Spring Season Is Sponsored by Bloomberg

Total Page:16

File Type:pdf, Size:1020Kb

Spring Season Is Sponsored by Bloomberg Brooklyn Peter Jay Sharp Building Communications Department Academy 30 Lafayette Avenue Sandy Sawotka of Brooklyn NY 11217 1486 Fatima Kafele Music Telephone: 718.636.4129 Eva Chien Fax: 718.857 .2021 Tamara McCaw Jennifer Lam [email protected] News Release BAM presents U.S. premiere of Sydney Theatre Company's Hedda Gabler, starring Cate Blanchett in her U.S. stage debut-directed by Robyn Nevin BAM 2006 Spring Season is sponsored by Bloomberg Hedda Gabler By Henrik Ibsen Adapted by Andrew Upton Sydney Theatre Company Directed by Robyn Nevin Set designed by Fiona Crombie Costumes designed by Kristian Fredrikson Lighting designed by Nick Schlieper Music composed by Alan John BAM Harvey Theater (651 Fulto n St) Feb 28 at 8pm* Mar 1--4, 7- 11, 14- 18, 21-25 at 7:30pm (note: Mar 1 is press opening) Mar 4, l l , 18 & 25 at2pm Mar 5, 12, 19&26at3pm Tickets: $30, 50, 85 *BAM and Sydney Theatre Company benefit evening. Call BAM Patron Services at 718.636.4182 for tickets. BAMdialogue with Robyn Nevin & Andrew Upton Mar 2 at 6pm BAM Rose Cinemas Tickets: $8 ($4 for Friends of BAM) Brook lyn, NY/January 27, 2006 --Academy Award-winning actress Cate Blanchett (The Avia tor, Eli:::abeth,The Talented Mr. Ripley) makes her U.S. stage debut in the highly acclaimed Sydney Theatre Company production of Henrik Ibsen 's Hedda Gabler, also featuring the U.S. stage debut of renowned actor Hugo Weaving (The Lord of the Rings and The Matrix trilogi es). Adapted by Andrew Upton and directed by Sydney Theatre Compan y Artistic Director Robyn Nevin, Hedda Gabler premiered at Sydney Theatre Company's Wharf 1 Theater on July 27, SPRING 2004, where it enjoyed a sold-out run. BAM will present the production with its original cast-Cate Blanchett, Annie Byron, Justine Clarke, Julie Hamilton, Hugo Weaving, Anthony Weigh, and Aden Young--coinciding with a 2006 worldwide centennial celebration oflbsen's work. One of Ibsen's most compelling and conflicted characters, Hedda Gabler is an aristocratic woman aching to be free of her middle-class husband and yet terrified of scandal. As portrayed by Blanchett, an actress of extraordinary dramatic range and intelligence, the role of Hedda Gabler is, according to Variety." ... executed with impeccable pitch and tone." Sydney's Sunday Telegraph calls Blanchett's portrayal " ... full of nuance and pace, pathos and ill-concealed rage." The adaptation of Ibsen's play by Andrew Upton is, according to Variety. " ... [a] playful and gently contemporary interpretation of Hedda .. .a key to the production's success." Sydney's Sunday Telegraph comments that Robyn Nevin's direction is "clear, energized and aware of the demons a sensible marriage has unleashed in her anti-heroine." The Sydney Theatre Company (STC), established in 1978, is Australia's largest and pre-eminent state theater company. Led by Artistic Director and CEO Robyn Nevin, STC operates out of The Wharf(its home venue on Sydney's harbor), the new Sydney Theatre, and the Drama Theatre at the Sydney Opera House. The STC has provided a theatrical home for Australia's finest talents including Judy Davis, Mel Gibson, Cate Blanchett, Geoffrey Rush, Hugo Weaving, and Marcus Graham. The company's productions tour across Australia and internationally. Annually, STC presents twelve mainstage productions, including new works by Australian writers as well as interpretations of the classics. STC also administers play development and education programs. Upcoming 2006 productions include The History Boys, Doubt, I Am My Own Wife, and Urinetown. Sydney Theatre Company made its New York debut at BAM with John Webster's The White Devil (2001). Director Robyn Nevin is the Artistic Director and CEO of Sydney Theatre Company. She was appointed in 1999. Sydney Theatre Company (as Director): includes Boy Gets Girl, Summer Rain,Sce nes from a Separation, Hedda Gabler, Harbour, The Real Thing,M ajor Barbara, Hanging Man, A Doll's House, The Great Man,The Recruit, Corporate Vibes, The Girl Who Saw Everything,Sies tas in a Pink Hotel, The Philadelphia Story , Heartbreak House. As Actor: includes The Cherry Orchard, The Breath Of Life,The Glas s Menagerie , Old Masters,A Cheery Soul (2001 & 1979), Life After George, Master Class, The Ham Funeral, Big & Little, Emerald City, Woman in Mind, The Seagull, The Perfectionist, The Way of the World, Macbeth, Cyrano de Bergerac,The Pree ious Woman. Other theatre: (as Director): QTC: includes After the Ball, Honour,Summer Rain, A Month In The Country. MTC: Summer of the Seventeenth Doll, Scenes from a Separation,Kids takes, On Top of the World. STCSA: The Removalists. As Actor: QTC: The Marriage of Figaro, Long Day's Journey Into Night, Amy's View, Master Class, Money & Friends. MTC: A Cheery Soul,Julius Caesar,The Cherry Orchard, Who's Afraid of Virginia Woolf. Belvoir St: Diving for Pearls. STCSA: Hedda Gabler. Film: includes The Matrix Reloaded, The Matrix Revolutions,The Cas tie, Angel Baby,Gr eenkeeping, Emerald City, Careful He Might Hear You. As Director: The More Things Change. Positions: currently Artistic Director and CEO of STC; Artistic Director and CEO ofQTC 1996-99, Associate Director MTC 1994-1996, Associate Director STC 1984- 1987. Awards include Australian Creative Artists' Fellowship; Sydney Critics ' Circle Award for Best Actress for Diving For Pearls; Sydney Critics' Circle Award for Outstanding Achievement in the Theatre; Honorary Doctorate from the University of Tasmania; Logie, Penguin, and Sammy Awards for Best Actress for Water Under the Bridge; AM (Member in the Order of Australia) for Services to the Performing Arts ( 1981 ). Cate Blanchett Sydney Theatre Company: Hedda Gabler, Kafka Dances, Sweet Phoebe,Ole anna,Top Girls. Belvoir St Theatre: The Tempest, Hamlet,The Sea gull, The Blind Giant Is Dancing. Almeida Theatre: Plenty. Film: Little Fish,The Aviator , The Life Aquatic with Steve Zissou, The Lord of the Rings Trilogy, The Missing,Coffe e and Cigarettes, Veronica Guerin, Heaven, The Shipping News, Charlotte Gray, Bandits, The Gift, The Man Who Cried, The Talented Mr. Ripley, Pushing Tin, Bangers, Elizabeth, Oscar and Lucinda, Thank God He Met Lizzie, Paradise Road. Upcoming releases include The Good German, Notes on a Scandal,B abet. Awards: 1993 Sydney Theatre Critics Award Best Actress for Oleanna; 1993 Sydney Theatre Critics Award Best Newcomer for Kafka Dances; 1997 Australian Film Institute Award Best Supporting Actress and Film Critics Circle of AustraliaAward Best SupportingActress for ThankGod He Met Lizzie; 1999 Golden Globe Award Best Actress in a Drama, BAFTA Award Best Actress, London Film Critics Association Best Actress, SAG Award Nomination Best Actress, and Academy Award No mi nation Best Actress for Elizabeth; 200 I National Board of Review: Best Supporting Actress for The Man Who Cried; 2002 Golden Camera Award for Heaven; 2005 Academy Award Best Supporting Actress, BAFTA Award Best Supporting Actress, and SAG Award Best Supporting Actress for The Aviator ; 2005 Helpmann Award Best Actress for Hedda Gabler; 2005 Australian Film Institute Award Best Actress, IF Award Best Actress, and Film Critics Circle of Australia Best Actress for Little Fish. ' Hugo Weaving Sydney Theatre Company: Hedda Gabler, The Real Thing,The White Devil, Arcadia,The Seer et Rapture,The Madras House, Henry IV Part !,Hamlet, The Cherry Orchard, Gossip from the Forest, The Way of the World, The Perfectionist,A.s You Desire Me, Macbeth, A Map of the World, You Can't Take It with You. Other theatre: Company B: The Alchemist, The Blind Giant is Dancing,The Popular Mechanicals. Burning House: That Eye The Sky. MTC: Much Ado About Nothing, The Taming of the Shrew . STCSA: Julius Caesar, Private Lives, Ring Round the Moon. Kinselas: Don's Party. Nimrod: Les Liaisons Dangereuses, A Midsummer Night's Dream. Film: Happy Feet, Little Fish, Everything Goes,Peaches, The Lord of the Rings Trilogy, The Old Man Who Read Love Stories, Russian Doll, Strange Planet, The Matrix Trilogy , Bedrooms and Hallways,Th e Interview, Babe, True Love and Chaos, The Adventures of Priscilla: Queen of the Desert, Frauds, The Custodian, Exile, Reckless Kelly , Proof, Wendy Cracked a Walnut, The Right Hand Man, For Love Alone,The City's Edge. TV: After The Deluge, Bordertown,The Bite, Naked - Coral Island, A Long Way From Home, Blood Brothers, Lust, Bangkok Hilton , Dirtwater Dynasty,Melba, Bodyline. Awards: 2005 Australian Film Institute Award for Best Actor, Inside Film Award for Best Actor and Film Critics ' Circle of Australia Award nomination for Best Actor in a Supporting Role for Little Fish; Helpmann Award nomination for Best Male Actor in a Supporting Role in a Play for Hedda Gabler; 1991 AFI Award and Australian Film Critics' Circle Award for Best Performance in a Lead Role for Proof; Best Actor Award at the World Film Festival in Montreal and AFI Award for Best Performance by an Actor in a Leading Role for The Interview. For press information contact Sandy Sawotka at 718.636.4129 xl or ssawotka~v.bam .orn:. Credits BAM 2006 Spring Season is sponsored by Bloomberg. Citigroup is the major sponsor for Hedda Gabler. BAM's Hedda Gabler Travel Partners are Tourism New South Wales and Qantas Vacations. Qantas Airways is the official airline for Hedda Gabler. The Hedda Gabler Benefit is sponsored by GUCCI and DLA Piper Rudnick Gray Cary. Leadership support for BAM Theater is provided by The Fan Fox and Leslie R. Samuels Foundation, Inc.; The Shubert Foundation; and The Gladys Krieble Delmas Foundation . Additional support for BAM Theater is provided by the Harold and Mimi Steinberg Charitable Trust; Francena T. Harrison Foundation Trust; Billy Rose Foundation, Inc.; and the Rose M. Badgeley Residuary Charitable Trust. Programming in the BAM Harvey Theater is endowed by the Doris Duke Charitable Foundation .
Recommended publications
  • NEIGHBOURHOOD WATCH Belvoir Presents
    23 JULY - 28 AUGUST 2011 NEIGHBOURHOOD WATCH Belvoir presents NEIGHBOURHOOD WATCH By Lally Katz Director Simon Stone Belvoir’s production of Neighbourhood Watch opened at Belvoir St Theatre on Wednesday 27 July 2011. Set & Costume Designer DALE FERGUSON Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY Dramaturg EAMON FLACK Stage Manager LUKE MCGETTIGAN Assistant Stage Manager MICHAEL MACLEAN With Ken and others CHARLIE GARBER Musician, Chemist and others STEFAN GREGORY Catherine MEGAN HOLLOWAY Milova and others KRIS MCQUADE Martin and others IAN MEADOWS Christina and others HEATHER MITCHELL Ana ROBYN NEVIN We acknowledge the Gadigal people of the Eora nation who are the traditional custodians of the land on which Belvoir St Theatre is built. We also pay respect to the Elders past, present and emerging, and all Aboriginal and Torres Strait Islander peoples. CONTENTS Contents About Belvoir 4 Cast and Creative Team 5 Writer's Note 6 Director's Note 7 In Conversation with: Lally Katz 8 Production Elements 13 Costume Design 14 Set Design 23 Staging Neighbourhood Watch 26 Building Community 33 Migrants and refugees 36 Women 38 Watch & Listen 39 Contact Education 40 Cover Image / WILK 2010 Learning Resources compiled by Belvoir Education, 2020 Rehearsal Photos / Heidrun Lӧhr 2011 Production Photos / Brett Boardman 2011 ABOUT BELVOIR ONE BUILDING. SIX HUNDRED PEOPLE. THOUSANDS OF STORIES When the Nimrod Theatre building in Belvoir Street, Surry Hills, was threatened with redevelopment in 1984, more than 600 people – ardent theatre lovers together with arts, entertainment and media professionals – formed a syndicate to buy the building and save this unique performance space in inner city Sydney.
    [Show full text]
  • African American Female Law Enforcement Officers' Lived Experiences and Mentoring: a Thematic Narrative
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 12-2019 African American Female Law Enforcement Officers' Lived Experiences and Mentoring: A Thematic Narrative Harold Wilson Follow this and additional works at: https://repository.usfca.edu/diss Part of the Organizational Behavior and Theory Commons, and the Sociology Commons The University of San Francisco AFRICAN AMERICAN FEMALE LAW ENFORCEMENT OFFICERS’ LIVED EXPERIENCES AND MENTORING: A THEMATIC NARRATIVE A Dissertation Presented to The Faculty of the School of Education Department of Leadership Studies In Partial Fulfillment of the Requirements for the Degree Doctor of Education by Harold Wilson San Francisco December 2019 THE UNIVERSITY OF SAN FRANCISCO Dissertation Abstract African American Female Law Enforcement Officers’ Lived Experiences and Mentoring: A Thematic Narrative Black female officers are an underrepresented sub-group of the law-enforcement profession. The bulk of research on women’s policing has focused on the growth of women in law enforcement, barriers, sexual harassment, gender differences, why women are deterred from law enforcement, physical limitations, and instruments used during the recruitment process, and the stress endured after entry into the profession. When looking at Black female officers’ lived experience and perceptions around mentoring; research is lacking. Eight Black female officers from the San Francisco Bay Area participated in this study. Findings revealed that all of the women have faced a recurring sense of discrimination, based on their gender. Many participants also suggested a culture in which women are viewed as less capable and, are, at times, less valued.
    [Show full text]
  • Anna Karpinski CV 2
    A N N A K A R P I N S K I Make-up Artist Booking Agent: Freelancers Promotions. p. +61 3 9682 2772 e. [email protected] w. www.freelancers.com.au Since studying at 3 Arts make-up college in 1984, I have worked continuously in the film industry. My career encompasses feature films, television, documentaries, television commercials, corporates, special effects and stills. Below is an edited version of my work history……… FILM & TV SERIES 2014-15 Miss Fisher’s Murder Mysteries Every Cloud Productions Make-up Designer Series 3 Cast: Essie Davis;Miriam ABC TV Series Margolyes; Nathan Page;Ashleigh Cummings;Hugo Johnston-bert 2014 Nowhere Boys Matchbox Pictures Make-up Designer Series 2 cast:Michala ABC 3 TV Series Banas;Victoria Thaine; Dougie Baldwin; 2014 Upper Middle Bogan Gristmill Make-up Designer Series 2 cast:Robyn Nevin;Annie ABC TV Series Maynard;Robyn Malcombe;Patrick Brammall;Michala Banas;Glen Robbins 2014 The Time Of Our Lives JAHM Pictures Make-up Designer Series 2 cast:Claudia Karvan; ABC TV Series William McIness; Justine Clarke;Shane Jacobson;Stephen Curry 2013 Miss Fisher’s Murder Mysteries Every Cloud Productions Make-up Designer Series 2 cast:Essie Davis ABC TV Series Ashleigh Cummings 2013 Mr & Mrs Murder Fremantle Media Make-up Designer TV Series cast Shaun Micallef Kat Stewart;Lucy Honingman 2012 HOWZAT! Southern Star Make-up Designer Chn 9 Mini Series cast Lachie Hulme;Abe Forsythe;Damon Gameau 2011 Miss Fisher’s Murder Mysteries Every Cloud Productions Make-up Designer Series 1 cast;Essie Davis TV Series 2011 Woodley ABC Make-up Designer Comedy TV Series cast;Frank Woodley Justine Clarke 2010 City Homicide Series 4 7 Network Make-up Supervisor chn7 TV Series cast:Nadine Garner;Aaron Pederson;Noni Hazelhurst;David Field 2009 Dead Gorgeous Burberry / BBC Make-up Designer TV Series 2009 Satisfaction Lonehand / Showtime Make-up Designer Series 3 cast:Dianna Glenn TV Series Madeline West;Alison Whyte; FILM & TV SERIES Cont….
    [Show full text]
  • DAVID WILLIAMSON Is Australia's Best Known and Most Widely
    DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo.
    [Show full text]
  • Download Detailseite
    BERLINALE SPECIAL TOP OF THE LAKE Jane Campion Bis zur Brust steht die zwölfjährige Tui im eiskalten See in der neusee- Australien/Neuseeland 2012 Garth Davis ländischen Provinz. Sie hat offensichtlich mit dem Gedanken gespielt, Länge 350 Min. · Format DCP · Farbe sich umzubringen. Es stellt sich heraus, dass sie im fünften Monat STABLISTE schwanger ist. Die Polizistin Robin, die vorübergehend in ihren Heimat- Regie Jane Campion, Garth Davis ort versetzt wurde, wird als Spezialistin für Kindesmissbrauch von der Buch Jane Campion, Gerard Lee örtlichen Polizei eingeschaltet. Doch noch bevor sie eine Beziehung zu Kamera Adam Arkapaw dem Mädchen aufbauen kann, verschwindet Tui spurlos, und eine breit Schnitt Alexandre De Franceschi, angelegte Suchaktion beginnt. Um das Netz der Intrigen und Machen- Scott Gray schaften zu zerschlagen, muss sich Robin ihrer eigenen Vergangenheit Musik Mark Bradshaw stellen. Zur gleichen Zeit richtet sich am See eine Frauenkommune in Ausstattung Fiona Crombie BIOGRAFIE Art Director Ken Turner Jane Campion Geboren 1954 in Wellington, einer verwunschenen Landschaft aus Containern ein. Angeführt wird sie von einer geheimnisvollen Frau mit langen weißen Haaren. Kostüm Emily Seresin Neuseeland. Sie studierte zwei Jahre Malerei Maske Noriko Watanabe Mit ihrer sechsteiligen TV-Serie heben die Regisseurin Jane Campion und wechselte 1981 auf die Australian Film Produzentin Phillippa Campbell Television and Radio School. 1986 wurde ihr und ihr Co-Regisseur Garth Davis das Erzählen in Fernsehformaten auf Ausführende Produzenten Emile Sherman, Kurzfilm AN EXERCISE IN DISCIPLINE – PEEL eine neue ästhetische Stufe. Alle Elemente eines spannenden Krimis Iain Canning mit der Goldenen Palme ausgezeichnet. 1991 sind da. Eingebettet in eine magisch-mystische Landschaft, zeichnet mit AN ANGEL AT MY TABLE Gast des Forums.
    [Show full text]
  • After the Ball David Williamson
    David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies.
    [Show full text]
  • Upper Middle Bogan Med
    When an upper middle class woman discovers she is adopted she is shocked to find out... She comes from a drag racing family in the outer suburbs. Synopsis Upper Middle Bogan is a new eight-part comedy series Heading up a drag racing team in the outer suburbs, which tells the story of two families living at opposite Wayne and Julie are thrilled to be reunited with the ends of the freeway. daughter they thought they had lost. Sensing she was different her whole life, Bess Denyar Bess is keen to get to know her new family, however (Annie Maynard), a doctor with a highbrow mother, fitting in doesn’t always come easily. Her sister is a Margaret (Robyn Nevin), an architect husband, Danny tough nut to crack and there are misunderstandings (Patrick Brammall) and twin 13 year olds at a private aplenty. Navigating their way through the unknown is school, finds out she is adopted and is stunned. Even a challenge for all of these very entertaining individuals. more so when she meets her birth parents, Wayne (Glenn Robbins) and Julie Wheeler (Robyn Malcolm). A Gristmill Production for ABC TV. Executive Producers Robyn Butler, Wayne Hope, Geoff Porz and ABC TV If that’s not enough to digest, Bess also discovers she Executive Producer Debbie Lee. has siblings, Amber (Michala Banas), Kayne (Rhys Mitchell) and Brianna (Madeleine Jevic). PREMIERES THURSDAY 15 AUGUST 8.30PM ABC1 For more information, we’d be happy to help. Tracey Taylor, ABC TVMarComs P. 03 9524 2313 M. 0419 528 213 E. [email protected] For images visit abc.net.au/tvpublicity abc.net.au/abc1 facebook.com/abctv twitter.com/abctv #uppermiddlebogan One Two I’m A Swan Forefathers, Two Mothers THURSDAY 15 AUGUST 8.30PM ABC1 THURSDAY 22 AUGUST 8.30PM ABC1 When Bess Denyar, a successful doctor with an Still struggling with the news she is adopted, Bess architect husband, an overbearing mother and is angry with Margaret for lying to her for all these twin 13 year olds at a private school, finds out years and refuses to speak to her.
    [Show full text]
  • Annual Report 2015 LETTER to MINISTER
    Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison.
    [Show full text]
  • Bracken's Back - Spreading Sunshine
    OCTOBER, 1987 Vol 11 No 9 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Eddie Bracken as Willie Clarke in THE SUNSHINE BOYS Bracken's back - spreading sunshine THE SUNSHINE BOYS blades (he can't hold with his shaking As well as the comedy we can always by Neil Simon hands). It is the role played by Walter expect from Neil Simon this play also Directed by Eddie Bracken Matthau in the film version of the play. has touches of pathos. It has been writ­ Cast includes: Eddie Bracken, Ray Eddie Bracken knew the two men ten out of love and deep affinity with Barrell, Pat McDonald and John portrayed in the play and claims never the theatrical scene and temperament. The New York Daily News said of the Orscik to have heard even a cross word pass between them. But altercations and play "another hit for Simon in this resh from his success in the lead role conflict make for interest and fun in the shrewdly balanced, splendidly per­ F of SUGAR BABIES which has just play. formed and rather touching slice of completed a national tour for the Trust, Ray Barrett plays Willie's partner Al showbiz life". Lewis, the role played by the-still-alive­ Eddie Bracken will direct and star in BOOKlNG INFORMATION THE SUNSHINE BOYS which comes after-all-these-years, George Bums. Pat McDonald will be returning to the stage Her Majesty's Theatre to Sydney's Her Majesty's Theatre next Tue Nov 24 to Sat Dec 12 month. Eddie Bracken plays Willie after five years as Aunt Fiona in TV's Mon to Sat at 8 p.m.
    [Show full text]
  • Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
    2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture.
    [Show full text]
  • Teacher's Notes 2007
    presents Riflemind by Andrew Upton Directed by Philip Seymour Hoffman Teacher's Resource Kit Written and compiled by Elizabeth Surbey Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Helen Hristofski, Tanya Leach, Andrew Upton, Laura Scrivano. Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Warning There is in this production the use of offensive language and behaviour, as well as cigarette smoke and strobe lighting. And as you would also expect very loud music. Image: Hugo Weaving as John in Riflemind Photographer: Brett Broadman Sydney Theatre Company’s RIFLEMIND Teacher’s Notes © 2007 1 Contents Sydney Theatre Company 4 Sydney Theatre Company Education 5 Riflemind Production Credits 6 Plot Synopsis 7 The Writer 7 Context of the Play / Historical reference points / Form Style Overview 9 Character Summaries 13 The Director OR Director’s Notes 14 The Design 16 Stage Management Role 17 From the Briefing 17 Pre-Performance Activities 18 Post-performance Activities 18 Reviewing 18 Reviews 19 Appendix – Sample Script 19 Sydney Theatre Company’s RIFLEMIND Teacher’s Notes © 2007 2 Sydney Theatre Company Sydney Theatre Company (STC) produces theatre of the highest standard that consistently illuminates, entertains and challenges. It is committed to the engagement between the imagination of its artists and its audiences, to the development of the art form of theatre, and to excellence in all its endeavours. STC has been a major force in Australian drama since its establishment in 1978.
    [Show full text]
  • Oshea Sean.Pdf
    sue barnett & associates SEAN O’SHEA TRAINING 1989 WAPPA 1986 Bachelor of Arts, UNSW THEATRE The Miser La Fleche/Signor Anselm Bell Shakespeare Company/ Melbourne Theatre Company Dir: Peter Evans Saint Joan Chaplain John de Stogumber Sydney Theatre Company Dir: Imara Savage Darlinghurst Nights Ken Hayes Theatre Dir: Lee Lewis Dinner Lars Sydney Theatre Company Dir: Imara Savage The Rasputin Affair Rasputin Ensemble Theatre Dir: John Sheedy A Flea in Her Ear Dr Finache/Baptistin Sydney Theatre Company Dir: Simon Phillips Tribes Christopher Ensemble Theatre Dir: Susanna Dowling Hamlet Claudius/Ghost Bell Shakespeare Company Dir: Damien Ryan Tartuffe Orgon Bell Shakespeare Company Dir: Peter Evans Rupert (US) Older Rupert Kennedy Center, Washington/ Melbourne Theatre Company Dir: Lee Lewis Rupert Older Rupert Melbourne Theatre Company Dir: Lee Lewis Henry IV Worcestor/Shallow/Traveller Bell Shakespeare Company Dir: John Bell Mariage Blanc Father Sydney Theatre Company Dir: Sarah Giles The Duchess of Malfi The Judge Bell Shakespeare Company Dir: John Bell The Libertine King Charles ll Darlinghurst Theatre Company Dir: Damien Ryan Much Ado About Nothing Don John Bell Shakespeare Company Dir: John Bell The Crucible Danforth Sydney Theatre Company Dir: Tanya Goldberg Macbeth Macbeth Bell Shakespeare Company Dir: John Bell Measure for Measure The Duke Bell Shakespeare Company Dir: John Bell Scenes from a Separation Darcy Sydney Theatre Company Dir: Robyn Nevin As You Like It Jacques Bell Shakespeare Company Dir: Lindy Davies The Cavalcaders Ted
    [Show full text]