, A.I.R. Gallery, NY, 2006 (catalogue with essay by Johanna Drucker) Sign Under Test: Paintings and Artist’s Books, Pacific Switchboard Art Space, Portland, Oregon, 2004 Miss Dynamite: New Paintings, A.I.R. Gallery, New York, 2003 Miss Dynamite and Other Tales, Olin Art Gallery, Kenyon College, Gambier, Ohio, 2002 Ice Cream Sunday: Paintings and Works on Paper, Ben Shahn Galleries at William Paterson University of New Jersey, 2001 (catalogue with essay by David Shapiro) New Work, Rare Books and Manuscript Library, School of International Affairs, Columbia University, New York, 2000 Beware the Lady: New Paintings and Works on Paper, A.I.R. Gallery, New York, 2000 (catalogue with essay by John Yau) Touchdown, Recent Paintings, Cornershop Gallery, Buffalo, 1999 Post-Americana: New Paintings, A.I.R. Gallery, New York, 1998 Recent Paintings and a New Artist's Book, Granary Books Gallery, New York, 1997 New Paintings, Virginia Lust Gallery, New York, 1992 Altered Photo Images, Jack Morris Gallery, New York, 1979 Solo Show, Office of the Graduate School, Columbia University, New York, 1972 Selected Group Shows One True Thing, A.I.R. Gallery, NY; Putney School, VT, 2007 Pink Kid Gloves, Chashama Gallery, NY, 2006 Complicit! Contemporary American Art and Mass Culture, University of Virginia Art Museum, Charlottesville, VA, 2006 Conceptual Comics, Banff Centre for the Arts, Alberta, Canada, 2006 Generations, A.I.R. Gallery, NY, 1997, 2002, 2004, 2006 Too Much Bliss: Twenty Years of Granary Books, Smith College Museum, MA, 2005-06 I.D.:id; Wish You Were Here IV, A.I.R. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
The 0 to 9 Collection
The 0 to 9 Collection We are pleased to offer for sale a comprehensive collection of 0 to 9 magazine and books. From left to right. 0 to 9, no. 2. Aug. 1967; 0 to 9, no. 5. Jan. 1969; Bernadette Mayer. Story. 1968. Description of the Collection Edited by Vito Acconci and Bernadette Mayer, 0 to 9 is widely considered one of the most experimental and influential publications of the mimeograph and small press movement in America. Published in six issues from 1967 to 1969 in New York City, 0 to 9 also published a supplement titled Street Works and several books by Aram Saroyan, Bernadette Mayer, Vito Acconci, and Rosemary Mayer, along with three booklets that constituted Adrian Piper’s first solo exhibition. 0 to 9 was especially engaged in the particulars of the page and inscriptions upon it, emphasizing aspects of performance, minimalism, multi-disciplinarity, and concrete approaches to language. Given small print runs of 100 to 350 copies per issue, the original publications of 0 to 9 are exceedingly rare. References Phil Aarons and Andrew Roth, eds. with Victor Brand. In Numbers: Serial Publications By Artists Since 1955. PPP Editions/Andrew Roth, 2009. Vito Acconci and Bernadette Mayer, eds. 0 to 9: The Complete Magazine. Ugly Duckling Presse, 2006. [UDP] Gwen Allen. Artists’ Magazines: An Alternative Space for Art. MIT Press, 2001. Steve Clay and Rodney Phillips. A Secret Location on the Lower East Side. NYPL/Granary Books, 1998. https://fromasecretlocation.com/0-to-9/ [FASL] Citations are noted by abbreviation and page number in parentheses following bibliographic entries. -
Part of His History 1944-2020 by Steve Clay Originally Published in the Brooklyn Rail Dec 20 – Jan 21, 2021 Issue
IN MEMORIAM Lewis Warsh: Part of His History 1944-2020 By Steve Clay Originally published in The Brooklyn Rail Dec 20 – Jan 21, 2021 Issue Working with Lewis Warsh was always an effortless pleasure and indistinguishable from our friendship. I first met him in Brooklyn in 1995, introduced by Mitch Highfill. We spoke about his archive and collection of rare books he wanted to sell, and arranged to meet at his apartment. During that visit I looked at his treasures, among which was a small book he'd assembled by hand when he found a set of black and white photographs taken in 1968, primarily on Bustin's Island, Maine and in Bolinas, California. The photographs were classic family-style vacation snapshots of Lewis and Anne Waldman, Ted, Sandy, and Kate Berrigan, Tom, Angelica, and baby Juliet Clark, Joanne Kyger, Jack Boyce, and others. Lewis had mounted the photos into a store- bought hardcover photo book, then typed captions and placed them across from the pictures: The front cover read Bustin's Island '68. I immediately proposed that Granary Books publish Portrait of Lewis Warsh, pencil on paper by Phong H. Bui. an edition. I was impressed with the spontaneity of the photographs and the sincerity of the writing. They gave me a private glimpse into a community of poets whose work and stories I knew but was now seeing in their formative years as friends and collaborators. It's a remarkably lucid portrait of a time and place. The captions, written 28 years after the fact, brought perspective to the changes during the intervening years. -
Grenier List of Works
SOUTHFIRST 60 N6th Street Brooklyn, NY 11211 www.southfirst.org ph 718 599 4884 SOUTHFIRST: PRESENTS LANGUAGE OBJECTS: LETTERS IN SPACE, 1970-2013 Robert Grenier May 18 – June 23, 2013 Left to Right 12 from r h y m m s (Pavement Saw Press), 1996 Giclée Prints 12 8-1/2 x 11” sheets $AQ Installation of 192 poems from SENTENCES (Whale Cloth Press), 1978 500 5 x 8 inch index cards w/ IBM Selectric-imaged poems on them in blue Chinese box $1000 137/200 (this edition NFS; selected editions A-Z available through Whale Cloth Press) Susie/I/Love/You, #1 June 2004 Giclée Print 23-3/8 x 17-1/2” framed NFS Fifteen Poems from r h y m m s, 1997 Color Xerox 8.5 x 11” NFS Four Poems / February 2004, 2004 Giclée Prints Each 23-3/8 x 17-1/2” Framed, ed. 10/10 #2,3,4 as ed. 1/10 or whole set available ed. 2/10 $350 each unframed $1200 unframed CAMBRIDGE M’ASS (Tuumba Press), 1979 poster w/ IBM Selectric-imaged poems 49 x 41” NFS #8 and #9 from Nine Poems / December 2002, 2002 1 Giclée Prints 15-5/8 x 11-7/8” $250 each ed. 1/6 Redwood / February 2004 Giclée Print 23-3/8 x 17-1/2” $350 5, 6, 7/20 Six Poems / November 2003 – January 2004, 2004 Giclée Print 4 x 3’ 23-3/8 x 17-1/2” $350 each 1, 2/10 Afternoon Sunshine / April 2004 Giclée Print 23-3/8 x 17-1/2” $350 6, 7/20 In hall: Six Poems / September 2005 Giclée Print 4 x 3’ NFS 1/1 Vitrine 1 this 1, 1971 1st issue of this magazine Manifesto by Robert Grenier called “ON SPEECH” Typewritten/holograph draft of “ON SPEECH,” 1970 Robert Grenier note on William Carlos Williams’ “The Red Wheelbarrow” from this 2, 1971. -
Keeping Score: “With Womens Work” at Issue Project Room
Keeping Score: “With Womens Work” at Issue Project Room artnews.com/art-in-america/aia-reviews/with-womens-work-issue-project-room-1234590445 April 21, 2021 Within the ecosystem of publications documenting the heterogeneous art world of the 1960s and 1970s, the first issue of the little-known 1975 magazine Womens Work stands as a modest but critical volume. A slim booklet printed in brown ink on beige paper, it contains thirty-two pages of event scores, elliptical texts written as instructions for performative actions. The genre is typically associated with a motley group of male Fluxus artists, particularly George Maciunas and La Monte Young. Together with Jackson Mac Low, they produced the book An Anthology of Chance Operations (1963), a compendium of these emergent language notations, with works by Yoko Ono and Simone Forti as the lone contributions by Cover of Womens Work volume 1, 1975. women. Womens Work, by contrast, announced Courtesy Annea Lockwood an irruption of text-based scores by a network of female practitioners working across music, dance, performance, and visual art. Emerging at the height of second wave feminism, the publication highlighted both the messy interdisciplinarity inherent to experimental artmaking in the postwar period and the women left out of narratives around it. The second and final issue of the magazine, published in 1978, took the form of a fold-out poster containing photographs and reproductions that are less immediately readable as instructional scores; Primary Information produced a facsimile edition of both issues in 2019. For the digital performance series “With Womens Work,” presented by Issue Project Room in Brooklyn (through May 5), an international roster of female-identifying artists was invited to interpret and respond to the 1975 scores, offering an opportunity to revisit this important publication and consider its continued resonance today. -
Sari Dienes, 93, Artist Devoted to the Value of the Found Object by ROBERTA SMITH Published: May 28, 1992
Sari Dienes, 93, Artist Devoted To the Value of the Found Object By ROBERTA SMITH Published: May 28, 1992 Sari Dienes, an artist whose career spanned many different media and several decades of the New York art world, died on Monday at her home in Stony Point, N.Y. She was 93 years old. She died of cancer, said Rip Hayman, a friend and the curator of the Sari Dienes Foundation. Mrs. Dienes, whose original name was Chylinska von Daivitz, was born in Hungary in 1898 and in her youth studied dance, music and philosophy. She was married at the age of 19 to a French mathematician, Paul Dienes, and she did not decide to become an artist until she was 29 and living in Wales with her husband. Over the next decade, she studied art in Paris and London with Ferdinand Leger, Andre Lhote and Henry Moore. Stranded in New York at the outbreak of World War II, she made the city her home, supporting herself by teaching art. 'Nothing Is So Humble' As an artist, Mrs. Dienes had an innately experimental approach to materials and techniques and a lasting faith in the power of the found object. "Bones, lint, Styrofoam, banana skins, the squishes and squashes found on the street: nothing is so humble that it cannot be made into art," she once said, and her work tended to prove her right. During her career she made elaborate rubbings of American Indian petroglyphs and New York City manhole covers, created assemblages out of bones and sundry other materials, painted Abstract Expressionist drip paintings and turned her studio- house in Stony Point, in Rockland County, into a walk-in art environment. -
Fourth Floor, 1940-1970
Fourth Floor, 1940-1970 407 Frank O'Hara, Lunchtime Poet 2202.1967.86.b Preparatory drawing for In Memory of My Feelings Robert Rauschenberg 1967 Watercolor and frottage on acetate 14 x 11" (35.5 x 27.9 cm) Gift of the artist 696.1959.2 Us from Stones Larry Rivers 1957, published 1960 Lithograph from an illustrated book with thirteen lithographs and one oil on paper drawing composition (irreg.): 13 3/4 x 17 7/8" (35 x 45.4 cm); page (irreg.): 19 x 23 1/4" (48.3 x 59.1 cm) Gift of Mr. and Mrs. E. Powis Jones 696.1959.5 Love from Stones Larry Rivers 1958, published 1960 Lithograph from an illustrated book with thirteen lithographs and one oil on paper drawing composition (irreg.): 16 1/8 x 17 7/8" (41 x 45.4 cm); page (irreg.): 19 x 23 1/4" (48.3 x 59.1 cm) Gift of Mr. and Mrs. E. Powis Jones 2202.1967.88 Preparatory drawing for In Memory of My Feelings Larry Rivers 1967 Pencil on acetate 14 1/16 x 20 1/16" (35.7 x 51 cm) Gift of the artist 2202.1967.94 Preparatory drawing for In Memory of My Feelings Niki de Saint Phalle 1967 Pencil and ink on acetate 14 x 11" (35.6 x 28 cm) Gift of the artist Page 36 of 126 Fourth Floor, 1940-1970 407 Frank O'Hara, Lunchtime Poet 132.1961 Elegy to the Spanish Republic, 54 Robert Motherwell 1957-61 Oil on canvas 70" x 7' 6 1/4" (178 x 229 cm) Given anonymously W4686.5 USA: Poetry / Frank O'Hara and Ed Sanders Frank O'Hara 1966 The Museum of Modern Art, New York 288.1976 Double Portrait of Frank O'Hara Larry Rivers 1955 Oil on canvas 15 1/4 x 25 1/8" (38.4 x 63.6 cm) Gift of Stuart Preston Page 37 of 126 Fourth Floor, 1940-1970 408 Stamp, Scavenge, Crush 323.2018 Untitled (BMC.145, BMC Laundry Stamp) Ruth Asawa c. -
The 27Th Annual Art Show Henry Street Settlement Art Dealers
MEDIA MATERIALS THE ART SHOW MARCH 4–8, 2015 The 27th Annual Art Show Park Avenue Armory At 67th Street, New York City TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America FOUNDED 1962 Lead Partner of The Art Show THE ART SHOW ANNOUNCES 39 SOLO AND 33 THEMATIC PRESENTATIONS FOR THE FINE ART FAIR’S 27th EDITION ORGANIZED BY THE ART DEALERS ASSOCIATION OF AMERICA (ADAA) TO BENEFIT HENRY STREET SETTLEMENT MARCH 4 – 8, 2015 GALA PREVIEW MARCH 3 The Art Show 2014 at the Park Avenue Armory, New York. Photo by Timothy Lee Photography New York, December 16, 2014 —Gallery presentations at the 27th annual ADAA Art Show, the nation's longest running fine art fair, will feature thoughtfully curated solo, two-person, and thematic exhibitions by 72 of the nation’s leading art dealers. The Art Show takes place March 4 - 8, 2015 at the historic Park Avenue Armory, with a ticketed Gala Preview on Tuesday, March 3. All ticket proceeds from the gala and run of show benefit Henry Street Settlement, one of New York City’s most effective social services agencies. AXA Art Americas Corporation has returned for the fourth consecutive year as Lead Partner. Solo Shows One of the premier trademarks of The Art Show remains the emphasis on one- person presentations, and the 27th edition is no exception. Three galleries will present comprehensive surveys highlighting the work of women artists in their 90s—Tibor de Nagy Gallery will honor the late painter Jane Freilicher, CRG Gallery will feature a selection of work and ephemera from the studio of Saloua Raouda Choucair, and Galerie Lelong will present Etel Adnan’s paintings and accordion-fold books (leporellos). -
Bernadette Mayer Papers
http://oac.cdlib.org/findaid/ark:/13030/tf0199n71x No online items Bernadette Mayer Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2019 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Bernadette Mayer Papers MSS 0420 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Bernadette Mayer Papers Identifier/Call Number: MSS 0420 Physical Description: 30.0 Linear feet(70 archives boxes, 1 card file box and 7 oversize file folders) Date (inclusive): 1958-2017 Abstract: Papers of Bernadette Mayer, writer, teacher, editor, and publisher. Most often associated with the New York School, Mayer uses compositional methods such as chance operations, collage and cut-up. Materials include correspondence with writers, artists, publishers, and friends; manuscripts and typescripts; notebooks and loose notes; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Scope and Content of Collection The Bernadette Mayer Papers document Mayer's career as a writer and teacher and, to a lesser extent, her career as a publisher and editor. Additionally, the papers reflect the broader community of artists and writers known as the New York School. Materials include correspondence from writers, artists, publishers, and friends; notebooks and loose notes; manuscripts and typescripts of Mayer's works; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Accession Processed in 1998 Arranged in eleven series: 1) BIOGRAPHICAL MATERIAL, 2) CORRESPONDENCE, 3) WRITINGS, 4) NOTEBOOKS, 5) WRITINGS OF OTHERS, 6) TEACHING MATERIAL, 7) EDITING MATERIAL, 8) EPHEMERA, 9) PHOTOGRAPHS, 10) SOUND RECORDINGS, and 11) ORIGINALS OF PRESERVATION PHOTOCOPIES. -
11Th Annual Avant-Garde Festival of New York
PROGRAM Ilth ANNUAL AVANT GARDE FESTIVAL AT SHEA STADIUM Flushing, Queens - ADMISSION FREE (Nov . 15, 1974) Charlotte Moorman presents with the Artists and through the Cooperation of the City of New York, Abraham D. Beome, Mayor, Parks, Recreation & Cultural Affairs Administration, Edwin L. Weisl, Administrator, Alexander Wirin, First Dep . Administrator, New York Mets, Mrs . Joan Payson, President, M. Donald Grant, Board Chairman, New York Jets, Philip H . Iselin, President, Electronic Arts Intermix, Inc ., Howard F . Wise, President Annual Avant Garde, Festival, Frank C . Pileggi, Chairman . With Special Appreciation to Sidney J. Frigand, Press Secretary to the Mayor, Irving Goldman, Commissioner of Cultural Affairs, Michael J. Codd, Commissioner, N.Y. P. D. , James K . Thomson, Vice President Mets, Weeb Ewbank, Vice President, Jets, John Free, Business Manager & Traveling Secretary, Jets, Patrick B. McGinnis, Dep"ut~ Commissioner of Cultural Affairs, Stephanie Sills, Director of Programs, Harold Weisman, Public Relations Director, Mets, Arthur Richmond, Promotion Director, Mets, Bill Murray, Asst . Controller, Mets, Frank Ramos, Director of Public Relations, Jets, Janet Cotton, Counsel P. R.C.A., Warren Gardner, Public Relations Director, P.R. C.A ., Frank Pepchinski, Stadium Director, Tom O'Keefe, Stadium Operations, Mets, John McCarthy, Head Ground Keeper, Mets, Marvin Petrower, Head Electrician, Shea John Minoque, Shop Steward, Shea, John Mooney, Local 177, Special Officers Union, James O'Hara, Local 3, IBEW, Howard Chaiken, Local 54, Theater Amusement, and Cultural Service , Employees Union, Oscar Katin, Plumbers Local I, David Reiner, Inc . Personal thanks to Juan Thomas Crovetto, Festival Associate Coordinator, Shridar Bapot, Festival Video Director, Jud Yalkut, Festival Film Director, Si Fried, Festival Production Associate, Michael Cooper, Festival Poetry Coordinator, Jerald Ordover, Festival Attorney, Peter Moore, Festival Photographer, and Peter Bradley, Lydia Silmon, Henry L .