Study Guide Created by NTC Productions a Study Guide for the CHARLES JONES’ Adaptation Updated October 2010
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Christmas Carol by Charles Dickens
A Christmas Carol by Charles Dickens Stave V "The End of It" Yes! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in! “I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this. I say it on my knees, old Jacob, on my knees!” He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. “They are not torn down!” cried Scrooge, folding one of his bed- curtains in his arms, “they are not torn down, rings and all. They are here – I am here – the shadows of the things that would have been, may be dispelled. They will be! I know they will.” His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance. “I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoon of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. -
Protecting Characters Through Copyright Law: Paving a New Road Upon Which Literary, Graphic, and Motion Picture Characters Can All Travel
DePaul Law Review Volume 41 Issue 2 Winter 1992 Article 4 Protecting Characters through Copyright Law: Paving a New Road upon Which Literary, Graphic, and Motion Picture Characters Can All Travel Dean D. Niro Follow this and additional works at: https://via.library.depaul.edu/law-review Recommended Citation Dean D. Niro, Protecting Characters through Copyright Law: Paving a New Road upon Which Literary, Graphic, and Motion Picture Characters Can All Travel , 41 DePaul L. Rev. 359 (1992) Available at: https://via.library.depaul.edu/law-review/vol41/iss2/4 This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Law Review by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. PROTECTING CHARACTERS THROUGH COPYRIGHT LAW: PAVING A NEW ROAD UPON WHICH LITERARY, GRAPHIC, AND MOTION PICTURE CHARACTERS CAN ALL TRAVEL* Dean D. Niro** INTRODUCTION Most everyone would recognize Bugs Bunny, Charlie Brown, Ebenezer Scrooge, and James Bond. These characters appear in a variety of mediums, including cartoons, comic strips, novels, and motion pictures. Today, in the age of sequels and retail advertising, characters have become an important com- mercial commodity. Characters, thus, need legal protection. The federal copy- right statute may provide this protection. The federal copyright statute provides an author protection in his "original work of authorship fixed in a tangible medium of expression., 1 Thus, a fic- tional character is protected by the copyright of the work in which the charac- ter originally appears.2 Sometimes, however, a character can be removed from the original work in which it appeared, then resurface in another completely unrelated work. -
2020 Audio Theatre Adaptation by Jason Spitzer
2020 audio theatre adaptation by Jason Spitzer CAST Blanche Tosh: Narrator Jamie Mann: Ebenezer Scrooge Kell Christie: Charity One, Ghost of Christmas Present, Worker Marc LeVells Holder: Charity Two, Mr. Fezziwig, Peter Cratchit, Topper Eric Shultz: Bob Cratchit, Ebby, Party Guest, Turkey Boy Kinon Keplinger: Fred, Ghost of Jacob Marley, Young Scrooge Lena Wallace Black: Mrs Dilber, Ghost of Christmas Past, Martha Cratchit, Party Guest Renee Davis-Brame: Fan, Mrs. Fezziwig, Mrs. Cratchit, Lucy Emily Chateau: Belle, Belinda, Millie, Mrs. Crowe, Belinda Cratchit Posie Steinmetz: Tiny Tim STAFF Jason Spitzer: Director Amy Salerno Hale: Assistant Director, Production Stage Manager Debbie Litch: Executive Producer Michael Compton: Production Manager Robert Arnold: Project Editor & Mixer Jack Yates, Sky Bradley: Foley Artists Jason Eschhofen: Musician Who's Who in the of Cast of A Christmas Carol, On the Air Blanche Tosh (Narrator) Blanche's first production of A Christmas Carol was the ShoWag- on version in 1992- the year she "graduated" from White Station High School after teaching Speech and Drama there for 30 years. She next had the pleasure of driving her granddaughter Lena three consecutive years from her school to participate in the show, so she, of course, stayed to watch every performance. She eventually had the fun of being cast in the show alongside Lena in 2015 and being directed by the delightful Jason Spitzer. She could not have been more pleased to be asked to be a part of the 43rd year of the show in the season that "her" theatre celebrates its 100th anniversary. As a 73 year veteran of the Memphis Little Theatre/Theatre Memphis, Blanche has always felt comfortable calling Theatre Memphis home. -
FOR IMMEDIATE RELEASE the Gift of Laughter Is Yours with Desert Star’S New Comedy
FOR IMMEDIATE RELEASE The Gift Of Laughter Is Yours With Desert Star’s New Comedy MURRAY, UT, Nov, 2019 --/ Desert Star at Christmas time is a Utah family tradition! This season's comedy for all ages, A Christmas Carol Part 2: Scrooged Again! weaves classic Dickens's characters into the holiday high jinks and hilarity Desert Star is famous for. The show opens Thursday, November 14th. Have you ever wondered what happened to Ebenezer Scrooge after he decided to reform? Come and laugh your way to the answer in this hilarious sequel to the Christmas classic. A vengeful Bob Cratchit wants to repay Scrooge for the years of misery he suffered. With the help of his now corrupt son, a not-so-tiny-Tiny Tim, he plans to destroy Scrooge’s business. Scrooge’s long lost love, becomes an unwitting pawn in Cratchit’s evil plans. Now it’s up to the madcap Spirits of Christmas to once again visit Scrooge on Christmas Eve and make things right! Filled with music, laughs, wacky characters, heartfelt moments, and a stellar cast of talented performers, it’s the perfect entertainment for the holiday season! This show is full of all the over-the-top humor you’ve come to expect from Desert Star along with plenty of comedic nods to all things Christmas. The show is followed by our Holiday Olio featuring wonderful Christmas music and more side-splitting humor to help you wrap up the year in comedy! ## # CALENDAR: “A Christmas Carol Part 2: Scrooged Again!” Plays November 14, 2019 thru January 4, 2020 Check website for show times: www.DesertStarPlayhouse.com Tickets: Adults: $26.95-$30.95, Children: $14.95-$18.95 (Children 11 and under), depending on performance 4861 S. -
Spotlight Guide 2020 - 2021
Spotlight Guide 2020 - 2021 In this hilarious, twisted take on the holiday classic, it’s one year after A Christmas Carol and Scrooge has returned to his miserly ways… The Te Trial of Ghosts of Christmas are on trial for breaking and entering, kidnapping, Ebenezer Scrooge slander, pain and suffering, attempted murder, and the intentional infliction of By Mark Brown emotional distress as Scrooge rants and raves to the court. Both silly and sweet, The Trial of Ebenezer Scrooge is a heartwarming comedy for the whole family! Activities and Lesson Plan What is a Sequel? The Trial of Ebenezer Scrooge by Mark Brown is a sequel to A Christmas Carol, by famed English playwright Charles Dickens. In modern times we see the sequel concept in films such as Batman, Superman, various Disney films and the like. Do the movies have a sequel? If not, take a minute to briefly describe what that sequel might be for one of those movies (What characters would remain and which ones will be written out of or added to the story)? Write a Review After seeing the production, have each student write a review of Orlando Shakes’ production. The review should include one paragraph each for acting, design and special effects. Discussion & Themes What lesson does Scrooge learn? Are we responsible for others less fortunate than we? See the full study guide for expanded activities. Florida Standards LAFS.910.RL.1: Key Ideas and Details LAFS.910.RH.1: Key Ideas and Details LAFS.1112.SL.1: Comprehension and Collaboration LAFS.1112.RL.1: Key Ideas and Details TH.912.F.2: Careers in and related to the arts TH.68.S.1: The arts are inherently experiential. -
Christmas Trivia Questions and Answers
Christmas Trivia Questions and Answers Questions 1. After leaving Bethlehem, to which country did Joseph, Mary, and Jesus travel? 2. Christmas is celebrated on the 25th of December. Who is the patron saint remembered on the 26th of December? 3. Every elf has this ornament on the tip of their shoes. Which ornament are we talking about? 4. Everyone is familiar with the mistletoe tradition. What is the color of the berries of the plant? 5. How does Santa Claus go back up the chimney to continue his journey of delivering gifts? 6. How many points does a snowflake traditionally have? 7. Name the eight original Reindeer. 8. One of the most famous Cola companies in the world used to have advertisements featuring a happy, smiling Santa Claus. Name the company 9. Red and green are the two colors most associated with Christmas. Which are the two other colors, according to Christmas holiday trivia, that are also extremely popular in this season? 10. Traditionally, kids leave out snacks for Santa Claus. What are these snacks? 11. Traditions of Christmas around the world will tell you that Santa Claus is known by many names. What is the French name for Santa Claus? 12. Two of the reindeers are named after weather phenomenon. Name the reindeer. 13. What are the gifts that the Three Wise Men gave baby Jesus, according to Christmas history? 14. What is the name of Ebenezer Scrooge’s partner, from the play, A Christmas Carol? 15. What two phrases will you almost always find on Christmas gift tags? 16. -
Jacob Marley Was Dead
Jacob marley was dead Continue I personally love the Book of Christmas Song and I read it every December. It's not a long book, which is probably why it's a favorite classic of an overworked high school student, and this librarian with a read list a mile long. I'm also a big fan of Christmas, and Christmas special, and books about Christmas. I admit that I've never been a big fan of Dickens's more works. In high school we read Great Expectations and I remember very little, except that it was particularly hard to follow, which kind of turned me away from everything he had written for a while. But a few years ago I decided to give a Christmas carol a chance and it became one of my favorite books. The language That Dickens used is unlike anything we use in everyday communication in 2014. Never has Tiny Tim ever lol, and none of the ghosts will ever smh Scrooge and his ignorance. Honestly, I can see how difficult it can be for some to sit down and read page after page of the lengthy descriptions Of the Dickens used-after-all, we want to get to the meat of ghost stories and a grumpy old man learning to appreciate kindness and friendship for money, but when we don't have the time to read what Dickens has written he draws some amazing images in our heads. Take the opening lines: Marley was dead: for starters. As for the first lines in the book to go, that one is damn good. -
Dickens After Dickens, Pp
CHAPTER 2 Nordic Dickens: Dickensian Resonances in the Work of Bjørnstjerne Bjørnson Kathy Rees, Wolfson College, University of Cambridge On 19 March 1870, the Illustrated London News reported on the last of Charles Dickens’s farewell readings at St. James’s Hall (‘Mr. Chas Dickens’s Farewell Reading’ 301). Three weeks later, Norsk Folkeblad featured this same article, translated into Norwegian (‘Charles Dickens’s Sidste Oplaesning’ 1). At that time, the editor of Norsk Folkeblad was the 38-year-old journalist, novelist, and playwright Bjørnstjerne Bjørnson. He recognised the importance of this event and, unlike his English counterpart, he made it front-page news. Bjørnson reproduced both the iconic image of the famous writer at his reading desk and the words of Dickens’s brief curtain speech wherein he bade farewell to his adoring public. Dickens’s novels and journals had long been widely read in Norway, first in German and French translations, later in Danish or Swedish. Sketches by Boz (1836) was popular because of its representation of English customs, especially among the lower classes: one of its tales, ‘Mr Minns and his Cousin’, was included on the English syllabus of Norwegian schools from as early as 1854 (Rem 413). American Notes (1842) was also much discussed on account of the rising numbers of Norwegian emigrants crossing the Atlantic.1 Written Danish and Norwegian were virtually the same language in the How to cite this book chapter: Rees, K. 2020. Nordic Dickens: Dickensian Resonances in the Work of Bjørnstjerne Bjørnson. In: Bell, E. (ed.), Dickens After Dickens, pp. 35–55. -
The Man Who Invented Christmas Film Adaptations of Dickens’ a Christmas Carol Dr Christine Corton
10TH DECEMBER 2019 The Man Who Invented Christmas Film Adaptations of Dickens’ A Christmas Carol Dr Christine Corton A Christmas Carol is now over 175 years old. Written in 1843, it is certainly the most televised of Dickens’s works and equals if not beats, its closest rival, Oliver Twist (1837-39) for cinema releases. It’s had a huge influence on the way we understand the Christmas festival. It was written at a time when the festival was being revived after centuries of neglect. And its impact was almost immediate. A Christmas Carol quickly achieved iconic status, far more so than any of Dickens’s other Christmas stories. You have to have been living on some far-off planet not to have heard of the story – the word ‘Scrooge’ has come to represent miserliness and ‘Bah, Humbug’ is a phrase often resorted to when indicating someone is a curmudgeon. Even, Field Marshall Montgomery concluded his Christmas Eve message to the Eighth Army on the battlefield with Tiny Tim’s blessing. In 1836 Dickens described Christmas at Dingley Dell in The Pickwick Papers in which of course one of the most famous of the interpolated tales appears, The Story of the Goblins who Stole a Sexton and for those who know the tale, the miserable and mean Gabriel Grub is not a million miles away from Scrooge. Both Mr Pickwick’s Christmas at Wardle’s (1901) and Gabriel Grub: The Surly Sexton (1904) were used as the basis for silent films at around the same time as the first silent version of the 11 minute long: Scrooge: Or Marley’s Ghost which was released in 1901. -
Seasonal Tales, Far-Flung Settings. the Unfamiliar
PHILIP V. ALLINGHAM LAKEHEAD UNIVERSITY, THUNDER BAY, ONTARIO, CANADA Seasonal Tales, Far-flung Settings The Unfamiliar Landscapes of The Christmas Books and Stories (1843–1867) Fig. 1. Marcus Stone, “Bibliomania of the Golden Dustman,” Our Mutual Friend, p. 406 he common reader of the latter part of the nineteenth T century would likely have associated the fictional pro- ductions of Charles Dickens with cityscapes (institutional Milli mála 7/2015 27 PHILIP V. ALLINGHAM edifices, streets, and bridges), particularly with London from the end of the Napoleonic Wars to his death in 1870 – to that reader a quintessentially Dickensian scene would be a London scene such as Marcus Stone’s “The Bibliomania of the Golden Dustman” for Book 3, Chapter 5, of Our Mutual Friend (April 1865). However, beginning with The Christmas Books (1843–48), and continuing with their successors col- lectively known as The Christmas Stories, Dickens often in- corporated and occasionally exploited backdrops that were neither specifically urban nor, indeed, English, to lend these seasonal offerings the allure of the unfamiliar and even, as in his principal collaborations with Wilkie Collins, The Perils of Certain English Prisoners (Household Words, 1857) and No Thoroughfare (All the Year Round, 1867), the exotic. The common reader on either side of the Atlantic would probably not have had a common experience of the Christmas Stories, as these appeared complete, with contri- butions by other writers such as Wilkie Collins and Eliza- beth Gaskell, in Household Words and All the Year Round in Britain, but in America first appeared in a separate volume in the Ticknor and Fields Diamond edition (1867) and sub- sequently in an 1876 volume of The Household Edition, il- lustrated by E. -
Per Un Natale Fuori Dalle Righe: Il Bicchiere È Mezzo Vuoto O È Mezzo Pieno? ”
22 ° ANNO FIGURE SENZA TEMPO, OMBRE SENZA VOLTO CHE, GOCCIA A GOCCIA, CON I MATTONI DELLA SOLIDARIETÀ RICOSTRUISCONO LE FONDAMENTA ED I MURI PORTANTI DELLA LORO VITA IL MENSILE DELL’OSTELLO “DON LUIGI DI LIEGRO” DI VIA MARSALA e-mail: [email protected] COPIA GRATUITA NUMERO UNICO Dicembre 2020 “Per un Natale fuori dalle righe: il bicchiere è mezzo vuoto o è mezzo pieno? ” Questo Natale 2020 forse faremo esperienza di qualcosa di nuovo. Il Papa lo ha ripetuto più volte in questi mesi: di fronte alla realtà, innegabile, oggettiva, del presente “pandemico” si può reagire in due modi, diametralmente opposti: o lasciarsi annientare dalla disperazione, dal senso di incertezza e impotenza, lasciandoci forse vincere anche dal dolore per le perdite umane che ci hanno toccato da vicino oppure reagire con creatività e con gioia, mettendo a frutto i nostri “talenti”, le nostre capacità, le nostre ricchezze spirituali e materiali senza nasconderle per paura. Papa Francesco, nella recente Giornata Mondiale dei Poveri (15 novembre 2020), ha detto nell’omelia della Messa: «Si avvicina il tempo del Natale, il tempo delle feste. Quante volte, la domanda che si fa tanta gente è: “Cosa posso comprare? Cosa posso avere di più? Devo andare nei negozi a comprare”. Diciamo l’altra parola: “Cosa posso dare agli altri?”. Per essere come Gesù, che ha dato se stesso e nacque proprio in quel presepio». Probabilmente la situazione sanitaria non permetterà a tutti noi di passare il nostro tempo nel cercare di rincorrere i negozi aperti per acquistare i regali. Probabilmente questo tempo ci sta invitando a due movimenti interiori. -
The Characters of a Christmas Carol Page 10: Pre and Post Show Questions & Discussion Starters Page 11: Resources Language Arts Core Curriculum Standards CCRR3
Theatre for Youth and Families A Christmas Carol Based on the story by Charles Dickens Adapted by David Bell Directed by Rosemary Newcott Study Guide, grades K-5 Created by the Counterpane Montessori Middle and High School Dramaturgy Team of Martha Spring and Katy Farr As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students program Under the guidance of Resident Teaching Artist Kim Baran Now in its 25th season, a magical holiday tradition for the whole family. On the Alliance Theatre stage November 21 through December 24, 2014 A Christmas Carol Study Guide 1 Happy Holidays from the Alliance Theatre! Welcome to the Alliance Theatre’s production of A Christmas Carol, written by Charles Dickens and adapted for stage by David H. Bell. This Study Guide has been created with the student audience in mind with the intent of providing a starting point as the audience prepares and then reflects together upon the Alliance Theatre for Youth and Families’ series production of A Christmas Carol. A note from the director, Rosemary Newcott, the Sally G. Tomlinson Artistic Director of Theatre for Youth and Families: “I think of this show as a gift to Atlanta . I always hope it reflects the look and spirit of our community. The message is one that never grows old – that one is still capable of change — no matter what your age or what you have experienced!” Table of Contents Page 3: Charles Dickens Page 4-5: Vocabulary **(see note below) Page 6: Cast of Characters; Synopsis of the story Page 7: Money of Victorian England Page 8: Design your Own Christmas Carol Ghost Costume! Page 9: Word Search: The Characters of A Christmas Carol Page 10: Pre and Post show questions & discussion starters Page 11: Resources Language Arts Core Curriculum Standards CCRR3.