Harry Nilsson – Aerial Ballet – Speakers Corner (2017)
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Harry Nilsson – Nilsson Sings Newman – Speakers Corner
Harry Nilsson - Nilsson Sings Newman - Speakers Corner – Jazz Music Review – Audiophile Audition 06.09.19, 1007 Classical Reviews Hi-Res Reviews Jazz Reviews Component Reviews Support Audiophile Audition Contact Us More Stereotype s Audio Harry Nilsson – Nilsson Sings Newman – Speakers Corner Hyperion Home » SACD & Other Hi-Res Reviews » Harry Nilsson – Nilsson Sings Newman – Speakers Corner by Audiophile Audition | Sep 5, 2019 | Jazz CD Reviews, SACD & Other Hi-Res Reviews | 0 comments Pure Pleasure / Harry Nilsson – Nilsson Sings Speakers Corner Newman – RCA Victor RCA LSP-4289 (1970)/Speakers Corner Records (2013) 180- gram stereo vinyl, 25:17 *****: (Harry Nilsson -guitar, tambourine, keyboards, vocals; Randy Newman – piano, keyboards) Cedille https://www.audaud.com/harry-nilsson-sings-newman-speakers-corner/ Seite 1 von 5 Harry Nilsson - Nilsson Sings Newman - Speakers Corner – Jazz Music Review – Audiophile Audition 06.09.19, 1007 It seemed inevitable that Harry Nilsson and Randy Newman would record a song together, but an entire album?. In 1969, they were fellow songwriters in the rapidly changing West Coast music scene. Newman was embarking on a career that saw the release of a self-titled first album, and he did the orchestral arrangement for Peggy Lee’s hit “Is That All There Is?”. Nilsson had enjoyed success from Midnight Cowboy, Site Search getting on the charts with “Everybody’s Talkin” and “I Guess The Lord Must Be in New York City” He had recorded two albums of original Search material. The song “One” was a huge commercial hit for Three Dog Night. In 1969, Nilsson and Newman elected to do an album of all Randy Newman originals. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom. -
Zeha Schröder
Die Nilsson-Schmilsson-Late- Night-Memorial-Radio-Show Eine Radio-Hommage von Zeha Schröder Moderator. (Fade-Out der Startschleife aus „Everybody’s Talking“.) …So, das waren die Nachrichten und der Verkehrshinweis. Und jetzt heißt es wieder hallo, liebe Leute da draußen, und herzlich will- kommen zu einer weiteren Ausgabe von Freddys Radio Show. Ich bin Freddy, ihr seid die Hörer, die Fronten wären also geklärt, und wer von euch früher schon mal reingehört hat, der weiß, wie der Hase läuft: Einmal im Monat stell ich euch an dieser Stelle eine un- bekannte Band vor oder auch einen Solokünstler, der einen unverwechselbaren special touch hat. Das kann ein Newcomer sein oder ein erprobter Außenseiter oder, wie heute Abend, ein vergessenes Genie aus der Mottenkiste des Rock & Pop. Nur eins kann es nicht sein, jedenfalls nicht, solange ich hier die Knöpfe drücke: das Einheitsgedudel vom Fließband, das ihr sonst den ganzen Tag in die Oh- ren geträufelt kriegt, sobald ihr das Radio einschaltet. Okay, Leute, having said that, lasst uns doch mal einen Blick auf unseren heutigen Ehrengast werfen. Keine Ahnung, was ihr gerade so treibt, ein paar von euch sitzen jetzt garantiert am Steuer, ein paar liegen in der Badewanne oder schieben sich gleich die Pizza in den Ofen. Aber vielleicht hockt ja der eine oder andere auch noch vorm Rechner und meint, er kann sich nebenher ein bisschen berieseln lassen. Tja, meine Lieben, daraus wird heute nichts, heute wird dazugelernt, heute gibt’s was auf die Ohren, und zwar ganz speziell für euch Computerfreaks da draußen. Denn der Mann, den ich euch heute vorstellen möchte, ist Fleisch von eurem Fleisch: Harald Edward Nilsson the Third a.k.a. -
Weeksville Lost Jazz Shrines
1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. -
Epi's Linear Sound. You Can Hear It On
sen to follow up his two highly successful rock from those around him and from himself. ers. But that is the only hands -down jazz tune albums. "Nilsson Schmilsson- and "Son of That sounds simple, but if itis, why do so in the set. Schmilsson" with "A Little Touch of Schmils- many people have trouble doing the same? I Because Quincy works best when he focuses son in the Night.- a collection of twelve tradi- know this magazine is not Psychology Today. on people he loves like family. he devotes two tional pop tunes arranged and conducted by and I couldn't be happier about it.But in tracks to two favorite ladies. Daydreaming is no less than Gordon Jenkins. Nilsson has long thinking of Quincy Jones. the way he operates for Aretha Franklin and features Hubert Laws been prone to ballads. as his sensational 1970 and the albums he makes, I wonder if musi- on flute. The First Time Ever I Saw Your Face recording "Nilsson Sings Newman" will at- cians are not at their best when they simply are is for Roberta Flack and features Phil Woods test. expected to be. Quincy expects. on alto sax. Both tracks are sung as duets by But thisisafull -production affair. with In many years of working with him I have Quincy and a startlingly talented New York Nilsson singing sweetly and serenely while the never heard him say, "I wrote a solo in this lady named Valerie Simpson. Quincy's sing- Jenkins -conducted strings circle like vultures song and I sure hope the guy can cut it." In- ing is more relaxed this time out, laid back but over the corpse of rock. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Record Dedicated to Serving the Needs of the Music & Record Worldindustry
record Dedicated To Serving The Needs Of The Music & Record worldIndustry May 11, 1969 60c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD -.A.11111111." LOVE MI TONIGHT TON TOWS Tom Jones, clicking on Young -HoltUnlimited have JerryButlerhas a spicy Bob Dylan sings his pretty stateside TV these days, a new and funky ditty and moodyfollow-up in "I Threw ftAll Away" (Big shouldscoreveryheavily called "Young and Holtful" "Moody Woman" (Gold Sky, ASCAP), which has with"Love Me Tonight" (Dakar - BRC, BMI), which Forever-Parabut, BMI(,pro- caused muchtalkinthe (Duchess, BMI)(Parrot hassomejazzandLatin duced by Gamble -Huff (Mer- "NashvilleSkyline"elpee 40038(. init (Brunswick 755410). cury 72929). (Columbia 4-448261. SLEEPER PICKS OF THE WEEK TELLING ALRIGHT AM JOE COCKER COLOR HIM FATHER THE WINSTONS Joe Cocker sings the nifty The Winstons are new and Roy Clark recalls his youth TheFive Americans geta Traffic ditty that Dave will make quite a name for on the wistful Charles Az- lot funkier and funnier with Mason wrote, "FeelingAl- themselveswith"Color navour - Herbert Kretzmer, "IgnertWoman" (Jetstar, right" (Almo, ASCAP). Denny Him Father"(Holly Bee, "Yesterday,When I Was BMI(, which the five guys Cordell produced (A&M BMI), A DonCarrollPra- Young"(TRO - Dartmouth, wrote (Abnak 137(. 1063). duction (Metromedia117). ASCAP) (Dot 17246). ALBUM PICKS OF THE WEEK ONUTISNINF lUICICCIENS GOLD "Don Kirshner Cuts 'Hair' " RogerWilliams plays "MacKenna's Gold," one of Larry Santos is a newcomer is just what the title says "HappyHeart" andalso the big summer movies, has with a big,huskyvoice I hree Records from 'Hair' withHerbBernsteinsup- getsmuchivorymileage a scorebyQuincy Jones and a good way with tune- plying arrangements and from "Those Were the and singing byJoseFeli- smithing. -
Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check. -
Wednesday I * # ■ Burger King and the Huddle Will Serve ■ Looking for a New CD? Check out Our Music Meat During Lent
burger k in g MEAT IN THE HUDDLE CD Shopping Wednesday I * # ■ Burger King and The Huddle will serve ■ Looking for a new CD? Check out our music meat during Lent. reviews. FEBRUARY 17, News • 6 Scene • 10-11 1999 O B S E R VER The Independent Newspaper Serving Notre Dame and Saint M ary’s VOL XXXII NO. 91 W W W .ND.EDU/~OBSERVER RCIA program Carroll shares selected readings By CHRIS LAWLER prepares for News Writer Displaying his hallmark of vivid and humorous Easter Vigil retelling of various personal experiences, poet, musician and diarist Jim Carroll spoke Tuesday night at the Sophomore Literary Festival in By ERICA THESING Washington Hall. Assistant News Editor Dressed in blue jeans, a black shirt and black boots, and slightly stooping over the podium, As Catholics around the world celebrate Carroll read several selections from his 1987 Ash Wednesday today, 40 people in the work, "Forced Entries." The short story “A Day Notre Dame community begin their final at the Races” offered a unique perspective on a preparations for initiation into the Catholic sexually transmitted disease. Church. 11 is next tale was a humorous recounting of an The participants in this year’s RCIA (Rite of early performance where he killed a cockroach Christian Initiation of Adults) program at with a can of Raid. The performance generated Notre Dame are split into two groups. Twelve audience and critical praise, much to the amuse of the participants are catechumens, who are ment of Carroll, who said he came up with the unbaptized people seeking membership in idea merely to kill time. -
Adéla Jonášová
Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud