University of Wollongong Thesis Collections University of Wollongong Thesis Collection

University of Wollongong Year 

Gender and nation formation in late nineteenth century

Susan Elizabeth Rowley University of Wollongong

Rowley, Susan Elizabeth, Gender and nation formation in late nineteenth century, Doctor of Philosophy thesis, School of Creative Arts, University of Wollongong, 1993. http://ro.uow.edu.au/theses/1928

This paper is posted at Research Online.

LIST OF PLATES

1. Evening When the Quiet East Flushes Faint at the Sun's Last Look 1887-8 oil on canvas 51,0 x 76,6 cm W. H, Short Bequest 1944 National GaUery of

2. Tom Roberts Summer Morning Tiff 1886 oil on canvas 76,5 x 51,2 cm Martha K, Pinkerton Bequest Fund 1943 City of BaUaarat Fine Art GaUery

3. Tom Roberts Reconciliation c. 1886/7 oil on canvas 127,0 x 75,0 cm Castlemaine Art GaUery and Historical Museum

4. FrederickUcCabbinOnThe Wallaby Track 1896 oil on canvas 132 x 223.5 cm National GaUery of Victoria Felton Bequest 1940 5. Frederick McCubbin r/ie Pioneer 1904 oil on canvas (triptych) 223.5 x 86 cm National GaUery of Victoria Felton Bequest 1906 6. George Bell,r;ie Pioneer's Wife c. 1890-8 photograph Museum of Applied Arts and Sciences, Sydney 7. Arthur Stteeton Early Summer—Gorse in Bloom 1888 oil on canvas 56.2 x 100.6 cm Art Gallery of South AsttaUa 8. Jane Sutiierland, Untitled (Girl in a Paddock) c. 1890 oil on canvas 66.0 x 105.5 cm private coUection 9. Obstruction, Box Hill 1887 oil on canvas 41.3 x 31.1 cm City of BaUaarat Fine Art GaUery L. J. Wilson Bequest Fund 10. Theo Brooke Hansen Love or Dwry 1891 oU on canvas 81.5x122 cm Bendigo Art GaUery 325

11. Frederick McCubbm Lo5f 1886 oU on canvas 115.8 x 73.7 cm National GaUery of Victoria Felton Bequest 1940

12. Charles Condor Mirage 1888 watercolour 20 x 13.2 cm National GaUery of Viaoria

13. SydneyLongThe Spirit of the Plains 1897 oil on canvas on wood 62 x 131.4 cm Queensland Art GaUery

14. Leon (Sonny) PooleThe Village Laundress c. early 1890s oU on canvas 83 x 123.5 cm private coUection 15. Jane Sutherland A Cabbage Garden c. 1896 oil on canvas 51.1 x 76.4 cm AusttaUan National GaUery 16. Clara Southem An Old Bee Farm c. 1900 oil on canvas 66 x 111.7 cm National GaUery of Victoria Felton Bequest 1942 17. Frederick McCubbin, Home Again, 1884 oil on canvas 85 x 123 cm National GaUery of Victoria 18. John Longstaff Breaking the News 18 87 oU on canvas 109.7 x 152.8 cm Art GaUery of Westem Austtalia 19. Aby Alson Flood Sufferings 1890 oil on canvas 110 x 153.3 cm National GaUery of Victoria 20. Frederick McCubbin Winter Evening, Hawthorn ISS6 oil on canvas 51 x 76 cm Castiemaine Art GaUery and Historical Museum 21. Frederick McCubbm The North Wind 1891 oil on canvas 91 x 152.7 cm National GaUery of Victoria Felton Bequest 1941

22. Tom Roberts 1890 oil on canvas (lined onto board) 121.9 x 182.6 cm National GaUery of Victoria Felton Bequest 326

23. Frederick McCubbin What the Little Girl Saw in the Bush 1904 oil on canvas 96.5 x 66 cm private coUection

24. Frederick McCubbin A fias/ifiMna/ 1890 oU on canvas 122.5 x 224,5 cm 25. Jane Sutiierland r/ie Afiis/xroom Gar^rers c.1895 oil on canvas 41.3 x 99 cm National GaUery of Victoria 2 6. Jane Sutiierland Field Namralists c. 1896 oil on canvas 81.3 x 122 cm National GaUery of Victoria 327 BIBLIOGRAPHY

A Collection of Austt-alian Bush Verse. Peter Anthill-Rose and Associates. Castie Hill, NSW.

ALLEN, J. "'Mundane' Men: Historians, Masculinity and MascuUnism". Historical Studies, vol. 22, no. 89, October 1987, pp. 617-628.

ALLEN, J. "ContextuaUsing Late Nineteenth Century Feminism: Problems and Comparisons". Paper presented to Conference of the Canadian Historical Association, University of Victoria, British Columbia, May 1990.

ALOMES, S. A Nation At Last? The Changing Character of Australian Nationalism 1880-1988. Angus and Robertson, North Ryde, NSW, 1988.

ALOMES, S. "Visions and Periods: '1890', '1940s', '1970s'". Journal of Australian Studies, no. 20, May 1987, pp. 3-11.

ALONSO, A, M, "The Effects of Tmth: Re-presentations of the Past and the Imagining of Community", Journal of Historical Sociology, vol. 1, no. 1, March 1988.

ANDERSON, B. imagined Communities—Reflections on the Origin and Spread of Nationalism. Verso, London, 1986.

ARCHER, J. "But Is it Austtalian NationaUsm?" The Australian Journal of Politics and History, vol. 36, no. 1, 1990, pp. 84-93. ASTBURY, L. "Cash Buyers Welcome: Australian Artists and Bohemianism in the 1890s". Journal of Australian Studies, no. 20, May 1987, pp, 23-37,

ASTBURY, L, City Bushmen, The and the Rural Mythology. Oxford University Press, Melboume, 1985, ASTBURY, L, "Frederick McCubbin: The Spirit of the Pioneers". 1888 Bulletin, no. 7, April 1981, pp. 26-58. ASTBURY, L. Sunlight and Shadow—Australian Impressionist Painters 1880-1900. Bay Books, Sydney, 1989. ASTBURY, L. "The Art of Frederick McCubbin and the Impact of the Fkst War". La Trobe Library Journal, vol. 6, no. 24, October 1979, pp. 79-83.

AUERBACH, N. Communities of Women—An Idea in Fiction. Harvard University Press, Cambridge, Mass. and London, 1978. BACCHI, C. "The Nature-Nurture Debate in AusttaUa, 1900-1914". Historical Sttidies, vol. 19, no. 75, October 1980, pp. 199-212. BAIL, M. The Drover's Wife and Other Stories. University of Queensland Press, St. Lucia, 1984, pp. 55-61. 328

BARKER, D. L.and ALLEN, S. (eds). Dependence and Exploitation in Work and Marriage. Longman, London and New York, 1976.

BARNES, J. "The Mechanic and the Artist—Joseph Furphy and John Longstaff as Fellow-Townsmen". Journal of Austt-alian Sttidies, no. 26, May 1990, pp. 66-77.

BARTHES, R. Mythologies. Granada, London, 1982.

BAYNTON, B. Barbara Baynton. (eds Krimmer, S. and Lawson, A.). University of Queensland Press, St. Lucia, 1980.

BAYNTON, B. Bush Sttidies. Angus and Robertson, Sydney, 1965.

BAYNTON, B. "Squeaker's Mate" (from the original manuscript held in the Mitchell Library). Southerly, vol. 44, no. 4, December 1984, pp. 460-468. BELL, S. G. "Medieval Woman Book Owners: Arbiters of Lay Piety and Ambassadors of Culture". Signs, vol. 7, no. 4, 1982, pp. 742-768.

BEVEGE, M., JAMES, M. and SHUTE, C. (eds). Worth Her Salt—Women at Work in Australia. Hale «fe kemonger, Sydney, 1982.

BHABHA, H. K. (ed.). Nation and Narration. Routledge, London and New York, 1990.

BIRD, D. '"Mother, I Won't Never Go Drovin": Motherhood in Austtalian Narrative". Westerly, vol. 34, no. 4, December 1989, p. 41-50.

BOMMES, M. and WRIGHT, P, '"Charms of Residence': The Public and the Past" in Johnson, R, McLennan, G,, Schwarz, B,and Sutton, D. (eds). Making Histories: Studies in History-writing and Politics. Hutchinson, London, 1982, pp, 253-302,

BONYHADY, T, Images in Opposition—Australian Landscape Painting 1801-1890. Oxford University Press, Melboume, 1991. BRADLEY, A. and SMITH, T. (eds). and Architecture—Essays Presented to Bernard Smith. Oxford University Press, Melboume, 1980,

BRISSENDEN, A, (ed,). Aspects of Australian Fiction. University of Westem Austtalia Press, Nedlands W.A., 1990,

BRYSON, N. Looking at the Overlooked—Four Essays on Still Life Painting. Reaktion, London, 1990.

BUCKLEY, K. and WHEELWRIGHT, T. NO Paradise for Workers—Capitalism and the Common People 1788-1914. Oxford University Press, Melboume, 1988.

BURGMAN, V. and LEE, J. Constructing a Culture. McPhee Gribble and Penguin, Fitzroy and Ringwood, Victoria, 1988. BURKE, J. Australian Women Artists 1840-1940. Greenhouse, ColUngwood, 1980, BURN, I. National Life and Landscape—Australian Painting 1900-1940. Bay Books, Sydney and London, 1990. 329

BURNS, C. and MCNAMARA, M. Eclipsed—Two Centuries of Australian Women's Fiction. Collins, Sydney, 1988.

CAMILLERI, J. and FALK, J. The End of Sovereignty? The Politics of a Shrinking and Fragmenting World. Edward Elgar, Hants, England, 1992.

CANTRELL, L (ed.). Bards, Bohemians and Bookmen: Essays in Austt-alian Literamre. University of Queensland Press, St. Lucia, 1976.

CARROLL, J. (ed.). inttuders in the Bush—The Austt-alian Quest for Identity. Oxford University Press, Melboume, 1986.

CARTER, P. Living in a New Countty: History, Travelling and Language. Faber and Faber, London and Boston, 1992.

CARTER, P. The Road to Botany Bay: An Exploration of Landscape and History. Alfred A. Knopf, New York, 1988.

CHATTERJEE, P. Nationalist Thought and the Colonial World—A Derivative Discourse? Zed Books for The United Nations University, Tokyo, 1986.

CHATTERJEE, P. "Whose Imagmed Community?" Millenium: Journal of International Studies, vol. 20, no, 3, 1991, pp. 521-525.

CLARK, J. 'A Happy Life': Frederick McCubbin's Small Paintings and Oil Sketches. exhibition catalogue. National Gallery of Victoria, Melboume, 1991.

CLARK, J. and WHITELAW, B. Golden Summers: Heidelberg and Beyond. Exhibition catalogue, Intemational Cultural Corporation of AustraUa, 1985.

CLARK, M. In Search of . MacmiUan, Melboume, 1978.

CLAWSON, M.A. "Early Modem FratemaUsm and the Patriarchal Family". Feminist Studies, vol, 6, no, 2, Summer 1980, pp, 368-391. COHEN, R. (ed.). The Future of Literary Theory. Routledge, New York and London, 1989.

COHN, R. G. "Mallarme's Windows". Yale French Studies, no. 54, 1977, p, 23-32, COLLEY, A,C, Tennyson and Madness. University of Georgia Ress, Athens, 1983.

COSTA LIMA, L. Control of the Imaginary—Reason and Imagination in Modern Times (ttans, Ronald W, Sousa), Theory and History of Literature, vol, 50, University of Minnesota Press, Minneapolis, 1988,

COTT, N, The Bonds of Womanhood: 'Woman's Sphere' in New England 1780- 1835. Yale University Press, New Haven, 1977.

CROFT, J, The Life and Opinions of Tom Collins. University of Queensland Press, St. Lucia, 1991. CROSBY, C. The Ends of History—Victorians and "The Woman Question". Routledge, New York & London, 1991. 330

CURTHOYS, A., EADE, S. and SPEARRITT, P. (eds). Women at Work. Austtalian Society for the Smdy of Labour History, Canberra, 1975.

DALLY, A. Inventing Motherhood: The Consequences of an Ideal. Bumett, London, 1982.

DANIELS, K. and MURNANE, M. Uphill All the Way—A Documentary History of Women in Australia. University of Queensland Press, St. Lucia, 1980. DANIELS, K., MURNANE, M, and PiCOT, A, (eds). Women in Austt-alia: An Annotated Guide to Records. Austtalian Govemment PubUshing Service, Canberra, 1977. DAVIN, A, "ImperiaUsm and Motherhood", History Workshop, no. 5, Spring 1978, pp,9-65, DAVIS, L, Resisting Novels. Methuen, New York, 1987,

DAVISON, G, "Sydney and the Bush: An Urban Context for the Austtalian Legend". Historical Studies, October 1978, reprinted in Carroll, J. (ed.). Intruders in the Bush—The Austt-alian Quest for Identity, Oxford University Press, Melboume, 1986, pp. 109-130.

DAY, D, "Aliens m a Hostile Land, A Re-Appraisal of Austtalian History", Journal of Australian Studies, no, 23, November 1988, pp, 3-15,

DEACON, D, Managing Gender: The State, the New Middle Class and Women Workers 1830-1930. Oxford University Press, Melboume, 1989, DEACON, D,, "Political Arithmetic: The Nineteenth-Cenmry AusttaUan Census and the Constmction of the Dependent Woman", Signs, Vol, 11, No. 1, 1985, pp. 27- 47. DIXON, M. The Real Matilda: Woman and Identity in Australia. 1788 to 1975, Penguin, Ringwood, 1976, DOCKER, J, In a Critical Condition: Reading Austalian Literature. Penguin, Ringwood, 1984, DOCKER, J, The Nervous Nineties. Oxford University Press, Oxford, 1991.

DUTTON, G. Frederick McCubbin. Oz Publishing, Brisbane, 1987.

EADEN, P.R, and MARES, F,H, (eds). Mapped But Not Known—The Australian Landscape of the Imagination. Wakefield, Netley S,A„ 1986,

EAGLE, M, "The Mikado Syndrome: But Was There an Orient in Asia for the AusttaUan 'Impressionist' Painters?", Australian Journal of Art, vol, 6, 1987, pp. 45-63. EDDY, J, and SCHREUDER, D, (eds). The Rise of Colonial Nationalism. Allen and Unwin, Sydney, 1988, EISLER, W. and SMITH, B, Terra Australis: The Furthest Shore, exhibition catalogue. Art Gallery of New Soutii Wales, Sydney, 1988, 331

ERMARTH, E, D, Realism and Consensus in the English Novel. Princeton Universiyt Press, Princeton, 1983,

FEDER, L. Madness in Literature. Princeton University Press, Princeton, 1980,

FINCH, C. "'Hooked and Buttoned Together': Victorian Underwear and Representations of the Female Body", Victorian Studies, vol, 34, no, 3, Spring 1991, pp.337-363.

FINCH, L. and STRATTON, J, "The Austtalian Working Class and die Practice of Abortion 1880-1939". Journal of Austt-alian Sttidies, no. 23, November 1988, pp. 45-63. FINNANE, M. "Asylums, Family and the State". History Workshop, issue 20, Autumn 1985, p. 145.

FLAX, J. "Postmodemism and Gender Relations in Feminist Theory". Signs, vol. 12, no. 4, 1987, pp. 621-643.

FORMATIONS EDITORIAL COLLECTIVE (ed.). Formations of Nation and People. Routledge and Kegan Paul, London, 1984. FOSTER, S.G. "Imperfect Victorians: Insanity in Victoria in 1888". Australia 1888, Bulletin, no. 8, September 1981, pp. 97-116. FROST, A. "On Finding'Australia': Mirages, Mythic Images, Historical Circumstances". Australian Literary Studies, vol. 12, no. 4, October 1986, pp. 482- 498. FURPHY, J. (Tom Collins). Such Is Life. Eden, North Ryde, 1987. FURPHY, J. The Annotated Such Is Life (inttoduction and notes by Devlin-Glass, F., Eaden, R., Hoffman, L. and Tumer, G. W.). Oxford University Press, Melboume, 1991. GALBALLY, A. "Mythmaking in Austtalian Art". La Trobe Library Journal, vol. 6, no. 24, October 1979, pp. 65-68.

GAMBLING, A. "The Drover's De Facto" in Johnson, S. and Roberts, M. (eds). Latitudes-^ew Writing from the North. University of Queensland Press, St. Lucia, 1986, pp. 149-159. GARTON, S. Medicine and Madness: A Social History of Insanity in New South Wales, 1880-1940. New South Wales University Press, Kensington, 1988.

GELLNER, E. Nations and Nationalism. BlackweU, Oxford, 1983.

GIBSON, R. "Formative Landscapes". Back of Beyond, 1988, pp. 21-32. GIBSON, R. "On 'The Back of Beyond'". Interview conducted by O'Regan, T., Shoesmitii, B. and Moran, A. (5 December 19S6).Continuum, vol. 1, no. 1, 1987.

GIBSON, R. South of the West: Postcolonialism and the Narrative Construction of Australia. Indiana University Press, Bloomington and IndianapoUs, 1992. 332

GIBSON, R. The Diminishing Paradise. Angus and Robertson, Austtalia and United Kingdom, 1984.

GILBERT, S. M.and GUBAR, S. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Volume 2: Sexchanges. Yale University Press, New Haven and London, 1989.

GILES, F. From the Verandah: Stories of Love and Landscape by Nineteenth Century Austt-alian Women. McPhee Gribble/ Pengum, Victoria, 1987.

GILLEN, P, '"Commitment Is AU': The Aesthetic Foundations of Nationalism". Writing Austt-alian Culture: Text, Society, and National Identity, ed. JuUe Marcus, Social Analysis (special issue), no. 27, April 1990, pp. 102-109.

GLASS, F, D. "Furphy and the Land: The Feminine as a Metaphor for Landscape", Westerly, no, 4, December 1991, pp, 39-44,

GOLLAN, R, Radical and Working Class Politics: A Study of Eastern Australia, 1850- 1910. Melboume University Press, ParkvUle, 1960, GORDON, G, "Family Violence, Feminism and Social Conttol", Feminist Studies, vol. 12, no. 3, FaU 1986, pp. 453-478.

GREW, R, "Picmring the People: Images of the Lower Orders in Nineteenth-Cenmry French Art" in Rotberg, R, I, and Rabb, T, K, (eds). Art and History: Images and Their Meaning. Cambridge University Press, Cambridge, 1988, pp, 203-232,

GRIEVE, N. and BURNS, A. (eds). Australian Women: New Feminist Perspectives. Oxford University Press, Melboume, 1986, pp.27-41.

GRIMM, Brothers. The German Legends of the Brothers Grimm, (ed, & ttansLDonald Ward) vols 1 & 2, Insititute for the Smdy of Human Issues, U.S.A., 1981.

GRIMSHAW, P., MCCONVILLE, C. AND MCEWAN, E.(eds). Families in Colonial Australia. George Allen and Unwin, Sydney, 1985.

GUMBRECHT, H. U. Making Sense in Life and Literature (ttans. Bums, G.) Theory and History of Literature, vol. 79, , University of Minnesota Press, Minneapolis, 1992, HALL, C, "The Early Formation of Victorian Domestic Ideology" in Burman, S. (ed.). Fit Work for Women. Croom Helm & ANU Press, Canberra, 1979, pp. 15-32.

HAMILTON, R. and BARRETT, M. (eds). The Politics of Diversity: Feminism, Marxism and Nationalism. Verso, London, 1986. HAMMOND, V. and PEERS, J. Completing the Picture—Women Artists and the Heidelberg Era. Exhibition catalogue, Artmoves, Hawthom East, 1992. HERGENHAN, L. et al. (eds,). The Penguin New Literary . Penguin, Ringwood, 1988, HESELTINE, H, The Uncertain Self—Essays in Australian Literature and Criticism. Oxford University Press, Melboume, 1986, 333

HESELTINE, H,P, "The Literary Heritage", Meanjin, no. 1, 1962, reprinted ui Lee, J., Mead, P, and Mumane, G, (eds). The Temperament of Generations: Fifty Years of Writing in Meanjin. Meanjin and Melboume University Press, Melboume, 1990, pp, 154-166,

HICKS, N, This Sin and Scandal': Australia's Population Debate 1891-1911. ANU Press, Canberra, 1978,

HILL, E.R. "The Imaginary Life: Landscape and Culture in AusttaUa". Journal of Austt-alian Studies, No. 29, June 1991, pp, 12-27. HIRSCH, M. The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism. Indiana University Press, Bloomington and IndianapoUs, 1989.

HIRST, J. "EgaUtarianism". Austt-alian Culttiral History, no, 5, 1986, pp. 12-31. HOBSBAWM, E. J. Nations and Nationalism Since 1780—Programme, Myth, Reality. Cambridge University Press, Cambridge, 1991.

HUNT, L. (ed.). The New Cultural History. University of Califomia Press, Berkeley, Los Angeles and London, 1989.

IBSCH, E. "Historical Changes in Spatial Description in Literary Texts". Poetics Today, vol. 3, no. 4, 1982, pp. 97-113.

INDYK, I. "Some Uses of Myth in Austtalian Literamre". Australian Cultural History, no. 5, 1986, pp. 60-74,

INDYK, I, "Reading Men Like Signboards: The Egalitarian Semiotic of Such Is Life", Australian Literary Studies, vol. 12, no. 3, May 1986, p. 303-315. JACKSON, R, Fantasy: The Literature of Subversion. Methuen, London, 1981.

JARDINE, A, A. Gynesis—Configurations of Women and Modernity. Cornell University Press, Ithaca and London, 1985, JARVIS, D, "Lawson, the Bulletin and the Short Story", Australian Literary Studies, vol, 11, no, 1, May 1983, pp. 58-66. JARVIS, D. "The Development of an Egalitarian Poetics in the Bulletin, 1880-1890". Australian Literary Studies, vol. 10, no. 1, May 1981, pp. 22-34. JEFFERIS, B. "The Drover's Wife". Bulletin, vol. 101, no. 5243, December 32, 30, 1980, pp. 156-160. JENSEN, J, H, "Historians, Social Scientists, and the Smdy of Nationalism". The Austt-alian Journal of Politics and History, supplementary edition, 1988, pp. 21-31.

JOHNSON, P. "Nineteenth Century Austtalian Feminism: A Study of 'The Dawn'". Austt-alia 1888, BuUetin no. 13, November 1984, pp. 71-81.

KANDIYOTI, D, "Identity and Its Discontents: Women and die Nation", Millenium: Journal of International Studies, vol. 20, no. 3, 1991, pp. 429-443. 334

KAPFERER, B. Legends of People, Myths of State—Violence, Intolerance and Political Culture in Sri Lanka and Australia. Smithsonian Instimtion Press, Washington and London, 1988.

KAPLAN, C. '"LUce a Housemaid's Fancies': The Representation of Working-Class Women in Nkieteenth Cenmry Writing" in Susan Sheridan (ed.). Grafts: Feminist Cultural Criticism. Verso, London, 1988, pp. 55-75.

KAPLAN, E. A, Women and Film: Both Sides of the Camera. Methuen, New York and London, 1983,

KEARNEY, R, The Wake of Imagination: Ideas of Creativity in Western Culture. Hutchinson, London, 1988.

KINGSTON, B. (ed.). The World Moves Slowly. Cassell, Sydney, 1977, KINGSTON, B. The Oxford History of Austt-alia. vol, 3 1860-1900, Oxford University Press, Melboume, 1988, KIRKBY, J, "Barbara Baynton: An Austtalian Jocasta", Westerly, vol, 34, no. 4, December 1989, p. 114-124,

KNOEPFMACHER, U,C. and TENNYSON, G.B, Nature and the Victorian Imagination. University of Calkomia Press, Berkeley, Los Angeles and London, 1977, KUHN, A, The Power of the Image. Routledge and Kegan Paul, London, 1985,

LACAPRA, D, History and Criticism. Comell University Press, Ithaca and London, 1985, LAKE, M, "The Politics of Respectability: Identifying the Masculinist Context". Australian Historical Studies, vol. 22, no. 86, 1986, pp. 116-131; re-pubUshed in Magarey, S, Rowley, S, and Sheridan, S, (eds). Debutante Nation. AUen and Unwin, Sydney, 1993. LAKE, M, "Women, Gender and History", Australian Feminist Studies, nos 7 & 8, Summer 1988, pp, 1-9. LAPP, J. C. "Proust's Windows to ReaUty". Romantic Review, vol, 67, no, 1, January 1979, pp,38-49, LAPP, J, C, "The Jealous Window-Watcher in Zola and Proust". French Studies, vol. 29, no. 2, April 1975, pp. 166-176. LAUTER, E. Women as Mythmakers—Poetry and Visual Art by Twentieth-Century Women. Indiana University Press, Bloomington, 1984.

LAWSON, H. A Camp-Fire Yarn, Complete Works 1885-1900. Lansdowne, Sydney, 1988. LAWSON, H. A Fantasy of Man, Complete Works 1901-1922. Lansdowne, Sydney, 1988. 335

LAWSON, H. Henry Lawson: Autobiographical and Other Writings 1887-1922 —Collected Prose Volume 2. (ed. Colin Roderick) Angus and Robertson, Sydney,

LAWSON, L. "The Austtalian Bush-Woman" (pubUshed in the Boston Woman's Journal, 11 July 1889, and the London Englishwoman's Review , 15 August 1889 and 15 October 1889). Austt-alian Literary Sttidies, vol. 10, no. 4, October 1982, p. 500-503.

LE GOFF, J. The Medieval Imagination (ttans. Goldhammer, A.). University of Chicago Press, Chicago and London, 1985.

LEAVITT, J. "Under the Shadow of Matemity: American Women's Responses to Death and DebiUty Fears in Nineteenth-Century ChUdbktii". Feminist Sttidies, vol. 12, no. 1, Spring 1986.

LEE, C. "Man, Work and Country: The Production of Henry Lawson". Australian Literary Studies, vol. 15, no. 3, May 1992, pp. 110-122. LEE, J. "A Redivision of Labour: Victoria's Wages Boards in Action, 1896-1903". Historical Studies, vol, 22, no, 88, April 1987, pp.352-372,

LEED, E.J, The Mind of the Traveller: From Gilgamesh to Global Tourism. Basic, U. S. A., 1991.

LEFEBVRE, H. The Production of Space (ttans. Donald Nicholson-Smith). Blackwell, Oxford, 1991,

LERNER, A, J, "Inttoduction to Reimagining the Nation", Millenium: Journal of International Studies, vol, 20, no, 3, 1991, pp, 351-352,

LEVI-STRAUSS, C, "Stmcture and Form: Reflections on a Work by Vladimir Propp" in Structural Anthropology, vol, 2 (ttans, Monique Layton), Penguin, Harmondsworth, 1973,

LEVI-STRAUSS, C, "The Sttuctural Study of Myth", Journal of American Folklore, vol, 68, pp, 428-444.

LEWIS, J. (ed.). Labour and Love, Women's Experience of Home and Family, 1850- 1940. Blackwell, Oxford, 1986. LOTMAN, J. M, "The Origin of Plot in die Light of Typology", Poetics Today, vol. 1, no. 1-2, 1979, pp. 161-184.

LOVELL, T. Consuming Fiction. Verso, London, 1987. MACAINSH, N. "A Fak Menace—^Images of Womanhood in Early Australian Poetry". Westerly, no. 3, September 1988, pp. 25-32. MACDONALD, J. (ed.). The Art of Frederick McCubbin. The Lotiiian Book PubUshing Co. Pty. Ltd., and Sydney, 1916 (republished by Boolarong Publications, Brisbane, 1986.) 336

MACDONALD, P. Marriage in Austt-alia: Age at First Marriage and Proportions Marrying, 1860-1971. Department of Demography, Institute of Advanced Smdies, AusttaUan National University, Canberra, 1974.

MACKINOLTY, J. and RADI, H. (eds). In Pursuit of Justice: Austt-alian Women and the Law 1788-1979. Hale and kemonger, Sydney, 1979.

MAGAREY, S. "An Insurrection of Subjugated Knowledges: Feminism in AustraUa in the 1890s". Conference Paper, Seventh Berkshire Conference on the History of Women, Wellesley CoUege, Wellesley, Massachussetts, 19-21 June, 1987. MAGAREY, S. "Jane and the Feminist History Group". Australian Feminist Studies, nos 7 & 8, Summer 1988, pp. 115-153.

MAGAREY, S., ROWLEY, S. and SHERIDAN, S. (eds). Debutante Nation. AUen and Unwin, Sydney, 1993.

MAHOOD, M. The Loaded Line: Austt-alian Political Caricattire 1788-1901. Melboume University Press, Melboume, 1973.

MARKEY, R. The Making of the Labor Party in New South Wales 1880-1900. University of NSW Press, Sydney, 1988. MARKS, E. and DE COURTIVRON, I. (eds). New French Feminisms. Harvester, Brighton, 1981. MARSH, M. "From Separation to Togethemess: The Social Constmction of Domestic Space in American Suburbs, 1840-1915". Journal of American History, 1989, pp. 506-27,

MASSEY, D, "A Place Called Home". New Formations—The Question of 'Home', no. 17, Summer 1992, pp, 3-15.

MASTERS, O. "A Henry Lawson Story", in The Rose Fancier. University of Queensland Press, St Lucia, 1988, pp. 100-105. MATTHEWS, B. "Louisa and Henry and Gertie and the Drover's Wife". Australian Literary Studies, vol. 9, no. 3, May 1980, pp. 286-297, MATTHEWS, B. The Receding Wave: Henry Lawson's Prose. Melboume University Press, Melboume, 1972, MATTHEWS, J. J. '"A Female of AU Things': Women and the Bicentenary", Australian Historical Studies—Making the Bicentenary (special issue), vol, 23, no, 91, October 1988, pp, 90-102. MATTHEWS, J.J. Good and Mad Women: The Historical Constt-uction of Femininity in Twentieth Century Australia. Allen and Unwin, Sydney, 1984. MCCONVILLE, C. "Rough Women, Respectable Men and Social Reform: A Response to Lake's 'MascuUnism'". Historical Studies, vol. 22, no. 88, April 1987, pp. 432- 440. 337

MCDONALD, P. R.and PEARCE, B. The Artist and the Patt-on: Aspects of Colonial Art in New South Wales. Exhibition catalogue. Art Gallery of New South Wales, Sydney, 1988.

MCGOVERN, CM. "The Myths of Social Conttol and Custodial Oppression: Pattems of Psychiatric Medicine in Late Nineteenth Century Instimtions". Journal of Social History, vol. 20, no. 1, 1986-7, pp. 3-17.

McGRATH, A. Born In The Cattle—Aborigines in Cattle Country. Allen and Unwin, Sydney, 1987.

MCHALE, B. Posttnodernist Fiction. Methuen, New York, 1987.

MILNER, A, "The 'English' Ideology: Literary Criticism in England and Austtalia". Thesis Eleven, no. 12, August 1985, p. 118, MOORE, R, '"Squeaker's Mate': A Bushwoman's Tale", Austt-alian Feminist Studies, no. 3, Summer 1986, pp.27-44, MOOREHOUSE, F. "The Drover's Wife". Room Service—Comic Writings of Frank Moorhouse, Viking, Victoria, 1985, pp.98-113. MORGAN, P, "History Versus Literature". Journal of Australian Studies, no. 23., March 1992, pp. 75-82. MUIRHEAD, A. V. "Public Discourse on the Position of Women in Society: Sydney, 1888". Australia 1888, BuUetin no. 13, November 1984, pp. 82-89. MURPHY, J. "Populism and Democracy: A Reading of Australian Radical NationaUsm". Thesis Eleven, no. 16, 1987, pp. 85-99. MURRAY-SMITH, S. Henry Lawson. Oxford University Press, Melboume, 1975. NAIRN, T. "The Modern Janus". The Break-up of Britain—Crisis and Neo- Nationalism. Verso, London, 1981. NEWMAN, L. M. "Critical Theory and the History of Women: What's at Stake in Deconstructing Women's History". Journal of Women's History, vol. 2, no. 3, Winter 1991, pp, 58-68, NEWTON, J. "History as Usual? Feminism and the 'New Historicism'", Cultural Critique, no. 9, Spring 1988, pp. 87-121. NOCHLIN, L. The Politics of Vision^Essays on Nineteenth-Centtxry Art and Society. Harper and Row, New York, 1989. O'BRIEN, A. Poverty's Prison: The Poor in New South Wales 1880-1918. Oxford University Press, Carlton, 1988. O'DONNELL, C. and CRANEY, J. (eds). Family Violence in Australia. Longman Cheshke, Melboume, 1985. PALMER, V. The Legend of the Nineties. Melboume University Press, Melboume, 1954. 338

PARKER, A., RUSSO, M., SOMMER, D. AND YAEGER, P. (eds). Nationalisms and Sexualities. Routiedge, London and New York, 1992,

PARKER, R, and POLLOCK, G, Old Mistt-esses—Women, Art and Ideology. Pandora, London, 1987,

PEERS, J, "A Gkl in a Blue Dress: Imaging Mount Rennie", Conference paper. Annual Conference, Art Association of Austt-alia, Canberra, 25-27 September 1992, PEERS, J, "What No Man Had Ever Done Before...". Dawn Revival Press, Malvem, 1992,

PERROT, M, (ed,), A History of Private Life: From the Fires of Revolution to the Great War. Harvard University Press, Cambridge Mass. & London, 1990. PHILLIPS, A. A, The Australian Tradition—Sttidies in a Colonial Culture. Longman- Cheshire, Melboume, 1980,

POLLOCK, G, "Bourgeois Men and Working Women: Sexuality and Surveillance in Victorian Social ReaUsm", Power Foundation Lecture, Sydney University, Sydney, 1989,

POLLOCK, G, Vision and Difference—Femininity, Feminism and Histories of Art. Routiedge, London and New York, 1988, Accent on blase, POWNALL, E, Australian Pioneer Women. Rigby, Adelaide, Sydney, Melbourne, Perth, Brisbane, 1976 (fttst pubUshed 1959 as Mary ofMaranoa).

PRATT, A, Archetypal Patterns in Women's Fiction. Harvester, London, 1982.

PROPP, V, Morphology of the Folktale (ttans, Laurence Scott). University of Texas Press, Austin and London, 1971 (fkst published in Russian in 1928, in English ttanslation, 1958.) PROUT, D. and FEELY, F, Petticoat Pioneers - Australia's Colonial Women. Rigby, Adelaide, 1977, PUGH, M, "Women, Food and Politics, 1880-1930", History Today, vol, 4, 1991, pp. 14-20, QUIGGIN, P, No Rising Generation: Women and Fertility in Late Nineteenth Century Australia. Canberra, 1988, RADFORD, R, Ladies in the Landscape. Exhibition catalogue, BaUarat Fine Art Gallery, BaUarat, 1974, REIGER, K, The Disenchantment of the Home: Modernizing the Australian Family 1880-1940. Oxford University Press, Melboume, 1986, RICKARD, J. Australia: A Cultural History. Longman Cheshke, Melboume, 1988.

ROBBINS, K. "National Identity and History: Past, Present and Fumre". History, vol, 75, no. 245, October 1990, pp. 369-387. 339

RODERICK, C. Henry Lawson: Poet and Short Story Writer. Angus and Robertson, Sydney, 1966.

RODERICK., C. The Real Henry Lawson. Rigby, Adelaide, 1982,

RODRIQUEZ, J. "The Original Nosey Ak". Austt-alian Literary Sttidies, vol. 7, no. 2, 1975, pp. 176-84.

ROSE, G. "Imagining Poplar in the 1920s: Contested Concepts of Community". Journal of Historical Geography, vol. 16, no. 4, 1990, pp. 425-437.

ROSS, E. '"Fierce Questions and Taunts': Married Lke in Working-Class London, 1870-1914". Feminist Sttidies, vol. 8, no. 3, Fall 1982, pp. 575-600.

ROTUNDO, E.A. "Romantic Friendship: Male Intimacy and Middle-Class Youth in the Northem United States, 1800-1900", Journal of Social History, vol, 23, no. 1, 1989, pp,l-25.

ROWLEY, S, "Going Public: Getting Personal" in Moore, C, (ed.). Dissonance Anthology. Allen and Unwin, Sydney, 1993, ROWLEY, S, "Inside the Deserted Hut: The Representation of Motherhood in Bush Mythology", Westerly, no, 4, December 1989, pp, 76-96 ROWLEY, S, "Sliprails and Spur: Courting Bush Sweethearts in Australian Nationalist Mythology", Span, No, 26, 1988,

ROWLEY, S, "The Joumey's End: Women's Mobility and Confinement", Australian Cultural History, no, 10, 1991, pp, 69-83, RUDD, S, On Our Selection. University of Queensland Press, St, Lucia, 1987. SACKS, O. The Man Who Mistook His Wife for a Hat. Picador, London, 1985. SAUNDERS K, and SPEARITT, K, "Is There Life After Childbirth? Childbirth, Death and Danger for Settler Women in Colonial Queensland", Journal of Australian Studies, no, 29, June 1991.

SCHAFFER, K. Women and the Bush—Forces of Desire in the Australian Cultural Tradition. Cambridge University Press, Cambridge, 1988.

SCHOR, N. "Zola: From Window to Window". Yale French Sttidies, no. 42, 1969, pp, 38-51,

SEBEOK, T, A. and MARGOLIS, H. "Captain Nemo's Porthole: Semiotics of Windows in Sherlock Holmes". Poetics Today, vol. 3, no. 1, 1982, pp. 111-139,

SERLE, G, From Deserts Prophets Come: The Creative Spirit in Australia 1788-1972. Heinemann, Melboume, 1974, p,61,

SHERIDAN, S, '"Temper, Romantic; Bias, Offensively Feminine': Austtalian Women Writers and Literary Nationalism" in Hoist Petersen, K, and Rutherford, A, (eds). A Double Colonization—Colonial and Post-Colonial Women's Writing. Dangaroo Press, Oxford and Mundelstmp, Denmark, 1986, pp. 49-58. 340

SHERIDAN, S. (ed.). Grafts—Feminist Culttiral Criticism. Verso, London and New York, 1988

SHERIDAN, S. "Gender and Genre in Barbara Baynton's Human Toll". Australian Literary Sttidies, vol, 14, no, 1, May 1989, pp, 66-77,

SHERIDAN, S. "Louisa Lawson, Miles Franklin and Feminist Writing, 1888-1901", Austt-alian Feminist Sttidies, nos 7 & 8, Summer 1988, pp, 329-47,

SHORT, J, R, Imagined Country: Society, Culture and Environment. Routiedge, London and New York, 1991,

SHOWALTER, E. The Female Malady: Women, Madness, and English Culmre, 1830- 1980. Vkago, London, 1987,

SHUTE, C, "Heroines and Heroes: Sexual Mythology in AusttuUa 1914-1918". Hecate, vol. 1, no. 1, January 1975, pp. 6-22.

SINCLAIR, W. "Women and Economic Change in Melboume 1871-1921". Historical Studies, vol. 20, no. 79, October 1982, pp. 279-280. SMITH, B.Australian Painting 1788-1990 (with Chapters 14-16 (1970-1990) by Smith, T.). Oxford University Press, Melboume, 1991,

SMITH, B. Place,Taste and Tradition. Oxford University Press, Melboume, 1979,

SMITH, B, The Death of the Artist as Hero: Essays in History and Culture. Oxford University Press, Melboume, 1988. SOLOMON, M. (ed.). Marxism and Art. Wayne State University Press, Dettoit, 1979,

SPATE, V, Tom Roberts. Lansdowne, Sydney, 1985,

STEER, V. "Austtalian National Identity: Rectifying an All-Male Perspective". Paper presented to the Second Women and Labour Conference. Melbourne 1980; Conference papers. Volume 2, pp. 518-531.

STOVALL, T. '"Friends, Neighbours, and Communists': Community Formation in Suburban Paris During the Early Twentietii Century". Journal of Social History, vol. 22, no. 2, 1988, pp.237-254„

STOWE, S,M, '"The Thing Not Its Vision': A Woman's Courtship and her Sphere in the Southem Planter Class", Feminist Sttidies, vol, 9, no, 1, Spring 1983, pp. 113- 130,

SUMMERS, A. Damned Whores and God's Police: The Colonization of Women in Australia. Penguin, Ringwood, 1977, SWAIN, S,L, "Destitute and Dependent: Case Smdies in Poverty in Melboume, 1890- 1900", Historical Smdies, vol. 19, no. 74, April 1980, pp. 98-107.

SYDNEY LABOUR HISTORY GROUP (ed.). What Rough Beast? The State and Social Order in Australian History. Allen and IJnwui, Sydney, 1982, 341

TASMA, "Monsieur Caloche", in GUes, F,(ed,), From the Verandah: Stories of Love and Landscape by Nineteenth Cenmry Austt-alian Women. McPhee Gribble/ Penguin, Victoria, 1987,

"The New South Wales 'Sundowner'". Cassell's Samrday Journal vol. 8, no. 337, Sattu-day 15 March 1890, p. 587.

THOMAS, D. (ed.). Creating Australia^200 Years of Art 1788-1988. Exhibition catalogue, The Art GaUery of Soutii AustraUa, Adelaide, 1988.

THOMS, A. Bohemians in the Bush, The Artists' Camps of Mosman. Exhibition catalogue, Art GaUery of New South Wales, Sydney, 1991.

TOLSON, A. "Social SurveiUance and Subjectification: The Emergence of 'Subculture' in the Work of Henry Mayhew". Culmral Smdies, vol. 4, no. 2, May 1990, pp. 113- 127.

TOPLISS, H. The Artists' Camps: 'Plein Air' Painting in Australia. Hedley, Melboume, 1992.

TOPLISS, H. The Artists' Camps: Plein Air Painting in Melbourne 1885-1898. Monash University Gallery, Clayton, 1984.

TURNER, G. "Mateship, IndividuaUsm and the Production of Character in Austtalian Fiction". Austt-alian Literary Studies, vol. 11, no. 4, October 1984, p. 447-457.

TURNER, G. National Fictions-Literature, Film and the Constt-uction of the Australian Narrative. Allen and Unwin, Sydney, 1986. TURNER, V, and TURNER, E, Image and Pilgrimage in Christian Culture- Anthropological Perspectives. Columbia University Press, New York, 1978,

VALDES, M, J, (ed.), A Ricoeur Reader: Reflection and Imagination Harvester/Wheatsheaf, Hertfordshke, 1991, VEESER, H. A, (ed,). The New Historicism. Routledge, New York and London, 1989.

WALKER, D. Dream and Disillusion—A Search for Australian Culmral Identity. ANU Press, Canberra, 1976. WALKER, P. "The Mkror, die Window, and the Eye in Zola's Fiction". Yale French Studies, no. 42, 1969, pp,52-67. WALKER, S. (ed.) Who Is She? Images of Women in Australian Fiction. University of Queensland Press, St. Lucia, 1983.

WALKER, S. "Barbara Baynton's Human ToU: A Modemist Text?", Southerly, vol. 49, no. 2, June 1989, pp. 131-148.

WALLACE-CRABBE, C. (ed.). The Austt-alian Nationalists. Oxford University Press, Melboume, 1971.

WANNAN, B. (ed.). Australian Frontier Tales. Lansdowne, Melboume, 1971. 342

WARD, R. "The Austtalian Legend Re-visited". Historical Smdies, no. 18, 1978.

WARD, R. The Austt-alian Legend. Oxford University Press, Melboume, 1978. WEBBY, B. "Barbara Baynton's Revisions to 'Squeaker's Mate'". Southerly, vol. 44, no. 4, December 1984, pp. 455-460.

WEEDON, C. Feminist Practice and Poststtmcmralist Theory. BlackweU, Oxford, 1987. WENZEL, H. V. "The Text as Body/PoUtics: An Appreciation of Monique Wittig's Writings in Context". Feminist Sttidies, vol. 7, no. 2, Summer 1981, pp. 264-287. WHITE, H. Metahistory: The Historical Imagination in Nineteenth-Century Europe. John Hopkins University Press, Baltimore, 1973.

WHITE, H. Tropics of Discourse—Essays in Culmral Criticism. The John Hopkins University Press, Baltimore and London, 1987. WHITE, R. Inventing Austt-alia—Images and Identity 1688-1980. AUen and Unwin, Sydney, 1981.

WHITELAW, B. The Art of Frederick McCubbin. Exhibition catalogue. National Gallery of Victoria, Melboume, 1991.

WIELAND, J. "Austtalian Literamre and the Question of Historical Method: Reading Lawson and Furphy". Journal of Commonwealth Literature, vol. 20, no. 1, 1985, pp. 17-35.

WILDING, M. "Henry Lawson's Radical Vision" in H.Gustav Klaus (ed.). The Rise of Socialist Fiction 1880-1914. Harvester, Sussex and St. Martin's, New York.

WILLIS, A-M. Illusions of Identity—The Art of Nation. Hale and kemonger, Sydney, 1993.

WILLIS, A-M. Picmring Australia—A History of Photography. Angus and Robertson, North Ryde, 1988.

WILSON, E, The Sphinx in the City Urban Life—The Control of Disorder and Women. Vkago, London, 1991. ZAGARELL, S.A, "Narrative of Community: The Identification of a Genre", Signs, vol. 13, no, 3, 1988, pp, 498-527. ZINKHAN, E. J. "Louisa Lawson's 'The Austtalian Bush-Woman'—A Source for 'The Drover's Wife' and 'Water Them Geraniums'?" Australian Literary Smdies, vol. 10, no, 4, October 1982, pp, 495-499,