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A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Download Sherlock Series 1 Boxed Set Pdf Book by Steven Moffat
Download Sherlock Series 1 Boxed Set pdf book by Steven Moffat You're readind a review Sherlock Series 1 Boxed Set book. To get able to download Sherlock Series 1 Boxed Set you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this ebook on an database site. Ebook File Details: Original title: Sherlock Series 1 Boxed Set Series: Sherlock (Book 1) 688 pages Publisher: Titan Comics (December 4, 2018) Language: English ISBN-10: 1785868780 ISBN-13: 978-1785868788 Product Dimensions:5.7 x 2.2 x 8.9 inches File Format: PDF File Size: 3675 kB Description: Adapting the first series of the smash-hit TV series into the manga format, collected together in this fantastic Slipcase Edition! Including Art Cards featuring the cover art from the individual books.Includes A Study In Pink, The Blind Banker and The Great Game... Review: ... Book File Tags: Sherlock Series 1 Boxed Set pdf book by Steven Moffat in Comics and Graphic Novels Comics and Graphic Novels pdf books Sherlock Series 1 Boxed Set sherlock boxed series 1 set fb2 set 1 sherlock series pdf sherlock 1 set boxed series book sherlock 1 series boxed set ebook Sherlock Series 1 Boxed Set Recommend this boxed for anyone who wants perspective line drawing clearly explained. In this second installment of the adventures of Set. Prison has hardened him, and boxed with feelings of betrayal, Jenna is in for Set a surprise. -
Sherlock III Ep3 FINAL Shooting Script
SHERLOCK III Episode 3 FINAL SHOOTING SCRIPT by STEVEN MOFFAT 09.09.13 EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 1 BLACK SCREEN 1 A voice. Female, refined. LADY SMALLWOOD Mr. Magnussen, please state you full name for the record. MAGNUSSEN Charles Augustus Magnussen. Fading in on ... 2 INT. ENQUIRY ROOM - DAY 2 A government Enquiry. The strip-lit room, the horse-shoe table of MPs, facing the accused. The speaker is Lady Smallwood - fifties, wiry, sharp-eyed. The accused - calmly folded hands on a table top. Next to them, a pair of gold-rimmed spectacles. Magnussen. His voice is soft, reasonable, a Danish accent. LADY SMALLWOOD Mr. Magnussen, how would you describe your influence over the Prime Minister? MAGNUSSEN The British Prime Minster? LADY SMALLWOOD Any of the British Prime Ministers you have known. MAGNUSSEN I never had the slightest influence over any of them. Why would I? Lady Smallwood is consulting some notes. LADY SMALLWOOD I notice you’ve had seven meetings at Downing Street this year. Why? MAGNUSSEN Because I was invited. LADY SMALLWOOD Can you recall the subjects under discussion. MAGNUSSEN Not without being more indiscreet than I believe is appropriate. One of the MPs round the table - Garvie, bullish, self- righteous. (CONTINUED) 1. EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 2 CONTINUED: 2 GARVIE Do you think it’s right that a newspaper proprietor - a private individual and in fact a foreign national - should have such regular access to our Prime Minister? On Magnussen’s clasped hands. -
Telling the True Story
Bachelor Thesis Telling The True Story Queerbaiting, representation, and fan resistance in the BBC Sherlock fandom Suzanne Frenk 613191 Algemene Cultuurwetenschappen (Culture Studies) School of Humanities Tilburg University Supervisor: Dr. P. K. Varis Second Reader: Dr. I. E. L. Maly August 18, 2017 Synopsis In this thesis, I follow an online community on Tumblr revolving around a self- proclaimed conspiracy theory called TJLC. This group is part of the broader community of fans of the BBC TV show Sherlock, and is focused on ‘The Johnlock Conspiracy’: the belief that the two main characters of the show, John and Sherlock, are bisexual and gay, respectively, and will ultimately end up as a romantic couple, which would make Sherlock a mainstream TV show with explicit and positive LGBTQIA+ representation. This visibility is especially important to LGBTQIA+ individuals within the TJLC community, who want to see their identities more often and more accurately represented on television. The fact that the creators of Sherlock, as well as several of the actors in the show, are either part of the LGBTQIA+ community themselves or known supporters, works to further strengthen TJLC’ers’ trust in the inevitable unfolding of the story into a romantic plot. The fact that the TJLC community is based on a conspiracy theory not only makes it a remarkable example of fan culture, but has also led to many close readings of the show and its characters – from the textual level to symbolism to the musical score – on a level that can often be seen as close to academic. These pieces of so-called ‘meta’ have led to many predictions about the direction of the show, such as the strong belief that ‘Johnlock’ would become real in season four of the series. -
Fanfiction and the Author
TRANSMEDIA Judith May Fathallah Fanfiction and the Author How Fanfic Changes Popular Cultural Texts Fanfiction and the Author Transmedia: Participatory Culture and Media Convergence The book series Transmedia: Participatory Culture and Media Convergence provides a platform for cutting-edge research in the field of media studies, with a strong focus on the impact of digitization, globalization, and fan culture. The series is dedicated to publishing the highest-quality monographs (and exceptional edited collections) on the developing social, cultural, and economic practices surrounding media convergence and audience participation. The term ‘media convergence’ relates to the complex ways in which the production, distribution, and consumption of contemporary media are affected by digitization, while ‘participatory culture’ refers to the changing relationship between media producers and their audiences. Interdisciplinary by its very definition, the series will provide a publishing platform for international scholars doing new and critical research in relevant fields. While the main focus will be on contemporary media culture, the series is also open to research that focuses on the historical forebears of digital convergence culture, including histories of fandom, cross- and transmedia franchises, reception studies and audience ethnographies, and critical approaches to the culture industry and commodity culture. Series editors Dan Hassler-Forest, Utrecht University, the Netherlands Matt Hills, University of Aberystwyth, United Kingdom Editorial -
Crime Solving As Self-Defense Mechanism of Sherlock
CRIME SOLVING AS SELF-DEFENSE MECHANISM OF SHERLOCK HOLMES IN BBC TV SERIES SHERLOCK A Thesis Submitted to Faculty of Letter and Humanities in Partial Fullfillment of the Requirements for the Degree of Strata One (S1) SARAH MAWARNI 1111026000083 ENGLISH LETTERS DEPARTMENT FACULTY OF LETTERS AND HUMANITY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2016 ABSTRACT Sarah Mawarni. Crime Solving as Self-Defense Mechanism of Sherlock Holmes in BBC TV Series SHERLOCK. A Thesis. English Letter Department, Faculty of Adab and Humanities, State Islamic University Syarif Hidayatullah, Jakarta 2016. The writer uses nine episodes of SHERLOCK BBC TV series which is written by Mark Gatiss as unit analysis in this research. In addition, this TV series is a worldwide prominent adaptation of Sir Arthur Conan Doyle‟s work of Sherlock Holmes. This research emphasizes on character analysis of the main character, Sherlock Holmes and examine the psychological problem in his self psyche, id, ego and superego that is portrayed by his obsession with crime solving. Thus, the writer collects the data from dialogues in the series and takes screenshots of several scenes related with the analysis, then examines them using psychoanalysis theory established by Sigmund Freud. The result of this research is that Sherlock Holmes suffers anxiety as result of his traumas and unpleasing childhood experience, which are losing his Pomeranian dog pet when he was child, his mother‟s position in his family and being underestimated by his older brother as stupid boy. Consequently, his id has strong demand to prove that he is smart and control his superego to be passive. -
(And Holmes Related) Films and Television Programs
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led stories or 4 novels) to many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 5-22-14 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
Phubber Sherlock, Risky London, Safe England: Remaking Holmes in the Age of Information Technology
Concentric: Literary and Cultural Studies 43.1 March 2017: 329-347 DOI: 10.6240/concentric.lit.2017.43.1.15 Phubber Sherlock, Risky London, Safe England: Remaking Holmes in the Age of Information Technology Chung-jen Chen Department of Foreign Languages and Literatures National Taiwan University, Taiwan Abstract I intend to read the latest BBC production of Sherlock by exploring the making of digitized modernity in which confidence in science and technology is not only prominent but fundamental to instrumental rationality. Showing that violence may exist purely for the sake of violence, not for retaliation or out of self-interest, I argue that the remake of Sherlock is not concerned with criminals but criminality. By pointing out the discursive formation of digital citizenship endowed with indiscriminative rights of membership in the constant shadow of terrorist attacks, I argue that a safe England must be constructed in spite of the necessity of risk. Sherlock reveals a path leading to a digitized brave new world in which risks will be perceived as information, terrorist attacks conceived as incentives in an extended, reiterated game of prisoner’s dilemma, collective safety achieved through the calculation of coding, decoding and the networking of information technology, and every single life incarcerated within the process of capturing the torrent of big data. While digital citizenship promises a future of open access, free participation, and a lower barrier of entry, the promised democracy of information technology leads to the unavoidability of criminality and fear, leading to the coexistence of safety and risk. Keywords Sherlock, modernity, risk, governmental rationality, Benedict Cumberbatch, information technology, mobile phones 330 Concentric 43.1 March 2017 “This is my hard drive, and it only makes sense to put things in there that are useful.” —Sherlock in BBC’s “The Great Game” Since his literary birth in 1887, Sherlock Holmes has been synonymous with a detective hero who knows all, sees all, and solves all. -
Brainy Is the New Sexy: Masculinity in Sherlock Holmes Ginny Walrecht S1908987 17Th of November 2017 MA Literary Studies University of Leiden Supervisor: Prof
Brainy is the New Sexy: Masculinity in Sherlock Holmes Ginny Walrecht S1908987 17th of November 2017 MA Literary Studies University of Leiden Supervisor: Prof. dr. P. T. M. G. Liebregts Second Reader: Dr. M. S. Newton Dedication I would like to thank my supervisor Dr Peter Liebregts for all the support and guidance during the writing process. This thesis would not have come together the way that it has without it. I would also like to thank Dr Katy Mullin for the inspiration for this thesis. Abstract This thesis focuses on the representation of masculinity in the Sherlock Holmes character, both in the original stories written by Arthur Conan Doyle in the late 19th and early 20th centuries as well as in the modern BBC interpretation which first aired in 2010. It employs a Foucauldian notion of gender, which sees masculinity as a socially constructed concept and as such perceptible to change. The Sherlock Holmes stories were written over a forty-year time period. Two major historical events from this period could be said to have influenced the definition of masculinity, namely the Oscar Wilde trials and the First World War. Furthermore, Joseph Kestner has argued that Conan Doyle’s Holmes stories aimed to promote an ideal form of masculinity, which led us to consider the representation of Victorian masculinity in the Holmes character. Moreover, this thesis analyses the adaptation of Victorian Holmes in BBC’s Sherlock. Having defined Victorian and twenty-first-century masculinity, we will see that Conan Doyle’s Holmes aligns with numerous Victorian traits that were seen as masculine, and is portrayed as the ideal man. -
Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World
University of Dayton eCommons Honors Theses University Honors Program Spring 4-2015 Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World Allison K. Carey University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses Part of the English Language and Literature Commons eCommons Citation Carey, Allison K., "Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World" (2015). Honors Theses. 46. https://ecommons.udayton.edu/uhp_theses/46 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World Honors Thesis Allison K. Carey Department: English Advisor: John P. McCombe, Ph.D. April 2015 Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World Honors Thesis Allison K. Carey Department: English Advisor: John P. McCombe, Ph.D. April 2015 Abstract In 1887, Sir Arthur Conan Doyle published his first novel regarding the detective Sherlock Holmes. He would go on to publish another three novels and 56 short stories detailing the great detective’s endeavors. Today, 128 years later, Conan Doyle’s Sherlock Holmes is as popular, as relevant, and as alive as ever. Adaptations continue to be made and achieve success, including the BBC’s mini-series, Sherlock. This modern adaptation and its interpretation of Conan Doyle’s characters, novels, stories, plots, and themes allow for a unique combination of Victorian and Modern England. -
Sherlock to Premiere on MASTERPIECE on PBS on January 19, 2014 Benedict Cumberbatch and Martin Freeman Return in Highly Anticipated Season 3
The Game is On! Sherlock to Premiere on MASTERPIECE ON PBS on January 19, 2014 Benedict Cumberbatch and Martin Freeman Return in Highly Anticipated Season 3 Boston, MA, October 23, 2013—A date has been set for the return of one of television’s most eagerly anticipated shows: Sherlock Season 3 will premiere on MASTERPIECE on PBS on Sunday, January 19, 2014 at 10pm, following the 9pm broadcast of Downton Abbey. Benedict Cumberbatch (The Fifth Estate, Star Trek Into Darkness) and Martin Freeman (The Hobbit, The Office UK) return as Sherlock Holmes and John Watson in three new 90-minute episodes of the contemporary reinvention of the Sir Arthur Conan Doyle classic, created by Steven Moffat (Doctor Who) and Mark Gatiss. “The genius Sherlock team has done it again,” says MASTERPIECE executive producer Rebecca Eaton. “These new episodes are as wildly-imaginative and brilliantly-produced as all the others. These people are GOOD!” Nearly 11 million viewers tuned into the second season of Sherlock, which ended with one of the most shocking cliffhangers in television history. Fans flocked to the internet to speculate about Sherlock’s “demise,” and express their eagerness to find out what happens next. “We love that Sherlock fans are so passionate and eager to see Season 3,” says PBS Chief Programming Executive and General Manager of General Audience Programming Beth Hoppe. “The pairing of Downton Abbey and Sherlock in January offers a blockbuster night of British drama only on PBS stations.” "We are hugely excited about this next series of Sherlock, and have worked closely with our partners, MASTERPIECE and PBS, to bring these episodes to U.S. -
Sherlock Holmes Films
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co.