second DAY’S SALE
WEDNESDAY 25th January 2017
COLLECTORS’ ITEMS, WORKS OF ART & CLOCKS
Commencing not before 12.30pm Collectors’ Items, Works of Art and Clocks will be on view on: Friday 20th January 9.00am to 5.15pm Saturday 21st January 9.00am to 1.00pm Sunday 22nd January 2.00pm to 4.00pm Monday 23rd January 9.00am to 5.15pm Tuesday 24th January 9.00am to 5.15pm Limited viewing on sale day
Weights and measurements are approximate guidelines only unless stated to the contrary
Works of Art & Collectors’ Item Clocks Enquiries: Martin McIlroy Enquiries: Leigh Extence Tel. 01392 413100 Tel. 01392 413100 Email: [email protected] Email: [email protected] 821 A 19th century Indian Muslim pattern ivory chess set one side stained with red concentric rings, the other side stained with black concentric rings, the pieces of domed form, the king 4.4cm. high, the pawn 2cm. high. £250 - 350 822 A 19th century Indian ‘Pepys’ type ivory chess set one side stained green, the other side left natural, the pieces with elaborate carved decoration and 821 raised on foliate decorated circular bases, kings and queens with pierced and galleried baluster knops, bishops with pierced mitres, knights with arched horses heads, rooks with rusticated decoration and spire finials, the pawns with foliate decoration, the king 11.5cm. high, the pawn 5cm. high. £600 - 800 823 An early 19th century six string guitar with ebonised and steel inlaid finger board, rosewood and mother-of-pearl inlaid pegs and applied foliate and scroll decoration to the sound board, bears label Gennaro Fabricatore, Anno 822 1829, Sucada Toledo N297, Napoli. contained in a wood case. £500 - 700
823-detail
823-body
823-main 823-label 823-head 170 824 OF LOCAL VIOLIN MAKING INTEREST 824 A 20th century violin by Henry Stoneman the two-piece back of narrow flame and curl, the varnish of a light honey brown, bears label Henry Stoneman, Exeter, (No 10) Fecit, 1925 ‘Devonia’, length of back 35.75cm. contained in a fitted case. £2500 - 3000 *Biography Born at Zeal Monachorum, Devon, 1856. Apprenticed to the joinery and cabinetmaking trade and worked for 20 years for an ecclesiastical building firm. He took up violin making and repairing. By 1925 he had produced twelve violins in total. He died in 1933.
171 825 A violin bow by Paul Hermman with ebony and mother-of-pearl inlaid frog, stamped Paul Hermann, 74cm. long, 57gms. £250 - 350 826 A 19th century ivory chess set of ‘barleycorn’ type one side stained red, the other side left natural, the King 7.5cm, the pawn 3.5cm. in wood box. £100 - 200 827 A late 19th/early 20th century German cigar box and novelty lighter, the rectangular box containing a lift-out tray for cigars, a crank handled dynamo and fuel tin, surmounted by a bear next to a wick, 20.5cm. wide. £200 - 300 825
826
827
828-case
828 A 19th century Union case containing two Daguerreotype portraits each image 5 1/2 x 4 1/4ins, the exterior of the thermoplastic case decorated with harvest scenes, the interiors bear 828-main paper label Littlefield, Parsons & Co, Manufacturers of Daguerreotype Cases and only legal manufacturers of Union Cases, 16cm. £100 - 200
172 831
829
829 A lacquered brass binocular microscope with coarse and fine focusing, lever operated mechanical stage, substage condenser, plano/concave mirror on a Y-shaped base, together with eyepieces and objectives contained in a fitted mahogany case. £300 - 400 830 No Lot.
831 An unusual late 18th century silk work picture contained in a later pole screen the central panel depicting a missionary aboard a three-masted galleon, with a standard flying from the bow sprit ‘United in Charity’ the tropical harbour with coconut palm and dove holding a ribbon entitled ‘You Conduct Them With Wisdom’ enclosed in a bullion cartouche with monogram above, trailing foliage, garlands and urns, 30 x 27cm on turned pole and circular base. £150 - 250 832 832 A pair of early 19th century silkwork and ivory handled face screens the embroidered panels with crest and motto - Aperto Vivere Voto (to live life as an open book or an honest person) for the Chamier family, framed and glazed. £200 - 300 833 A pair of Welsh bedspreads with all over geometric designs to a green ground, 223 x 206cm. £40 - 60 835 834 An over-painted needlework panel, entitled ‘Crastina dies nunquam venit’ (Tomorrow Never Comes) within a floral meander border 26 x 125cm. £40 - 60 835 A painted needlework panel depicting a medieval prince and princess visiting monarchs decorated in blues, pinks, greens, browns and yellows, 99cm x 277cm. £80 - 120
173 836 A Charles II silk needlework panel depicting a monarch outside a tent with dove and sun behind, in a wooded landscape, worked in coloured silks of reds, blues, greens, browns and cream, having a tasseled fringe, 13 x 10.5cm. £250 - 350 837 Five Chinese embroidered bell pulls of matching designs worked in different coloured silks, 78cm. long, together with a glass bead bell pull, 72cm. long, all framed and glazed. £150 - 250 838 A 19th century Cantonese carved sandalwood fan the paper leaf decorated with figures in a garden landscape with applied painted ivory faces, on pierced sticks and carved guards, 28cm. long, (one stick damaged) in black lacquer box and a Japanese shibyama bridge marker. £100 - 150 839 No Lot.
840 An early Victorian needlework sampler with upper and lower case alphabets, Arabic numbers, flowering shrubs, birds and crowns contained within a floral meander border, worked in coloured silks of browns, reds, greens and ivory by 836 Ann Skelly, aged 14 and dated 183832 x 24.5cm. £80 - 120 841 A George III small needlework sampler decorated with a crown held by two cherubs, with country house below flanked by flowering shrubs, enclosed within a floral meander border, worked in coloured silks by Jane Moore, dated December 9th, 1812, 15 x 14.5cm. £150 - 180
837
841
837
174 843 842
842 A small late 18th/early 19th century petit-point needlework picture of a gentleman in traditional dress, 5.5 x 4.5cm, a woolwork picture of two children fishing 17.5 x 16cm and a petit- point picture of flowers 15.5 x 13.5cm. £150 - 180
843 A William IV needlework sampler with two bands of verse, house amongst flowering shrubs with birds and a lower band of flowering potted shrubs and birds, worked in coloured silks of browns, greens and creams by Martha Kinsey, aged 12 and dated 1832, 50 x 54cm. £250 - 350 844 845 A William IV needlework sampler 844 with banded decoration of upper case alphabet, Arabic numbers, lower case alphabet, central verse surrounded by flowering shrubs, trees, birds and butterflies, enclosed by a strawberry meander border, worked in coloured silks of creams, greens, browns and blue, by Hannah Williamson, aged 13 and dated 1835, within a maple frame, 41 x 31cm. £150 - 250 845 A 19th century needlework sampler with central verse, flowering shrubs, trees, stags, birds and butterflies within a floral meander border, worked in coloured silks of browns, greens and cream by Rosannah Pew - aged 13 years, contained within a maple frame, 846 43 x 33.5cm. £100 - 150 847 846 847 An early Victorian needlework An early Victorian needlework sampler with verse surrounded by sampler with central verse surrounded flowering shrubs, a house, cats, stags, by flowering shrubs and trees, birds, birds, dogs and lions, enclosed by a flowers, stag, and dogs enclosed with meandering strawberry border, worked in a zig-zag border, worked in coloured in coloured silks of browns and creams silks of blues, browns, greens and by Anne Lumley, aged 13 years and creams by Charlotte Mary Mant aged dated 1837, contained in a maple 12 and dated 1837, within a maple frame, 48 x 40cm. frame, 53 x 49.5cm. £150 - 200 £200 - 300
175 851
848-9 No Lots.
850 A Chinese inlaid bronze vase, Gu inlaid with ruyi-heads, foliage and diaper bands, two-character Shisou mark, 16.5 cm high [polished]. £50 - 80 851 A Chinese bronze censer of compressed plain circular form, with loop carrying handles to the sides, on a circular foot, bears six-character Xuande mark, 16cm. wide. 850 £300 - 500 852 A Chinese bronze vase; late 17th/early 18th century, of ovoid form, the handles to the neck in the form of grotesque horned animals, with banded archaic decoration, on a circular foot, 31cm. high, base drilled, some damage. £300 - 500 853 A Chinese gold splash bronze tripod censer of compressed circular form with loop handles and peg feet, bears six character mark, 16 cm. diameter, weight 993 grms. £500 - 700
852
853
176 855
855
854
855
854 A pair of 20th century Chinese cloisonne and gilt metal table lamps decorated with figures dancing in a procession, the gilt metal oil lamps converted to electricity, raised on gilded pierced stands, with pagoda shaped shades. £300 - 400
855 A Chinese carved sandalwood rectangular box finely carved with figures by pavillions and in garden landscapes, the hinged lid enclosing a lift-out tray with eleven lidded compartments with ivory gourd finials, an oval plaque to the lid inscribed ‘Mrs C.A.Latter’, mid 19th century, 26cm [some damage]. £250 - 350 856 A Chinese silk and gold wire embroidered silk rank badge with a dragon chasing a fiery pearl; and further pieces of Chinese embroidery, some mounted on card. £200 - 250
856
177 858
857
859 859 857 A large Chinese cinnabar lacquer vase and cover of ovoid form, with domed lift-off lid with floral finial, with two large heart-shaped panels depicting figures in a woodland landscape enclosed by foliate and dragon mask decoration, on a matching circular stand, total height, 65cm. £250 - 350 858 A Chinese bronze tripod censer of circular form, the sides with three panels of script, raised on three peg feet, bears six character Xuande mark, 15cm. diameter, 1558gms. £300 - 400 859 A 19th century Cantonese export lacquer table top cabinet of rectangular outline, the top and sides decorated all over with figures in a pagoda landscape, having a pair of hinged panel doors with oval cartouches enclosing four long drawers with similar decoration, raised on bracket feet. £200 - 300
178 860 860 - verso
860 A Chinese bronze mirror, Han Dynasty the reverse with central boss enclosed by concentric bosses and archaic decoration, 14cm. diameter. £400 - 600 861 A large Chinese bronze tripod censer of squat circular form, with banded scrolling decoration, the handles in the form of dragons heads, raised on three peg feet with taoist mask decoration, bears six character mark, 40cm. wide, 25cm. high. £400 - 600 862 A Canton carved ivory concentric puzzle ball on stand of conventional form carved and pierced with dragons, flowers and foliage, the stand with a smaller puzzle ball, late 19th century, 36 cm high [minor damage and 861 discolouration]. £300 - 500
862 862
179 863
863 A Canton ivory card case finely carved overall with figures, pagodas, dragons, flowers and foliage, mid 19th century, 11 x 7 cm. £250 - 300
864 864 A Chinese jade rectangular plaque carved to the centre with the figure of Guanyin holding a vase and willow branch and standing on a lotus and cloud base, the stone of mottled pale celadon colour, 13.5 x 7 cm. £800 - 1000
180 865 A Chinese carved white jade pendant in the form of a boy seated on and clasping a giant gourd, 5 cm. £800 - 1000
866 A Chinese carved white jade dragon belt hook with dragon’s head terminal, the shaft with a sinuous chilong, 8 cm. £200 - 400
867 A Chinese hardstone table screen and wood stand the rectangular panel applied with a knarled peony branch and a peach spray, 15 x 12 cm [minor losses] on a carved and reticulated stand. £80 - 120
868 A Chinese carved jade figure of a reclining beast the stone of celadon colour, 5cm. long. £120 - 180
869 A Chinese jadeite bowl with flared rim, the mottled green translucent stone with cream and black inclusions, 10 cm diameter and wood stand. £50 - 80
865
866
867
181 870 871 872 A Chinese jade handle with ridged A Chinese carved and pierced jade A Chinese jade and hardstone grip and two fitting holes, the stone of girdle pendant in Han Dynasty style, composite necklace, in the form mottled dark green colour with grey in the form of stylised dragons carved of a bi half-disc carved with scroll calcification, probably Neolithic, 6.5 cm. with interlocking scrolls, the stone of motifs.8.75cm. wide. £100 - 200 grey flecked celadon colour, 12.5 cm £50 - 70 Provenance By repute from the wide. 873 collection of Prof.Muller of Bonn, Provenance By repute from the A Chinese carved jade model of a Germany and exhibited at the Museum collection of Prof. Muller of Bonn, duck in two parts with carved feather of East Asian Art in Cologne. Germany and exhibited in the Museum decoration, 13cm. wide, 12cm. high. of East Asian Art in Cologne. £100 - 200 £100 - 200
874 A Chinese inside painted glass snuff bottle and stopper signed Ma Shaoxuau (1867 - 1939) of rounded flattened form with cylindrical neck and shallow foot rim, the interior painted with the portrait of Master Yanting [a teacher] and inscription ‘’Painted by Ma Shaoxuan [1867-1939], in the 10th month of Winter, in the year of Renzi [1912 in Western calendar year]’’, the reverse with a congratulatory poem composed by Guyuan from Xiangfu [an author and poet] to celebrate Master Yanting’s 50th birthday, 9.5 cm high. £2000 - 4000 Note The sitter’s dates are circa 1863-1947 and on his 50th birthday or later several of these snuff bottles must have been produced and distributed amongst family members and friends. Translation of poem available on request. Provenance Acquired by the present owner in Hong Kong in the mid 1980s. 873
874
182 875 876
877
875 A pair of large Chinese carved stone chop seals each surmounted with a Foo dog, a loose ball in its mouth and two playful puppies to one side, the four faces of the square base carved with five rows of characters,19th century, 25 cm high. £200 - 300 876 A pair of Japanese cloisonne vases, of bulbous form with slender necks, decorated with cranes and foliage to a black ground, 13cm. high. £150 - 200 877 After Kunisada, three wood block prints of actors Ichikawa Dannusuke V, Onue Baiko and Nakamura Fukusuke I, each approx 35 x 25cm. £100 - 150 878 After Eizan two Japanese wood block prints of Geisha girls 878 one seated , the other playing a mokkin, each print 32 x 21cm. circa 1830. £100 - 150
183 880
879 A large Japanese bronze ‘Dragon’ vase of baluster form, the dragon modelled in high relief and clutching a glass ‘pearl’, mark of a jar with scroll surround, Meiji period, 44 cm high and carved and pierced hardwood wood stand. 879 £400 - 500 880 A Japanese bronze and ivory okimono of a courtesan combing her hair and dressed in loose robes, unsigned, Meiji period, 18.5cm. high. £250 - 350 881 A pair of Japanese cloisonne vases of ovoid form, decorated with dragons to a mustard yellow ground, 15.5cm. high. £200 - 300
881 184 882 882 A Japanese inlaid and gilded bronze circular charger decorated with a finch and bee amongst flowering shrubs, within a zig zag border, unsigned, Meiji period, 47cm. diameter. £150 - 200 883 883 A Japanese bronze vase, signed Seiho, Takaoka of ovoid form, the yellow bronze ground inlaid with mixed metals depicting sailing vessels on Lake Kawaguchi with Mount Fuji beyond, signed, late Meiji period, 21 cm high. £100 - 200 884 A pair of Japanese cloisonne vases of quatrefoil lobed form in the style of Namikawa Yasuguki, decorated with hanging blade panels of dragons and ho-ho beneath bands of flowers and scrolls, 26.5cm. high, Meiji period. (minor chip and crazing to one panel). £500 - 600 885 A Japanese carved ivory ojime in the form of a miniature human skull, a hole for the cord, the back engraved ‘SIC ER I’, 3.5 cm wide. £80 - 120
885 884 185 886
886 887 A Japanese carved and stained ivory A Japanese carved ivory netsuke, netsuke of two playing dogs, one signed Yasuhide kore wo koku climbing over the back of the other, [Yasuhide carved this] of Hotei lying Meiji period, 3 cm high [age cracks]. in his bag being pulled along by a £100 - 150 Chinese boy [karako], late Edo period, 6.5 cm [minor age cracks]. £300 - 500
887
888 888 A large Japanese carved and stained ivory articulated dragon formed from numerous overlapping sections with spines, the legs with stylised flames and the head with inlaid eyes, moving jaw and tongue, Meiji period, 108 cm long approx [some damage and losses] in stained wood box. £2000 - 3000
186 889 A Japanese carved ivory parasol handle the handle depicting Daikoku, a floral decorated pillar holding his sack, unsigned, Meiji period,14cm.long. £150 - 250 890 A 19th century Japanese carved ivory figure of a tiger damage to one leg, 16cm. long. £200 - 250 891 A Japanese tanto the 23cm. unsigned blade with one mekui-ana, carved ivory tsuba, the ivory tsuka with carved decoration of figures in a wooded landscape, with similarly decorated saya, overall length 46cm. £200 - 300 892 A Japanese carved ivory okimono, signed Akei ? of spherical form with a figure riding a dragon surrounded by four further figures, all on a large shell with waves, inlaid in mother of pearl, signed on red lacquer tablet, Meiji period, 5.5 cm high [tiny piece lacking]. £100 - 200 893 A Japanese carved and stained ivory okimono of Jurojin the smiling god seated on a deer and holding a scroll, Meiji period, 17 cm high and wood stand. £100 - 200
889
891
892 893 187 894
895 894 A Japanese carved ivory okimono of a Bijin wearing traditional costume and holding a cage containing birds, signed Shodo to the base on an inset black tablet, Meiji period, 27cm. high. £600 - 800 895 A Japanese carved ivory okimono of a basket seller wearing traditional peasant costume with assorted baskets hanging from a bamboo cane, signed Toshimasa to an inset red lacquer tablet, re-glued to base, Meiji period, 17.5cm. high. £700 - 900 896 A Japanese okimono of a scholar dressed in traditional costume holding an open book in his right hand, signed to the base, Meiji period, 17.5cm. high. £300 - 400
896
188 898
899
900
901
897 A Japanese carved ivory okimono of a farmer and child the farmer holding a cockerel in one hand and a scythe in the other, signed Gyokuzan, to the base, Meiji period, 10.5cm. high. £100 - 150 898 A Japanese okimono of two demons, Meiji period (1864-1912), one standing and stringing a bow, the other seated, on a naturalistic base, signed Ryuzan with Kao, 6cm high. £250 - 350 899 902 A Japanese stag horn netsuke Meiji period (1864-1912) in the form of an Immortal, unsigned 8cm. high. £100 - 150 900 904 A Japanese carved ivory netsuke Meiji period (1864-1912) of Mambi’s mask (see Davey p.368, No 1106), signed Shunko, 4.5cm. high. £100 - 150
901 A Japanese carved ivory netsuke Meiji period (1864-1912), in the form of a stylised turtle, signed, 4.8cm. long. £200 - 300 902 A Japanese ivory okimono Meiji period 903 (1864-1912), carved in the form of a 903 904 seated human skeleton, signed Hiyama, A Japanese ivory okimono Meiji period A Japanese sectional ivory okimono 5cm. high. (1864-1912) carved in the form of cob Meiji period (1864-12) of a peasant £300 - 400 nuts, signed 10cm. long, wearing traditional clothes holding a £300 - 350 bamboo stick (top half missing) raised on a naturalistic base, signed, some damage 22cm. high. £250 - 350
189 907 905
906
910
909 908 905 907 909 A Japanese carved ivory okimono Meiji A Japanese carved ivory okimono A Japanese carved ivory okimono of period (1864-1912) of a peasant wearing Meiji period (1864-1912) of a travelling a woodsman Meiji period (1864-1912), a straw hat, holding a basket and a musician with a drum on his back and holding an axe in one hand and a spade, unsigned, 9cm. high. holding a fan in his right hand, signed, bundle of kindling on his back, signed, £80 - 120 7.5cm. high. 14cm. high. 906 £150 - 200 £200 - 250 A Japanese carved ivory figure of an 908 910 actor Meiji period (1864-1912),modelled A Japanese carved ivory figure of A Japanese carved ivory okimono as a male kneeling figure holding a Noh a man with child on his back Meilji Meiji period (1864-1912), of a smiling mask, unsigned, 9.5cm. high. period (1864-1912), signed to the base, seated man teasing a young child with £100 - 120 15cm. high, some damage. an apple, unsigned, 10cm. high. £150 - 200 £120 - 150 911-4 No Lots
190 915
916 917
915 An Australian Aboriginal parrying shield of traditional oval form with incised geometric banded decoration, with integral handle to the reverse, 76cm. long. £400 - 500 916 A Fijian throwing club (Ula) of traditional design, the lobed head inset with ivory stars and crescents, on a tapering shaft, 44cm.long. £300 - 400 917 A Fijian war club of gun-stock type the blade with incised geometric decoration, on a curved shaft, 110cm. long. £300 - 500 918 A native North American carved 920 wooden cup in the form of an eagle’s 919 head holding a rabbit in it’s beak, 919 920 25cm. long. A Maori carved nephrite Hei Teki of A Middle Eastern carved and pierced £60 - 80 traditional design 5.25cm. high. stone jali panel carved with interlocking £400 - 600 foliate scrollwork, decorated with blue and green pigments, possibly 17th/18th century Rajasthan, 30 x 21 cm. £200 - 300
191 921 925
928 926
921 926 A bronze and gilt bronze Buddha An Indo-Portugese carved and stained seated cross legged on a lotus stand ivory figure of a Saint, probably in Dharmacakra Mudra pose holding Thomas Aquinas wearing flowing the stems of lotus blooms, his robe robes with a star on his chest, his hands decorated with the eight precious clasped in prayer, 17th/18th century, objects, probably 20th century, 13 cm high [age cracks] on carved 36 cm high. wood stand with scroll feet. £200 - 250 £500 - 700 922-4 No Lot. 927 A small Dieppe ivory figure of 925 Napoleon wearing a long tail coat, A pair of late 19th century French one hand inside his waistcoat, on ivory ivory and penwork door finger panels mounted turned ebony column, late of elongated cartouche outline, each 19th century, 6.5 cm high. decorated with a semi-nude female. £50 - 80 29cm x 7.5cm. 928 £200 - 250 A pair of 18th century Continental straw work pictures depicting figures outside a tavern, one initialled CHH and dated 1743 each panel 17 x 24cm. £400 - 600
927 192 932
934 929 929 An early 19th century Derbyshire Blue John urn of neo-classical form, on stepped square marble base, 22 cm high [some damage and loss, particularly to rim]. £400 - 600 930 An Austrian cold painted bronze of a newly hatched chick stamped Geschutz, 9cm. wide. £120 - 180 931 930 A Georgian mahogany satinwood crossbanded and chequer strung cutlery box of serpentine outline, the hinged lid enclosing a converted interior for stationery, raised on brass ball feet, 39cm. high. £200 - 300 932 A 19th century copper jelly mould 935 by Benham and Froud, with orb and sceptre stamp mark, no. 20722.5cm. 934 high, three chain link jelly moulds, A 19th century tortoiseshell and the longest stamped H Benham and mother of pearl pair of bellows with Co and two copper jelly moulds by leather bellows and brass nozzle, Benham and Froud and three others(9). 36cm. long. £500 - 700 £150 - 180 933 935 A pair of brass rosewater ewers of A French clockwork automaton singing cylindrical form with slender curved bird in cage the clockwork operated V-shaped spouts, the handles in the feathered bird on a floral decorated form female acrobats, on circular perch contained within a gilt metal spreading feet, 23cm. high. domed cage, 28cm. high. 931 £80 - 120 £400 - 500
193 936 A late 18th Century French tortoiseshell snuff box the circular top decorated with a view of Rousseau’s tomb, 8cm. diameter. £80 - 120
937
937 - open 194 938-part a 938-part b 937 An Anglo-Indian stained ivory tea caddy decorated on each side with colonial buildings in landscapes within foliate borders, on shaped bracket feet, Vizagapatam, circa 1790/1800, 28 cm wide [minor damage, age cracks]. £1000 - 1500 938 A pair of Georgian reverse glass equestrian prints Skyscraper by Highflyer, 1789, published 12th October 1795 by Laurie & Whittle, together with Warter by Highflyer, published January 1st 1802 by Laurie & Whittle, each 37 x 52cm. (2). £400 - 600 939 A Russian icon of the Beheading of John the Baptist with the head of the Saviour in a cup at his feet, the child Christ in a roundel above, 17th century, 34 x 27 cm. £600 - 800
939 940
195 940 A late 19th century Scottish polished specimen agate inkwell in the form of a curling stone, with revolving handle enclosing a central well, 7.25cm. diameter. £60 - 80 941 A late 19th century gilt bronze pin cushion in the form of a boar lacks cushion,13cm. long. £50 - 70 942 After Johann Heinrich Von Dannecker, a 19th century small ivory carving of Ariadne on a panther mounted on a rectangular base, 10cm. wide. £80 - 120 943 A Persian ornate gilt metal photograph stand of rectangular outline, with Islamic motifs and decoration,12.5cm. high together with a carved tortoiseshell mount, with pierced and foliate decoration, 18cm. wide.(2). £60 - 80 944 A set of six low relief plaques depicting Bacchanalian scenes with putti and satyrs, within velvet mounts and gilt frames, each plaque 11 x 15.5c. £200 - 300 945 A Betjemanns Patent oak and brass 944 mounted tantalus containing three cut glass decanters and stoppers, with two enamel spirit labels, 38cm. wide. £100 - 150 946 A Black Forest carved hardwood nutcracker in the form of a bear’s head, with inset glass eyes, 18cm. long. £80 - 120 947 A 19th century blonde tortoiseshell and horn snuff box of rectangular outline, the hinged lid inset with a mother of pearl inlaid medallion, 9.5cm. long. £70 - 90 948 An ivory and mother of pearl inlaid walking cane handle with gilt brass engine turned collar, 7.5cm. long. £100 - 150 949 A Black Forest carved linden wood bear holding a fish in it’s mouth, initialled AF to the underside, 17cm. long. £80 - 120 945
196 950 A large late 19th century German carved ivory, metal and paste mounted figure of a medieval knight in full chain mail and armour applied with ‘jewels’ and holding a sword and shield, the figure 43 cm high [some damage and age cracks] on ebony mounted stand. £2500 - 3500
197 951 951-open
952
953
951 An Indo-Portuguese ivory inlaid coromandel table cabinet the fall front enclosing one long drawer above a central double draw with two small drawers to either side, the whole inlaid with geometric designs, metal mounts and hasp, 17th/18th century, 31 cm wide [minor damage and losses]. £600 - 800 952 A Victorian burr walnut tea caddy of sarcophagus outline, with shallow domed hinged lid enclosing a central well with associated glass blender and two lidded canisters, having ring handles to the side, raised on reeded bun feet, 38.5cm. wide. £100 - 150 953 An oak and electro-plate mounted tantalus containing three clear cut glass decanters and stoppers with hobnail decoration, each with a silver spirit label, 39.5cm. wide. £80 - 120 954 An early 19th century mahogany, boxwood and ebony 952 - open strung workbox of rectangular outline with canted corners, the hinged lid with a watercolour of a harbour view to the lid interior, 34cm. wide. £80 - 100
198 955 960 955 958 A pair of 19th century French gilt bronze and champleve A continental engraved ivory panel depicting a female figure vases of trumpet form with floral enamel decoration with trident seated on a dolphin, 9.5cm. supported by putti on naturalistic circular plinths mounted £60 - 80 on enamel circular spreading feet, 33cm. high. 959 No Lot. £400 - 500 956 960 A Spanish gilt metal and niello inlaid parasol handle, of A 19th century bronze and gilt metal lamp in the form of a lobed tapering form 13.5cm. long, together with a similar cherub supporting an oil lamp, mounted on a green marble umbrella handle, (2). and gilt metal mounted circular base, converted to electricity, £100 - 120 42cm. high. 957 £100 - 200 A pair of 19th century French ormolu candlesticks with 961 foliate decorated urn nozzles, each on a stem with grape and Tim Cotterill (1950-), ‘Frogman’, a bronze and enamel model vine leaves supported by three swans on a trefoil base with of a frog ‘Tad’, limited edition 1/3, signed to the bronze, paw feet, 23cm. high. with swan supports, 9ins high. together with certificate, signed by the artist, 7cm. £100 - 150 £500 - 600
961, 962, 963 962 963 Tim Cotterill (1950-), ‘Frogman’, a bronze and enamel model Tim Cotterill (1950-), ‘Frogman’, a bronze and enamel model of a frog ‘Watchful’, limited edition 14/100, signed to the of a frog ‘Twist’, limited edition 15/100, signed to the bronze, bronze, together with certificate, signed by the artist, together with certificate, signed by the artist, 20.5 cm. 19cm long. £450 - 550 £350 - 450
199 964, 965 966
964 Tim Cotterill (1950-), ‘Frogman’, a bronze and enamel model of a frog ‘Polly Wogg’, limited edition 17/200, signed to the bronze, together with certificate, signed by the artist, 9cm. £300 - 400 965 Tim Cotterill (1950-), ‘Frogman’, a bronze and enamel model of a frog ‘Scallywag’ limited edition 11/100, signed to the bronze, together with certificate, 9cm. £300 - 400 966 Max Barratt 1937- 1997 A red serpentine abstract sculpture signed with initials to the base, 19cm. wide. £200 - 300 967 Sven Berlin (1911-1999) A carved hardstone sculpture of a puffin some damage, 23cm. high. £100 - 150 968 Giovanni Amendola (1848-1887), after Fredrick Lord Leighton P.R.A., R.W.S. (1830-1869), ‘Wedded’ a bronze figure group, mid brown patination inscribed to the base ‘Modelled by G.B. Amendola from the picture of Sir Frederick Leighton’ on a polished wood base, 41cm. £700 - 900
968
200 969 After Hamo Thornycroft R.A. (1850- 1925) three low relief presentation plaques For the Open Championship Horticultural Prize, depicting females in garden settings, cast beneath Presented By Toogood and Sons Ltd, Southampton, Seedsman To H.M. The King, and signed to the side Hamo Thornycroft R.A. each plaque 28 x 16.5cm. £150 - 200
969
971
970
970 971 After Alphonse Arson (1822-1882) a After Guillaume Cousteau, a pair of bronze study of an eagle attacking a bronzes of the Marly Horses each birds nest on a rocky outcrop, signed raised on a naturalistic base, bearing Arson, on an oval base, 52cm. high. signature Coustou, 38cm. high. £300 - 500 £400 - 600 972 Not Lot.
973 After Antoine Houdon (1741 - 1828) A late 19th century gilt bronze figure group of a couple kissing,mounted on a polished hardstone base, signed Houdon, 20cm. high. £200 - 300 974 An Arts and Crafts influence circular copper wall mirror the circular mirror plate enclosed in an embossed copper frame decorated with fruit and berries, 46cm. diameter. £300 - 400 974
973 201 975 A pair of lead garden urns of neoclassical form with half reeded decoration, the handles to the sides in the form of caryatid’s, on a circular spreading foot, 46cm. high. £300 - 400 976 A large stripped wood Indian elephant dressed in ceremonial hangings, with drapes and bosses, having wood tusks and curled trunk, mounted on a wood platform, 206cm long, 158cm high. £1500 - 2000 975
976
977 A pair of 19th century brass andirons of baluster galleried form with cup and ball finial’s, on stepped shaped bases 46cm. long. £200 - 300
977 202 978 980
981
978 A 19th century iron and brass fire basket of serpentine outline, with acorn finials and pierced brass foliate decorated apron, raised on square legs, 69cm. hide. £250 - 350 979 A set of three 19th century fireirons with knopped and spiral twist stems and handles. £100 - 150 982 980 981 982 A Liberty style hammered pewter wall A lead bird bath in the form of a putto A pair of 19th century bronze mirror of arched outline with enamel supporting a clam shell above his head, candlesticks with floral decorated urn- boss to the central arch and plain on a domed rocky circular base, shaped nozzles on reeded stems with bosses to each corner, containing a 74cm. high. climbing beetles having a foliate apron bevelled mirror plate, 53 x 59cm. £300 - 400 raised on swept legs with hoof feet, £200 - 300 30cm. high. £150 - 250
203 983 983 A pair of American parcel-gilt bronze whale oil Argand lamps and shades retailed by Baldwin Gardiner, New York, each reservoir with pointed finial, applied with two swans with outstretched wings and hung with prismatic glass drops, the columns applied with four flowering branches, on stepped bases, with frosted glass tulip form shades and plain chimneys, early 19th century, max. height 47 cm. £800 - 1200
984 A French porcelain and ormolu ‘chinoiserie’ table lamp the square section shade with figure finial and painted with baskets of flowers and rockwork supported on a foliate branch behind a seated figure, on a rectangular stand cast with acanthus and ribbon tied flowers and foliage, 45 cm high. £400 - 600
984 204 985 A pair of 19th century French ormolu and alabaster twin branch candelabra with garland decorated urn nozzles on curved branches, raised on plain columns and stepped square bases with foliate and beaded decoration terminating in peg feet, 28.5cm. high. (drip trays and urns drilled for electricity) £200 - 300 986 A pair of Continental iron and glass lustre twin branch candelabra the foliate nozzles of scrolling branches issuing from a foliate decorated stem, the whole with clear glass prismatic suspensions, on swept foliate feet, 53cm. high. £100 - 150
985
987
987 A pair of late 19th century ‘Ace of 988 Diamonds’ pattern brass candlesticks with cylindrical nozzles, knopped and 989 faceted stems, raised on square bases A 19th century Dutch brass two tier with canted corners, stamped ‘The Ace twelve branch chandelier with scrolled of Diamonds’ 35.5cm. high. arms and outside wiring, the central £250 - 300 turned and urn knopped column 988 with ball and ring at base, 66cm A pair of 19th century embossed brass (2ft 2in) diameter 67cm (2ft 2.5in.) wall sconces each of cartouche shaped overall height. outline, decorated with female masks £500 - 600 within a scrolling foliate border the plain nozzle with petal drip tray issuing from a scrolling branch, 23cm. high. £150 - 180
989
205 991
990 990 An Anglaise French Victorian grande- 992 sonnerie carriage clock the eight-day duration movement having a replaced 991 992 platform lever escapement, striking the A French miniature corniche carriage A Swiss silver and enamel miniature hours and quarters on two gongs at clock the eight-day duration timepiece carriage clock the eight-day duration each quarter (grande-sonnerie) or the movement having a platform lever timepiece movement having a lever quarters on two gongs (petite-sonnerie) escapement, the backplate stamped escapement and numbered 161849, with a lever positioned to the underside with the serial number 739, the white the round white enamel dial with black of the base for setting the strike along enamel dial having black Roman hour Arabic numerals and blued steel baton with silent, the backplate stamped with numerals and decorative pierced brass hands, the silver case decorated with the serial number 51, the white enamel hands, the brass corniche case with a purple enamel over an engine-turned dial having black Roman numerals, three-bail handle, height 9 cm (handle ground with further coloured enamel subsidiary alarm dial and shaped blued up) 8 cm (handle down). depicting swags of flowers, with a steel hands, the silvered and gilded £100 - 150 curved carrying handle, complete with Anglaise case with a fluted handle and the original travelling box with a secret having a lever to the base for either key compartment, height 5 cm (handle grande or petite sonnerie striking or up) 4 cm (handle down). silent, height 18.5 cm (handle up) 16 cm £150 - 250 (handle down). £400 - 600
206 993 Drocourt, Paris for J.W. Benson, a gorge carriage clock the eight-day duration movement having a replaced platform lever escapement and striking the hours and half-hours on a gong, with push button repeat, the backplate stamped with the trademark of the retailer J.W. Benson and serial number 23695, the inside stamped with the trademark for Drocourt along with the blanc roulant number 9960, giving a date of manufacture of circa 1885, the white enamel dial having black Roman hour numerals, outer five-minute markings, blued steel moon hands and signed J.W. Benson, 25 Old Bond Street, London and Paris, Fabrique de Paris, the brass gorge case with a five-bail handle, complete with travelling box and numbered key, height 17.5 cm (handle up) 14.5 cm (handle down). £200 - 300 Biography; For details of Drocourt see lot number 995. J.W. Benson were in business from 1844 until 1973 and are recorded as working at 62 & 64 Ludgate Hill, London with a retail outlet at West End House, 25, Old Bond Street. An advert of theirs in the Illustrated London News of the 13th of December 1884 shows a printed view of their ‘Steam Room’ and ‘Mezanine’. They traded as J.W. Benson from 1856 until 1891 and then as a limited company.
994 Holingue Frères, a gorge grande-sonnerie carriage clock the eight-day duration movement striking the hours and quarters on two bells at each quarter (grande-sonnerie) or the quarters on two bells (petite-sonnerie) with a lever positioned to the underside of the base for setting the strike along with silent (note; the two bells missing), with a replaced platform lever escapement, the backplate stamped with the serial number 2485, the inside of the movement stamped with the initials H.L. for Holingue Frères along with the roulant blanc number 8173, the white enamel dial having black Roman hour numerals, Arabic outer five-minute numerals, blued 993 steel moon hands and three subsidiary dials for day; date and alarm, the brass gorge case having a five-bail handle, height 17 cm (handle up) 14.5 cm (handle down). £400 - 600 Biography Jean-Francois and the younger Louis Holingue were the sons of the carriage clock maker Jean Baptiste and worked in the clockmaking town of Saint-Nicolas-d’Aliermont, near to Dieppe, producing the rough movements for a number of well-known makers including Paul Garnier and Bolviller. With Louis-Albert Holingue, the son and likely successor of Louis, married and settled in Paris with seemingly little interest in returning to the town, the brothers sold their workshops and equipment to Alfred Drocourt in 1875, having supplied Drocourt for a number of years with movements for his own clocks finished in Paris.
994 207 995 Drocourt, Paris, a corniche carriage clock the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a gong, the backplate stamped with the serial number 27377, giving a date of manufacture of circa 1888, with the inside of the plates stamped with the trademark for Drocourt of Paris along with the roulant blanc number 13566, the white enamel dial has black Roman hour numerals, outer Arabic five-minute numerals and blued steel spade hands, the brass corniche case with a three- bail handle, complete with numbered winding key, height 16 cm (handle up) 14 cm (handle down). £200 - 300 Biography Pierre Drocourt, born 1819, founded the Drocourt clock making business in Paris in 1853 with his son Alfred, born 1847, taking over in 1872. The blanc roulants to the clocks were made at their workshops in Saint- Nicolas-d’Aliermont, a town outside of Dieppe, before being finished at the 995 workshops in Paris at Rue Debelleyme 996 28, previously rue Limoges.
996 A French Anglaise carriage clock the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a gong, the backplate stamped with the serial number 1163, the white enamel dial having black Roman hour numerals, a subsidiary alarm dial and shaped blued steel hands, the brass Anglaise case with fluted pillars and matching handle, complete with numbered key, height 19.5 cm (handle up) 16.5 cm (handle down). £250 - 350 997 A French clock/barometer carriage clock set to one side an eight-day duration timepiece movement having a platform lever escapement, with applied filigree work to the centre of the silvered dial, Arabic hour numerals and blued steel hands, to the other side a matching barometer with a blued steel hand and adjustable brass pointer, with a thermometer set between and a compass to the top, the brass case with 997 a fixed carrying handle, height 16.5 cm. £300 - 500
208 998 E. Maurice & Co, Paris, a French Anglaise carriage clock the eight-day duration movement having a replaced platform lever escapement and striking the hours and half-hours on a gong, with push button repeat, the backplate stamped with the initials E.M. & Co. for Maurice of Paris along with the serial number 2701, the white enamel dial having black Roman hour numerals, with coloured swags of flowers set between, Arabic five-minute outer numerals, pierced and engraved brass hands, and with a silvered mask, the brass Anglaise case with pierced friezes top and bottom and a fluted handle, height 18.5 cm (handle up) 15.5 cm (handle down). £200 - 400 Biography E. Maurice & Co were makers of fine carriage clocks in the late Victorian period and were known for their decorative cases. They were at Rue Charlot 75, Paris and exhibited at 998 the Paris Exhibition of 1889.
999 1001 A French corniche carriage clock the 1001 eight-day duration movement having Le Roy et Fils, a lyre-shaped ormolu a platform cylinder escapement and and bronze easel clock the eight- striking the hours and half-hours on day duration timepiece movement a gong, the white enamel dial having having a platform lever escapement, black Roman hour numerals and blued the backplate stamped with the serial steel spade hands, the corniche case number 460, the white enamel dial with a three-bail handle, complete with with Arabic hour numerals, decorative travelling box, height 17 cm (handle up) gilded brass pierced and engraved 14 cm (handle down). hands and signed Le Roy & Fils, £200 - 300 Avenue de l’Opera, Paris, the bronze 1000 case in the form of a round casing Jaeger-LeCoultre, a timepiece mantel held by an ormolu ‘ribbon’ above with clock the straight-line eight-day further ormolu mouldings in the form of duration timepiece movement having a swags of flora, with an easel attachment lever escapement set within a Perspex to the rear which can be removed to case in the form of an aquarium, with allow for wall hanging, height 30 cm stylised gilded fish within, the dial (with easel) 25 cm (without easel). signed for Jaeger-LeCoultre, £100 - 200 height 20 cm. Biography; Le Roy et Fils were £300 - 400 established by Basile Charles Le Roy Biography; Jaeger-LeCoultre were in 1785 and were well known and established in 1833 by Charles Antoine fine makers of clocks. Basile Charles 999 Le Coultre in Le Sentier in the Valle de Le Roy was the Master Clockmaker Joux and obtained the current name to Napoleon & along with his son after the merger with chronometer Charles-Louis were clockmaker’s to maker Edward Jaeger in 1937 who, the Princess Pauline and the Duke de having worked for the firm for twenty Bourbon. Examples of their work are years, turned it into one of the finest in all the major collections as well in maker’s of watches in the world. the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal & continued until the death of Charles at Versailles in 1865. They took on premises at 13-15 Galerie Montpensier, Palais Royal, Paris when the Duc d’Orleans opened the Palais Royal gardens for both the trade and public’s use with many prestigious shops opening under the arcaded walkways. From 1885 their London retail outlet was at 57 Bond Street having moved from Regent Street. 1000 209 1002
1002 1004 Vincenti et Cie, Paris, a three-piece clock garniture the eight-day duration A French Empire ormolu mantel clock movement striking the hours and half-hours on a bell, the backplate stamped the eight-day duration movement with trademark for the maker Vincenti et Cie of Paris, the round white enamel dial striking the hours and half-hours on a having black Arabic hour numerals, red Arabic five-minute outer numerals, pierced bell with an outside countwheel, the and engraved brass hands, the white marble case having curved ends to the base ormolu dial with black Roman hour applied gilt-metal floral mounts and with the figure of a classical female reclining numerals and blued steel moon hands, against the side of the case and playing with two winged cherubs, complete with the arched ormolu case with embossed two matching three light candelabra side pieces depicting putti holding aloft the decoration and mounts to the front gilt-metal floral sconces, height 21 cm (clock) 35.5 cm (side pieces). depicting a classical maiden anointing £800 - 1200 another seated figure within an arch, Biography; For details of Vincenti see lot no. 1009 standing on an ebonised oval base with a glass dome, height 50 cm (clock) 56 1003 cm (inc. base and dome). Jaeger-LeCoultre, a timepiece mantel clock the straight-line eight-day duration £600 - 800 timepiece movement having a lever escapement set within a Perspex case with brass trim top and bottom, the dial signed for Jaeger-LeCoultre and having fleur- de-lys hands, with a repeat signature to the barrel cap, complete with original box bearing the model number 508, height 17 cm. £400 - 600 Note With a presentation inscribed to the base for 1987. Biography For details of Jaeger-LeCoutre see lot no. 1000.
1003 1004 210 1005 A large boulle cased mantel clock the eight-day duration movement striking the hours and half-hours on a gong with a countwheel, the backplate stamped on the backplate with the mark P.L. Tre and serial number 1368, the round brass dial having embossed decoration to the centre, with shaped blue porcelain plaques for each of the blue Roman hour numerals, and with decorative blued steel hands, the large waisted boulle-work case with engraved brass inlay to the red tortoiseshell and having heavy cast- brass rococo mounts to the front, sides and top with a glazed door to the front and standing on cast-brass feet, with a matching wall bracket, height 72 cm (clock) 100 cm (inc. bracket) £1700 - 2000
211 1006 Japy Freres, Paris, a brass four-glass mantel clock the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of Japy Freres along with the serial number 4837, the pendulum with twin mercury jars, the round white enamel dial having black Roman numerals and blued steel moon hands, with the brass corniche case having glass to all four sides, height 24 cm.
Biography originally set up in circa 1771 in Beaucourt by Georges Frederic Japy for the purpose of making ebauches (blanks) for watch movements, by 1809 they were also producing clock movement blanks. By 1810, Pierre’s sons Frederic-Guillaume, Louis-Frederic and Jean-Pierre had joined the firm and soon after the death of Frederic in 1812, his sons renamed the firm Japy Freres et Cie. £200 - 400
1006
1007-case
1007 Jaeger-LeCoutre Atmos VI clock the movement stamped to the front Jaeger-LeCoutre, Atmos, Swiss Made, and to the top of the regulation plate with the serial number 115517, the round cream chapter ring having gilt raised Arabic numerals for each quarter-hour and dauphine baton numerals for the remainder, with gilt dauphine hands, signed below 12 o’clock Jaeger-LeCoultre, the rectangular gilded brass case with canted corners and glazed front, back an sides, complete with original signed white case and outer cardboard box, along with the original guarantee from the Reading jeweller Bracher & Sydenham, dated 11th October 1960, and repair receipts height. £800 - 1000 Note Formerly the property of Jim Dibley, an influential breeder of pedigree Wessex Saddleback pigs, and sometime Chairman of the British Pig Breeders Association.
Biography For details of Jaeger- LeCoutre see lot no. 1000.
1007-main
212 1008 A Victorian bronze and marble French figural mantel clock the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and silk-suspension, the brass dial with raised decoration having black Arabic numerals and blued steel moon hands, the case depicting a bearded male figure offering sustenance to a small baby whilst leaning against a tree trunk against which leans his staff and bag, standing on a yellow variegated marble base with bronze acanthus leaf moulding, height 55 cm. £1200 - 1500
213 1009 Vincenti et Cie, Paris, a three-piece clock garniture the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the maker Vincenti et Cie of Paris, the round cream enamel dial with black Arabic Roman numerals with coloured floral swags between, a gilt filigree mount to the centre and blued steel fleur- de-lys hands, the gilt-metal case with floral, bird and rococo decoration and mounts, with tapered pink porcelain pillars to either side decorated with rural country scenes, a pink porcelain plaque set within the front and painted with a rural scene depicting seated lovers, and with a matching pink porcelain urn to the top of the case, with a pair of gilt-metal and porcelain matching vase shaped side pieces, height 42 cm (clock) 37 cm side pieces. Complete with glass domes. 1009 £500 - 700 Biography Vincenti set up his factory producing roulant blancs in Montbeliard in 1823 but went bankrupt a year later, whereupon the clock manufacturer Roux took on the management. They were awarded a Medaille d’Argent (silver medal) for their movements at the Paris Exhibition of 1855, Vincenti himself having died in 1834.
1010 A French bronze and ormolu mantel clock in the form of a bull the eight- day duration movement striking the hours and half-hours on a bell with an outside countwheel and stamped with the serial number 108, the dial with black Roman numerals on individual porcelain lozenges and blued steel hands (hour hand replaced), the case having a bronze bull sitting upon a rouge marble base with the clock, resting on a decorative saddle on the bull’s back which in turn is surmounted by the figure of a bronze cherub seated within a conch shell, with decorative ormolu mounts and on ormolu ‘griffin’ feet, height 56cm. £1000 - 1500 1010
214 1011 Samuel Toulmin, London, an ebonised bracket clock with pull quarter-repeat the eight-day duration double fusee movement having a verge escapement, fully engraved backplate with rococo and floral decoration, striking the hours on a bell and repeating the quarter hours on six bells via a repeat cord, the painted enamelled seven-inch break-arch dial with black Roman numerals, Arabic five- minute numerals, a ‘strike/silent’ dial within the arch, gilt rococo spandrels to the four corners and arch, decorative blued steel hands and signed to the centre ‘Saml. Toulmin, Strand, London’, the ebonised bell-top case with brass fret-work to the sides, to the front top corners, with four cast pineapple finials to the four top corners, a brass carrying handle to the top of the bell-top caddy and all standing on four cast-brass feet in the form of animal feet, height 54cms/50cms, handle up/down.
Biography Samuel Toulmin is recorded as working in the Strand from circa 1757 until 1783; a number of watches and clocks are recorded signed by him including a bracket clock in the Virginia Museum, a watch in the China Gelis collection and a watch in the Guildhall Museum. £1500 - 2000
215 1012 Bennett, London, a mahogany pediment clock the eight-day duration chain-fusee timepiece movement stamped on the backplate with the serial number 5784, the twelve-inch round silvered dial engraved with black Roman hour numerals, Fast/Slow regulation, and signed Bennett, 85 Cheapside, London, with blued steel spade hands, the round mahogany case with floral carved decoration to the edge and seated on an integral rectangular base with acanthus leaf carved decoration allowing the clock to be used as either a wall, pediment or mantel clock, height 54cm. £1000 - 1500 Biography Sir John Bennett (1814-1897) FRAS was an eminent clockmaker and watchmaker. He was born on 15th October 1814 at Greenwich as a son of the watchmaker John Bennett. Bennett is recorded as working at 65 Cheapside in London from 1847 onwards until at least 1883. He was Sheriff of London and Middlesex in 1872 and was knighted to become Sir John Bennett. He also followed a career as a politician in London. Bennett died at St Leonards-on-Sea on 3rd July 1897.
216 1013 Thomas Sherwood, Leeds, a mahogany bracket clock in the manner of Thomas Hope the eight-day duration, double-fusee, five-pillar movement having an anchor escapement and striking the hours on a bell, with shaped plates and border engraving, the round eight -inch white painted dial having black Roman numerals, , blued steel hands and signed Thos. Sherwood, Leeds, with the decorative gilded bezel having a continuous scroll design, the Romano-Egyptian style case, in the manner of the designer Thomas Hope, with tapered and fluted angle columns topped by acrotoria finials carved with a honeysuckle design, the case front with half-round angled mouldings inlaid with geometric brass stringing and a gadrooned pediment top surmounted by a brass pineapple finial, with obelisk shaped brass frets to the case sides, and standing on carved wood fan feet, height 50 cm (inc. finial). £2000 - 2500 Biography Thomas Sherwood is recorded as working as a watchmaker, silversmith and jeweller in Leeds from before his marriage in 1802 until at least 1834. Two further bracket clocks are recorded signed by Sherwood.
Biography Thomas Hope was a designer who travelled extensively abroad to find inspiration for his work, being particularly interested in Ancient Roman, Greek and Egyptian styles. He set out many of his designs in the book Household Furniture which he published in 1807. This particular case style was in use, with some small differences, by a number of cabinet makers including Banting & France who it is known made one of the earliest examples for the clockmaker’s Atkins & Son, which was in the possession of the Marquis of Bristol and was sold by Christies, King Street, London in May 2001.
217 1015
1014 1014 Joseph Smith, Barthomley, a walnut bracket clock the eight-day duration single- fusee timepiece movement now with an anchor escapement and formerly with pull- quarter repeat, now removed, seven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals to the outer aspect, fleur-de-lys half-hour markings and diamond seven-and-a-half hour markings, engraved in decorative script either side of VI o’clock Joseph Smith, Barthomley, the matted centre with a ringed winding hole and date aperture, with cast-brass female-head spandrels to the four corners and decorative blued steel hands, with wheat-ear engraving to the border, the walnut case having a shallow bell-top pediment surmounted by a brass handle, and standing on bracket feet, height 37.5 cm (not inc. handle). 1016 £600 - 800 1016 Biography Joseph Smith was from a well-known clockmaking family based in Smith Sectric, wall mounted clock the Cheshire. He was the son of the celebrated maker Gabriel Smith who himself 50 cm glass dial having an octagonal moved from Barthomley in 1822 and it is believed father and son shared a shop centre with black Arabic numerals, in Chester in circa 1747. Joseph made the Barthomley parish church clock in black hands and stamped Smith circa 1710. Sectric in raised lettering, the corners with yellow angled lines reaching the 1015 edges, with a metal frame, the top A Victorian grande-sonnerie striking ‘Vienna’ regulator wall clock the eight-day and bottom being cylindrical, held to duration, three-train weight driven movement striking both the hour and quarter- the wall on the left-hand side, the rear hour on two gongs at each quarter (grande-sonnerie strike), with the wood-rod housing the electric movement with pendulum having a brass bob, maintaining power to the winding and a dead-beat the casing having the various markings escapement with adjustable pallets, with a strike/silent lever above the bezel, the for Smith’s English Clocks Ltd, London, round white enamel dial having black Roman numerals and blued steel hands, dimensions 57 cm high, 60 cm wide. the simulated rosewood case having shaped mouldings, a glazed front door, and £150 - 250 turned finials to the bottom pediment, height 120 cm. Notes Originally from the Pavilion £400 - 500 Theatre, Torquay.
218 1017 1017 J. Jordan, Manchester, a mahogany drop-dial wall clock having an eight- day duration, weight-driven movement striking the hours on a bell, the twelve- inch round painted dial with black Roman numerals, subsidiary seconds dial and signed J. Jordan, Manchester, with decorative blued steel hands, the mahogany case having a turned moulded surround to the dial, a long drop trunk with a curved into-the-wall base, the trunk door having a curved 1018 top, height 138 cm. £400 - 600 1018 Biography; John Jordan, born 1811, GWR No.1, a mahogany drop-dial wall clock having an eight-day duration was a watchmaker and jeweller timepiece fusee movement, the thirteen-inch round painted dial having black recorded working at 46, Hanging Roman numerals, blued steel heart-shaped hands and painted to the centre with a Ditch, Manchester from circa 1832, and G.W.R. roundel, the mahogany case having a chisel-foot base with door and a cast- then 22, Market Street when living in brass bezel, with a bone plaque set below the dial engraved No.1, height 77 cm. York Street, and finally at 38, Market £1000 - 1200 Street whilst living in Arlington Street. He is believed to have died in 1851 and his wife Eliza was possibly also a clockmaker.
219 1019 Vulliamy, London, a mahogany drop-dial wall clock the eight-day duration timepiece fusee movement having maintaining power, a dead-beat escapement and a ‘T’ bar suspension, the backplate engraved Vulliamy, London, 1412 which is repeated twice to the underside of the plates, with an additional number 5813, the eleven-inch round silvered dial engraved Vulliamy, London, with black Roman numerals and blued steel heart-shaped hands, with a cast-brass bezel, having a mahogany chisel-foot case with lower trunk door, height 60 cm. £2000 - 3000 * For details of Vulliamy see lot no. 1034.
220 1020 Barwise, London, a mahogany wall clock the eight-day duration, weight- driven timepiece movement having a dead-beat escapement and maintaining power, the nine-inch round silvered dial engraved with black Roman hour numerals, Arabic five-minute numerals to the outer aspect, with a subsidiary seconds dial, blued steel hands and signed Barwise, London, the mahogany case with inlaid ‘sunburst’ decoration to the arch of the trunk door, canted corners, a shaped pediment base with the hood having a pagoda top, height 145 cm. £1800 - 2200 Biography John Barwise was born in Cockermouth, Cumberland in 1755 and moved to St. Martin’s Lane, London in circa 1780, where he married in 1790. The business became known as Barwise and Sons from 1819 until 1823 and his date of death is often quoted as being 1842, although this is open to question.
221 1021 Elliott Ltd, an RAF sector wall clock the eight-day duration, single-fusee movement stamped to the backplate 18397, Made by Elliott Ltd, England, 1941, the twenty-four hour, fourteen- inch sector dial having black Roman numerals, RAF ‘King’s Crown’ warrant officer’s insignia to the centre, red, blue and yellow sector markings and blued steel spade hands, the round mahogany case having a black painted brass bezel and stamped on the rear of the backbox Made by Elliott Ltd, below the Air Ministry cypher, indistinctly stencilled to the back with the Admiralty arrow followed by R 20-3-195?, Stores No. 21B/118, Con. No. A187 etc, the inside of the case having two sheets signed by pilots from various squadrons including K. Mackenzie, DFC, AFC, 501 squadron and Tom Neil, 249 squadron, with a further store label to the side door, diameter 47cm. £3000 - 4000 Note Sector clocks were widely used during the Second World War to track enemy aircraft movements. As an enemy plane was spotted its position was marked on a UK map using the British Modified Grid system laid out at a sector operations room, using a coloured disc matching the coloured 1021-main segment on the clock dial as pointed to by the minute hand, each coloured sector representing five minutes. The discs were then repositioned on the map as further sightings came in, using a magnetic ‘rake’, which enabled the controllers to follow the progress and formation of each flight and work out its possible target, This simple, but extremely effective, method of gaining the required information with speed allowed quick decisions to be made in the battle of the air.
1021-movt
1021-detail 1021-detail
222 1022 Peter Bower, Redlynch, an oak longcase clock the associated thirty- hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur- de-lys half-hour markings and signed either side of VI o’clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base with restorations and tapered three-quarter columns to the hood with wood capitals, height 213cm. £400 - 600 Biography Peter Bower is recorded as a fine and prolific maker working in the west-country from circa 1710.
1023 Thomas Lowe, Dundee, a mahogany longcase clock the eight-day duration movement striking the hours and half-hours on a bell, the twelve-inch break-arch painted dial having black Roman numerals, subsidiary seconds and date dials to the centre, floral decoration painted to the four corners, with a painting in the arch depicting a crowned king playing a harp behind a opened curtain, with decorative brass hands and signed Thos. Lowe, Dundee, the mahogany case with crossbanding to the base and trunk door, quartered columns to the trunk with barley twist decoration to the lower half and fluting to the top half, the hood having a swan- neck pediment with brass ball-and-spire finials to the sides and a brass eagle- and-ball finial to the centre an having fluted pillars with cast-brass capitals, height 214 cm (inc. finial). £600 - 800 Biography Thomas Lowe, sometimes Low, is recorded as working in Dundee from at least 1828 to after 1860, becoming a Burgess of the city in 1832 and Guildbrother in 1837. The first address recorded is 204 Overgate before moving to number 27 in 1840. His father Isaac was a baker and 1023 Thomas married Jean White at some point. He took over the repair of the clock in the St Andrews parish church in 1855, having been made by one of the city’s most famous clockmakers, James Ivory.
1022
223 1024 1024 A carved oak cuckoo clock the eight-day duration, double fusee movement striking the hours on a gong, whilst a cuckoo appears from the doors above the dial, the round silvered dial with an engraved centre, black Roman numerals, and blued steel hands, the carved oak case having a pediment top, a scroll bracket base and various applied mounts, the lower door bearing a label for Camerer Cuss of 186, Uxbridge Road, at the period the main retailers of quality clocks of this type, height 85 cm. £800 - 1200 1025 Davie Steward, Newport Pagnell, a quarter-chiming longcase clock the eight-day duration movement striking the hours on a bell and the quarters on a nest of eight bells, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals to the outer aspect, fleur-de-lys half-hour markings and signed either side of VI o’clock Davie Steward, Newport Pagnell, the matted dial centre having engraved decoration to the date aperture, with a pair of birds below the subsidiary seconds dial, with cast-brass female head spandrels to the four corners and blued steel hands, the arch having a round silvered boss engraved with a basket of fruit sat on a table, with cast brass c-scroll spandrels either side, the mahogany case having a pagoda top, with fluted canted corners to the hood and surmounted by three brass ball-and-spire finials, height 234 cm (inc. finial). £2000 - 3000
1025 224 1026 Edward Blowers, Beccles, a mahogany longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch break- arch brass dial having a raised chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals, with cast-brass c-scroll corner spandrels, the matted centre with subsidiary seconds dial and date aperture,with a convex brass bob within the arch engraved with the maker’s name Edwd. Blowers, Beccles, the mahogany case having typical Suffolk cresting to the top surmounted with three brass ball-and-spire finials, fluted pillars to the hood with cast-brass capitals, a break-arch door to the trunk, boxwood edging to the edges, and a plain base with bracket feet, height 218 cms. £800 - 1200 Biography Edward Blowers is recorded as working in Beccles, Suffolk in the second half of the 18th century, primarily as a maker of longcase clocks.
225 1027 William Barker, Wigan, a moonphase longcase clock the eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals with Arabic five-minute numerals to the outer aspect, the silvered dial centre engraved with c-scroll decoration and having a subsidiary seconds dial, and sweep date to the inner aspect of the chapter ring, with cast-brass c-scroll spandrels to the four corners, the arch having a moonphase disc set within the arch above, with the adjustment wheelwork from behind the dial in typical Barker fashion, and engraved above with the maker’s name Will. Barker, Wigan, the globe area having two applied silvered mounts engraved with the motto Time is Valuable, the mahogany case having a shaped moulding to the top of the trunk door, fluted columns standing on fret- work blocks to the trunk corners, the hood flat fluted columns to the door and further turned fluted columns to the corners, a fretwork panel to the swan-neck pediment and cast-brass finials, the base having canted corners, a shaped raised panel and standing on bracket feet, height 230 cm. £700 - 900 Biography William Barker was a well-known maker working in Wigan, Lancashire, with a whole chapter devoted to him in The Clockmakers and Watchmakers of Wigan by Arthur J. Hawkes published in 1950. A member of the Barker family of clockmakers, William was believed to have come to Wigan with his father Thomas in circa 1737 and established himself not only as a clockmaker, but also a gunsmith and petitioned to be made a Freeman in March 1748 stating that having ‘married a wife there, is desirous to obtain his Freedom and to exercise his trade therein…’ being finally admitted in 1751. He quickly became very active in the town and was at the forefront of a number of petitions stopping others from plying their trade without the requisite Freedoms, often to stop competition from those of equal ability. Thomas Hatton, an 18th century London watchmaker and author on clocks wrote in his Introduction to the Mechanical Part of Clock and Watch Work, published in 1773, that William Barker can be put ‘in the front rank’ of makers. Barker’s masterpiece, a longcase clock with various complications, including moon- phases and state of sunrise and sunset along with calendar work for the Old Style and New Style that came into use in 1752, was made circa 1780. William Barker fell ill in July 1786 and died some months after, with his son Daye Barker continuing the business for a short while.
226 1028 Hayter, Wells, a mahogany longcase clock the eight-day duration movement striking the hours on a bell, the thirteen-inch silvered dial engraved with black Roman numerals, Arabic five-minute outer numerals, depictions of the four seasons to each corner, the centre with c-scroll decoration, subsidiary seconds dial, date aperture and engraved within ribbon scrolls Hayter, Wells, the arch having further engraved decoration depicting a mythical bird above further ribbon scrolls engraved Tempus Fugit, the mahogany case with circular cross-banding to the centre and further inlaid stringing to the base, trunk door, the canted corners, and hood door, the hood having a swan-neck pediment with a brass ball-and-spire finial and having fluted columns with cast-brass Corinthian capitals, height 226 cm (inc. finial) £500 - 700 Biography; John Hayter is first recorded as working in Wells, Somerset in circa 1794. He died on the 17th of April 1812 when he left all his tools and goods, along with various volumes of books, to his son, also called John and also a clockmaker. This John was known to be working in the late 1700s in Wells before moving to Wells in 1793 where he is recorded as a watchmaker. A silver watch signed by Hayter is in the Bristol museum.
1029 Jas. Coffin, Barnstaple, a mahogany longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the dial centre having a seconds dial, large date aperture and engraved with rococo decoration and the name Jas. Coffin, Barnstaple, with decorative blued steel hands, female-head cast- brass spandrels to the four corners, a round silvered boss to the arch engraved with an eagle above a ribbon engraved Tempus Fugit, with cast-brass dolphin spandrels to either side, the mahogany case with crossbanding to the base, shaped trunk door, the flat-topped hood with tapered pillars having cast-brass capitals, height 214 cm. £500 - 600
Biography; James Coffin is recorded as having been apprenticed in 1752 to 1028 William Upjohn of Exeter at a premium of £12 12s. It is known that he looked after the Barnstaple parish church clock for five years from the 7th of June 1764.
1029
227 1030 John Ebsworth, London, a marquetry longcase clock the associated eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the ten-inch square brass dial having a raised silvered chapter ring with fleur-de-lys half-hour markings and a thin outer aspect engraved with Arabic five-minute numerals, the dial centre engraved with tulip style decoration and signed above VI o’clock John Ebsworth, Londini fecit, within a ribboned cartouche, with cast-brass cherub-head spandrels to the four corners and blued steel hands, the walnut case with panelled bird-and-flower marquetry inlay to the trunk door, with further inlay to the base, the flat-topped hood with barley-twist columns, floral inlay, fret-work to the top frieze and glazed panels to the sides, height 197 cm. £4000 - 6000 Biography John Ebsworth was a pre-eminent and important early clockmaker who was apprenticed to Richard Aymes on the 23rd of February 1657, becoming free on the 3rd of April 1665. He was an assistant to the Worshipful Company of Clockmakers in 1682 becoming a warden between 1694 and 1696 and finally Master in 1697. He worked at the Cross Keys, Lothbury, London and may well have succeeded the famous lantern clock maker Thomas Knifton. He died in 1699 with his will proven in September of that year.
228 1031 William Frodsham, a lacquered longcase clock the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and engraved either side of VI o’clock with the maker’s name William Frodsham, London, with a ‘strike/silent’ silvered dial to the arch, the matted dial centre with seconds dial and date aperture, with female-head cast-brass spandrels to the four corners, the green lacquered case having raised chinoiserie decoration, the pagoda topped hood with three cast-brass eagle-and-ball finials, with turned columns to the hood having cast-brass capitals, height 236 cm (inc. finial). £2000 - 3000 Biography William Frodsham, born 1728, was the founder of this famous family firm of clockmakers and made an honorary Freeman of the Worshipful Company of Clockmakers in 1781 before opening his own retail shop at 12, Kingsgate Street, Red Lion Square, London. He was an important maker who may well have acted as a journeyman to Justin Vuilliamy and was taught the art of watch jewelling by his friend, the great chronometer maker Thomas Earnshaw. This caused a problem for Frodsham when in 1804 he was asked by the Board of Longitude to give evidence regarding a reward for Earnshaw following the latter’s claim to have improved the detached escapement. William Frodsham died in November 1807 having outlived his son, the clockmaker William the younger, by 18 months. It was this son born 1755, with whom William the elder worked in partnership from circa 1779, the firm being known from this date as William Frodsham & Son.
229 1032 Thomas Andrews, Sheffield, an oak longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the dial centre engraved with floral decoration, ringed winding holes, and subsidiary seconds and date dials, with blued steel hands, with a round silvered boss to the arch engraved with the maker’s name Thos. Andrews, Sheffield with cast-brass spandrels to either side, the oak case having canted corners to the base and trunk, the hood with turned tapered pillars with cast- brass capitals and a curved pediment, height 217 cm. £400 - 600 Biography Thomas Andrews is recorded as working as a watch and chronometer maker in Sheffield, Yorkshire in 1774 where it is known he had a shop in the High Street.
1033 John Blurton, Stourbridge, a mahogany moonphase longcase clock with an eight-day duration movement striking the hours on a bell, the fourteen-inch painted break-arch dial having black Roman hour numerals, decorative floral decoration to the four corners, decorative blued steel hands, the dial centre with subsidiary seconds and date dials and signed Jno. Blurton, Stourbridge, the arch having a revolving disc showing the phases of the moon, the mahogany case with fluted corners to the trunk, a gothic moulding to the trunk door, a swan-neck pediment to the hood with a raised wooden block finial to the centre and inlaid with Prince of Wales feathers within an oval to the pediment centre and floral inlaid decoration within ovals to either side, the fluted pillars to the hood with cast-brass capitals, with canted corners to the base and standing on bracket feet, height 235 cm. 1032 1033 £400 - 600 Biography; John Blurton is recorded as working in the High Street, Stourbridge, from circa 1818 until 1840 when he moved to Rye Market before moving again in 1844 to Upper High Street, where it is known he was still operating in 1851. He was born in Uttoxeter, Staffordshire in 1787 and was the younger brother of Venables Blurton, a known maker of clock cases. His son Edward became a clockmaker in the town and was also known to sell tea.
230 1034 Vulliamy, London, an oak night-watchman’s clock the eight-day duration, weight-driven, five-pillar timepiece movement having an anchor escapement with the shaped wood-rod pendulum having a brass bob and ‘T’ bar suspension, the backplate engraved Vulliamy, London, 1730,, the 8 ½ inch square silvered dial engraved with a standard chapter ring to the outer with black Roman numerals, with a twelve-hour time-keeping ring to the centre with plunger at XI o’clock, set via a brass knob running through the case on the right-hand side, engraved Vulliamy, London, No. 1743, AD 1845., the oak case having a pediment top and long door to the trunk, height 188 cm.
Biography Benjamin Louis Vulliamy, born 1780, married Francis Styles 1815, died 1854, was the son of the fine clockmaker Benjamin Vulliamy and worked alongside him for a number of years. B.L. Vulliamy was keeper of the clocks in the Royal Household and would often arrange for both movements and dials to be replaced with those of his making so as to improve their efficiency. He was also, along with his brother Justin Theodore, responsible for continuing the work of Frederick Barraud in building up the magnificent library of horological books belonging to the Clockmakers Company, indeed many of the books were presented by the Vulliamy brothers themselves and he would push other clockmakers of note to donate books. At a time when many new law offices and government buildings were being constructed on the orders of William IV, Vulliamy was given the opportunity to provide clocks for these buildings and it is claimed that the business supplied 187 such clocks for the Crown, of which this example is one. £2200 - 2600 Ref. David G. Vulliamy, The Vulliamy Clockmakers, The Antiquarian Horological Society.
1035 Foxton, Sutton Ashfield, an oak longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial having black Roman numerals, a subsidiary date aperture and painted with coloured shells to the four corners, an Oriental bird to the centre, and a lady seated at a tree with a cocker spaniel within the arch, and signed to the centre Foxton, Sutton Ukfield, the oak case having small oval panels inlaid with floral decoration to the trunk and base, with cross-banding to the base and trunk door, canted corners to the trunk inlaid with further decoration, the hood having a swan-neck pediment with further cross- banding, the turned mahogany hood pillars with cast- 1034 1035 brass capitals, height 218 cm. £400 - 600 Biography; The son of Richard Fox, he is recorded as working in Sutton-in-Ashfield, Nottinghamshire, from before 1778 until at least 1809 and was known to use dials made for him by Wilson of Birmingham, the foremost dialmaker of that period. According to the Notts county records, his will was dated the 5th of February 1829.
231 1036 John Sampson, Truroe, a walnut longcase clock the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals to the outer aspect, the matted dial centre with a subsidiary seconds dial and date aperture, with cast-brass bird-and- urn spandrels to the four corners, decorative blued-steel hands and a silvered boss to the arch engraved with the name Jno. Sampson, Truroe, the flat-topped walnut case with double cross- banding to the trunk door and base, the hood having turned tapered columns with cast-brass capitals and wooden fret-work above the dial, all standing on a double-plinth to the base, height 221 cm. £1500 - 2000 Biography; John Sampson is known to have made clocks of ‘superior quality’ with one known longcase example dated circa 1750, which also has the name of Truro spelt with the additional ‘e’.
1037 Elliott Brothers, a walnut stick barometer the bone dials aslant having a barometer scale to one side and signed Elliott Brothers, having an arched topped case with a turned cistern cover to the base and a thermometer set within the trunk, height 92 cm. £150 - 250
1038 – 1050 No Lots.
1037
1036 232