You Are Nowhere. Trim: 218 Live: 198 ©2016 A&E Television Networks, LLC
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Traffic Instructions for Olympic Coverage on the NBC Broadcast Network
February, 2021 NBC Sports has been given your name as our initial contact for the 2020 Summer Olympic Games (being played July 23-August 8, 2021) by our Sales department. The following pages outline our commercial integration procedures. Please forward this information to the appropriate agency contacts. Traffic Instructions for Olympic Coverage on the NBC Broadcast Network **NBCU will require that ALL Olympics Advertisers register and utilize AD-ID for Broadcast AND Cable** NEW AD-ID CLIENTS Register at https://app.ad-id.org/user/register EXISITING AD-ID CLIENTS Contact Ad-ID customer service at [email protected] or 704.501.4410 for assistance with onboarding. ADDITIONAL INFORMATION http://www.ad-id.org/ ASSOCIATED COSTS • Advertiser alpha-numeric prefix FREE • First 600 new codes $30/code • Next 1,400 new codes $5/code • All new codes after $25K threshold No charge Traffic instructions for units airing on the NBC Broadcast Network during the 2020 Summer Olympic Games must be e- mailed to NBC Sports – [email protected] Traffic instructions must include the following: • Agency name/traffic contact/phone # • Air date and event • Client name/AD-ID/product/brand • Title/length of commercial • Revision # (if applicable) *There should be no other instructions on the traffic. All event positioning requests, order of air, etc. should be placed through your Ad Sales contact. In addition, Sales Operations will not be responsible for executing any direction given on traffic regarding these requests. 1 **All Olympic units airing on the NBC broadcast network or any of the NBC cable properties require brand allocations be provided to the Sales Planners/ASRs prior to our traffic instruction deadlines. -
Accepted Manuscript Version
Research Archive Citation for published version: Tony Shaw, and Tricia Jenkins, ‘An Act of War? The Interview Affair, the Sony Hack, and the Hollywood– Washington Power Nexus Today’, Journal of American Studies, April 2017. DOI: https://doi.org/10.1017/S0021875817000512 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 Cambridge University Press and British Association for American Studies. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] An Act of War? The Interview Affair, the Sony Hack, and the Hollywood/Washington Power Nexus Today An early quasi-police procedural showing J. Edgar Hoover’s Federal Bureau of Investigation “smashing” a communist sleeper cell in Boston, Alfred L. Werker’s 1952 docudrama Walk East on Beacon looks at first much like any other Red-baiting Hollywood production of the McCarthy era. On closer inspection, the movie offers us a keen insight into the Hollywood/Washington power nexus during the Cold War. Recently declassified documents reveal that the FBI’s top brass not only helped to inspire Walk East on Beacon but also to cast and market the film. More intriguingly, America’s most powerful military Cold War think tank, the RAND Corporation, was at the heart of the movie’s screenplay. Hollywood scriptwriter Leo Rosten worked as a part-time adviser on social sciences for RAND and based key elements of his plot for Walk East on Beacon on top-secret RAND projects, principally the military uses of satellites and computers. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Chicken Soup for the Soul Entertainment Signs Definitive Agreement to Acquire Sonar Entertainment Assets
Chicken Soup for the Soul Entertainment Signs Definitive Agreement to Acquire Sonar Entertainment Assets April 9, 2021 Will Add IP Rights to 372 Television Series with 1,825 Episodes and Over 700 Films Will Position Company to Launch Additional AVOD Networks and Accelerate International Television Production and Distribution Strategy Immediately Accretive to Financial Results Management Conference Call to Be Held at 8:30 A.M. ET Today COS COB, Conn., April 09, 2021 (GLOBE NEWSWIRE) -- Chicken Soup for the Soul Entertainment, Inc. (Nasdaq: CSSE), one of the largest operators of streaming advertising-supported video-on-demand (AVOD) networks, today announced the signing of a definitive agreement to acquire the film and television assets of Sonar Entertainment, Inc. (Sonar). Acquiring the Sonar assets will accelerate Chicken Soup for the Soul Entertainment’s strategy to build the leading independent AVOD streaming service in four key ways: Expanding its original television content development pipeline; improving margins by increasing its IP rights ownership; positioning the company to launch additional AVOD networks; and providing a faster path to growing its international television production and distribution activities. “The Sonar Entertainment assets are a perfect fit with our objective of building the industry’s best AVOD offering,” said William J. Rouhana Jr, chief executive officer of Chicken Soup for the Soul Entertainment. “This acquisition will not only have immense strategic value, positioning us to launch AVOD networks with a critical mass of proven content that fits our desired audiences, but will also give us ownership of several franchise television series and add proven television executive talent. Finally, we believe the transaction will be extremely efficient for our shareholders, with a structure that provides for the net cost of the assets being fully recovered as we create value for the seller.” Sonar is a leading independent television studio headquartered in Los Angeles with operations in Toronto and London. -
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, Nscreenmedia | 2019
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | 2019 I NTRODUCTION Technology has become such a part of our daily lives that sometimes it seems that it is an end unto itself. However, in the world of the consumer, it has a particular role to play. Tim O’Reilly, who coined the term “open source,” put Online TV is now the second it this way: most popular source of “What technology does is create new opportunities to do a job that customers want done.”1 Home entertainment is most certainly a job that people “want done.” Ninety years ago, broadcast television television content in the UK, technology was the new opportunity to deliver it in an entirely new way.2 Based on the data from our most recent survey in Europe, the internet has become the next new opportunity to provide television entertainment to the home. Germany, and Sweden. Today, there are three primary sources of TV entertainment available to consumers: free-to-air (FTA), pay TV, and online TV. Free-to-air TV channels are typically received via an antenna but can also arrive over satellite and cable. Examples include BBC1, SVT1, and Das Erste. Pay TV services distribute linear TV over cable, satellite, and telco TV systems. Examples include Virgin Media, Sky Deutschland, and Com Hem. Online TV allows viewers to stream or download shows and movies over mobile and broadband data networks. Examples of services include Netflix, Now TV, and Amazon Prime Video. Just twelve years after Netflix first introduced streaming services, online TV has become the second most popular TV source in the UK, Germany, and Sweden. -
The 2014 Sony Hack and the Role of International Law
The 2014 Sony Hack and the Role of International Law Clare Sullivan* INTRODUCTION 2014 has been dubbed “the year of the hack” because of the number of hacks reported by the U.S. federal government and major U.S. corporations in busi- nesses ranging from retail to banking and communications. According to one report there were 1,541 incidents resulting in the breach of 1,023,108,267 records, a 78 percent increase in the number of personal data records compro- mised compared to 2013.1 However, the 2014 hack of Sony Pictures Entertain- ment Inc. (Sony) was unique in nature and in the way it was orchestrated and its effects. Based in Culver City, California, Sony is the movie making and entertain- ment unit of Sony Corporation of America,2 the U.S. arm of Japanese electron- ics company Sony Corporation.3 The hack, discovered in November 2014, did not follow the usual pattern of hackers attempting illicit activities against a business. It did not specifically target credit card and banking information, nor did the hackers appear to have the usual motive of personal financial gain. The nature of the wrong and the harm inflicted was more wide ranging and their motivation was apparently ideological. Identifying the source and nature of the wrong and harm is crucial for the allocation of legal consequences. Analysis of the wrong and the harm show that the 2014 Sony hack4 was more than a breach of privacy and a criminal act. If, as the United States maintains, the Democratic People’s Republic of Korea (herein- after North Korea) was behind the Sony hack, the incident is governed by international law. -
Discovery Strikes Deal with Channel 4'S Walter Presents to Launch Premium Drama Service in Italy
Discovery strikes deal with Channel 4’s Walter Presents to launch premium drama service in Italy. World’s best foreign language dramas available On Discovery Italia from September 2018 Embargoed Wednesday 2nd May - London, 11.30 am / Milan, 12.30 pm Acclaimed streaming video on demand service Walter Presents, which has won plaudits and a loyal following for delivering the world’s best foreign-language dramas to UK, US and Australian audiences, will be teaming up with Discovery Italia, in the next stage of a planned global roll out, to bring its award-winning dramas to Italian audiences from September 2018. Discovery Italia which has built an exceptional reputation with its slate of top rating factual channels to become one of the most successful linear players in Italy, will now also deliver exclusive, award winning and original first run drama series with subtitles, to a wide Italian audience, by exploiting its fast growing digital Dplay service, where customers with an appetite for top quality drama can watch series on demand. Dedicated slots for Walter Presents titles will be aired also on its prestigious Nove and Giallo channels. Capitalising on the growing demand for world drama, Discovery Italia aims to host over 500 hours of premium foreign language drama across two years and will include a diverse range of series which have been blockbuster hits in their native countries. From Nordic thrillers to South American chillers, every series will feature bespoke high-quality customized sub-titling. Walter Presents launched in the UK on Channel 4’s on-demand service All 4 in January 2016. -
DMV Driver Manual
New Hampshire Driver Manual i 6WDWHRI1HZ+DPSVKLUH DEPARTMENT OF SAFETY DIVISION OF MOTOR VEHICLES MESSAGE FROM THE DIVISION OF MOTOR VEHICLES Driving a motor vehicle on New Hampshire roadways is a privilege and as motorists, we all share the responsibility for safe roadways. Safe drivers and safe vehicles make for safe roadways and we are pleased to provide you with this driver manual to assist you in learning New Hampshire’s motor vehicle laws, rules of the road, and safe driving guidelines, so that you can begin your journey of becoming a safe driver. The information in this manual will not only help you navigate through the process of obtaining a New Hampshire driver license, but it will highlight safe driving tips and techniques that can help prevent accidents and may even save a life. One of your many responsibilities as a driver will include being familiar with the New Hampshire motor vehicle laws. This manual includes a review of the laws, rules and regulations that directly or indirectly affect you as the operator of a motor vehicle. Driving is a task that requires your full attention. As a New Hampshire driver, you should be prepared for changes in the weather and road conditions, which can be a challenge even for an experienced driver. This manual reviews driving emergencies and actions that the driver may take in order to avoid a major collision. No one knows when an emergency situation will arise and your ability to react to a situation depends on your alertness. Many factors, such as impaired vision, fatigue, alcohol or drugs will impact your ability to drive safely. -
ALLISA SWANSON Costume Designer
ALLISA SWANSON Costume Designer https://www.allisaswanson.com/ Selected Television: FIREFLY LANE (Pilot, S1&2) – Netflix / Brightlight Pictures – Maggie Friedman, creator TURNER & HOOCH (Pilot, S1) – 20th Century Fox / Disney+ – Matt Nix, writer – McG, pilot dir. ALIVE (Pilot) – CBS Studios – Uta Briesewitz, director ANOTHER LIFE (Pilot, S1) – Netflix / Halfire Entertainment – Aaron Martin, creator ONCE UPON A TIME (S7 eps. 716-722) – Disney/ABC TV – Edward Kitsis & Adam Horowitz, creators *NOMINATED, Excellence in Costume Design in TV – Sci-Fi/Fantasy - CAFTCAD Awards THE 100 (S3 + S4) – Alloy Entertainment / Warner Bros. / The CW – Jason Rothenberg, creator DEAD OF SUMMER (Pilot, S1) Disney / ABC / Freeform – Ian Goldberg, Adam Horowitz & Eddy Kitsis, creators MORTAL KOMBAT: LEGACY (Mini Series) – Warner Bros. – Kevin Tancharoen, director BEYOND SHERWOOD (TV Movie) – SyFy / Starz – Peter DeLuise, director KNIGHTS OF BLOODSTEEL (Mini-Series) – SyFy / Reunion Pictures – Phillip Spink, director SEA BEAST (TV Movie) – SyFy / NBC Universal TV – Paul Ziller, director EDGEMONT (S1 - S5) – CBC / Water Street Pictures / Fox Family Channel – Ian Weir, creator Selected Features: COFFEE & KAREEM – Netflix / Pacific Electric Picture Company – Michael Dowse, director GOOD BOYS (Addt’l Photo. )– Universal / Good Universe / Point Grey Pictures – Gene Stupnitsky, dir. DARC – Netflix / JRN Productions – Nick Powell, director THE UNSPOKEN – Lighthouse Pictures / Paladin – Sheldon Wilson, director THE MARINE: HOMEFRONT – WWE Studios – Scott Wiper, director ICARUS/THE KILLING MACHINE – Cinetel Films – Dolph Lundgren, director SPACE BUDDIES – Walt Disney Home Entertainment – Robert Vince, director DANCING TREES – NGN Productions – Anne Wheeler, director THE BETRAYED – MGM – Amanda Gusack, director SNOW BUDDIES – Walt Disney Home Entertainment – Robert Vince, director BLONDE & BLONDER – Rigel Entertainment – Bob Clark, director CHESTNUT: HERO OF CENTRAL PARK – Miramax / Keystone Entertainment – Robert Vince, dir. -
Liberty Global and Discovery Communications Renew Long-Term, Comprehensive Distribution Partnership
Liberty Global and Discovery Communications Renew Long-Term, Comprehensive Distribution Partnership Multiplatform agreement spans 12 markets in Europe and entire portfolio of Discovery and Eurosport Networks, including first-time ever full and unique coverage of Olympic Games beginning in 2018 London, United Kingdom – August 2, 2016: Liberty Global and Discovery Communications today announce a long-term, comprehensive renewal of their distribution agreement that guarantees delivery of Discovery’s full portfolio of fan-favorite networks, including flagships Discovery Channel, TLC, ID and Eurosport, to Liberty Global customers across its 12 European countries: Austria, Belgium, Czech Republic, Germany, Hungary, Ireland, Poland, Romania, Netherlands, Slovakia, Switzerland and the United Kingdom. The deal also includes digital rights, ensuring passionate fans can access their favorite networks and shows on multiple screens, in and out of the home, through Liberty Global’s broadband companies, which include UPC, Virgin Media, Ziggo, Telenet and Unitymedia. “Discovery is the leader in premium and provocative real-world entertainment through our loved brands that engage and entertain passionate communities across the globe. From world-class sporting events like the Olympic Games, Grand Slam Tennis, and important local sports to globally popular shows like GOLD RUSH, CAKE BOSS, and SHARK WEEK, this new deal strengthens our great partnership with Liberty Global and provides their customers with more premium content from Discovery’s networks and brands, across more screens than ever before,” said JB Perrette, President and CEO, Discovery Networks International. Bruce Mann, Managing Director, Programming, Liberty Global, added: “This long-term renewal provides Liberty Global with guaranteed access to Discovery’s broad stable of world-famous brands.