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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Textile Industry Needs Christopher D
The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates. -
Fashion Design
FIND YOUR DIFFERENCE Milano Master course Master Diploma IED FASHION DESIGN MILANO | BARCELONA | CAGLIARI | COMO | FIRENZE | MADRID | RIO DE JANEIRO | ROMA | SÃO PAULO | TORINO | VENEZIA th EDITION 19 “ELEGANT IS NOT WHAT Visiting Pitti Uomo at Florence YOU WEAR, AND IT’S NOT ABOUT HOW YOU WEAR IT, BUT IT’S MORE ABOUT WHO YOU ARE.” ALBER ELBAZ Title Master Diploma IED in Fashion Design Coordinator Fabio Di Nicola Starting date January Duration 1 year, full-time Location Milan Language English Students from the previous editions of the Master course collaborated with: MASTER COURSE IN FASHION DESIGN Photo by M. Siracusano “Fashion is changing and developing faster nowadays. Everything is on the move and needs to be refreshed constantly. The Master in Fashion Design aims at post graduate students who already have skills in fashion but need to upgrade their vision and enhance their abilities. A fashion designer today has to bring new ideas, new perspectives but also has to know how to create the fashion idea and make it real. The Master in Fashion Design ambitions are: create young professionals, aware of the fashion industry and ready to face the fashion world. Through different workshops, with real professionals, students will approach different experiences and various themes, going into deep every subject. Also the Master wants to develop the designers’ personality, the unique taste and the personal perspectives of the students to better define their personality both as creators and artists.” Fabio Di Nicola OVERVIEW IED Masters constitute an experience that allows students to explore concepts and develop projects aimed at the definition of their own professional identity. -
CATEGORY TITLE AUTHOR Basic Weaving/Techniques Mastering
CATEGORY TITLE AUTHOR Basic Weaving/Techniques Mastering Weave Structures Alderman Basic Weaving/Techniques Textile Handbook Ame Basic Weaving/Techniques Shuttle Craft Book of American Handweaving Atwater Basic Weaving/Techniques Finishes in the Ethnic Tradition Baizerman Basic Weaving/Techniques Key to Weaving Black Basic Weaving/Techniques Book of Looms: History of Handloom Broudy Basic Weaving/Techniques Understanding Rayon Chenille Butler Basic Weaving/Techniques Learning to Weave Chandler Basic Weaving/Techniques Simple Weaving Chetwynd Basic Weaving/Techniques Craft of the Weaver Colllingwood Basic Weaving/Techniques All About Weaving: Comprehensive Guide to the Craft Creager Basic Weaving/Techniques Weaving: A Creative Approach for Beginners Creager Basic Weaving/Techniques Samplers You Can Use Drooker Basic Weaving/Techniques Easy Weaving With Supplemental Warps Essen Basic Weaving/Techniques Warping All by Yourself Garrett Basic Weaving/Techniques Next Steps in Weaving Graver Basic Weaving/Techniques Sectional Warping Made Easy Groff Basic Weaving/Techniques Weaving: A Handbook of the Fiber Arts Held Basic Weaving/Techniques Creative Weaving Howard Basic Weaving/Techniques Warp and Weave LeClerc Basic Weaving/Techniques Everybody's Weaving Book Lewis Basic Weaving/Techniques Hands on Weaving Liebler Basic Weaving/Techniques Weaver's Companion Ligon Basic Weaving/Techniques Manual of Helpful Hints forHandweavers Mannings Basic Weaving/Techniques Compendium of Finishing Techniques McEneely Basic Weaving/Techniques Weaving as an -
HERE KS1 Teacher's Notes
KS1 Teacher’s Notes Learning Objectives Working • Ask simple questions and recognise that they can Scientifically be answered in different ways • Observe closely, using simple equipment • Perform simple tests • Identify and classify • Use observations and ideas to suggest answers • Gather and record data to help in answering questions Everyday • Distinguish between an object and the material Materials from which it is made • Describe the physical properties of everyday materials • Compare a variety of everyday materials on the basis of their physical properties • Identify and compare the suitability of a variety of everyday materials for particular uses Cross-curricular links: Speaking and listening, design & technology This plan can be used as a half day workshop or extended into a series of lessons. Summary Pupils will find out about a range of fabrics, their properties and uses through observation, discussion and scientific investigation. They will consolidate their learning through playing a team game, and then use imagination and problem-solving skills to design a garment for the future. You will need (not supplied in this pack): • Examples of 5 or 6 common fabrics made into Fabric Packs e.g. wool, denim, silk, nylon, cotton, fleece. Fabrics should be cut into pieces no smaller than 20cm square. Each pack needs to contain the same fabrics. • Each group/table will need one Fabric Pack • Further fabric pieces for Testing Fabrics investigations • for Investigation 1 we suggest; denim, silk, polyester • for Investigation 2 we suggest: -
Textile Society of America Newsletter 23:2 •Fl Spring/Summer 2011
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2011 Textile Society of America Newsletter 23:2 — Spring/Summer 2011 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 23:2 — Spring/Summer 2011" (2011). Textile Society of America Newsletters. 61. https://digitalcommons.unl.edu/tsanews/61 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile VOLUME 23 n NUMBER 2 n SPRING/SUMMER, 2011 Society of America Tinkuy de Tejedores by Marilyn Murphy CONTENTS accompanied with translations in English, Quechua, and Spanish. 1 Tinkuy de Tejedores Topics covering fiber and natu- 2 TSA News ral dyes, ancient and traditional 3 From the President weaving, and the recovery and commercialization of textiles 4 TSA Study Tours were crammed into two days. 5 TSA Member News Representatives from the commu- 8 Tinkuy de Tejedores, cont’d. nities spoke alongside the scholars and other invited guests. Q&A 9 Conference Reviews time followed each presentation. 10 Symposium 2010: Reports by For most of the first day, the TSA Award Recipients questions came from the English- 11 Textile Community News speaking participants. But slowly, 13 Book Reviews the indigenous women’s voices emerged. 14 Publication News GATHERING OF WEAVERS The Welcome Ceremony The richness of Tinkuy went 15 Featured Collection: American took place in the Sacred was led by an Andean priest, far beyond the speakers and their Swedish Institute A Valley of Peru Nov. -
Reflecting Noble Luxury and Refinement, New Lightweight Wool Materials Are of Key Interest to Designers, Retailers and Bespoke Tailors
Reflecting noble luxury and refinement, new lightweight wool materials are of key interest to designers, retailers and bespoke tailors. Beyond demanding perfected fits and wool’s signature aesthetic, discerning consumers expect emotional, sensorial tactility in garments. Responding to luxury market demands, leading Italian and English spinners and weavers are introducing exclusive fine-micron yarns and fabrics, derived from rare Australian merino. Stylesight explores Baruffa Group’s finest wool yarns for first-class sweater knits, cut-and-sew jersey, and wovens. Vogue Australia December 2012 / Elizabeth Debicki in wool, on location at Haddon Rig, a Merino wool farm in New South Wales. With seductive, magnetic charm, lighter weight but often still densely constructed wovens and knits are key on men and women's runways and at textile trade shows. Wool—traditionally a winter fiber—evolves with cutting-edge superfine qualities from 150s and 180s up to 250s. Offering noble refinement and unique trans-seasonal possibilities, wool moves beyond its pastime connotations. Gossamer knits / Posh mesh / Lightweight jerseys / Dense, hefty yet lightweight wools Finest wool Fabrics F/W 13 Dormeuil Limited Edition - finest wool yarns Zegna Baruffa Lane Record Bale - finest wool fabric Loro Piana Borgosesia Finest wool Fabrics Taylor & Lodge Meticulous fiber selection from choice breeds, along with revolutionary spinning and weaving technologies, is core to new noble wool productions. Wools characterized by strength, elasticity, fluidity, low pilling and -
A Voyage of Discovery Through the Threads of Bengali Embroidery
a voyage of discovery through the threads of Bengali embroidery a voyage of discovery through the threads of Bengali embroidery . -
Inventory of Investment Measures Taken Between 15 November 2008 and 15 February 2013
FREEDOM OF INVESTMENT PROCESS Inventory of investment measures taken between 15 November 2008 and 15 February 2013 March 2013 The “Freedom of Investment" (FOI) process hosted by the OECD Investment Committee monitors investment policy developments in the 55 economies that participate in the process. The present report was prepared for the Freedom of Investment Roundtable 18 held on 20 March 2013. It follows on from earlier reports, available at http://www.oecd.org/daf/inv/investment-policy/g20.htm. More information about the FOI process is available at www.oecd.org/daf/investment/foi. This work is published on the responsibility of the Secretary-General of the OECD. The opinions expressed and arguments employed herein do not necessarily reflect the official views of the Organisation or of the governments of its member countries. This document and any map included herein are without prejudice to the status of or sovereignty over any territory, to the delimitation of international frontiers and boundaries and to the name of any territory, city or area. Investment Division, Directorate for Financial and Enterprise Affairs Organisation for Economic Co-operation and Development 2 rue André-Pascal, Paris 75116, France www.oecd.org/daf/investment//foi © OECD 2013. This report may be freely reproduced with appropriate source attribution. TABLE OF CONTENTS Introduction ................................................................................................................................................... 5 Investment policy developments between 15 November 2008 and 15 February 2013 ............................ 6 There is a broad move towards greater liberalisation, but exceptions in individual countries .............. 8 Specific sectors receive particular attention .......................................................................................... 8 Policy measures related to national security regain prominence after a period of relative calm ......... -
Trinity Limited Incorporated in Bermuda with Limited Liability
Trinity Limited Incorporated in Bermuda with limited liability Stock Code: 891 The Trinity Group includes three historic menswear brands: CERRUTI 1881, GIEVES & HAWKES and KENT & CURWEN, as well as licensed brand D’URBAN. Individually distinctive, together they cater to the most discerning consumers. Global Offices Chinese Mainland Shanghai Hong Kong, SAR Taiwan Taipei France Paris United Kingdom London A Ruyi Group Company Contents 2 Corporate Information 3 Highlights 20 Chairman’s Statement 22 Chief Executive Officer’s Overview 25 Discussion and Analysis 32 Corporate Governance Report 51 Directors and Senior Management 60 Information for Investors 61 Directors’ Report 74 Independent Auditor’s Report 79 Consolidated Financial Statements 174 Financial Summary 175 Additional Information 1 TRINITY LIMITED ANNUAL REPORT 2018 Corporate Information Executive Directors Registered Office SUN Weiying (Chief Executive Officer) Clarendon House 2 Church Street Paul David HAOUZI (President) Hamilton HM 11 QIU Chenran Bermuda SU Xiao Kelvin HO Cheuk Yin (Chief Strategy Officer) Head Office and Principal Place of Business 8/F, LiFung Tower (Note) Non-executive Directors 888 Cheung Sha Wan Road QIU Yafu (Chairman) Kowloon Hong Kong Sabrina FUNG Wing Yee (Deputy Chairman) Daniel LALONDE Website WONG Yat Ming www.trinitygroup.com Independent Non-executive Directors Principal Bankers Eva CHENG LI Kam Fun The Hongkong and Shanghai Banking Corporation Limited Victor HUANG Bank of China (Hong Kong) Limited Michael LEE Tze Hau Hang Seng Bank Limited Patrick -
MILAN FASHION WEEK 18Th-24Th September 2018 Calendario Definitivo - Milano, 6 Settembre 2018 - Aggiornamento Al 18/09/18 FASHION SHOWS Wednesday 19 Sep
MILAN FASHION WEEK 18th-24th September 2018 Calendario definitivo - Milano, 6 settembre 2018 - aggiornamento al 18/09/18 FASHION SHOWS Wednesday 19 Sep. Thursday 20 Sep. Friday 21 Sep. Saturday 22 Sep. Sunday 23 Sep. Monday 24 Sep. 09:30 MAX MARA 09:30 TOD'S * 09:30 SALVATORE FERRAGAMO * 09:30 MARNI 09:30 ULTRÀCHIC VIA SENATO, 10 VIA PALESTRO, 14 PIAZZA AFFARI, 6 VIALE UMBRIA, 42 Supported by CNMI PIAZZA DUOMO - SCALONE 10:30 ALBERTO ZAMBELLI 10:30 GENNY 10:30 BLUMARINE 10:30 GABRIELE COLANGELO ARENGARIO 10:30 GIORGIO ARMANI ** VIA OLONA, 6 BIS PIAZZA DUOMO - SCALONE VIA SENATO, 10 PIAZZA DUOMO - SCALONE 10:30 CHIKA KISADA ARENGARIO ARENGARIO VIA BERGOGNONE, 59 Supported by CNMI 11:30 BYBLOS * 11:30 ANTONIO MARRAS * VIA OLONA, 6 BIS VIALE GORIZIA, 14 11:30 TIZIANO GUARDINI * VIA OLONA, 6 BIS 11:30 STELLA JEAN Presented by Mercedes-Benz VIA OLONA, 6 BIS VIA OLONA, 6 BIS 12:30 LAURA BIAGIOTTI 11:30 ATSUSHI NAKASHIMA * 12:30 CONFERENZA STAMPA GREEN 12:30 SPORTMAX 12:30 ROBERTO CAVALLI VIA RIVOLI, 6 VIA OLONA, 6 BIS CARPET FASHION AWARDS 12:30 FENDI VIA TURATI, 34 VIA VALTELLINA, 7 ITALIA 2018 VIA SOLARI, 35 13:15 CALCATERRA 13:15 SIMONETTA RAVIZZA 13:15 FILA * 13:15 BROGNANO PIAZZA DUOMO - SCALONE VIA MARINA, 10 VIA SAVONA, 56 VIA BERGOGNONE, 26 ARENGARIO 14:00 ARTHUR ARBESSER 14:00 ERMANNO SCERVINO 14:00 ANTEPRIMA VIA DELL'APRICA, 12 14:00 ETRO CORSO VENEZIA, 16 VIA SAN LUCA, 3 VIA PIRANESI, 14 15:00 JIL SANDER 15:00 LUISA BECCARIA 15:00 MSGM 15:00 PHILOSOPHY DI LORENZO 15:00 UJOH VIA POPOLI UNITI, 11/13 VIA PALESTRO, 16 VIA MECENATE, 84