DOCSLIB.ORG

Spike TV Announces the Year's Biggest Boys Night out for Star-Studded 2009 'Guys Choice'

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spike TV Announces the Year's Biggest Boys Night out for Star-Studded 2009 'Guys Choice' Spike TV Announces the Year's Biggest Boys Night Out for Star-Studded 2009 'Guys Choice' Sacha Baron Cohen To Be Crowned This Year's "Funniest M.F." Halle Berry To Be Honored With The "Decade Of Hotness Award" "Mankind Award" Presented to Judd Apatow Presenters And Attendees Include Robert Downey, Jr., Russell Brand, Quentin Tarantino, Jason Statham, Dwyane Wade, Billy Crudup, Triumph The Insult Comic Dog, Malin Akerman, Michael Irvin, Jesse James, Mila Kunis, Brock Lesnar, Christopher Mintz-Plasse, Rainn Wilson And Many More Premieres Sunday, June 21st at 10 PM, ET/PT NEW YORK, May 21 -- Spike TV is the master of its domain and will once again pay tribute to the kingdom of testosterone in the third annual "Guys Choice." Many of the elite names in the world of music, movies, television and sports will be on display, from dominant athletes like UFC® heavyweight champion Brock Lesnar and NBA scoring champ Dwyane Wade, to the women men love, including Halle Berry, to the funniest men in the world, Sacha Baron Cohen and Russell Brand. The two-hour event will serve as a tribute to all the things that get guys' blood pumping. Scheduled to tape Saturday, May 30 at the Sony Pictures Studios in Culver City, CA, "Guys Choice" premieres Sunday, June 21 (10:00 PM - Midnight, ET/PT). (Logo: http://www.newscom.com/cgi-bin/prnh/20060322/NYW096LOGO ) Scheduled appearances include: Malin Akerman, Anvil, Judd Apatow, Halle Berry, Russell Brand, Sacha Baron Cohen, Billy Crudup, Robert Downey Jr., Michael Irvin, Jesse James, Mila Kunis, Brock Lesnar, Christopher Mintz-Plasse, Jason Statham, Quentin Tarantino, Bobb'e J. Thompson, Triumph The Insult Comic Dog, Dwyane Wade, Rainn Wilson and many more. "Guys Choice is a one-night-only celebration of guydom and will be the biggest boys' night out of the year," said Casey Patterson, executive producer and senior vice-president of event production, talent development Spike TV. "We're bowing down to everything that matters to our guys, from their childhood Heroes, Icons and Sports legends to the current comedy, women, music and movies that matter to mankind." One of the night's most distinguished honors will go to Halle Berry, an actress whose world-class talent matches her iconic beauty. For her performance in "Monster's Ball," she won the Academy Award for Best Actress and, no stranger to accolades, Berry earned the Emmy, Golden Globe, SAG and NAACP Image Award for her extraordinary performance in HBO's telefilm, "Introducing Dorothy Dandridge," which she also produced. Berry is equally appealing to Spike guys for her action roles in the "X-Men" film franchise and as "Jinx" in the James Bond film "Die Another Day." Berry is beloved by the masses for her great acting and incredible sex appeal, and in recognition of this rare, killer combination, she will be the recipient of this year's "Decade of Hotness Award." Another honor will be presented to a man who attended Cambridge University and used his intellect to create some of most avant garde comedy in the past decade, Sacha Baron Cohen. His series "Da Ali G Show" on HBO was nominated for four Emmy Awards, and introduced to America his trio of alter egos: wise cracking hoodlum Ali G, Kazakh field reporter Borat, and Austrian fashion reporter Bruno. The first two inspired major motion pictures, the latter of which, "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan," grossed over a quarter of a billion dollars at cinemas worldwide and is considered one of the most influential comedy films ever. This July, he'll complete the trilogy when he unleashes "Bruno" on the American public. In honor of his trifecta, this year's Spike "Guy's Choice" Awards will bestow upon Baron Cohen one of the show's highest honors, the prized "Funniest M.F." Award. Spike TV will also pay special tribute to a comedic pioneer whose contributions have led to the betterment of mankind: the most influential voice in comedy today, writer, producer and director extraordinaire, Judd Apatow, will be presented with the "Mankind Award." The event also features the lyrical stylings of suburban hip-hop phenom Asher Roth, who will perform the hit song "I Love College" from his debut album "Asleep In The Bread Isle." Viewers will also be treated to The Dan Band ("Old School") throughout the evening -- they will serve as the show's house band. Voting for this year's winners is being held online at www.guyschoice.spike.com through Friday, May 22nd. Also online, fans can log-on to view exclusive red carpet and backstage coverage of "Guys Choice." The official sponsors of Spike TV's "Guys Choice" are -- AT&T, Corona, Degree V12, Pizza Hut, and the U.S. Army. Casey Patterson, Carol Donovan and Beth McCarthy-Miller will serve as executive producers. Spike TV is available in 98 million homes and is a division of MTV Networks. A unit of Viacom (NYSE: VIA, VIA.B), MTV Networks is one of the world's leading creators of programming and content across all media platforms. Spike TV's Internet address is www.spike.com. SOURCE Spike TV CONTACT: Aileen Budow, +1-212-767-3952 [email protected] or Salil Gulati, +1-212-767-8705 [email protected] /Photo: http://www.newscom.com/cgi-bin/prnh/20060322/NYW096LOGO PRN Photo Desk, [email protected]/ /Web Site: http://www.spike.com .
Load more

Recommended publications
  • Paul Rudd Strikes a Comedic Pose While Bowling for Children Who Stutter
    show ad Funnyman with a heart of gold! Paul Rudd strikes a comedic pose while bowling for children who stutter By Shyam Dodge PUBLISHED: 03:33 EST, 22 October 2013 | UPDATED: 03:34 EST, 22 October 2013 30 View comments He's known for being one of the funniest men working in Hollywood today. But Paul Rudd proved he's also got a heart of gold as he hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday. The 44-year-old actor could be seen throughout the fund raising event performing various comedic antics while bowling at the lanes. Gearing up: Paul Rudd hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday The I Love You, Man star taught some of the fundamentals of the sport to the children gathered for the event. But when it came his turn to demonstrate his bowling prowess it appeared he may have needed some practise in the art. Performing a comedic kick in the air after seeming to land the ball in the gutter the surrounding kids erupted into both applause and giggles. Getting a rise: The 44-year-old actor looked to have missed his mark during the event The set up: Rudd got his form down before letting loose But the antics also seemed to have been choreographed to entertain the youngsters, who the star was intent upon helping. Wearing brown suede loafers and tan chinos, Rudd went casual in a simple chequered button down shirt.
    [Show full text]
  • Infant Sorrow and Friends Perform Songs from the Film 'GET HIM to the GREEK' Live One Night Only!
    May 12, 2010 Infant Sorrow and Friends Perform Songs From the Film 'GET HIM TO THE GREEK' Live one Night Only! Featuring Special Appearances by: Infant Sorrow, Russell Brand, Jonah Hill, Carl Barat from The Libertines and Special Guests LOS ANGELES, May 12 /PRNewswire/ -- Infant Sorrow and Friends is a live one-night- only concert by performers from the upcoming comedy GET HIM TO THE GREEK at The Roxy on Monday, May 24. The evening features songs from the film and forthcoming album as performed by Infant Sorrow, Russell Brand, Carl Barat of the hugely popular U.K. band The Libertines, with special appearances by Jonah Hill and other surprise guests. The events begin at 8:00 PM, and the first 100 people to arrive at The Roxy will receive a limited edition Infant Sorrow T-shirt. Tickets go on sale Friday, May 14, at 10 AM. The album INFANT SORROW – GET HIM TO THE GREEK is available June 1 through Universal Republic. ABOUT GET HIM TO THE GREEK: GET HIM TO THE GREEK reunites Jonah Hill and Russell Brand with Forgetting Sarah Marshall director Nicholas Stoller in the story of a record company executive with three days to drag an uncooperative rock legend to Hollywood for a comeback concert. The comedy is the latest film from producer Judd Apatow (The 40-Year-Old Virgin, Knocked Up, Funny People) and arrives in theaters on June 4. www.gethimtothegreek.com MONDAY, MAY 24 THE ROXY 8:00 PM 9009 Sunset Boulevard, West Hollywood, CA 90069 ON SALE FRIDAY, MAY 14, AT 10 AM TICKETS AVAILABLE ONLINE AT WWW.LIVENATION.COM OR BY PHONE AT (877) 598-6671.
    [Show full text]
  • The Problem with Borat
    Taboo: The Journal of Culture and Education Volume 11 | Issue 1 Article 9 December 2007 The rP oblem with Borat Ghada Chehade Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Chehade, G. (2017). The rP oblem with Borat. Taboo: The Journal of Culture and Education, 11 (1). https://doi.org/10.31390/ taboo.11.1.09 Taboo, Spring-Summer-Fall-WinterGhada Chehade 2007 63 The Problem with Borat Ghada Chehade There is just something about Borat, Sacha Baron Cohen’s barbaric alter-ego who The Observer’s Oliver Marre (2006) aptly describes as “…homophobic, rac- ist, and misogynist as well as anti-Semitic.” While on the surface, Cohen’s Borat may seem to offend all races equally—the one group he offends the most is the very group he portrays as homophobic, racist, misogynist, and anti-Semitic. Or in other words, the real parties vilified by Cohen are not Borat’s victims but Borat himself. The humour is ultimately directed at this uncivilized buffoon-Borat. He is the butt of every joke. He is the one we laugh at, and are intended to laugh at, the most inasmuch as he is more vulgar, savage, ignorant, barbaric, and racist than any of the bigoted Americans “exposed” in the 2006 film Borat: Cultural Learn- ings of America for Make Benefit Glorious Nation of Kazakhstan. This would not be quite as problematic if the fictional Borat did not come from a very real place and did not so obviously (mis)represent Muslims. While the 2006 film has received coverage and praise for revealing the racism of Americans, very few people are asking whether Cohen’s caricature of a savage, homophobic, misogynist, racist, and hard core Jew-hating Muslim is not actually a form of anti-Muslim racism.
    [Show full text]
  • The Garry Effect
    MR. META Shandling in a press photo for his first groundbreaking sitcom, It’s Garry Shandling’s Show, which ran on Showtime from 1986 to 1990, and notably broke the fourth wall. now-familiar tropes of showing the studio audience and directly address- ing viewers. And then there’s that winking theme song: “This is the theme to Garry’s show/The theme to Garry’s show/Garry called me up and asked if I would write his theme song.” Incredibly, the show found a huge audience, powered in part by Shan- dling’s status as a stand-up comic whose nasal delivery, blown-out bouf- fant and sardonic observations (rou- tinely centered on his sexual prowess, or lack thereof) earned him frequent appearances on Johnny Carson’s Tonight Show and a spot as one of its regular guest hosts. It also turned TELEVISION him into a role model for multiple generations of comedians. “He’s like the Replacements,” says Judd Apatow. The Garry Effect “A rock band that inspired a lot of peo- Judd Apatow’s HBO documentary aims to capture ple to start their own bands.” Garry Shandling’s lifetime of influence—as a Apatow included. For 25 years, the comedian, yes, but also as a human being. At comedy guru counted Shandling— who died of a heart attack in 2016 at more than four hours, it feels too short age 66—as a close friend and mentor. Apatow’s first contact was as a high school student, interviewing Shan- Try To imagine Television comedy works. Fly-on-the-wall camera dling for his school’s radio station.
    [Show full text]
  • Cinematic Specific Voice Over
    CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO.
    [Show full text]
  • With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
    With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO.
    [Show full text]
  • Judd Apatow Asked If He Could Take a Pass at His Profile
    Man at His Best The Profile By ANNA PEELE Filmmaker, producer, and writer Judd Apatow asked if he could take a pass at his profile. We thought, What could go wrong? Instructions to meet the man who will lead me to Judd Apatow specify only that he can be found “under the rainbow,” which turns out to be a 30-ton 100-foot-high $1.6 million homage to The Wizard of Oz� On the way, I make eye contact with a goat dressed as a unicorn. But the strangest thing about Sony Pictures Studios is the state of the of- fice occupied by Judd Apatow, pro- ducer of Anchorman and Girls, au- teur behind the filmsKnocked Up and The 40-Year-Old Virgin, and arguably the man who is better than anyone but Lorne Michaels at making co- medians famous. Apatow’s work- place is barren, with lurid lighting and views only of nearby walls. He likes this barren office, though. He has a nicer one in Santa Monica, but it’s packed with the by-products of shaping the entertainment industry for three decades, and Apatow want- ed something unburdened. The new place, which would be totally generic without the whiteboard casually fes- tooned with names like “Louis C.K.” and “Chris Rock,” comes with a Net- flix deal that has Apatow produc- ing the upcoming Pee-wee Herman movie and two guaranteed seasons of Love, a new romantic sitcom, with writer and actor Paul Rust. Apatow has described himself as looking like “the next abusive alcoholic stepfather in Boyhood�” But with his ’90s rock-critic outfit (unbuttoned plaid shirt over silk- screened T, jeans, and sneakers), Apatow is sloppily handsome.
    [Show full text]
  • He's Your Officemate, Your Favorite Virgin—And Now He's Talking to God
    ID #31 ID #32 He’s your officeMAte, your fAvorite virgin—And now He’s tAlking to god. inside tHe restless Mind of Steve Carell, Hollywood’s new king of coMedy. by brooke hauser pHotogrApHs by martin scHoeller 54 Premiere July/august 2006 ID #33 ID #34 thecomeDyIssue i. “HAI-GOO-BA!” In person, nothing about Steve Carell screams, “Look at me!” He wears his short hair combed, with a side part—a style often found in men’s catalogs. He is neither tall nor short, and though he is broad-shouldered and hairy- chested, he doesn’t seem burly. With the ex- ception of his thumbs, which are cartoonishly wide and flat and appear to have been blud- geoned by a large rock (think Fred Flintstone, after an incident at the quarry), he is entirely inconspicuous. He could be your dentist, your waiter, your next-door neighbor. What Steve Carell is not is the kind of guy who is used to doing nude scenes in multimillion-dollar productions such as Evan Almighty, a spin-off from 2003’s Bruce Almighty. Sitting fully dressed in a director’s chair on a soundstage in Waynesboro, Virginia, the 42-year-old actor relives the moment a few days ago when his character, Evan Baxter, discovers the first sign that God (Morgan Freeman) has chosen him to become a modern-day Noah. Baxter embraces his new image by walking into his yard in noth- ing but his birthday suit and a long beard. “I had to wear a pouch held together by a string, not unlike the string that holds on a party mask,” Carell says, his hands folded like a second-grader’s above his lap.
    [Show full text]
  • Women in Comedy
    WOMEN IN COMEDY BACKGROUND: MAKERS: Women In Comedy tracks the rise of women in the world of comedy, from the “dangerous” comedy of 70s sitcoms like Norman Lear’s Maude to the groundbreaking women of the 1980s American comedy club boom and building to today’s multifaceted landscape. Today, movies like Bridesmaids break box office records and the women of Saturday Night Live are often more famous than their male counterparts, but it didn’t start out that way. Early breakout female comics had to keep their jokes within the safe context of marriage, motherhood, and a man’s world. But they still found a way to be subversive. As Joan Rivers puts it, “I was furious about having to get married… It all comes out on stage. So that’s what I do onstage. I really tell them the truth.” Soon comedy became a vehicle for women to take on some of the most sensitive and controversial issues of the day. On television in the 1960s, entertainers like Carol Burnett and Mary Tyler Moore illuminated the core issues of feminism with humor that was both sly and truthful. But it took a powerful male producer to bring the most provocative feminist characters onto the screen. Maude, who Lear introduced to audiences in 1971, was a feminist firebrand on her fourth husband, strong and independent with a razor sharp wit. “When Maude was on the air,” Lear tells us, “I used to get letters from the First Lady, Betty Ford…. And she always signed every letter ‘Maude’s #1 fan’.” When Maude chose to have an abortion at 47, religious groups protested, but the episode was watched by 65 million Americans.
    [Show full text]
  • Mark Schwartzbard
    MARK SCHWARTZBARD Director of Photography Selected Episodic: LOOT (AKA TARZANA) – Apple TV+ – Alan Yang, ep HUNGRY (Pilot) – NBC – Suzanne Martin, creator RESERVATION DOGS – FX – Sterlin Harjo, creator SOCIAL DISTANCE – Netflix – Phil Abraham, Diego Velasco, Claire Scanlon, directors MASTER OF NONE (Seasons 1, 2 & 3) – Netflix / Universal TV – Aziz Ansari & Alan Yang, creators LOVE, VICTOR – Hulu – Elizabeth Berger and Isaac Aptaker, showrunners CONSTANCE (Pilot) – TNT – Jesse Peretz, director FOREVER – (Season 1) – Amazon – Various Directors CRASHING (Season 1, 2 episodes) – HBO / Apatow Productions – Ryan McFaul, director LOVE (Season 2 and 3) – Netflix / Apatow Productions – Various Directors – Judd Apatow, producer TRIUMPH’S ELECTION SPECIAL – Hulu / Funny or Die – Robert Smigel, director MAX (Pilot) – HBO – Lena Dunham, director PBS: ANNIE LENNOX - Tricycle Logic - Natalie Johns, director PBS: JOURNEY INTO THE BRAIN - Blink Films - David Eagleman, host I HATE MONDAYS (Pilot) - More Productions - Nick Copus, director - Michael Karnow, Zak Penn, producers FCU: FACT CHECKERS UNIT - NBC.com - Dan Beers, director - Larry Laboe, producer TEAM PLAYERS - Moxie Pictures/ESPN.com - Dan Beers, director LA LA LAND – Showtime – Misha Manson-Smith, director – Alexandra Reed, Cleo Valente, producers COOKLYN (Pilot) – Ballast Films – Bryan Wizemann, director Selected Feature Films: BLACK CHRISTMAS – Blumhouse Productions – Sophia Takal, director THE PHOTOGRAPH – Universal Pictures / Will Packer Productions – Stella Meghie, director DEAN - Honora
    [Show full text]
  • The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21St Century Network Society Michael D
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 12-7-2016 The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society Michael D. Rosen University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Rosen, Michael D., "The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6579 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society by Michael D. Rosen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in American Studies Department of Humanities and Cultural Studies College of Arts & Sciences University of South Florida Major Professor: Scott Ferguson, Ph.D. Amy Rust, Ph.D. Andrew Berish, Ph.D. Date of Approval: December 11, 2016 Keywords: adulthood, bromance, comedy, homosocial, Judd Apatow, neoliberalism Copyright © 2016, Michael D. Rosen Table of Contents Abstract ..........................................................................................................................................
    [Show full text]
  • Django Unchained (Rated R) Under the Tree on Dec
    -UENTIN TARANTINO knows the.secret of yuletide gift giving: Get them something they wouldn't get thf ~selves. After all, who but Tarantino, the man who achine-gunned Hitler's face off in his WWII remix (jfiourious Basterds, would think of laying a hyper- violent all-star slave-revenge-Western fairy tale like Django Unchained (rated R) under the tree on Dec. 25? Like so,many other presents, Django was wrapped just in time. After seven months of production, additional reshoots, weather complications, a revolving-door cast list, a sudden death, and a sprint to the finish in the editing room, Tarantino has managed to deliver the film for its festive release date. With that long, dusty trail now behind , him, the filmmaker slumps beneath a foreign-language . ' \Pulp Fiction poster in a corner of Do Hwa, the Korean l ' l ◄ , 1 , ~staurant he co-owns in Manhattan's West Village, and ' t av mits he's tired. "It's been a long journey, man." I i I , 26 I EW.COM Dec,a 21, 2012 (Clockwise from far left) Foxx; Foxx, Leonardo DiCaprio, and Waltz; Kerry Washington and Samuel L. Jackson; Washington Keep in mind: An exhausted Quentin Tarantino, even at 49 and a long way from his wunderkind years, is still as energetic as a regular person would be after two strong coffees. And he's char­ acteristically enthusiastic about his new film: a spaghetti Western silent. To a degree, Tarantino understands the response. "There transposed to the antebellum South that follows a slave (Jamie is no setup for Django, for what we're trying to do.
    [Show full text]