“Methods of Quarrying and Dressing” (Pp
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Bedrock Geology Glossary from the Roadside Geology of Minnesota, Richard W
Minnesota Bedrock Geology Glossary From the Roadside Geology of Minnesota, Richard W. Ojakangas Sedimentary Rock Types in Minnesota Rocks that formed from the consolidation of loose sediment Conglomerate: A coarse-grained sedimentary rock composed of pebbles, cobbles, or boul- ders set in a fine-grained matrix of silt and sand. Dolostone: A sedimentary rock composed of the mineral dolomite, a calcium magnesium car- bonate. Graywacke: A sedimentary rock made primarily of mud and sand, often deposited by turbidi- ty currents. Iron-formation: A thinly bedded sedimentary rock containing more than 15 percent iron. Limestone: A sedimentary rock composed of calcium carbonate. Mudstone: A sedimentary rock composed of mud. Sandstone: A sedimentary rock made primarily of sand. Shale: A deposit of clay, silt, or mud solidified into more or less a solid rock. Siltstone: A sedimentary rock made primarily of sand. Igneous and Volcanic Rock Types in Minnesota Rocks that solidified from cooling of molten magma Basalt: A black or dark grey volcanic rock that consists mainly of microscopic crystals of pla- gioclase feldspar, pyroxene, and perhaps olivine. Diorite: A plutonic igneous rock intermediate in composition between granite and gabbro. Gabbro: A dark igneous rock consisting mainly of plagioclase and pyroxene in crystals large enough to see with a simple magnifier. Gabbro has the same composition as basalt but contains much larger mineral grains because it cooled at depth over a longer period of time. Granite: An igneous rock composed mostly of orthoclase feldspar and quartz in grains large enough to see without using a magnifier. Most granites also contain mica and amphibole Rhyolite: A felsic (light-colored) volcanic rock, the extrusive equivalent of granite. -
The Franklin Marble: One of New Jersey’S Most Famous Geologic Formations
New Jersey Geological and Water Survey Information Circular The Franklin Marble: One of New Jersey’s Most Famous Geologic Formations Introduction 0 5 10 Miles NY Sussex County Few rocks in New Jersey are as attractive or as well known as the Franklin Marble, which displays a Franklin virtual rainbow of colors from white, PA to light gray, pale pink, orange, pale Limecrest green, or pale blue. Samples of Franklin Quarry Marble are displayed in many museum exhibits nationally and internation- ally because of its importance as host rock for the world-famous zinc-iron- manganese deposits at the Franklin and Sterling Hill mines in Sussex County. These deposits contain more than 350 minerals, of which 90 are fluorescent. If New Jersey Highlands area of ever there were a contender for the offi- detail cial state rock of New Jersey, Franklin Marble would certainly be among those at the top of the list. Early in the study of the state’s geologic history, all marble was simply called white or crystalline limestone (Cook, 1868). The name “Frank- lin white limestone” was first intro- Figure 1. Distribution of the Franklin Marble (shown in blue) and other uncorre- duced by Wolff and Brooks (1898) for lated marble deposits (shown in red) in the New Jersey Highlands. marble at the zinc deposits in Frank- lin Borough. This was later shortened the area, where it forms a nearly continu- known. As a result, Franklin Marble was to “Franklin limestone” on one of the ous 21-mile-long belt in Sussex County. quarried extensively during the 20th cen- early state geologic maps of New Jersey Marble also crops out in small, detached tury, although most of the quarries are no (Lewis and Kümmel, 1910-1912), and bodies in the southwestern and eastern longer in operation. -
Final-Portafolio-2017.Pdf
ó Pacific Curbing is the leading company for Pinellas & Hillsborough area decorative concrete landscape curbing. Our decorative, stamped curbing is on the cutting edge of landscape design. 11/11/2016 2 ó Concrete curbing is a professionally installed, permanent, attractive concrete border edging that provides great additions and solutions to any landscape and serves as a weed and grass barrier by outlining flowerbeds. Pacific Curbing decorative concrete curbing can be installed around trees, flowerbeds, sidewalks and just about anywhere you like. 11/11/2016 3 ó Concrete curbing can enhance your landscape, it is the half of price of bricks and is a permanent solution, increase curb appeal, decrease the time spent trimming around landscape beds and increase your property value. 11/11/2016 4 ó Rollers are a soft textures impresions on the concrete curbing for the angle mold 6x4. ó You can choose a natural looking like stone or you can choose something symetrical. ó Price per foot $5.75 ó You can choose any color up 3lb ó Project is seal with the UV Sealer. ó PSI 3600 Ashlar Basketweave Brick Bone Cobblestone Flagstone H Brick Herringbone Offset bond Old stone Pebblestone Random Riverstone Running bond L Running bond Slate Spanish Texture Treebark Wood RAMDOM ROLLER RUNNING BOND ROLLER SLATE ROLLER FLAGSTONE ROLLER SPANISH TEXTURE SINGLE BRICK ó Stamps are deep impresions on the concrete curbing for the angle mold 6x4. ó They come on a symetrical designs. ó Price per foot $6 ó You can choose any color up 3lb ó Project is seal with the UV Sealer. -
Fact Sheet 5 Principles of Stone Extraction
QuarryScapes guide to ancient stone quarries Fact Sheet 5 Fact Sheet 5 Principles of stone extraction In all stone quarry situations the extraction phase rich) ones. Partly because they in general display is based on one or combinations of three the most brittle behaviour, but also because it is a fundamental principles: well documented fact (and experience among quarrymen) that siliceous rocks (granite in 1. Levering; expanding open fractures by particular) have well defined preferred splitting inserting levers, crowbars or stones 2. Splitting; creating fractures, preferable directions defined by microfractures in quartz. planar, by strokes (i.e. sledge hammer), Splitting by heating is caused by a combination of wedging; heating or blasting with thermal expansion properties and brittle explosives behaviour. It works best on quartz-rich rocks due 3. Channelling (carving); making channels in to the well known but poorly understood change the rock by carving with hammer and of mechanical properties of quartz when heated. chisel, pickaxe or stone tools, heating with fire, sawing or drilling Channelling is the third fundamental principle. Channels in the rock are made by removing the Levering may be described as the “simplest” way rock mass by chiselling, picking, sawing or of extraction, involving the expansion of natural heating. In most soft stone quarries from the cracks or other planes of weakness (such as Bronze Age onwards, channelling is the most bedding planes) using various tools. important extraction method. In most cases, channelling is combined with other methods. For Splitting may be defined as the act of generating instance, channels are made perpendicular to the new fractures for extracting rock. -
Inspire-Brochure-0220-Wac.Pdf
The Merits of Luxury Luxury is defined as a state of great comfort and elegance. The advantages of true luxury products increase over time. The more time you spend using them, the more you appreciate them. It comes at a price because it delivers both value and pleasure. Something of true quality will validate your choice every day that you enjoy it and every time that you look at it. It will bring you peace of mind as well as the pleasure of enjoying its enduring style and performance. Born of technology, Inspire® perfectly imitates noble materials while providing the distinct advantages of advanced manufacturing processes and product design without compromising aesthetics and performance. Unsurpassed Beauty and Superior Performance are the quintessential qualities that define Luxury, and precisely why discerning homeowners choose Inspire® Roofing Products for their homes. Choose nothing less than the best for your home. CLASSIC SLATE | CHARCOAL BLACK 2 3 CLASSIC SLATE | CUSTOM MIX «Luxury is not a necessity to me, but beautiful and good things are.» - Anais Nin Classic Color Mix slate program Elegance, Tradition, Inspire® by Boral Color Mix program allows Performance. you to choose up to five colors for a Classic Slate mix to create a roofing color palette that Inspire® Classic Slates’ textured surfaces and is uniquely yours. With Inspire® mixes, there is deckled edges are modeled from authentic never any need to shuffle tiles from multiple natural slates, imparting a controlled uniformity bundles prior to installation. Each bundle from that epitomizes natural slate roofing. Classic Slate Inspire Roofing Products comes factory-sorted delivers the appearance of a natural slate roof and ready for application. -
COMPARISON of GRANITE and PRECAST CONCRETE CURBING Cost and Technical Issues
COMPARISON OF GRANITE AND PRECAST CONCRETE CURBING Cost and Technical Issues MICHAEL SOCK April 1999 Prepared for the Rhode Island Department of Transportation by the Research and Technology Development Section RHODE ISLAND DEPARTME NT OF TRANSPORTATION William D. Ankner , Ph. D., Director James R. Capaldi, P .E., Chief Engineer Colin A. Franco, P.E., Ma naging Engineer, R&TD Executive Summary This study was undertaken to determine the technical and economic feasibility of using granite curbing as an option within the normal practices of highway construction in Rhode Island. Previous studies have been carried out by various entities, including the RIDOT design section. These were reviewed and referenced where appropriate. For this endeavor, the R&TD Section began with a literature search and surveys of states and vendors in their usage of highway curbing. A trip to the Fletcher Granite Quarries in Chelmsford was also undertaken to get a first hand look at the curbing operation and logistics involved in the supply of curbing. Through an interview with Mr. Robert Fruggiero, retired RIDOT Materials Engineer, we learned details about the inception of zero slump concrete curbing. As the technical aspects of granite vs. concrete curbing had been studied and reported on previously, we decided just to overview these and focus our effort on the economics of initial and life cycle costs instead. Needed information was difficult to obtain. However, we did get the same from various sources, such as states, vendors, contractors, and RIDOT records. The life cycle costing was done using conventional formulae, but with three different interest rates. -
Cemetery Preservation QUICK TIPS
Georgia’s State Historic Preservation Office IIIIIICCCeeemmmeeettteeerrryyy PPPrrreeessseeerrrvvvaaatttiiiooonnn QQQUUUIIICCCKKK TTTIIIPPPSSSIIIIII Common Monument and Gravemarker Materials Below are brief descriptions of the most common stones and monument material types found in Georgia. Stones vary in hardness and therefore in their ability to survive satisfactorily outdoors in cemeteries, as well as their ability to withstand cleaning or restoration. The Mohs Scale of Mineral Hardness, created in 1812, establishes talc as the softest mineral material and diamond as the hardest. There is no need to determine the exact hardness of a stone you are working on. However, seeing how some common cemetery materials rank on the Mohs Scale can guide your choice of the best methods for working with them: Talc (see "soapstone" below) Marble Sandstone Granite Diamond 1 3-4 5 7-8 10 If identifying the type of stone is difficult, but will be important to a cemetery preservation project, referring to a stone/mineral field guide is recommended, or consulting with a geologist or other expert. Marker Material Descriptions MARBLE Marble has been used for a great many markers in historic cemeteries in Georgia. The state's marble industry dates back to the late 1830s, when outcroppings of surface marble were discovered in north Georgia. Quarrying began, and markers were carved and sold throughout the area. The Georgia marble industry still thrives today. Several different types of stone that can be polished are called marble. A true marble, though, is a metamorphic rock made up of calcium carbonate, traces of silica and iron oxides; it is rather soft and easily carved. -
Granite Deterioration in the Graveyard of Saint James the Less, Philadelphia
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1990 Granite Deterioration in the Graveyard of Saint James the Less, Philadelphia Kathryn Marit Sather University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Sather, Kathryn Marit, "Granite Deterioration in the Graveyard of Saint James the Less, Philadelphia" (1990). Theses (Historic Preservation). 307. https://repository.upenn.edu/hp_theses/307 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Sather, Kathryn Marit (1990). Granite Deterioration in the Graveyard of Saint James the Less, Philadelphia. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/307 For more information, please contact [email protected]. Granite Deterioration in the Graveyard of Saint James the Less, Philadelphia Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Sather, Kathryn Marit (1990). Granite Deterioration in the Graveyard of Saint James the Less, Philadelphia. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/307 UNIVERSITVy PENNSYLVANIA. UBKARIES GRANITE DETERIORATION IN THE GRAVEYARD OF SAINT JAMES THE LESS, PHILADELPHIA Kathryn Marit Sather A THESIS in The Graduate Program in Historic Preservation Presented to the faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1990 Samuel Y. -
Granite Telecommunications, LLC
2014 Granite Telecommunications, LLC Samuel J. Kline, SVP, Strategic Planning Michael B. Galvin, General Counsel Bobbi-Sue Doyle-Hazard, Assoc. Corp. Counsel Granite Telecommunications,, LLC January 2014 CONTENTS Granite Background 1.1 Facts...…………………………………………………………………………….......2 1.2 Recognition…..………………………………………..………………………..…….3 1.3 Background…………………………………………………………..……………….4 National Product Support 2.1 North American Voice Management……………………………………………..…6 2.2 Structured Cabling and Systems……………………………………………………7 2.3 Broadband Solutions…………………………………………………………………7 2.4 High Capacity Data Services………………………………………………………..8 2.5 Data Aggregation Unit (DAU)………………………………………….…………....8 Impact of Trials on Granite Customers 3.1 Customer Description..……………………………………………….………….….9 3.2 Risks to Granite Customers From Regulatory Proposal……………………….10 3.3 Ground Rules for Trials……..……………………………………………….…….11 Page 1 of 11 GRANITE BACKGROUND 1.1 Who is Granite? ¾ Communications management company for businesses o Serves more than 13,500 multi-site businesses nationwide at over 240,000 locations o No residential services ¾ For over a decade, Granite has experienced explosive growth; 2013 annual revenue exceeded $865 million and project to exceed $1 billion in 2014 ¾ Granite manages more than 1,300,000 business phone lines (POTS), 68,000 Broadband lines, and 10,000 T-1s ¾ Granite is a private company with headquarters in Boston, MA and offices throughout America Purchased corporate-owned campus, exceeds 300,000 square feet of office space ¾ Over 1,100 employees and nationwide network of over 8,000 wire and cabling contractors ¾ Granite’s tremendous growth is matched by its client retention; both are industry leading ¾ Industry leading web tools with unique reporting that is customizable to customer’s needs Page 2 of 11 1.2 Recognition Ernst and Young Entrepreneur of the Year (2010) BBJ Top 20 Charitable Contributor of the Year in Massachusetts (2009, 2010, 2011, 2012) Inc. -
Genuine Marble and Granite. the Natural Choice
Genuine Marble and Granite. The Natural Choice. Genuine granite and marble are the natural choice for individuals who desire something really unique in countertops, vanity tops, showers, floors and other elements of the home. When you choose natural stone, you are assured that no other home in the world will have stone that is an exact duplicate. Don’t settle for anything less. Natural stone is durable, beautiful, easy to maintain, and will last a lifetime. Whether you are building a new home or remodeling an older one, natural stone is… The Natural Choice! M S International, Inc. Premium Natural Stones TM www.msistone.com Genuine Marble & Granite • Classic Beauty! What Makes Natural Marble and Granite Different? In a word, time. It takes millions, if not billions of years for Mother Nature to create natural stone. There are many factors that affect the ultimate graining and coloration of natural stone. They include underground springs, mineral deposits, earth shifts, temperature, natural solutions in the earth, and the pressure exerted on these elements over time. There is no way to duplicate these factors in a laboratory or manufacturing environment. Because of the vast differences in the conditions that created the stone, every block extracted from the earth is different. The hand of man has played no role in the process. Even after the stone has been removed from the quarry, there is little human intervention, except for cutting and polishing (which brings out all the uniqueness and natural beauty); nothing is done to alter the natural state of the stone. That’s why the number of different colors and patterns of natural stone is limitless. -
Natural Stone Slate Tile Installation Manual Setting
Natural Stone Slate Tile Installation Manual The following procedure for the installation of Natural Stone Slate Tile (Gauged Back) for Flooring It may be used over any wood and cement floor that is structurally sound and dry. In new home construction where plywood is used as a sub floor, it is suggested that an underlayment or backer board needs to attached to the sub floor to insure rigidity where slate floors will be installed. Setting 1. Clean area where slate is to be installed. In the case of smooth painted or varnished floors, it is necessary to sand with very coarse sand paper to assure a good mastic bond. 2. Lay out the slate to understand pattern choices. For multi color slates, blend tile randomly to give proper blend of colors as slate color vary from tile to tile. 3. Using a notched 1/4" x 1/4" trowel, hold at a 45 degree angle to be sure a full ridge is made with the notches. Spread thinset on floor starting ar a far corner so you can back out of the room as you proceed. Spread just enough area so you can reach over it to place the slate. Natural cleft slates have a thickness variation. Spread a good amount of thinset on the floor to make up for any thickness variation. Adding or taking away thinset will ensure that all the tiles are evenly set. 4. Maintain a grout space between the pieces as recommended by the slate supplier (1/4" or 3/8") depending on the sizes of the tiles. -
Special Effects with Stains
Get Fortified with Fiber Vol. 7 No. 4 • June/July 2007 • $6.95 Special Effects With Stains The masters reveal their secrets Getting Edgy New border tools and stamps Kitchen Countertops: Safety First II • www.ConcreteDecor.net • Aug./Sept. 2006 June/July 2007 | www.ConcreteDecor.net | 1 Publisher’s Letter Dear Readers, My wife’s grandfather is turning 98 years old in a month or June/July 2007 • Volume 7 so. Having lost his wife a couple of years ago, Papa, believe it or Issue No. 4 • $6.95 not, still lives at home by himself. On a recent visit to Papa we sat, as usual, in his family Publisher: Bent O. Mikkelsen room talking about a lot of things, like the way things used to Co-Publisher: Ernst H. Mikkelsen Editor: Wendy Ardolino be and, for obvious reasons, our concern for his health. During Editor: John Strieder our conversation Papa told me in a matter-of-fact tone of voice Translation Editor: Eduardo Morales that he had suffered a heart attack a couple of weeks earlier. Shocked by the news, I asked Creative Director: Patrick Hunter if he had seen a doctor or spent time in the hospital following that ordeal. Papa responded Web Design: Mark Dixon by saying “Oh yes, one night. My legs feel numb but I’m getting better.” Pressing for more Writers: Andrew Amrhein Susan Brimo-Cox information, he added, “… when I had the heart attack I was afraid I was going to die Christina Camara – however, a moment later, I became afraid I wasn’t going to die.” Saddened as we both Doug Carlton were by his news, this announcement caused us to laugh at the ordeal.