Edexcel GCSE Aos4: Fusions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
A New Generation of Jazz from Japan Featuring Takuya Kuroda and Ensemble
Asia Society and The Japan Foundation Present A New Generation of Jazz From Japan Featuring Takuya Kuroda and Ensemble Takuya Kuroda (Hiroyuki Seo) Saturday, March 8, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City The performance will last approximately 75 minutes, with no intermission. Asia Society and The Japan Foundation Present A New Generation of Jazz From Japan Featuring Takuya Kuroda and Ensemble THE ENSEMBLE: Takuya Kuroda, trumpet Rashaan Carter, bass Adam Jackson, drums Corey King, trombone Keita Ogawa, percussion Takeshi Ohbayashi, piano/keyboards ABOUT THE ARTISTS TAKUYA KURODA (TRUMPET) Japanese trumpeter Takuya Kuroda is a veteran and mainstay of the New York Jazz scene. A 2006 graduate of The New School’s Jazz and Contemporary Music Program, Takuya has performed alongside some of the best musicians (Junior Mance, Jose James, Greg Tardy, Andy Ezrin, Jiro Yoshida, Akoya Afrobeat, Valery Ponomarev Big Band) at some of the city’s most renowned live music venues including Radio City Music Hall, The Blue Note, The Village Underground, Sweet Rhythm, 55 Bar, and SOBs. RASHAAN CARTER (BASS) Rashaan Carter is entrenched in the New York jazz scene and has worked with Benny Golson, Curtis Fuller and Louis Hayes, Wallace Roney, Marc Cary, Cindy Blackman, Doug and Jean Carn, Antoine Roney, Sonny Simmons, and many more. ADAM JACKSON (DRUMS) Adam Jackson has had the pleasure of working with platinum recording group Destiny’s Child, Ciara, Grammy-nominated Emily King, Frank McComb and on the Tony Award winning musical Memphis. COREY KING (TROMBONE) Since his arrival in New York, Corey King has performed and/or recorded with notable artists such as Dave Binney, Dr. -
Spirit of Black Descendant Encouragement As Reflected in Black Gold Lyric by Esperanza Spalding
Spirit of Black Descendant Encouragement as Reflected in Black Gold Lyric by Esperanza Spalding a Journal by Renanda Prima Tyasa [A2B009054] English Department Faculty of Humanities Diponegoro University 2013 CHAPTER 1 ± Introduction The slavery era of black people from the 17th until 20th century had inherited wounds toward the descendants of black people. After Civil War (1861-1865), slavery was abolished by the combination of /incoln‘s Emancipation 3roclamation and the 13th Amendment to the Constitution in 1865. However, although the Blacks were no longer slaves, they were still treated as second class citizens and continued to live in poor conditions without many chances to make their life better. It would take a long time before their life would be improved. However today, people of black descendants in the United States are able to blend with society. Indeed, their presence is considered better these days. However, they factually are not totally free from discrimination. News is reporting about discriminations that are faced by black descendants nowadays. As for example is the killing plan that is conducted by white supremacist group Ku Klux Klan that put target into President Barack Obama. News canal thesun.co.uk published it on June 21st, 2013. It is said, Fanatics Glendon Scott Crawford, 49, and Eric Feight, 54, were nicked after a six- month FBI undercover operation. Mr Obama was among those said to have been targeted by the futuristic device that would have fired lethal doses of radiation. Engineer Crawford, a member of the white supremacist group the Ku Klux Klan, told undercover agents his design was —Hiroshima on a light switch“. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
A Woman's Place in Jazz in the 21St Century Valerie T
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2018 A Woman's Place in Jazz in the 21st Century Valerie T. Simuro University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, and the Philosophy Commons Scholar Commons Citation Simuro, Valerie T., "A Woman's Place in Jazz in the 21st Century" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7363 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A Woman’s Place in Jazz in the 21st Century by Valerie T. Simuro A thesis is submitted in partial fulfillment of the Master of Arts, in Liberal Arts, in Humanities Concentration Department of Humanities and Cultural Studies at the University of South Florida Major Professor: Andrew Berish, Ph.D. Brook Sadler, Ph.D. Maria Cizmic, Ph.D. Date of Approval: June 21, 2018 Keywords: Esperanza Spalding, Gender, Race, Jazz, Age Copyright © 2018, Valerie T. Simuro ACKNOWLEDGMENT I would like to take this opportunity to express my deepest gratitude to, Dr. Brook Sadler who was instrumental in my acceptance to the Graduate Master’s Program at the University of South Florida. She is a brilliant teacher and a remarkable writer who guided and encouraged me throughout my years in the program. -
MSM STUDIO ORCHESTRA Billy Childs, Composer and Pianist
MSM STUDIO ORCHESTRA Billy Childs, Composer and Pianist FRIDAY, JANUARY 25, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 25, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM STUDIO ORCHESTRA Billy Childs, Conductor PROGRAM Billy Childs Dance of Shiva Quiescence Jerome Gillespie, drums Savannah Harris, drums Houston, TX Oakland, CA Joshua Allen, bass Hwansu Kang, bass Buford, GA Yeosu, South Korea Billy Childs, piano Billy Childs, piano Nicola Caminiti, alto saxophone Nicholas Pennington, guitar Messina, Italy Adelaide, Australia Shun Katayama, flute Rebirth Ichikawa, Japan Jerome Gillespie, drums Dominique Moreno, harp Houston, TX Houston, Texas Joshua Allen, bass Jeehyun Park, violin Buford, GA Seoul, South Korea Billy Childs, piano Sookyung Choi, violin Jack Kotze, trombone Tal Mcgee, viola Chicago, IL Spring, Texas Nicola Caminiti, alto saxophone Nicholas Burkel, cello Messina, Italy Sayville, New York Sabeth Perez, vocals Cologne, Germany Into the Light Rasmus Sorenson, piano Copenhagen, Denmark Savannah Harris, drums Nicholas Pennington, guitar Oakland, CA Adelaide, Australia Hwansu Kang, bass Nicola Caminiti, alto saxophone Yeosu, South Korea Messina, Italy Billy Childs. piano Christian Mehler, trumpet 1 Nicholas Pennington, guitar Cologne, Germany Adelaide, Australia Geoffrey Gallante, trumpet 2 Shun Katayama, flute Alexandria, Virginia Ichikawa, Japan Camerahn Alforque, trumpet 3 Nicola Caminiti, soprano saxophone San Diego, California Messina, Italy Jack Kotze, trombone 1 Dominique Moreno, harp Chicago, Illinois Houston, Texas -
The Good Swimmer
Brooklyn Academy of Music Adam E. Max, BAM Board Chair William I. Campbell and Nora Ann Wallace, BAM Board Vice Chairs Katy Clark, President Joseph V. Melillo, The Good Swimmer Executive Producer Music by Heidi Rodewald Lyrics by Donna Di Novelli Directed by Kevin Newbury DATES: NOV 28—DEC 1 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) Leadership support for music programs at RUN TIME: Approx 1hr 10min BAM provided by no intermission the Baisley Powell Elebash Fund This production is made possible with support from the Joseph V. Melillo Fund for Artistic Innovation Support for female choreographers and composers in the Next Wave Festival provided by the Virginia B. Toulmin Foundation #BAMNextWave BAM Fisher The Good Swimmer With World premiere commissioned by BAM. Special thanks to Joe Melillo and the Composer Lead Vocalist: David Driver Produced by KiWi Productions. entire staff at BAM; the staff from the Heidi Rodewald Drums: Marty Beller 2016 PROTOTYPE Festival and Keyboard: Marc Doten Support for the world premiere generously the HERE Arts Center staff; Lyricist Violin, Keyboard, Glockenspiel: Dana Lyn provided by: Terry Eder & Gene Kaufman, Stew, Terry Eder & Gene Kaufman, Donna Di Novelli Bass, Vocalist: Heidi Rodewald Steve Klein/Apple Core Holdings, Steve Klein, Kristy Edmunds, Guitar, Vocalist: Christian Gibbs Linda & Dennis Myers, Christine & Vasi Laurence, Lisa Philp & Bill Bragin, Director Cello, Vocalist: Clara Kennedy W. Michael Garner, Sherwin Goldman, and Liz McCann. Kevin Newbury Trumpet: Linda Briceño Jill & William Steinberg, Woodwinds: Gabrielle Garo Ann Shilling Harrison, David Henry Donna Di Novelli dedicates Music director Jacobs, Susan Bienkowski, Jamie deRoy, The Good Swimmer to the memory of Marty Beller Choral ensemble Dan Shaheen, Oskar Eustis, and Anthony Jack Carlucci, 1949—1969. -
MGMC Program
Midwest Graduate Music Consortium 2021: TIMELY CONVERSATIONS Hosted by the Society for Music Research at the University of Michigan April 10–11, 2021 Virtual, EDT (GMT -4) FROM THE ORGANIZERS Welcome to the Midwest Graduate Music Consortium’s 2021 Conference, “Timely Conversations!” We are delighted to have you join us for this exciting weekend of scholarship, musical performance, and professional interaction—all via remote technology and from the comfort of your own homes. Our theme, “Timely Conversations,” has inspired graduate students from all over the world to produce scholarship and new music in response to the varied conversations that have taken place over the past year about racial injustice, inequality, and the effects of a global pandemic on universities, research, and societies—all of which raise questions about accessibility, prejudice, and power dynamics in our work. These papers and compositions touch on a wide range of topics such as, but certainly not limited to, institutional and humanitarian crises; music during social upheaval; accessibility in music scholarship and pedagogy; diversifying the music syllabus; the effects of social distancing on research, performing, and teaching; and thinking about the way music scholarship and pedagogy engages with race and other identities. We are honored to host this year’s keynote speaker, Dr. Shana Redmond, and to hear her talk titled “Black Antiphonal Life.” It is our hope that the timely conversations we have at MGMC 2021 will stimulate productive conversation among attendees and serve as a tipping point for the future of music scholarship. In this document, you will find the conference schedule, our keynote speaker’s biography, abstracts for the papers that will be presented, information about the New Music Concert and program notes for the pieces to be performed, and a list of the many volunteers without whose help we could not have hosted this event. -
Lineage Curated by Julia Bullock Soundbox
LINEAGE CURATED BY JULIA BULLOCK SOUNDBOX 1 julia bullock on lineage “I’ve found that musicians often share a lot about the various influences in their lives— whether they be historical, political, philosophical, personal, or based on other mediums of art. They let diverse influences not only impact their work, but find ways to let them register explicitly. It’s like musicians are hyper conscious of their lineage—they honor it and value it. So, as I continue to follow along the path and legacy of artists that came before me, lineage has become increasingly important—it’s a part of knowing from where I originated and letting that inform where I envision myself going. The musicians on this SoundBox program could not make music all together in one place, or even at one time, but the very nature of this program—which links material that spans across almost 900 years—captures an audio and visual snapshot of how lineage can inform, influence, impact, and express itself in a musical context.” 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. -
Manor Primary School Music Year 1: in the Grove Overview of the Learning: All the Learning Is Focused Around One Song: in the Groove
Manor Primary School Music Year 1: In The Grove Overview of the Learning: All the learning is focused around one song: In The Groove. The material presents an integrated approach to music where games, the interrelated dimensions of music (pulse, rhythm, pitch etc.), singing and playing instruments are all linked. Core Aims Pupils should be taught How to listen to music. perform, listen to, review and evaluate music across a range of historical periods, genres, styles and To sing a range of songs song. traditions, including the works of the great composers and musicians To understand the geographical origin of the music and in which era it was composed. Learn to sing and to use their voices, to create and compose music on their own and with others, To experience and learn how to apply key musical concepts/elements, eg finding a pulse, clapping have the opportunity to learn a musical instrument, use technology appropriately and have the a rhythm, use of pitch. opportunity to progress to the next level of musical excellence To play the accompanying instrumental parts (optional). understand and explore how music is created, produced and communicated, including through the inter-related dimensions: pitch, duration, dynamics, tempo, timbre, texture, structure and To work together in a band/ensemble. appropriate musical notations. To develop creativity through improvising and composing within the song. To understand and use the first five notes of C Major scale while improvising and composing. To experience links to other areas of the curriculum To recognise the style of the music and to understand its main style indicators. -
Legendary Paul Simon Leads Off New Season of Austin City Limits
LEGENDARY PAUL SIMON LEADS OFF NEW SEASON OF AUSTIN CITY LIMITS Rare Hour With Superstar In His ACL Debut Season 42 Premieres October 1 on PBS Austin, Texas—September 27, 2016—Austin City Limits (ACL) launches a new season of must-see performances from music’s finest with an icon of American popular music, Paul Simon, in his first-ever appearance on the ACL stage. The living legend shines in a sublime, career-spanning hour featuring beloved classics and new songs from his acclaimed recent album, Stranger to Stranger. The hour-long season premiere airs Saturday, October 1 at 8pm CT/9pm ET as part of ACL’s new Season 42. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. Making a rare television appearance, Simon sparkles in an irresistible performance filled with career highlights from his over five-decade strong musical legacy. Backed by a world-class nine-piece band, the music legend opens an eleven-song set with selections from Graceland, his landmark 1986 album that brought African rhythms to mainstream American radio. A lifelong sonic adventurer, Simon takes viewers to Louisiana Cajun country for a joyful performance of “That Was Your Mother.” Simon also showcases new classics from 2016’s acclaimed Stranger to Stranger, his 13th solo album, including standouts “Wristband” and “The Werewolf.” Simon’s showmanship is on full display throughout as he dazzles the ACL audience with non-stop gems from his extensive catalog, including early solo hit “Me and Julio Down by the Schoolyard” and a stripped-down, countrified “Homeward Bound.” He dips back into his Graceland songbook for “Diamonds On the Soles Of Her Shoes,” and a show-stopping “You Can Call Me Al,” engaging the crowd in hand-clapped rhythm.