NORTHWEST WASHINGTON PRIMARY SELECTIONS the Votes Are in P.08
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SAGA COMMUNICATIONS, INC. (Exact Name of Registrant As Specified in Its Charter)
2017 Annual Report 2017 Annual Letter To our fellow shareholders: Every now and then I am introduced to someone who knows, kind of, who I am and what I do and they instinctively ask, ‘‘How are things at Saga?’’ (they pronounce it ‘‘say-gah’’). I am polite and correct their pronunciation (‘‘sah-gah’’) as I am proud of the word and its history. This is usually followed by, ‘‘What is a ‘‘sah-gah?’’ My response is that there are several definitions — a common one from 1857 deems a ‘‘Saga’’ as ‘‘a long, convoluted story.’’ The second one that we prefer is ‘‘an ongoing adventure.’’ That’s what we are. Next they ask, ‘‘What do you do there?’’ (pause, pause). I, too, pause, as by saying my title doesn’t really tell what I do or what Saga does. In essence, I tell them that I am in charge of the wellness of the Company and overseer and polisher of the multiple brands of radio stations that we have. Then comes the question, ‘‘Radio stations are brands?’’ ‘‘Yes,’’ I respond. ‘‘A consistent allusion can become a brand. Each and every one of our radio stations has a created personality that requires ongoing care. That is one of the things that differentiates us from other radio companies.’’ We really care about the identity, ambiance, and mission of each and every station that belongs to Saga. We have radio stations that have been on the air for close to 100 years and we have radio stations that have been created just months ago. -
(POST)COLONIAL AFRICA by Katherine Lynn Coverdale the F
ABSTRACT AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA by Katherine Lynn Coverdale The focus of this thesis is aimed at two female French directors: Claire Denis and Mati Diop. Both auteurs utilize framing to create and subsequently break down ideological boundaries of class and race. Denis’ films Chocolat and White Material show the impossibility of a distinct identity in a racialized post-colonial society for someone who is Other. With the help of Laura Mulvey and Richard Dyer, the first chapter of this work on Claire Denis offers a case study of the relationship between the camera and race seen through a deep analysis of several sequences of those two films. Both films provide an opportunity to analyze how the protagonists’ bodies are perceived on screen as a representation of a racial bias held in reality, as seen in the juxtaposition of light and dark skin tones. The second chapter analyzes themes of migration and the symbolism of the ocean in Diop’s film Atlantique. I argue that these motifs serve to demonstrate how to break out of the identity assigned by society in this more modern post-colonial temporality. All three films are an example of the lasting violence due to colonization and its seemingly inescapable ramifications, specifically as associated with identity. AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Katherine Lynn Coverdale Miami University Oxford, Ohio 2020 Advisor: Dr. -
MINUTES of the PORT of BELLIN^HAM CO,NSENT A££MA COMMISSION MEETING F HELD TUESDAY, AUGUST 11 , 2020 —
•i'aswsca vwHcm MINUTES OF THE PORT OF BELLIN^HAM CO,NSENT A££MA COMMISSION MEETING f HELD TUESDAY, AUGUST 11 , 2020 —.. .- REGULAR REMOTE MEETING i.:^-^...-^.r^_ . Present: Commissioners: President Michael Shepard Vice President Bobby Briscoe Secretary Ken Bell Staff: Rob Fix Executive Director Frank Chmelik Port Legal Counsel Ben Howard Environmental Project Manager Greg McHenry Senior Planning Analyst Brian Gouran Director of Environmental & Planning Services Sunil Harman Director of Aviation Emily Phillipe BLI Operations Manager Gina Stark Economic Development Project Manager Carey Jones Executive Assistant 1:00 PIVLQPEN PUBLIC MEETING. IMMEDIATELY RECESS TO EXECUTIVE SESSION The purpose of the executive session will be to discuss potential litigation, real estate transaction pursuant to RCW42.30.HO (i) (c). 4:00 PM CLOSE EXECUTIVE SESSION. RECONVENE PUBLIC MEETING, ROLL CALL At approximately 4:00 PM, President Michael Shepard opened the public meeting and announced that all 3 Commissioners were present. PUBLIC COMMENT PERIOD- No public comment CONSENT AGENDA- • Approve the minutes from the following scheduled meetings; (A) Commission Meeting 07/14/2020, (B) Budget Meeting 07/23/2020. (C) Authorize the Executive Director to execute a Professional Services Agreement (PSA) with AECOM to provide design and permitting services. (D) Authorize the Executive Director to execute a funding agreement with the National Fish and Wildlife Foundation for the Squalicum Harbor gillnet recycling program between June 1, 2020 and June 1,2024. (E) Authorize the Port Commission to approve lease amendment #3 with the State of Alaska Marine Highway System ("AMHS") located at the Bellingham Cruise Terminal ("Cruise Terminal"). (F) Authorize the Port Commission to approve a rental rate structure for the new "Downtown Waterfront Site". -
Acme Elementary Monthly News Acme Elementary Phone 360-383-2045 Fax 360-383-2049 District Weather and Operations Line 360-383-2070 Email: [email protected] Mt
Acme Elementary Monthly News Acme Elementary Phone 360-383-2045 Fax 360-383-2049 District Weather and Operations Line 360-383-2070 Email: [email protected] Mt. Baker School District Web Site: www.mtbaker.wednet.edu January 4, 2021 MT. BAKER SCHOOL DISTRICT MISSION STAMENTMENT The Mt. Baker School District, working with the community, will provide all students a strong educational foundation upon which they can build their futures. as productive citizens in our changing world. Counselor Corner A Message from Mrs. Takata Happy New Year! I hope you found time to relax and con- Dear Acme Elementary Families, nect with the people and things important to you over Welcome to 2021!! Our Acme staff is looking forward to winter break. This month we honor Martin Luther King returning to learning on site and virtually with our students. Jr.. As we are entering into a new period of learning, it is essen- “Only in the darkness can you see the stars.” - Martin tial that ALL families complete the MBSD Quarterly Attesta- Luther King Jr. tion Form by January 8. This form is just one of the safety For this moment in time, MLK Jr.’s message of hope is components that have been put into place so we can have students on our campus. This attestation is for the period of what resonates most for me. Through some of the dark- time from January 11-March 26. Please make sure you com- ness of this past year, the stars still shone bright and I plete this form one time for every child you have. -
Blackbourn Veronica a 20101
The Beloved and Other Monsters: Biopolitics and the Rhetoric of Reconciliation in Post-1994 South African Literature by Veronica A. Blackbourn A thesis submitted to the Department of English Language and Literature In conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada (December, 2010) Copyright © Veronica A. Blackbourn, 2010 Abstract This dissertation examines the use of inter-racial relationships as emblems of political reconciliation in South African fiction from and about the transition from apartheid to democracy. Positive representations of the relationships that apartheid prohibited would seem to constitute a rejection of apartheid itself, but through an analysis of novels by Lewis DeSoto, Elleke Boehmer, Zoë Wicomb, Marlene van Niekerk, Ivan Vladislavić, and J.M. Coetzee, I argue that the trope of the redemptive inter-racial relationship in fact reinscribes what Foucault would designate a biopolitical obsession with race as a foundational construct of the nation. Chapter 2 examines an attempt to write against the legacy of apartheid by repurposing the quintessentially South African genre of the plaasroman, but Lewis DeSoto‘s A Blade of Grass (2003) fails to reverse the narrative effects created by the plaasroman structure, implicated as the plaasroman is and has been in a biopolitical framework. Chapter 3 examines Elleke Boehmer‘s rewriting of South African history to insist on the genealogical ―truth‖ of the racial mixing of the country and its inhabitants, but Bloodlines (2000) yet retains the obsession with racial constructs that it seeks to dispute. Zoë Wicomb‘s Playing in the Light (2006), meanwhile, invokes genealogical ―truth‖ as a corrective to apartheid constructions of race, but ultimately disallows the possibility of genealogical and historical narratives as correctives rather than continuations of apartheid. -
E. Heritage Health Index Participants
The Heritage Health Index Report E1 Appendix E—Heritage Health Index Participants* Alabama Morgan County Alabama Archives Air University Library National Voting Rights Museum Alabama Department of Archives and History Natural History Collections, University of South Alabama Supreme Court and State Law Library Alabama Alabama’s Constitution Village North Alabama Railroad Museum Aliceville Museum Inc. Palisades Park American Truck Historical Society Pelham Public Library Archaeological Resource Laboratory, Jacksonville Pond Spring–General Joseph Wheeler House State University Ruffner Mountain Nature Center Archaeology Laboratory, Auburn University Mont- South University Library gomery State Black Archives Research Center and Athens State University Library Museum Autauga-Prattville Public Library Troy State University Library Bay Minette Public Library Birmingham Botanical Society, Inc. Alaska Birmingham Public Library Alaska Division of Archives Bridgeport Public Library Alaska Historical Society Carrollton Public Library Alaska Native Language Center Center for Archaeological Studies, University of Alaska State Council on the Arts South Alabama Alaska State Museums Dauphin Island Sea Lab Estuarium Alutiiq Museum and Archaeological Repository Depot Museum, Inc. Anchorage Museum of History and Art Dismals Canyon Bethel Broadcasting, Inc. Earle A. Rainwater Memorial Library Copper Valley Historical Society Elton B. Stephens Library Elmendorf Air Force Base Museum Fendall Hall Herbarium, U.S. Department of Agriculture For- Freeman Cabin/Blountsville Historical Society est Service, Alaska Region Gaineswood Mansion Herbarium, University of Alaska Fairbanks Hale County Public Library Herbarium, University of Alaska Juneau Herbarium, Troy State University Historical Collections, Alaska State Library Herbarium, University of Alabama, Tuscaloosa Hoonah Cultural Center Historical Collections, Lister Hill Library of Katmai National Park and Preserve Health Sciences Kenai Peninsula College Library Huntington Botanical Garden Klondike Gold Rush National Historical Park J. -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133 -
SAGA COMMUNICATIONS, INC. (Exact Name of Registrant As Specified in Its Charter)
2016 Annual Report 2016 Annual Letter To our fellow shareholders: Well…. here we go. This letter is supposed to be my turn to tell you about Saga, but this year is a little different because it involves other people telling you about Saga. The following is a letter sent to the staff at WNOR FM 99 in Norfolk, Virginia. Directly or indirectly, I have been a part of this station for 35+ years. Let me continue this train of thought for a moment or two longer. Saga, through its stockholders, owns WHMP AM and WRSI FM in Northampton, Massachusetts. Let me share an experience that recently occurred there. Our General Manager, Dave Musante, learned about a local grocery/deli called Serio’s that has operated in Northampton for over 70 years. The 3rd generation matriarch had passed over a year ago and her son and daughter were having some difficulties with the store. Dave’s staff came up with the idea of a ‘‘cash mob’’ and went on the air asking people in the community to go to Serio’s from 3 to 5PM on Wednesday and ‘‘buy something.’’ That’s it. Zero dollars to our station. It wasn’t for our benefit. Community outpouring was ‘‘just overwhelming and inspiring’’ and the owner was emotionally overwhelmed by the community outreach. As Dave Musante said in his letter to me, ‘‘It was the right thing to do.’’ Even the local newspaper (and local newspapers never recognize radio) made the story front page above the fold. Permit me to do one or two more examples and then we will get down to business. -
The Planet, 1996, Winter
Western Washington University Masthead Logo Western CEDAR The lP anet Western Student Publications Winter 1996 The lP anet, 1996, Winter DeAnna Woolston Western Washington University Huxley College of the Environment, Western Washington University Follow this and additional works at: https://cedar.wwu.edu/planet Part of the Environmental Sciences Commons, Higher Education Commons, and the Journalism Studies Commons Recommended Citation Woolston, DeAnna and Huxley College of the Environment, Western Washington University, "The lP anet, 1996, Winter" (1996). The Planet. 19. https://cedar.wwu.edu/planet/19 This Issue is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in The Planet by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. a y Cl/ CdiroRiaXjdT 4^ • 4 iA/\^u€4 ^nstviActi^n moved to Washington for the first time in the early ’80s, We lived has been completely cleared for houses. New developments and in the last house on a dead-end street in Redmond. I moved a lot as potential roads sprout everywhere. The county is in a flurry of flagging. a kid, but never before had I lived in a place thriving in green. I was Growth is coming, and it will affect us all. Icaptivated by the forests, ferns and pastures. Life in Washington Presently, Whatcom County has a population of 147,752, and in 20 seemed to go at an old-fashioned pace. Even our neighbors were more years that number is expected to increase to 208,783. -
HHI Front Matter
A PUBLIC TRUST AT RISK: The Heritage Health Index Report on the State of America’s Collections HHIHeritage Health Index a partnership between Heritage Preservation and the Institute of Museum and Library Services ©2005 Heritage Preservation, Inc. Heritage Preservation 1012 14th St. Suite 1200 Washington, DC 20005 202-233-0800 fax 202-233-0807 www.heritagepreservation.org [email protected] Heritage Preservation receives funding from the National Park Service, Department of the Interior. However, the content and opinions included in this publication do not necessarily reflect the views or policies of the Department of the Interior. Table of Contents Introduction and Acknowledgements . i Executive Summary . 1 1. Heritage Health Index Development . 3 2. Methodology . 11 3. Characteristics of Collecting Institutions in the United States. 23 4. Condition of Collections. 27 5. Collections Environment . 51 6. Collections Storage . 57 7. Emergency Plannning and Security . 61 8. Preservation Staffing and Activitives . 67 9. Preservation Expenditures and Funding . 73 10. Intellectual Control and Assessment . 79 Appendices: A. Institutional Advisory Committee Members . A1 B. Working Group Members . B1 C. Heritage Preservation Board Members. C1 D. Sources Consulted in Identifying the Heritage Health Index Study Population. D1 E. Heritage Health Index Participants. E1 F. Heritage Health Index Survey Instrument, Instructions, and Frequently Asked Questions . F1 G. Selected Bibliography of Sources Consulted in Planning the Heritage Health Index. G1 H. N Values for Data Shown in Report Figures . H1 The Heritage Health Index Report i Introduction and Acknowledgements At this time a year ago, staff members of thou- Mary Chute, Schroeder Cherry, Mary Estelle sands of museums, libraries, and archives nation- Kenelly, Joyce Ray, Mamie Bittner, Eileen wide were breathing a sigh of relief as they fin- Maxwell, Christine Henry, and Elizabeth Lyons. -
African Carmen Transnational Cinema As an Arena for Cultural Contradictions
Mari Maasilta African Carmen Transnational Cinema as an Arena for Cultural Contradictions ACADEMIC DISSERTATION To be presented, with the permission of the Department of Journalism and Mass Communication of the University of Tampere, for public discussion in the auditorium A1 of the University Main Building, Kalevantie 4, Tampere on Saturday June 16th, 2007 at 12 o’clock. University of Tampere Tampere 2007 Mari Maasilta African Carmen Transnational Cinema as an Arena for Cultural Contradictions Media Studies ACADEMIC DISSERTATION University of Tampere Department of Journalism and Mass Communication FINLAND Copyright © 2007 Mari Maasilta Distribution Bookshop TAJU P.O. BOX 617 33014 University of Tampere Tel. +358 3 3551 6055 Fax +358 3 3551 7685 taju@uta.fi http://granum.uta.fi Page design Aila Helin Cover design Sakari Viista Photos Karmen. Joseph Gaï Ramaka Mari Maasilta. Sakari Viista Printed dissertation ISBN 978-951-44-6961-9 Electronic dissertation Acta Electronica Universitatis Tamperensis 626 ISBN 978-951-44-6972-5 (pdf) ISSN 1456-954X http://acta.uta.fi Tampereen Yliopistopaino Oy – Juvenes Print Tampere 2007 To all my transnational friends around the world. Contents Preface ..............................................................................11 1 Introduction .....................................................................21 Research task ...........................................................................24 Autonomy of Senegalese cultural production .....................29 Methodology ...........................................................................34 -
Window on Western, 1998, Volume 05, Issue 01 Kathy Sheehan Western Washington University
Western Washington University Western CEDAR Window on Western Western Publications Fall 1998 Window on Western, 1998, Volume 05, Issue 01 Kathy Sheehan Western Washington University Alumni, Foundation, and Public Information Offices,es W tern Washington University Follow this and additional works at: https://cedar.wwu.edu/window_on_western Part of the Higher Education Commons Recommended Citation Sheehan, Kathy and Alumni, Foundation, and Public Information Offices, Western Washington University, "Window on Western, 1998, Volume 05, Issue 01" (1998). Window on Western. 10. https://cedar.wwu.edu/window_on_western/10 This Issue is brought to you for free and open access by the Western Publications at Western CEDAR. It has been accepted for inclusion in Window on Western by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Fall 1998 WINDOWNews for Alumni and Friends of Western WashingtonON University WESTERNVOL 5, NO. 1 ' r.% am 9HI <•* iii m t 4 ; Professor Richard Emmerson, Olscamp award winner Kathy Sheehan photo A youthful curiosity leads to excellence rofessor Richard Emmerson's parents Emmerson, who came to Western in 1990 provided him with a good grounding as chair of the English department, has been in religious matters, helping him to conducting research on the Middle Ages for understand the Bible and biblical his nearly 30 years, including a year he spent tory, up to the early Christian church. Later, abroad during his undergraduate days. his high school history teachers taught him During his sophomore year in England, he American history, beginning, of course, with enrolled in his first English literature course 1492.