ON THE CODING GAIN OF DYNAMIC HUFFMAN CODING APPLIED TO A WAVELET-BASED PERCEPTUAL AUDIO CODER N. Ruiz Reyes1, M. Rosa Zurera2, F. López Ferreras2, P. Jarabo Amores2, and P. Vera Candeas1 1Departamento de Electrónica, Universidad de Jaén, Escuela Universitaria Politénica, 23700 Linares, Jaén, SPAIN, e-mail:
[email protected] 2Dpto. de Teoría de la Señal y Comunicaciones, Universidad de Alcalá, Escuela Politécnica 28871 Alcalá de Henares, Madrid, SPAIN, e-mail:
[email protected] ABSTRACT The last one, the ISO/MPEG-4 standard, is composed of several speech and audio coders supporting bit rates This paper evaluates the coding gain of using a dynamic from 2 to 64 kbps per channel. ISO/MPEG-4 includes Huffman entropy coder in an audio coder that uses a the already proposed AAC standard, which provides high wavelet-packet decomposition that is close to the sub- quality audio coding at bit rates of 64 kbps per channel. band decomposition made by the human ear. The sub- Parallel to the definition of the ISO/MPEG standards, band audio signals are modeled as samples of a station- several audio coding algorithms have been proposed that ary random process with laplacian probability density use the wavelet transform as the tool to decompose the function because experimental results indicate that the audio signal. The most promising results correspond to highest coding efficiency is obtained in that case. We adapted wavelet-based audio coders. Probably, the most have also studied how the entropy coding gain varies cited is the one designed by Sinha and Tewfik [2], a high with the band index.