When Teens Create the News: Examining the Impact of PBS/News
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2013 Pitching Profiles for TV Producers Media Contacts
2013 Pitching Profiles for TV Producers Media Contacts A Cision Executive Briefing Report | January 2013 Cision Briefing Book: TV Producers Regional Cable Network | Time Warner Inc., NY 1 News, Mr. Matt Besterman, News, Executive Producer Shipping Address: 75 9Th Ave Frnt 6 DMA: New York, NY (1) New York, NY 10011-7033 MSA: New York--Northern NJ--Long Island, NY--NJ--PA MSA (1) United States of America Mailing Address: 75 9Th Ave Frnt 6 Phone: +1 (212) 691-3364 (p) New York, NY 10011-7033 Fax: +1 (212) 379-3577 (d) United States of America Email: [email protected] (p) Contact Preference: E-Mail Home Page: http://www.ny1.com Profile: Besterman serves as Executive Producer for NY 1 News. He is a good contact for PR professionals pitching the program. When asked if there is any type of story idea in particular he’s interested in receiving, Besterman replies, “We don’t really know what we might be interested in until we hear about it. But it has to relate to New Yorkers.” Besterman is interested in receiving company news and profiles, event listings, personality profiles and interviews, public appearance information, rumors and insider news, and trend stories. On deadlines, Besterman says that each program is formulated the day of its broadcast, but he prefers to books guests several days in advance. Besterman prefers to be contacted and pitched by email only. Besterman has been an executive producer at New York 1 News since November 2000. He previously worked as a producer at WRGB-TV in Albany, NY since March 1998. -
Talking About Tweets: Television Metacoverage Of
TALKING ABOUT TWEETS: TELEVISION METACOVERAGE OF TWITTER DURING ELECTIONS AND ITS EFFECTS By Tyler Lefky A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Honors Bachelor of Arts in Political Science with Distinction 2014 © 2014 Tyler Lefky All Rights Reserved TALKING ABOUT TWEETS: TELEVISION METACOVERAGE OF TWITTER DURING ELECTIONS AND ITS EFFECTS By Tyler Lefky Approved: __________________________________________________________ Paul Brewer, Ph. D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ William Meyer, Ph. D. Committee member from the Department of Political Science & International Relations Approved: __________________________________________________________ Benigno Aguirre, Ph.D. Committee member from the Board of Senior Thesis Readers Approved: __________________________________________________________ Michael Arnold, Ph.D. Director, University Honors Program ACKNOWLEDGMENTS I would like to thank my senior thesis advisor Dr. Paul Brewer for all the time he has given to help me with this project. iii TABLE OF CONTENTS LIST OF FIGURES ........................................................................................................ v ABSTRACT .................................................................................................................. vi 1 INTRODUCTION ............................................................................................. -
PUBLIC BROADCASTING: a MEDIUM in SEARCH of SOLUTIONS John W
PUBLIC BROADCASTING: A MEDIUM IN SEARCH OF SOLUTIONS JoHN W. MACY, JR.* INTRODUCTION In its simplest and most comprehensive definition, a communications system is a process in which creative communicators become aware of the expressed and some- times unexpressed needs of the users of the system and responsively collect and provide information, entertainment, and other resources toward the satisfaction of these needs. Despite the often quoted and now popular belief that in electronic com- munications systems "the medium is the message,"' the design of a system in which the message is itself the message-and the medium is merely a means of delivering a diversity of messages of intrinsic value to the users-is a mandate for radio and television in the decade of the 1970s. This is one of the basic philosophies behind the approach of the Corporation for Public Broadcasting (CPB) as it builds and develops the public sector of broadcasting. Some time ago Robert Oppenheimer was quoted as saying, "What is new is new not because it has never been there before, but because it has changed in quality."2 This is surely what is new about the Corporation for Public Broadcasting. But to understand the nature and direction of the qualitative changes brought about by its creation and activities, it is necessary to look first at what was there before and how the Corporation came into being. I BACKGROUND OF PUBLIC BROADCASTING Over the past fifty years, the American public, through its elected representatives and otherwise, has made a series of choices to encourage the development of a public alternative in the field of communications. -
Thinkbright Programming on Time Warner 21 / Digital 17.3 JANUARY & FEBRUARY 2009
ThinkBright programming on Time Warner 21 / Digital 17.3 JANUARY & FEBRUARY 2009 So what is ThinkBright? A Community Asset. / À} Ì vi} i>À} à > v>Þ v `}Ì> i>À} ÃiÀÛVið / i ÃiÀÛVi Ì>À}iÌà ÃÌÕ`iÌÃ] i`ÕV>ÌÀÃ] v>iÃ] >` i>ÀiÀà v > >}ið / i / À} Ì ÃÕÌi v ÃiÀÛVià VÕ`iÃ\ ThinkBright TV ThinkBright Online Special TV and Outreach Initiatives Professional Development for Teachers ThinkBright TV. / à `}Ì> V >i Ài`ivià i>À} vÀ «i«i v > >}ið Ì vviÀà > Ü`i Û>ÀiÌÞ v «À}À>} Ì i`ÕV>Ìi] i} Ìi] >` iÀV ÕÀ VÕÌÞ >` LiÞ`° 7 iÌ iÀ ÞÕ½Ài } vÀ V `Ài½Ã «À}À>Ã] «À}À>Ã Ì ÕÃi ÞÕÀ V>ÃÃÀ] Ài>Ìi` VÌiÌ] À iÀV } iÌiÀÌ>iÌ / À} Ì /6 à vÀ ÞÕ° *ÕÃ] i>V iÛi} / À} Ì vi>ÌÕÀià > `i`V>Ìi` Ì ii Ã Ì >Ì LÕÃÞ ÛiÜiÀÃ Ü ÕÃÌ Ü i Ì tune in to find compelling programs that suit their interests! THEME NIGHTS Sundays / Family & Education 8/&% Mondays / Health & Wellness Tuesdays / Arts & Performance Wednesdays / History & Biography Thursdays / Heritage & Diversity Fridays / Think Globally Saturdays / Science & Nature ThinkBright Online. ÕÀÕà ÌiiÛà ÛiÜiÀà V> v` > ÌÀi>ÃÕÀi ÌÀÛi v iÀV iÌ ÀiÃÕÀVià vÀ ÃV ] i] >` VÕÌÞ ÕÃi° iV ÕÌ / À} ̽à /6 ÃV i`Õi] `i«Ì vÀ>Ì ÃiiVÌ «À}À>Ã] ÌiÀ>VÌÛi >VÌÛÌià >` }>iÃ] ÃÌ>`>À`ÃL>Ãi` iÃà «>Ã] `6`i "i] * - /i>V iÀi 9] }Ài>Ì vÀ>Ì Ã] >` Àit ThinkBright Brings Learning to Light! i>À Ài >Ì ÜÜܰ/ À} ̰À} À >``Ì> V«ià v Ì Ã }Õ`i] «i>Ãi VÌ>VÌ iÌÃÞ >ÛÀÃi >Ì Ç£È°n{x°Çäää iÝ̰ Î{x° ThinkBright is made possible through the support of our partners: New York State Music Fund ThinkBright is a service of The Western New York Public Broadcasting Association U Àâà *>â> U *ÃÌ "vvVi Ý £ÓÈÎ U Õvv>] iÜ 9À £{Ó{ä U ǣȰn{x°Çäää ThinkBright programming on Time Warner 21 / Digital 17.3 JANUARY & FEBRUARY 2009 ~~ Workout Series ~~ Classical Stretch Every Sunday, Tuesday, Thursday and Saturday morning at 6:00 am An effective total body workout of graceful movements which unlocks uncomfortably rigid muscles for a more flexible, relaxed and strengthened body. -
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends Sidneyeve Matrix Jeunesse: Young People, Texts, Cultures, Volume 6, Issue 1, Summer 2014, pp. 119-138 (Article) Published by The Centre for Research in Young People's Texts and Cultures, University of Winnipeg DOI: https://doi.org/10.1353/jeu.2014.0002 For additional information about this article https://muse.jhu.edu/article/553418 Access provided at 9 Jul 2019 13:25 GMT from University of Pittsburgh The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends —Sidneyeve Matrix Introduction first time Netflix had released an entire season of an original program simultaneously and caused a Entertainment is fast becoming an all-you-can-eat nationwide video-on-demand stampede. When House buffet. Call it the Netflix effect. of Cards and Orange Is the New Black premiered in –Raju Mudhar, Toronto Star 2013, huge percentages of Netflix subscribers watched back-to-back episodes, devouring a season of content Whatever our televisual drug of choice—Battlestar in just days. Although these three shows belong to Galactica, The Wire, Homeland—we’ve all put different genres—one a sitcom and the others adult- off errands and bedtime to watch just one more, a themed melodramas—what they share is an enormous thrilling, draining, dream -influencing immersion popularity among the millennial cohort that makes up experience that has become the standard way to the majority of the subscriber base of Netflix. When consume certain TV programs. all episodes of a season -
Economic Impact Report on Global Rugby
EMBARGOED UNTIL 9am GMT, 5 April 2011 ECONOMIC IMPACT REPORT ON GLOBAL RUGBY PART III: STRATEGIC AND EMERGING MARKETS Commissioned by MasterCard Worldwide Researched and prepared by the Centre for the International Business of Sport Coventry University Dr Simon Chadwick Professor of Sport Business Strategy and Marketing Dr. Anna Semens Research Fellow Dr. Eric C. Schwarz, Department of Sport Business and International Tourism School of Business Saint Leo University Dan Zhang, Sport Business Consultant March 2010 1 Economic Impact Report on Global Rugby, Part III: Strategic and Emerging Markets EMBARGOED UNTIL 9am GMT, 5 April 2011 Highlights More than 5 million people play rugby in over 117 countries. Participation in rugby worldwide has increased 19% since the last Rugby World Cup in 2007. Participation figures are highest in Europe, but there are significant numbers of players elsewhere, with increasing numbers in emerging markets. Since 2007 participation has grown by 33% in Africa, 22% in South America and 18% in Asia and North America. In terms of participation, Japan, Sri Lanka and Argentina now feature in the top ten countries, which bodes well as there is a strong, positive correlation between participation and performance. These unprecedented levels of growth can be attributed to three main factors: o Developments in non-traditional game formats, particularly Sevens Rugby’s inclusion in the Olympic program from 2016. o Event hosting strategies often with linked legacy programs. o IRB programs and investment. £153 million (USD245.6 million) is being invested from 2009 to 2012, an increase of 20% over the previous funding cycle. Introduction Following Six Nations and Tri Nations reports, MasterCard commissioned the Centre for the International Business of Sport (CIBS) to look at rugby in emerging markets. -
Download Programme (PDF)
Not a Symposium/Conference/Indaba 24–26 March 2021 #BA01 CONTENTS YOUR GUIDE OVERVIEW SUPPORTING PARTNERS PROGRAMME CONTRIBUTORS CREDITS /əˈsɛmbli/ noun 1. a group of people gathered together in one place 2. the action of gathering together as a group for a common purpose 3. a meeting in a school of several classes, usually at the beginning of the school day OVERVIEW CREATIVITY NOW In line with 2021 being declared the ‘International Year of Creative Economy for Sustainable Development’ by the United Nations General Assembly, BASA ASSEMBLY aims to raise awareness, promote cooperation and networking, encourage sharing best practices and experiences, enhance human resource capacity, promote an enabling environment at all levels, as well as tackle the challenges of the current creative economy. Themed Creativity Now: Cultural intelligence in the time of COVID-19, BASA ASSEMBLY seeks to explore what insights cultural intelligence can o!er in terms of rebooting the creative economy in South Africa, on the African continent and globally. It is also intended as a vehicle for showcasing BASA’s research into the South African creative sector with the launch of ArtsTrack No. 9, BASA’s biennial research project tracking consumer engagement within the arts and culture sector. PROGRAMME YOUR DAILY SCHEDULE STREAM #01 STREAM #02 STREAM #03 STREAM KEY BUSINESS + MARKETING + ARTISTS + RESEARCH CULTURAL POLICY GRANTS Go to stream Go to stream Go to stream WED THU FRI 24 25 26 Talk Talk BETWEEN THE NOW WE'RE Offical Launch STATE AND THE TALKING OFFICAL LAUNCH -
Concern Letter To
Paula Kerger, PBS, President and CEO [email protected] Sara Just, Executive Producer, PBS NewsHour [email protected] Dear Ms. Kerger and Ms. Just, We, the undersigned, write to express concern about the PBS NewsHour segment on dyslexia, broadcast on April 30. As experienced senior scholars in the field of reading and literacy education, we found this segment to be inconsistent with the NewsHour’s stated aim of balanced and trusted reporting. Our professional work is devoted to studying literacy and how it can be developed in schools to enrich the lives of all students. So, we well understand and share parents’ and others’ anguish and frustration when children are identified as experiencing reading difficulties. Competent reading and writing are fundamentally important in and out of school, and difficulties can shape children’s concepts of themselves as learners, while affecting virtually every aspect of their everyday experience. Our concern is that the NewsHour received inadequate and incomplete scientific advice when producing the segment on dyslexia. The result perpetuates inaccuracies, misconceptions, and distortions related to reading, how it is taught, and the complexity of reading difficulties. It suggests erroneously that there is scientific certainty about dyslexia and how it should be addressed instructionally. In fact, the research evidence is equivocal and there is much room for debate about whether dyslexia is an identifiable condition, whether it can be reliably diagnosed, and whether there are instructional approaches that are uniquely effective in ameliorating it. That ambivalence is reflected in the American Psychiatric Association's decision to drop dyslexia as a diagnostic category in the current edition of its Diagnostic Statistical Manual, that field's most respected and widely used reference source. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Educational Television
DOCUEEIT RESUME ED 14111 300 .)" IN 004 735 .AUTHOR. Katzman, Ratan TITLE Program Decisions tn Public lelevisibn. 4 Report for the CPB/NCES Programming .Project. INSTITUTION National'AiSociation of Educational Broadcasters, Washington, D.C. ; SPON6.AGENCY National .Center for.Education Statistics (DHEV), Washington, D.C. PUB,DITE Itig 76, NOTE 81p. EDRS PRICE' HF-$0.83 BC-44.67 Plus Postage. DESCRIPTORS *Decision Making; *Educational Television;.*Financial Needi; *Einancial'-Support; *Programing Oroadcasty; Public Relations; -Public Support; Television Research , IDENTIFIERS,7 dhildrens Television Workshop; Corporation for Pubiic Broadtasting; Public Broadcasting System .ABSTRACT This report examines public television from the perspectives of the National System, Local Public'Television, and AFhool Programing. It provides a history of the development of Public Broaasking nationally, and includes thegpoints of controversy; between- the- kublic Broadcasting System (PBS) and the Corporation for Piblic Broadca54ngACPB1. A dominant theme is the role which finances play in the_decision making process, and major'sources of funding for national pUblic television,are describea. The general Situation of local public television is examined in terms of the limitations imposed by budget,' the, programing' available from pRs, and the preferences and attitudes of station managers. The role of .the board'of directors and the pelationship'between local stations and the community are considered. In terms of school programing, the report indicates.the impact -
March 2021 Issue of Newsnet
NewsNet News of the Association for Slavic, East European and Eurasian Studies March 2021 v. 61, n. 2 TABLE OF CONTENTS Plots against Russia, 3 An Interview with Eliot Borenstein Building a Network of Support 7 for Undergraduate Students of Color Interested in REEES Uncomfortable Conversations: 11 On Preparing BIPOC University Students for Study in Russia “You’re doing it all wrong:” 15 Course Revision and Planning in mid-career – True Confessions 19 Publications ASEEES Prizes Call for 21 Submissions 25 Institutional Member News 28 Personages 29 In Memoriam 30 Affiliate Group News Association for Slavic, East European, and Eurasian Studies (ASEEES) 203C Bellefield Hall, 315 S. Bellefield Ave Pittsburgh, PA 15260-6424 tel.: 412-648-9911 • fax: 412-648-9815 www.aseees.org ASEEES Staff Executive Director: Lynda Park 412-648-9788, [email protected] Deputy Director/Director of Membership: Kelly McGee 412- 238-7354, [email protected] NewsNet Editor & Program Coordinator: Trevor Erlacher 412-648-7403, [email protected] Communications Coordinator: Mary Arnstein 412-648-9809, [email protected] Convention Manager: Margaret Manges 412-648-4049, [email protected] Administrative Assistant: Jenn Legler 412-648-9911, [email protected] Financial Support: Roxana L. Espinoza NEWSNET March 2021 1 412-648-4049, [email protected] ASEEES RESEARCH GRANTS ASEEES DISSERTATION RESEARCH GRANTS fund doctoral dissertation research in Eastern Europe and Eurasia in any aspect of SEEES in any discipline. Thanks to generous donations, we are offering several grants in Women and Gender Studies, LGBTQ Studies, and in Russian Studies. Applicants may be students of any nationality, in any discipline, currently enrolled in a PhD program in the US.