Student Ballet 3 PLUS! This Link Contains All of the Information You Need to Register for 2016–2017 at Princeton Ballet School
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Ulanova 1 by Grishko ULANOVA 2 by Grishko Grishko 2007By Grishko
Elite by Grishko VAGANOVA by Grishko FOUETTE by Grishko This Grishko model features a broad, flat box and platform. This shoe features a deep vamp design with a This shoe has a broad box and wide platform. A good choice for dancers with a wide instep, wide spread tapered box. Ideal shoe for dancers with high, Shoe designed for wider, square shaped feet, toes, short toes, toes of even length, or for dancers whose flexible arch. A good choice for dancers with short toes, or toes of even length. Excellent for feet are shallow in depth. long toes and narrow feet or heel. beginner to advanced student. Box shape allows Sizes 1-7.5 X-XXXX Med or Hard Shank Sizes 1-7.5 X-XXXX Med or Hard Shank for greater feel of the floor. Sizes 1-7.5 X-XXXX Med or Hard Shank ELITE $48.00 in-store price $65.00 VAG $44.00 in-store price $59.00 FOU $44.00 in-store price $59.00 Ulanova 1 by Grishko ULANOVA 2 by Grishko Grishko 2007by Grishko Lightweight pointe shoe with same shape as Extra-quiet and lightweight pointe shoe Extremely supportive and anatomically alleviates Fouette but with “roll-through” shank feature with a deep vamp. Similar in shape to pressure of the metarsal. Effortless transition to going which allows dancer to work easily in demi- Vaganova. Good shoe for longer toes or on point. pointe. The shoe is made with a medium vamp if big toe or 2nd toe is long. Ideal shoe and accommodates many different types of feet. -
Moving on Summer 07 #17 the Semiannual Newsletter of Career Transition for Dancers Family Trees President’S Message Dreams by Cynthia Fischer
Broadway at Sardi’s Caitlin Carter, Charlotte d’Amboise, Mercedes Ellington, Donna McKechnie, and Desmond Richardson hosted CTFD “Between Shows,” March 28th. Underwritten by the Shubert Organization for the 4th year, over 80 dancers from the Broadway musicals A Chorus Line, Beauty and the Beast, Chicago, Curtains, Hairspray, Mamma Mia, Tarzan, The Pro- ducers, The Lion King, The Pirate Queen, and 110 in the Shade attended. CTFD Board member Caitlin Carter spoke about CTFD’s methodology and programs and introduced clients Ana Maria Andricain of Beauty and the Beast and Todd Michel Smith of Hairspray. Both clients spoke about their introduction to CTFD at last year’s Sardi’s event and how CTFD has helped them develop their skills outside of dance. Through 1-on-1 career counseling and an entrepreneurial grant, Ana Maria started an online jewelry busi- ness, Jewel of Havana (jewelofhavana.com), and has expanded it to five retailers across the USA. Through an educational grant from the Caroline Newhouse Scholarship Fund, Todd recently graduated from col- lege and will pursue a career in Physical Education. Photos (clockwise from top left): CTFD Clients Judine Somerville & Michelle Marie Robinson, Karen Ziemba, & Board Member Caitlin Carter; CTFD Counselor Suzie Jary, Hostesses Charlotte d’Amboise and Donna McKechnie, & CTFD Client Noah Racey; Members from The Lion King Kylin Brady, Dawn Noel Pignuola, Michelle Camaya, Jennifer Newman, Dennis Lue, Torya, Angelica Edwards, Kristina Bethel, Shekitpa Starke, & Camille Brown; Guest speaker Todd Michel Smith with members from Hairspray Arbender Robinson, Bryan West, Andrew Rannells, Abdul Latif, & Tommar Wilson (Photos: Linda Lenzi / BroadwayWorld.com). -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Hamptons.Com Article
Hamptons.com Article http://www.hamptons.com/print.ihtml?id=2026&apid=4438... Close Window | Print Signs Of The Season Nicole B. Brewer archive article, added 10/10/2007 Though the weather belied it, signs of fall are everywhere on the East End and beyond! Harvest festivals, sidewalk sales, and pumpkin and apple picking abound in our villages and hamlets. No surer sign of fall are the many fabulous fetes that kicked off the season. Here’s a little sampling of the wonderful happenings we peeked in on around the area this week. Friday evening art lovers were given a special treat with the Preview Party for the Artists Alliance of East Hampton’s annual fall Studio Tour at East Hampton’s wonderful Walk Tall Gallery. Both events were a resounding success with an enthusiastic attendance of tour-goers and artists alike. Walk Tall Gallery owner Wendy Wachtel told us, "This show and the studio tour reinforce the area's reputation as an artistic wealth of talent." Packing the gallery were many of the artists on the tour and major figures on the East End art scene Gideon Stein, Wendy Wachtel, and June Rosner at the Artist Studio Tour Preview including Frank Sofo, Frances at Walk Tall Gallery. Photo by John Wegorzewski Alenikoff, Walter Us, Gordon Matheson, Ellen Dooley, Tom Steele, George Lombardi, Aldo Perotto, Phyllis Hammond, Gideon Stein, June Rosner, Heide Banks, Howard Lazar, Esperanza Leon, Dan Welden, Blanca Leon, Jifat Windmiller, Susan Rockford, Barbara Jarvis, Daniel Starr-Tambor, Lounah Starr, and Ted Asnis. Saturday, just across the passage, The Wallace Gallery presented Plein Air Peconic II, the recent 1 of 6 9/10/08 12:14 PM Hamptons.com Article http://www.hamptons.com/print.ihtml?id=2026&apid=4438.. -
AM Joffrey Interviewees
Press Contacts: Natasha Padilla, WNET 212.560.8824, [email protected] Lynn Tejada, Green Galactic 213.840.1201, [email protected] Press Kits: pbs.org/pressroom or thirteen.org/pressroom Websites: pbs.org/americanmasters , facebook.com/americanmasters , #AmericanMasters American Masters Joffrey: Mavericks of American Dance Premieres nationally Friday, December 28 at 9 p.m. (ET) on PBS (check local listings) Interviewees (in alphabetical order) Sasha Anawalt , Author and lecturer Sasha Anawalt is director of University of Southern California Annenberg Arts Journalism Programs, including the Masters degree in Specialized Journalism (The Arts) program, a partnership with the five arts schools at USC that she helped create and launch in 2008. She is a lecturer on the Annenberg School of Journalism faculty. Anawalt also directs the USC Annenberg/Getty Arts Journalism Program. Anawalt’s best-selling cultural biography, The Joffrey Ballet: Robert Joffrey and the Making of an American Dance Company (Scribner, 1996), was re-issued in January 2012 as an e-book. American Masters Joffrey: Mavericks of American Dance is heavily based on her book. Charthel Arthur , Joffrey Ballet Dancer, 1965-1979 Charthel Arthur began her dance training in Pasadena, California with Eva Lorraine. After graduating from high school with honors, she went to New York and was given a full scholarship to the Joffrey Ballet School followed by an apprenticeship to the Joffrey Ballet and three months later she became a full company member. Arthur performed with the Joffrey Ballet for 13 years as a principal dancer. In 1983, Arthur and her husband, Robert Estner moved to Grand Rapids, Michigan to establish a professional ballet school now known as The School of the Grand Rapids Ballet. -
Smuin Welcomes Five New Company Members, Two Visiting Artists for 25Th Anniversary Season
SMUIN WELCOMES FIVE NEW COMPANY MEMBERS, TWO VISITING ARTISTS FOR 25TH ANNIVERSARY SEASON SAN FRANCISCO, CA (9 August 2018) – Smuin Contemporary Ballet announces the addition of five new members to the company for its 2018/19 season: Ian Buchanan, Peter Kurta, Tess Lane, Mattia Pallozzi, and Max van der Sterre. Visiting artists Maggie Carey and Alysia Chang will also join the troupe for this hallmark season celebrating the company’s quarter-century. Smuin audiences will experience these dancers for the first time in Dance Series 01, performing September 21-22 at Walnut Creek’s Lesher Center for the Arts and September 28-October 6 at San Francisco’s Palace of Fine Arts. Single tickets ($25-81) and season subscriptions ($147-200) are available at www.smuinballet.org or by calling (415) 912-1899. Ian Buchanan hails from Fairfax, California, where he trained with Dance Theatre Seven. He has danced with Houston Ballet, Oregon Ballet Theatre, Tulsa Ballet, Rochester City Ballet, and Alberta Ballet. Buchanan has performed works by Jiří Kylián, Stanton Welch, Ma Cong, Ben Stevenson, Wen Wei Wang, Aszure Barton, Jean Grand-Maître, Julia Adam, Denise Clarke, and Leiland Charles. Peter Kurta, originally from Marietta, New York, trained at the Royal Winnipeg Ballet School and The Rock School for Dance Education before joining Tulsa Ballet II. With Dayton Ballet, he performed Dracula in the world premiere of Dracula: Bloodlines, as well as works by Jessica Lang, Gina Patterson, and Nicole Haskins. He was a member of both BalletMet and BalletMet II, performing corps and soloist roles in Edwaard Liang’s The Silence Between…, James Kudelka’s Man in Black, and in ballets by Gustavo Ramirez Sansano and George Balanchine. -
Robert Joffrey
Robert Joffrey Encyclopedia of Lesbian, Gay, Bisexual and Transgendered History in America, 2004 Born: December 24, 1930 in Seattle, Washington, United States Died: March 25, 1988 in New York, New York, United States Nationality: American Occupation: Choreographer JOFFREY, Robert (b. 24 December 1930;d. 25 March 1988), dancer, choreographer. Born Abdullah Jaffa Bey Khan in Seattle, Washington, the only child of an Afghan restaurateur father and an Italian mother, Joffrey began dancing at the age of nine to combat his asthma and bowed-in feet. He took quickly to dance, and started exploring choreography almost immediately. When he was sixteen he met Gerald Arpino, his lifelong partner who was six years his senior, and the couple poured themselves into dance study. He moved to New York in 1948, where he studied briefly at the School of American Ballet and with Alexandra Fedorova, and by 1949 he was performing solo roles in Roland Petit's Ballets de Paris. He also studied modern dance and performed briefly in May O'Donnell's company. He became an accomplished teacher of ballet in New York City and founded his own school in 1953. The next year he formed his first small company, the Robert Joffrey Ballet Concert, drawn from his students, and made a successful new work Pas des Déesses to a musical score by gay composer Lou Harrison. The dance was acquired by the London- based Ballet Rambert, and Joffrey's career blossomed. In 1956, he rechristened his company the Robert Joffrey Ballet and appointed Arpino as the company choreographer. Joffrey became the resident choreographer for the New York City Opera from 1957 to 1962. -
The Joffrey Ballet
Friday and Saturday, March 6–7, 2020, 8pm Sunday, March 8, 2020, 3pm Zellerbach Hall The Joffrey Ballet Ashley Wheater MBE The Mary B. Galvin Artistic Director Greg Cameron President & CEO Robert Joffrey Founder Gerald Arpino Founder Artists of the Company Derrick Agnoletti Yoshihisa Arai Amanda Assucena Edson Barbosa Miguel Angel Blanco Evan Boersma Anais Bueno Valeria Chaykina Nicole Ciapponi Lucia Connolly José Pable Castro Cuevas April Daly Jonathan Dole Derek Drilon Fernando Duarte Olivia Duryea Cara Marie Gary Anna Gerberich Stefan Goncalvez Dylan Gutierrez Dara Holmes Yuka Iwai Victoria Jaiani Hansol Jeong Gayeon Jung Yumi Kanazawa Hyuma Kiyosawa Brooke Linford Greig Matthews Graham Maverick Jeraldine Mendoza Xavier Núnez Princess Reid Aaron Renteria Christine Rocas Julia Rust Chloé Sherman Temur Suluashvili Miu Tanaka Olivia Tang-Mifsud Alonso Tepetzi Alberto Velazquez Joanna Wozniak Valentino Moneglia Zamora Scott Speck Ellie Cotey Music Director Costume Manager Bradley Renner Gregg Benkovich General Manager Shoe Manager Blair Baldwin Jim Walsh Company Manager Master Carpenter Nicolas Blanc, Adam Blyde, Suzanne Lopez Erin Tinsley Rehearsal Directors/Principal Coaches Master Electrician Grace Kim, Michael Moricz Gregg Moeller Company Pianists Property Master Cody Chen George Paulin Production Manager Soundperson Katherine Selig Matthew Carney Principal Stage Manager Electrician/Programmer Amanda Heuermann Matthew Black Stage Manager Flyperson These performances are made possible, in part, by Patron Sponsors Gail and Dan Rubinfeld, -
The Hosho School of Noh City Center Joffrey Ballet
1966 Eighty-eighth Season 1967 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Fifth Annual Dance Festival THE HOSHO SCHOOL OF NOH CITY CENTER JOFFREY BALLET (Formerly Robert Jaffrey Ballet) JAVIER DE LEON'S FIESTA MEXICANA OCTOBER 24, 26, 29, 1966 HILL AUDITORIUM ANN ARBOR, MICHIGAN Second Program Complete Series 3530 A R S LON G A V I T A BREVIS CITY CENTER JOFFREY BALLET WEDNESDAY, OCTOBER 26, 1966, 8:30 P.M. ROBERT J OFFREY, Artistic Dil'ector GERALD ARPINO, Assistant Director ALEXANDER EWING, General Director CHARTHEL ARTHUR DIANA CARTIER Ivy CLEAR HELYN DOUGLAS ERIKA GOODMAN SUZANNE HAMMONS PAMELA JOHNSON STEPHANIA LEE SUSAN MAGNO NOEL MASON MARJORIE MUSSMAN BARBARA REMINGTON DONNA SILVA TRINETTE SINGLETON KAREN WILLIAMSON REBECCA WRIGHT Frank Bays Rex Bickmore Robert Blankshine Richard Browne Dermot Burke Jon Cristofori Luis Fuente Richard Gain James Howell John Jones Nels Jorgensen Haynes Owens Rafael Romero Michael Uthoff Maximiliano Zomosa SEYMOUR LIPKIN, Music Director WALTER HAGEN, Conductor THOMAS SKELTON, Lighting Director ROCHELLE ZIDE, Ballet Mistress PRO G RAM Donizetti Variations Choreography by GEORGE BALANCHINE Music by GAETANO DONIZETTI (Don Sebastian) SUSAN MAGNO or STEPHANIA LEE ROBERT BLANXSHINE or LUIS FUENTE IVY CLEAR TRINETTE SINGLETON Charthel Arthur, Pamela Johnson, Noel Mason, Donna Silva, Frank Bays, Rex Bickmore, Michael Uthoff INTERMISSION Sea Shadow Choreography by GERALD ARPINO Music by MICHAEL COLGRASS Set by MING CHO LEE, loaned by courtesy of Rebekah Harkness Foundation TruNETTE SINGLETON RICHARD GAIN INTERMISSION Pas des deesses Choreography by ROBERT J OFFREY Music by JOHN FIELD Pianist: MARY ROARK Pas des deesses was inspired by a Romantic lithograph of 1846 by the artist Bouvier. -
Advance Program Notes Twyla Tharp 50Th Anniversary Tour Friday, March 3, 2017, 7:30 PM
Advance Program Notes Twyla Tharp 50th Anniversary Tour Friday, March 3, 2017, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. Twyla Tharp 50th Anniversary Tour John Selya Matthew Dibble Ron Todorowski Amy Ruggiero Ramona Kelley Kaitlyn Gilliland Reed Tankersley Kara Chan Mary Beth Hansohn Michaela Rae Mann Peter Chursin Dominic Santia Preludes and Fugues was commissioned by The Joyce Theater, New York with funds from the Estate of John L. Klebanoff and the John F. Kennedy Center for the Performing Arts, Washington D.C. (lead commissioners); Auditorium Theatre of Roosevelt University and Ravinia Festival Association, Chicago; TITAS Presents in association with AT&T Performing Arts Center, Dallas; and the Wallis Annenberg Center for the Performing Arts, Beverly Hills. This work was also made possible by the New England Foundation for the Arts National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts. The Twyla Tharp Dance Foundation gratefully acknowledges Jay Franke and David Herro, Bill and Catherine Miller, Patsy and Jeff Tarr, Stephen and Cathy Weinroth, and Vicente Wolf for their generous support, with special thanks to Tam O’Shaughnessy, in memory of Sally Ride, for sponsorship of Preludes and Fugues. Program PRELUDES AND FUGUES Dedicated to Richard Burke Premiered 2015 in Dallas, Texas Choreography by Twyla Tharp Music by Johann Sebastian Bach Music performed by David Korevaar and Angela Hewitt Costumes by Santo Loquasto Lighting by James F. -
2021-2022 Parent/Student Handbook and Agree to Adhere to These Policies, Procedures, and Code of Conduct
2021-2022 Parent/Student Handbook 1215 Linda Vista Dr. STE B San Marcos, CA 92078 (760) 525-6738 [email protected] www.newwestballet.com Table of Contents POLICIES AND PROCEDURES ............................................................................................... 5 REGISTRATION ..................................................................................................................................................... 5 TUITION................................................................................................................................................................ 5 Annual Payments ............................................................................................................................................. 5 Monthly Payments ........................................................................................................................................... 5 Family Pricing ................................................................................................................................................. 5 Military Discount ............................................................................................................................................. 5 SCHEDULE CHANGES............................................................................................................................................ 5 MISSED LESSONS AND MAKE-UP CLASSES .......................................................................................................... -
Joffrey Ballet
Copyright 2010, Michigan Opera Theatre tz -< NORTHERN TRUST IS PROUD TO SUPPORT THE DETROIT OPERA. n o -a o 9. ~ I- Z Ll.J :E :r:: u "'"Z Ll.J OPERA RERUNS OF AMERICA'S FUNNIEST HOME INJURIES Sin ce o ur fo unding in 1889, N o rthern Tru st ha s nurtured a cu lture of coring and a commitm ent to invest in the communities we se rve. ~ Northern Trust Bloomfield Hills Grand Rapids Grosse Pointe Forms 248·593·9300 616·233·0834 313·881·1030 northerntrust.com Copyright 2010, Michigan Opera Theatre BR(iVO CONTENTS 2006 Fall Season The Official Magazine of the Detroit Opera House BRAVO is a Michigan Opera Theatre WELCOME publication Letter from David DiChiera ...... ........ .... ........... .... ..................... 4 Dave Blackburn, Managing Editor Contributors ON STAGE David DiChiera Karen VanderKloot DiChiera Dracula .......................................................................................... 6 Ella M. Fredrickson Behind the Dracula Legend ...... ... ....... .. .... .. ......... .. .. .. .. ... ... ... .... l 0 DeBose Heyward Roberto Mauro Elizabeth Miller Porgy &: Bess ....................... ..... ...... .. .. .. .. .... .. ....... .... ....... .... ........ 12 Judith Slotkin Notes from Catfish Row .... .... ........... ......... .... ... ..... .... .... .... ....... 16 Publisher Echo Publications, Inc. The Barber of Seville ............ .... ... ...... .. ............ ...... .. .... .. ... ...... .. 18 Royal Oak, Michigan What's in a Premiere? .. .. ........................... .... ......... .... .... .... ....... 20 www.echopublications.com