God Only Knows | 02 God Only Knows (Instrumental Version)

Total Page:16

File Type:pdf, Size:1020Kb

God Only Knows | 02 God Only Knows (Instrumental Version) -1- Featuring Christine Gangelhoff 01 God Only Knows | 02 God Only Knows (Instrumental Version) -2- God Only Knows Written by Brian Wilson and Tony Asher (Irving Music, BMI) Additional Lyrics by Terry Manning I may not always love you But long as there are stars above you You never need to doubt it I’ll make you so sure about it God only knows what I’d be without you If you should ever leave me Though life would still go on . believe me The world could show nothing to me So what good would living do me God only knows what I’d be without you God only knows what I’d be without you And when life would once forsake us Time turn around and overtake us My love will leave you never For you’re in my soul forever God only knows what I’d be without you God only knows what I’d be without you -3- “God Only Knows” has always been one of my very favorites, right from the days of The Beach Boys’ Pet Sounds. And Carl Wilson’s vocal is easily one of my favorite performances in all of pop music. I’ve always imagined Brian Wilson sitting at his piano, creating those glorious chord changes and looking out at the ocean in total reverie. It has long been a desire of mine to record a version of “God Only Knows” more like this—slower, even more dramatic and emotional . stripped down to its essence. I was fortunate to have befriended Carl over the years, and spoke to him about my love for this song and his vocal performance. Carl was kind enough to share with me a few tidbits about the origination of the music, and about their original recording. As it turns out, Brian wrote the song somewhat slower than the final Beach Boys’ recording turned out to be. And of course, it didn’t have all of the final production elements (French horn, woodwinds, etc.). This confidence seemed to confirm what I had always thought. So I finally had a bit of inspiration, and decided to take a step onto this sacred ground. Just my vocal, a piano, and a gorgeous alto flute part from Christine Gangelhoff. I hope Carl can hear it from where he now lives…. —Terry Manning, 2013 -4- Written by Brian Wilson and Tony Asher (Irving Music, BMI) Additional Lyrics by Terry Manning Produced and Recorded by Terry Manning at Compass Point Studios, Nassau, Bahamas Performed by Terry Manning—vocals, piano Christine Gangelhoff —alto flute Cover Photo “Mesa Verde Sunset” by Richard Ondrovic Artist Photo by Patrick Cromwell Art Direction by Terry Manning, Blake Morgan, and David Cloyd Production Design by David Cloyd http://www.ecrmusicgroup.com/lucky7 sa 2013 Lucky Seven Records. All rights reserved. Unauthorized duplication is a violation of applicable laws. -5-.
Recommended publications
  • Brian Wilson's Spacious Estate in West Suburban St
    May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young.
    [Show full text]
  • Surfin' at Del Mar G//// Gstop (Inside - Outside - USA) Across the U.S.A
    [email protected] www.otleyukuleleorchestra.wordpress.com www.roundhayukulelegroup.wordpress.com SURFIN’ USA - The Beach Boys D7 D7 G C 1 2 & 3 & 4 & 1 2 & 3 & 4 & " # $ # $ " ! ! ! ! ! ! ! ! ! ! ! ! ! down downup updownup down down up up down up ! " INTRODUCTION" " " " # $ % % % ! ! " & % % % % % % % % ! # $ % % % % % % %% % % % %% % ' # 5 10 10 10 10 10 10 10 10 7 10 10 10 10 10 10 10 10 $ 7 11 11 11 12 11 11 12 11 ' # % % 0 # % % % "# ( "# VERSE 1 VERSE 2 - strum pattern in D7//// D7stop D7//// D7//// If everybody had an ocean You'd catch 'em surfin' at Del Mar G//// Gstop (Inside - outside - USA) Across the U.S.A. G//// G//// D7//// D7stop Ventura County line Then everybody'd be surfin' (Inside - outside - USA) G//// Gstop D7//// D7//// Like Californ - i - a Santa Cruz and Trestles C//// Cstop (Inside - outside - USA) You'd seem 'em wearing their baggies G//// G//// G//// Gstop Australia's Narrabeen Huarachi sandals too (Inside - outside - USA) D7//// Cstop C//// C//// A bushy bushy blonde hairdo All over Manhattan G//// Gstop (Inside - outside - USA) Surfin' U.S.A. G//// G//// And down Doheny Way (Inside - outside - USA) D7//// Cstop Everybody's gone surfin' G//// G//// Surfin' U.S.A. [email protected] www.otleyukuleleorchestra.wordpress.com www.roundhayukulelegroup.wordpress.com VERSE 3 VERSE 4 - strumming pattern in D7//// D7stop D7//// D7//// We'll all be planning out a route Haggerties and Swamies (ooooo) (Inside - outside - USA) G//// Gstop G//// G//// We're gonna take real soon Pacific Palisades (ooooo) (Inside - outside - USA) D7//// D7stop D7//// D7//// We're waxing down our surfboards San Onofre and Sunset (ooooo) (Inside - outside - USA) G//// Gstop G//// G//// We can't wait for June Redondo Beach L.A.
    [Show full text]
  • Meet Our 2018 El Camino College Distinguished Alumni
    Meet our 2018 El Camino College Distinguished Alumni The El Camino College Foundation is proud to announce the 2018 Distinguished Alumni. These individuals have furthered their educational and career goals and have proven to be outstanding in their field, as well as recognized for achievements in business, volunteerism and philanthropy. Distinguished Alumni Award We’re proud to announce that we will also honor one area EL CAMINO COLLEGE philanthropist and one local corporate partner with the first ever 2018 Distinguished Alumni Gratitude Awards. This award recognizes long time support of El Camino & Gratitude Awards Dinner students to help ensure they have a more successful and productive educational experience. Please join us to celebrate and recognize these Friday, February 1, 2019 6:00 pm deserving recipients. Torrance Marriott For more details visit www.elcaminocollegefoundation.org Rocky Chavez Dan Keenan Sherry Kramer Brian Wilson Assemblymember Dan Keenan Sherry Kramer Brian Wilson Rocky Chavez Gratitude Award Recipients Dan Keenan is Senior Vice President Since 2006, Sherry Kramer has Brian Wilson is most famously Rocky Chávez began his career in at Keenan & Associates in Torrance and been the Director of Community Affairs known as the founder of the Beach Frances Ford public service after graduating from works closely with public agencies and and Government Relations for Continental Boys, an iconic American band that Frances Ford has a passion for helping students at El Camino El Camino College and then Chico State, Keenan & Associates benefit consultants Development Corporation, a commercial created the sounds of Southern College. Her late husband Warren was a Chemistry professor for 36 when he joined the United States Marine to design and implement retirement real estate business which also includes California.
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • Children Are Naturally Curious About Animals; Keeping That in Mind, We Will Focus Our Attention on Animals This Month
    January 2015 Rosana Sapir, Marlene Marcos, Carmen Labra Dear Families, Happy New Year! Children are naturally curious about animals; keeping that in mind, we will focus our attention on animals this month. This is an appropriate theme to introduce to the children because they are fascinated by the zoo and the animals that live there. During this time the children will also discover the variety of animals most people keep as pets. We will explore learning the sounds, the body coverings and care for pets as well as their movements. The children will be introduced to new occupations: the zookeeper and the veterinarian. Objective: children will become familiar with names of many zoo animals and they will discover the kinds of animals most people keep as pets. By the end of our investigations most children will be able to group and/or sort animals into their various habitats or by a common attribute (jungle, farm, ocean or animals with fur, scales, feathers, two legs, four legs…). Concepts An animal kept for pleasure is a pet. Pets need food, water, exercise and loving care. Some pets need to be groomed. Barking, meowing, squeaking, and chirping are a few pet sounds. To move pets may swim, walk, fly, hop, run or crawl. Pigs, ponies, horses, sheep, goats and cows can be pets on a farm. Body covering on animals can be fur, feathers, scales or a shell. A veterinarian is an animal doctor. Breeders and trainers also work with pets. A zoo is a place where animals are kept. People go to the zoo to look al animals.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Father/Daughter – Mother/Son Dance Music Ideas
    Father/Daughter – Mother/Son Dance Music Ideas Father/Daughter Dance Mother/Son Dance 1 Heartland I Loved Her First 1 Rascal Flatts My Wish 2 Mcgraw, Tim My Little Girl 2 Armstrong, Louis What A Wonderful World 3 Temptations My Girl 3 Lynyrd Skynyrd Simple Man 4 Carlisle, Bob Butterfly Kisses 4 Boyz II Men A Song For Mama 5 Rascal Flatts My Wish 5 Womack, Lee Ann I Hope You Dance 6 Armstrong, Louis What A Wonderful World 6 Beatles In My Life 7 Chapman, Steven Curtis Cinderella 7 Morrison, Van Days Like This 8 Sinatra, Frank The Way You Look Tonight 8 Dion, Celine Because You Loved Me 9 Wonder, Stevie Isn't She Lovely 9 Collins, Phil You'll Be In My Heart 10 Beatles In My Life 10 Kamakawiwo'ole, Israel 'Iz' Over The Rainbow 11 Simon, Paul Father And Daughter 11 Brooks, Garth Mom 12 Mccain, Edwin Walk With You 12 Stewart, Rod Forever Young 13 Cole, Natalie With Nat King Cole Unforgettable 13 Chesney, Kenny Don't Blink 14 Mayer, John Daughters 14 King, Ben E. Stand By Me 15 Adkins, Trace Just Fishin' 15 Stewart, Rod Have I Told You Lately 16 Fleetwood Mac Landslide 16 Brickman, Jim Lady Antebellum Never Alone 17 Dion, Celine Because You Loved Me 17 Church, Eric Like Jesus Does 18 Kamakawiwo'ole, Israel 'Iz' Over The Rainbow 18 Groban, Josh You Raise Me Up 19 Morrison, Van Brown Eyed Girl 19 Fleetwood Mac Landslide 20 Clapton, Eric Wonderful Tonight 20 Mraz, Jason 93 Million Miles 21 King, Ben E.
    [Show full text]
  • Good-Vibrations.Pdf
    1 arranged by Jonathan Pilat Good Vibrations--The Beach Boys for Hookslide 2 3 4 bud £ b œ»£ £ £ œ»£ œ»J£ »œ _»œ £ £ « b b b 4 »I - »œJI - ˙»I . Œ œ»J£I loveœ»£ theœ»J£ col» - or» - ful» clothes» she»œ we»œ - eœ»J -earsœ» Ó. and« theœ»J£ l=================================& b b 4 » » » l » » » » » » l » » » » l ˆ« » =l • » » » » » » george l b »œ »œ »œ »œ l »œ »œ »œ œ» l œ» œ» œ» œ» l œ» œ» œ» _»œ l b b 4 jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» =================================l & b b b 4 » » » » l » » » » l » » » » l » » » =l mayank l • l l l l l bb b b 4 »œ »œ »œ »œ l »œ »œ œ» œ» l »œ »œ »œ »œ l »œ »œ »œ »œ l =================================& b b 4 » » » » » » » » » » » » » » » » = l • l » l l l jon œ» œ»£ œ» œ»£ l b b 4 Œ »œ » » »œJ£ l »œ »˙. l Œ œ» » » œ»J£ l »œ »˙. l l=================================? b b bb 4 » » l » » l » » » » l » » =l 5 6 7 8 £ £ £ b « « « «£ « « «£ b b b wayœ» the»œ sun« - lightœ» playsœ» uœ»£ - «pon « her« «ha -« a« - air« ===================================l & b b » » ˆ« » l » » ˆ«j ˆ« ˆ« ˆ«j l ˆ« ˆ«j ˙«. l =l • » » l b »œ »œ »œ »œ l »œ »œ »œ »œ l œ» œ» œ» œ» l œ» œ» »œ _»œ l b b jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» jng» ===================================l & b b b » » » » l » » » » l » » » » l » » » =l l • l l l l l bb b b »œ »œ »œ »œ l »œ »œ œ» »œ l n»œ »œ »œ »œ l n»œ »œ »œ »œ l ===================================& b b » » » » » » » » » » » » » » » » = l • l l l l « £ «£ £ £ « l b b Œ « »œ »œ « l œ» »˙.
    [Show full text]
  • Wouldn't It Be Nice
    wouldn’t it be nice by lewis shiner hat if? It’s not just science fiction and fantasy that asks this w question, it’s all of fiction. What if a young student murdered his landlady to prove his moral superiority? What if a woman survived the Civil War and three marriages only to find true love too late? It’s also the question by which we transform ourselves. What if I quit my job and moved to the desert? What if I turned myself loose to create “a teenage symphony to God?” The Icarus who attempted that teenage symphony in 1966 is now 53. For Brian Wilson it’s been thirty years of struggle: with drugs and diet, with people who want to run his life for him, with the intensity of his own feelings. The good news is that Wilson’s life is finally his own again. He is newly married to a woman named Melinda, who is calm and sweet and loving with him. He has a new house in the safety of a gated community high above the city. And he is back in the public eye with two new albums and a movie on the Disney channel. The film is I Just Wasn’t Made For These Times, directed by producer-of-the- moment Don Was. The soundtrack is a kind of Best of Brian Wilson, live in the studio with crack session players like Jim Keltner, Benmont Tench, and Waddy Wachtel. This is not only a wonderful album in its own right, it represents a healing of other wounds.
    [Show full text]
  • The Beach Boys 100.Xlsx
    THE BEACH BOYS 100 Rank Songs 1 Good Vibrations 2 California Girls 3 God Only Knows 4 Caroline No 5 Don't Worry Baby 6 Fun Fun Fun 7 I Get Around 8 Surfin' USA 9 Til I Die 10 Wouldn't It Be Nice 11 I Just Wasn't Made for These Times 12 Warmth of the Sun 13 409 14 Do You Remember 15 A Young Man is Gone 16 When I Grow Up 17 Come Go With Me 18 Girl from New York City 19 I Know There's an Answer 20 In My Room 21 Little Saint Nick 22 Forever 23 Surfin' 24 Dance Dance Dance 25 Let Him Run Wild 26 Darlin' 27 Rock & Roll to the Rescue 28 Don't Back Down 29 Hang on to your Ego 30 Sloop John B 31 Wipeout (w/ The Fat Boys) 32 Wild Honey 33 Friends 34 I'm Waiting for the Day 35 Shut Down 36 Little Deuce Coupe 37 Vegetables 38 Sail On Sailor 39 I Can Hear Music 40 Heroes & Villains 41 Pet Sounds 42 That's Not Me 43 Custom Machine 44 Wendy 45 Breakaway 46 Be True to Your School 47 Devoted to You 48 Don't Talk 49 Good to My Baby 50 Spirit of America 51 Let the Wind Blow THE BEACH BOYS 100 52 Kokomo 53 With Me Tonight 54 Cotton Fields 55 In the Back of My Mind 56 We'll Run Away 57 Girl Don't Tell Me 58 Surfin' Safari 59 Do You Wanna Dance 60 Here Today 61 A Time to Live in Dreams 62 Hawaii 63 Surfer Girl 64 Rock & Roll Music 65 Salt Lake City 66 Time to Get Alone 67 Marcella 68 Drive-In 69 Graduation Day 70 Wonderful 71 Surf's Up 72 Help Me Rhonda 73 Please Let Me Wonder 74 You Still Believe in Me 75 You're So Good to Me 76 Lonely Days 77 Little Honda 78 Catch a Wave 79 Let's Go Away for Awhile 80 Hushabye 81 Girls on the Beach 82 This Car of Mine 83 Little Girl I Once Knew 84 And Your Dreams Come True 85 This Whole World 86 Then I Kissed Her 87 She Knows Me Too Well 88 Do It Again 89 Wind Chimes 90 Their Hearts Were Full of Spring 91 Add Some Music to Your Day 92 We're Together Again 93 That's Why God Made Me 94 Kiss Me Baby 95 I Went to Sleep 96 Disney Girls 97 Busy Doin' Nothin' 98 Good Timin' 99 Getcha Back 100 Barbara Ann.
    [Show full text]
  • Pet Sounds”—The Beach Boys (1966) Added to the National Registry: 2004 Essay by Tom Smucker (Guest Post)*
    “Pet Sounds”—The Beach Boys (1966) Added to the National Registry: 2004 Essay by Tom Smucker (guest post)* Album cover Original label The Beach Boys Released in May of 1966, “Pet Sounds” was initially understood by some as a new pop music paradigm, for others as a rock betrayal, for a few as a source of personal solace. In the USA, it was also a financial disappointment, a potentially career collapsing abandonment of the Beach Boys surf, car, and summer songs. Across the Atlantic in the UK, the album received a crucially different debut. Keith Moon of The Who helped Bruce Johnston of the Beach Boys set up a publicized pre-release “Pet Sounds” enthusiastic listen in London for John Lennon and Paul McCartney. With that recognition established, the LP and the Beach Boys continued their overseas ascent in esteem and popularity while dropping out of favor, if not out of sight, in the United States. As had been his practice previously in the studio, Brian Wilson worked out the instrumental tracks with the cream of LA studio musicians, the so-called “Wrecking Crew,” while the rest of the group was on tour, returning to add their complex yet heartfelt vocal harmonies on the top. In “Pet Sounds,” these tracks were packed with found sounds, countermelodies, and an unpredictable variety of instrumentation that gave each cut a distinctive signature while still part of a coherent whole. Brian was composing using the modern mid-1960s recording studio as his instrument. It was this example that inspired George Martin and the Beatles to expand their exploration of the studio with their own sensibility for “Sgt.
    [Show full text]
  • Brian Wilson
    Volume ! La revue des musiques populaires 10 : 2 | 2014 Composer avec le monde Kirk CURNUTT, Brian Wilson Daniel Harrison Electronic version URL: http://journals.openedition.org/volume/4094 DOI: 10.4000/volume.4094 ISSN: 1950-568X Printed version Date of publication: 10 June 2014 Number of pages: 228-233 ISBN: 978-2-913169-35-7 ISSN: 1634-5495 Electronic reference Daniel Harrison, « Kirk CURNUTT, Brian Wilson », Volume ! [Online], 10 : 2 | 2014, Online since 30 June 2014, connection on 10 December 2020. URL : http://journals.openedition.org/volume/4094 ; DOI : https://doi.org/10.4000/volume.4094 L'auteur & les Éd. Mélanie Seteun 228 Notes de lecture Kirk Curnutt, Brian Wilson, Icons of Pop Music, Halstead & Lang, Equinox Publishing, 2012. Finally, the Professors Brian’s work, often using terms, snatches of of English have gotten lyric, song titles, and other saved bits of text to Brian Wilson! This is produced by Brian and the Beach Boys, as well great news, since we as their spokesmen, chroniclers, and critics. don’t need any more (Thanks to previous authors and collectors, chronologies, antho- the documentary record of Brian’s professional logies, mythologies, career, at least, is extremely rich.) From his own psychologies, or hagio- training, Curnutt makes us aware of aspects graphies. The main of Brian’s work that invite questions about facts of his biography race, gender, and social positioning. What’s a to date are settled, and white “glee club” doing with Chuck Berry licks? those few in dispute What’s up with Brian’s falsetto? What’s so great are both long-standing and familiar to fans.
    [Show full text]